Here are 100 books that Harlem Shuffle fans have personally recommended if you like
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I have always loved stories, and I love the clash of ideas – political and philosophical, religious and atheistic. And if you can put them together in a novel, so much the better. But I insist that it has to be a real story, with real characters, not ciphers. They must be inconsistent, their ideas half-formed and subject to change. And they must be allowed to put their point of view with their own voice, so I’m never entirely sure what the author thinks. The characters have to be people I can care about, people I can love or hate, people whose fate can cause me anxiety, sorrow, or joy.
I loved the way Dostoevsky took me deep inside the head of a murderer and showed how his crime almost destroyed him long before he was caught.
Though I found the killings shocking and appalling, I couldn’t help but sympathise with the killer as he fell apart. I later read that many of the characters represented currents of thought that were influential in Dostoyevsky’s day. Much of that went above my head, but that was okay because the characters were well-drawn and came across as real people, not ciphers.
One thing that shocked me was the crushing nature of the poverty that so many supposedly upper-class characters faced, and how low they had to stoop to survive it.
Hailed by Washington Post Book World as “the best [translation] currently available" when it was first published, this second edition has been updated in honor of the 200th anniversary of Dostoevsky’s birth.
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is…
A compelling and unforgettable tale of humanity, resilience, and the lengths we will go to for love. When the end comes, what will you wish you had done?
In 2050s London, a deadly virus sweeps the globe, and the British government decides to evacuate children from the cities while a…
I grew up in central Arkansas, which means I experienced first-hand the fiction I describe here. The South in these books - its religion, poverty, and beauty, not to mention its capacity for real ugliness - is not simply an atmosphere these authors have used to decorate their sets. The South in these books is a place where real people live, in exactly the ways these writers have described. My novella, Six Mile Store, is my own take on the real South. These are the books that showed me that these kinds of Southern stories are worth telling.
The film adaptations make True Grit look like a Western. It is not.
It is an Arkansas book, and Mattie Ross is an Arkansas character: fourteen years old, tiny, and completely on board with the violence she knows avenging her father's murder will require. She has courage and goal-oriented ruthlessness.
Mattie’s fortitude underlines the gap between what my characters can see for themselves and what they can actually reach. That gap is at the heart of what my novella is about.
There is no knowing what lies in a man's heart. On a trip to buy ponies, Frank Ross is killed by one of his own workers. Tom Chaney shoots him down in the street for a horse, $150 cash, and two Californian gold pieces. Ross's unusually mature and single-minded fourteen-year-old daughter Mattie travels to claim his body, and finds that the authorities are doing nothing to find Chaney. Then she hears of Rooster - a man, she's told, who has grit - and convinces him to join her in a quest into dark, dangerous Indian territory to hunt Chaney down…
I like books in which there are moral stakes, which sometimes draws me to stories with criminals, and I like when the character at the center of the problem is complex or destabilizes things. Dark humor always helps. Average people should be able to see themselves in some way in the criminal’s bad behavior or at least in their desires. I have published two story collections and two novels. My first collection of short stories won the Great Lakes College Association New Writers Award. My fiction has appeared in Tin House, Southern Review, The Missouri Review, and elsewhere. I'm a professor of English at Kalamazoo College.
Separated from her young son, Romy Hall is serving two consecutive life sentences for killing a customer from the Mars Room, a strip club where she’d been dancing. Brilliantly written with compassion and dry, dark humor, the book explores Romy’s relationships with her fellow prisoners and the despair, dangers, and absurdities of life behind bars.
I loved this novel’s gritty texture, its sentences, its characters, and how it forced me to think more deeply about why and how we incarcerate people. The final sequence in Muir Woods is heart-pounding, wondrous, devastating, and strangely hopeful.
**SHORTLISTED FOR THE MAN BOOKER PRIZE 2018** **A NEW YORK TIMES BESTSELLER AND CRITICS' TOP BOOK OF 2018**
'An unforgettable novel.' DAILY TELEGRAPH 'More knowing about prison life [than Orange Is The New Black]... so powerful.' NEW YORK TIMES 'One of America's finest writers.' VOGUE
Romy Hall is at the start of two consecutive life sentences, plus six years, at Stanville Women's Correctional Facility. Outside is the world from which she has been permanently severed: the San Francisco of her youth, changed almost beyond recognition. The Mars Room strip club where she once gave lap dances for a living. And…
This is the story of New York City, told through the prism of one block. It’s a story of forest and cement, bird cries and taxi horns, theaters and brothels, hotels and factories, gambling dens and gourmet foods.
It’s also the story of high life and low life, immigrants and…
I have always been a writer—and hence—a reader. I was an American historian and published eight books on twentieth-century American history. But, dissatisfied with the rigidity of historical research and composition, I became a novelist and have, since retirement, published eight novels, several of them in the Amanda Pennyworth Mystery Series.
