100 Books Like The Roman Empire and Its Germanic Peoples

In my novels, I aim to present a different vision of early Post-Roman Britain than the one usually imagined in fiction – especially in the future Kingdom of Kent, where my books are set. To show these connections, and to present the greater background for the events in the novels, I first needed to gain knowledge of what Europe itself looked like in this period: a Gaul divided between Gothic, Frankish, and Roman administration, a complex interplay of Romans and Barbarians, a world in transition from Antiquity to the Middle Ages. The story gleaned from the pages of these books proved as fascinating and intriguing as any I’ve ever read.

In my novels, I aim to present a different vision of early Post-Roman Britain than the one usually imagined in fiction – especially in the future Kingdom of Kent, where my books are set. To show these connections, and to present the greater background for the events in the novels, I first needed to gain knowledge of what Europe itself looked like in this period: a Gaul divided between Gothic, Frankish, and Roman administration, a complex interplay of Romans and Barbarians, a world in transition from Antiquity to the Middle Ages. The story gleaned from the pages of these books proved as fascinating and intriguing as any I’ve ever read.

In my novels, I aim to present a different vision of early Post-Roman Britain than the one usually imagined in fiction – especially in the future Kingdom of Kent, where my books are set. To show these connections, and to present the greater background for the events in the novels, I first needed to gain knowledge of what Europe itself looked like in this period: a Gaul divided between Gothic, Frankish, and Roman administration, a complex interplay of Romans and Barbarians, a world in transition from Antiquity to the Middle Ages. The story gleaned from the pages of these books proved as fascinating and intriguing as any I’ve ever read.

In my novels, I aim to present a different vision of early Post-Roman Britain than the one usually imagined in fiction – especially in the future Kingdom of Kent, where my books are set. To show these connections, and to present the greater background for the events in the novels, I first needed to gain knowledge of what Europe itself looked like in this period: a Gaul divided between Gothic, Frankish, and Roman administration, a complex interplay of Romans and Barbarians, a world in transition from Antiquity to the Middle Ages. The story gleaned from the pages of these books proved as fascinating and intriguing as any I’ve ever read.

I grew up playing with toy Roman legionaries, marveling at Roman coins, and poring over diagrams of Roman military equipment and their astonishing feats of engineering, went back and forth between wanting to be a medievalist or a Classicist and ended up settling into the study of the late Roman empire and the way it completely transformed its Classical heritage. Along with writing books on that period, I love writing on much wider ancient and medieval themes in the London Review of Books and the TLS.

Born and raised in New Zealand, about as far from the Roman world as one can get, I got hooked on history as a child and began university life as an ancient and medieval double major, studying everything from the classical Greeks and Romans to Charlemagne and the Crusades. By the time I came to Oxford to write my PhD, I decided that my greatest interest lay in the dramatic transformation which saw classical antiquity evolve into medieval Christendom. I've been fortunate enough to write and teach about many different aspects of that transformation and I'm currently Associate Professor in Ancient and Late Antique History at Royal Holloway, in the University of London. 

Patrick Geary is Professor of History Emeritus at the Institute for Advanced Study in Princeton, and Distinguished Professor of History Emeritus at UCLA. He is the author of some fifteen books and many articles and edited volumes on a broad range of topics including barbarian migrations, religious history, ethnicity, nationalism, genetic history, and the modern misuse of ancient and medieval history in the nineteenth through twenty-first centuries. Currently he co-directs an international, interdisciplinary project funded by an ERC Synergy Grant that uses genomic, historical, and archaeological data to understand population structures during the so-called Migration period at the end of the Roman Empire in the West.

For as long as I can remember, I have been deeply interested in how people understand and use the past. Whether it is a patient reciting a personal account of his or her past to a therapist or a scholar writing a history in many volumes, I find that I am consistently fascinated by the importance and different meanings we assign to what has gone before us. What I love about Herodotus is that he reveals something new in each reading. He has a profound humanity that he brings to the genre that he pretty much invented. And to top it all off, he is a great storyteller! 

I am an historian and archaeologist of the Roman world, who has lectured on the subject around the world. This summer I am moving from a position in London to one in Los Angeles. One of the attractions of Roman history is that it is a vast subject spanning three continents and more than a thousand years. There is always something new to discover and a great international community of researchers working together to do just that. It is a huge privilege to be part of that community and to try and communicate some its work to the widest audience possible.

Ian Ross was born in England and studied painting before turning to writing fiction. He has been researching the later Roman empire and its army for over a decade, and his interests combine an obsessive regard for accuracy and detail with a devotion to the craft of storytelling. His six-novel Twilight of Empire series follows the career of Aurelius Castus as he rises from the ranks of the legions to the dangerous summit of military power, against the background of a Roman world in crisis.