Books like Hatfield's Herbal

I first loved Rebecca for its atmosphere, but what stayed with me was something more unsettling: how completely another person’s version of the past can shape the present.

I remember finishing it and thinking about how easily we accept a story when everyone around us seems to believe it. As a writer, I keep returning to that idea.

Du Maurier showed me that an absence can dominate a novel as powerfully as a living character, and that what people refuse to say can matter as much as what they reveal. That has stayed with me in my own writing about memory, silence, and family secrets.

This is extraordinary, meditative, and beautiful. For me, it fulfils the most important element of any book – that magical sense of stepping into another world. In this case, it is the world of Katherine Swift as she describes the creation of her garden in Shropshire. Yet it is so much more than that. The book is built around the daily structure of monastic prayer, as in a medieval Book of Hours, and this contemplative mood flows through every page, taking us on a discursive journey involving horticulture, history, and the stories of some of the people who previously lived at Morville. Whenever I read it, I get that all-important sense of connection with nature and the rhythm of life.

I love books that chronicle the passing of time, going from dark and gloomy January, through the quixotic summer months and right into late December which I always think of as the fag-end of the year. The Ivington Diaries is a collection of Monty Don’s diary entries about his home and garden over several years. With charming honesty, he describes his gardening failures as well as his successes, the people he knows, and the vagaries of the changing seasons. Whenever I read this book it casts a spell over me and I feel as though I’m living in a secret corner of the garden at Ivington, watching all its comings and goings.

I love all Alan Garner’s novels but have chosen this one because I have long been captivated by the deft and frequently quite terrifying way that Garner weaves a dark heart of fantasy and elemental magic into an everyday story of modern relationships—divorce, re-marriage, class prejudice, and economic inequality.

The book has haunted my imagination for over thirty years now, which, to me, is a sign of the work of a truly great author. I also love the way the book retells stories from ancient legend, reworking some of the central themes of the Welsh Mabinogion—some of the very earliest tales of magic and fantasy.

So many books with beautifully illustrated florals are aimed at children, but the magic of flora is not just for kids. A wonderful example of this is The Illustrated Herbiary, which focuses on 36 botanicals like rosemary (for remembrance, just like in my book), apple, and clover. Filled with rituals and reflections for each herb, Kate O’Hara’s beautiful and detailed illustrations bring Maia Toll’s words to life.

This is an illustrated novel that originated with an actual poison garden created by the Duchess of Northumberland at her estate in northern England.

This garden at Alnwick Castle is full of poisonous plants and served as the setting for scenes in several Harry Potter movies.

The Poison Diaries unfolds like a fable, about a teenage girl, Jessamine, daughter of a poison plant botanist, who must tend to the poison plants by herself. That is, until a boy named Weed appears.

The novel vividly describes the germination of Atropa Belladonna, with its deadly black berries. This beautifully illustrated book about a poison plant gardener is truly enchanting.

We think this is Matthew’s masterwork, forming the most thorough and sensitive contemporary herbal in English. When we say ‘sensitive’ we are referencing Matthew’s intuitive understanding of a herb’s specific qualities, or virtues.

He combines this feeling for a plant’s individuality with a thorough knowledge of the way it has been favoured in traditional herbal medicine and how he has used it himself, quoting from cases arising in his long clinical experience. A proponent of ‘drop dosing’ or using the least amount of herb necessary, he is often surprising, sometimes controversial, but always well-informed and elegant in his work.

This author is well known for her nonfiction picture books that clearly explain science topics, in this case, the growth of plants. Step by step, Gibbons walks young readers through pollination, the growth of seeds, and how seeds are distributed, such as by squirrels and birds. Then she goes on to talk about how plants grow. The whole process is reader-friendly, and the illustrations are clean and attractive. A great introduction for kindergarten through third graders.

This gorgeous book by microbiologist Dr. Beronda L. Montgomery is as beautiful to read as it is to hold—in your hands, in your heart. We can’t stop thinking about Montgomery’s key lesson: if you have a plant that is struggling, you figure out what environmental changes it needs to thrive—more or less water or sunlight, better soil. When people fail to flourish, we’re quick to blame the individual. As an African American woman, Montgomery makes us think about society and how we approach problems (do we compete or do we build a collaborative effort for a holistic solution?). Humans have much to discover from our photosynthesizing world: how plants learn—from their own kin, their friends, and their foes—and Montgomery helps us to understand the nature (literally) of teaching and learning.

My favorite part of the book was the world-building. The setting was a joy to explore, with lush, green cities, clean technology, forests, people living in small communities and relying on barter, and the whole solarpunk aesthetic.

The understanding of morality in this world is largely based on people’s interactions with nature and animals. Those who don’t treat the world with the respect it deserves have to face dire consequences from the Order of the Vengeful Wild, which was an interesting aspect of the book. The story itself was not bad, but didn’t make such an impression on me as the world it was set in.