Many of the books I read are mystery stories, a genre which I believe often gives the writer an opportunity to explore subjects and characters who are beyond the scope of ordinary literature. The books I have chosen are all classics, each in its own way a wonderful example of the variety and depth of mystery literature. My passion begins with such books.
Elmore Leonard has a pitch-perfect literary style combined with an uncanny understanding of the underworld of crime.
Obviously, the author is influenced by Hemingway’s stylistic approaches, but with none of the self-consciousness and pretense that sometimes mars that author’s work.
I also admire his picture of a modern American city and the low-life denizens that most people ignore or shun, but whom he makes quite believable.
A thriller filled with Leonard's signatures - scathing wit, crackling dialogue, twisted plot, mad scams - and set in the drug sodden world of Hollywood.
I write what I call civic noir, crime fiction where the real antagonist isn’t a person but an institution: a courthouse, a precinct, a city hall that already knows how the story ends. I’m drawn to these books because the most frightening thing in them is never the gun; it’s the machinery, the procedure, the quiet way a system decides who’s guilty before anyone enters a courtroom. As a writer, I’m less interested in the villain than in the architecture that produces him. These five novels taught me how to make a building feel dangerous, and how to keep ordinary people from disappearing into the gears.
He’s a man doing everything right: a marriage, kids, an honest garage, while the world keeps tightening the screws until the only door left open is the wrong one.
What I love is that the antagonist is never a person. It’s the arithmetic of being poor and Black in a place that priced you out before you were born. It reads like a heist and lands like a tragedy, a propulsive, engine-roaring thriller that’s secretly an indictment of the whole system.
*GUARDIAN BEST CRIME AND THRILLERS OF 2020* *LA TIMES BOOK PRIZE WINNER 2020*
'BLACKTOP WASTELAND may be the book of the year.' MICHAEL CONNELLY 'Sensationally good' LEE CHILD 'I loved BLACKTOP WASTELAND' STEPHEN KING 'Stunning. Can't remember the last time I read such a powerful crime novel' MARK BILLINGHAM
"Bug" Montage: honest mechanic, loving family man. He's no longer the criminal he was - the sharpest wheelman east of the Mississippi.
But when his respectable life crumbles, a shady associate comes calling with a one-time job promising a huge payout. Inexorably drawn to the driver's seat - and haunted by…
The first books I loved were Gothic classics like Jane Eyre and Rebecca, because of their isolated settings and secretive characters. When I first started writing, it was always stories about communities–the first novel I wrote featured a retirement village and a circus. Maybe that’s because I love observing communities in everyday life, like local pubs in which everybody has their place. When domestic suspense novels really took off, I started devouring crime books with close-knit settings and soon was writing them, too. I love the claustrophobia, the backstories, the landscape, the web of relationships. It can be done in so many different and brilliant ways.
From the first page of this book, I was there. The drought-ridden farming community of Kiewarra, Australia, is evoked so vividly that the whole story feels as gritty and parched as the landscape. For me, this book has all the ingredients that make a claustrophobic setting even more intense: harsh weather conditions, hostile locals, and a dingy bar where fights break out and people drink away their troubles. For these reasons alone, I was sold! This is a community where everyone knows everyone, but they’re all under so much pressure you just know they’d turn on their neighbors in a heartbeat.
I’m also a sucker for a narrative in which someone who has moved away from their hometown is drawn reluctantly back, and this book has that in spades. The main character, Detective Aaron Falk, left Kiewarra under murky circumstances as a teenager and is forced to return when his…
A fast-paced literary thriller with a strong sci-fi element and loaded with existential questions. Beyond the entertainment value, this book takes a hard look at the perilous world of publishing, which is on a crash course to meet the nascent, no-holds-barred world of AI. Could these worlds co-exist, or will…
I’ve been drawn to islands ever since I was a child spending summer holidays ferry-hopping around the Inner Hebrides in Scotland. In 2017 I was lucky enough to be able to live for several months in a remote settlement called Cliff on the Atlantic coast of the Outer Hebrides. It was such a life-changing experience: the isolation, storms, abandoned villages, standing stones, and shipwreck memorials; the beauty and wonder and peace, but also the fear, how vulnerable living somewhere like that can make you feel. How vulnerable you are. My latest novel, The Blackhouse, is a gothic thriller inspired by all the wonderful and eerie islands that I have ever known or read about!
I have read and loved all of Ann Cleeves’ books about Detective Inspector Jimmy Perez, set on the Scottish Shetland Islands. Red Bones is about two feuding families with generations of secrets between them, who are somehow involved in at least two murders. Islands, particularly those that are small and/or remote, foster communities that are incredibly tight-knit by necessity – often your survival entirely depends on one another. That has always made me wonder what lengths such communities might go to in order to survive; what secrets they might have to keep, what lies they might have to tell if something terrible happens that could jeopardise their whole existence. My time living on the Isle of Lewis in the Scottish Outer Hebrides very much inspiredThe Blackhouse, but it was in no small part also inspired by the wild Shetland Islands as described in Cleeves’ wonderful stories.
