Books like Hatfield's Herbal — picked by fans

Like many people, I’d heard so much about this classic that I was braced for disappointment the first time I read it.

But no, du Maurier’s rich, atmospheric prose gripped me from that famous first line. While I agree about the power of the iconic cast, such as the infamous Mrs. Danvers, I feel that the setting itself is just as powerful a character. I especially love du Maurier’s way of personifying the setting, so that things such as trees, and plants, and buildings come alive with malevolence.

The opening pages, for example, immediately fill you with unease despite the narrator talking about nothing more than the driveway leading up to the house on the estate! From the woods that “crowded, dark and uncontrolled” and the beeches with “white naked limbs” to the hydrangeas “rearing to a monster height without a bloom, black and ugly” and the nettles that “choked… show more.

This is extraordinary, meditative, and beautiful. For me, it fulfils the most important element of any book – that magical sense of stepping into another world. In this case, it is the world of Katherine Swift as she describes the creation of her garden in Shropshire. Yet it is so much more than that. The book is built around the daily structure of monastic prayer, as in a medieval Book of Hours, and this contemplative mood flows through every page, taking us on a discursive journey involving horticulture, history, and the stories of some of the people who previously lived at Morville. Whenever I read it, I get that all-important sense of connection with nature and the rhythm of life.

I love books that chronicle the passing of time, going from dark and gloomy January, through the quixotic summer months and right into late December which I always think of as the fag-end of the year. The Ivington Diaries is a collection of Monty Don’s diary entries about his home and garden over several years. With charming honesty, he describes his gardening failures as well as his successes, the people he knows, and the vagaries of the changing seasons. Whenever I read this book it casts a spell over me and I feel as though I’m living in a secret corner of the garden at Ivington, watching all its comings and goings.

I love all Alan Garner’s novels but have chosen this one because I have long been captivated by the deft and frequently quite terrifying way that Garner weaves a dark heart of fantasy and elemental magic into an everyday story of modern relationships—divorce, re-marriage, class prejudice, and economic inequality.

The book has haunted my imagination for over thirty years now, which, to me, is a sign of the work of a truly great author. I also love the way the book retells stories from ancient legend, reworking some of the central themes of the Welsh Mabinogion—some of the very earliest tales of magic and fantasy.

So many books with beautifully illustrated florals are aimed at children, but the magic of flora is not just for kids. A wonderful example of this is The Illustrated Herbiary, which focuses on 36 botanicals like rosemary (for remembrance, just like in my book), apple, and clover. Filled with rituals and reflections for each herb, Kate O’Hara’s beautiful and detailed illustrations bring Maia Toll’s words to life.

This is an illustrated novel that originated with an actual poison garden created by the Duchess of Northumberland at her estate in northern England.

This garden at Alnwick Castle is full of poisonous plants and served as the setting for scenes in several Harry Potter movies.

The Poison Diaries unfolds like a fable, about a teenage girl, Jessamine, daughter of a poison plant botanist, who must tend to the poison plants by herself. That is, until a boy named Weed appears.

The novel vividly describes the germination of Atropa Belladonna, with its deadly black berries. This beautifully illustrated book about a poison plant gardener is truly enchanting.

We think this is Matthew’s masterwork, forming the most thorough and sensitive contemporary herbal in English. When we say ‘sensitive’ we are referencing Matthew’s intuitive understanding of a herb’s specific qualities, or virtues.

He combines this feeling for a plant’s individuality with a thorough knowledge of the way it has been favoured in traditional herbal medicine and how he has used it himself, quoting from cases arising in his long clinical experience. A proponent of ‘drop dosing’ or using the least amount of herb necessary, he is often surprising, sometimes controversial, but always well-informed and elegant in his work.

This author is well known for her nonfiction picture books that clearly explain science topics, in this case, the growth of plants. Step by step, Gibbons walks young readers through pollination, the growth of seeds, and how seeds are distributed, such as by squirrels and birds. Then she goes on to talk about how plants grow. The whole process is reader-friendly, and the illustrations are clean and attractive. A great introduction for kindergarten through third graders.

What’s distinctive about this gorgeous poetry anthology is not only that each poem has a specific tree or flower as its subject but that they are grouped according to plant family.

The editor Sarah Maguire was a gardener as well as a poet and translator. In what was clearly a labour of love she brought together poems from all over the world, spanning eight centuries of writing. Her fascinating introduction considers many aspects of nature poetry, including gender and colonialism.

As a gardener and poet I have loved finding poems by Medbh McGuckian, Emily Dickinson and D.H. Lawrence grouped together in the Gentian family or poems by Louise Glück, Seamus Heaney, Lorna Goodison, Robert Herrick, Marianne Moore, and Richard Wilbur thriving next to each other in the Mint family. 

My favorite part of the book was the world-building. The setting was a joy to explore, with lush, green cities, clean technology, forests, people living in small communities and relying on barter, and the whole solarpunk aesthetic.

The understanding of morality in this world is largely based on people’s interactions with nature and animals. Those who don’t treat the world with the respect it deserves have to face dire consequences from the Order of the Vengeful Wild, which was an interesting aspect of the book. The story itself was not bad, but didn’t make such an impression on me as the world it was set in.