The third Shetland novel featuring detective Jimmy Perez.
Sometimes the dead won't stay buried . . .
When a young archaeologist uncovers a set of human remains, the island settlers are intrigued. Is it an ancient find - or a more contemporary mystery?
Then an elderly woman is shot in what appears to be a tragic accident in the middle of the night, Shetland detective Jimmy Perez is called to investigate.
The sparse landscape and the emptiness of the sea have bred a fierce and secretive people. As Jimmy looks to the islanders for answers, he finds instead two feuding…
I’m a mystery, thriller, and suspense author who’s written dozens of books across five series. In addition to writing crime fiction, I’ve always loved reading in the genre. I’ll take a fast-paced thriller any day. I’ve noticed, over time, that my reading tastes have changed. I gravitate toward crime fiction that features flawed but ethical protagonists who believe, as I do, that light drives out darkness, love is a demonstration of courage, and kindness is a weapon. These five books share this theme in common—all against the backdrop of gripping, high-stakes plots with twists and turns aplenty. These are books that will get your heart racing andgive you hope for humanity.
At first blush, Ten “Tenzing” Norbu seems to be just another jaded ex-cop turned cynical private investigator with a string of broken promises and a bitter ex. But Ten’s not your average ex-cop. For one thing, he’s also an ex-Buddhist monk. For another, his sidekick is a Persian cat named Tank. A chance encounter with a woman on the run from a cult leads to his first private case when the woman turns up dead. Ten’s reliance on his religious beliefs as he investigates her murder adds depth and meaning to this fast-paced mystery. Imperfect, but trying, Ten wormed his way into my heart over the course of the book.
'Don't ignore intuitive tickles lest they reappear as sledgehammers.' That's the first rule of Ten. In The First Rule of Ten, Tenzing Norbu ('Ten' for short) - ex-Buddhist monk and soon-to-be-ex-cop - takes on his first case as a private investigator in Los Angeles. Growing up in a Tibetan Monastery, Ten dreamed of becoming a modern-day Sherlock Holmes. So when he was sent to Los Angeles to teach meditation, he joined the LAPD instead. But as the Buddha says, change is inevitable; and ten years later, everything is about to change - big-time - for Ten. One resignation from the…
I have always been intrigued by missing persons. I wonder how their family copes with having no closure on the situation and how they can live wondering where their loved one is and whether they are dead or alive. I have read these recommended books many times to satisfy this craving. I enjoy a sense of the macabre even though the story may be about mundane everyday topics. This only adds to the sense of dread and wonder. I enjoy the intriguing twists and turns, keeping me on my toes and wanting more until the end. I hope you enjoy the books on this list as much as I have.
I recommend this book and the author’s fabulous writing, comprising of dread and humour (which I love), all rolled into one. Three separate case histories, interlinked, each littered with fabulous, memorable characters. Jackson Brodie, the Detective trying to solve the case, is one of the best, with brilliant detective skills and a haunting personal life.
An intriguing mix of family drama and mystery, giving it more depth than just an ordinary thriller. I have read this book many times, and it’s always new, never boring, and the ending is still a surprise.
Case one: A little girl goes missing in the night. Case two: A beautiful young office worker falls victim to a maniac's apparently random attack. Case three: A new mother finds herself trapped in a hell of her own making - with a very needy baby and a very demanding husband - until a fit of rage creates a grisly, bloody escape.Thirty years after the first incident, as private investigator Jackson Brodie begins investigating all three cases, startling connections and discoveries emerge ...
I like books in which there are moral stakes, which sometimes draws me to stories with criminals, and I like when the character at the center of the problem is complex or destabilizes things. Dark humor always helps. Average people should be able to see themselves in some way in the criminal’s bad behavior or at least in their desires. I have published two story collections and two novels. My first collection of short stories won the Great Lakes College Association New Writers Award. My fiction has appeared in Tin House, Southern Review, The Missouri Review, and elsewhere. I'm a professor of English at Kalamazoo College.
I’m fascinated by novels that treat famous real events from an insider perspective.
In this case, it’s the events following the Symbionese Liberation Army’s kidnapping of Patty Hearst in 1974. Fugitive SLA members, including a character based on Hearst, are sheltered by a former radical, Jenny Shimada (based on Wendy Yoshimura), who is also wanted by the FBI in connection with the bombing of draft offices.
Jenny is a sort of house mother to the volatile fugitives, who hope to write a book while in hiding to raise money for their cause, but inevitably she is drawn into their latest dangerous scheme. Filled with brilliant character studies, the novel astutely shows connections between the tortured personalities of individuals and the public acts they commit which end up shaping our culture.
A fictionalization of the Patty Hearst kidnapping focuses on Jenny Shimada, a Japanese-American woman who helps Pauline and her kidnappers during their stay in a New York State farmhouse.