100 Books Like Goshawk Squadron

This book is a curiosity in several ways. It is written from the German viewpoint by an American. Secondly, it was turned into the finest WW1 flying movie—by a long way. Don’t just take my word for it. Peter Jackson, director of The Lord of the Rings, who happens to own the biggest private fleet of WW1 planes in the world, says the same. But the book is just as good, with impeccable flying scenes, sound history, a rip-roaring but believable plot, a deeply flawed hero (think Dirty Harry with less morals), and some sexual shenanigans for good measure. Hard to put down, satisfying to finish.

Smith served in WW2 in the RAF and is more famous for his 633 Squadron series set in WW2, which coincidentally is one of the best WW2 flying movies. The flying scenes are as good as they get, the aircraft details and performance are accurate, the plot twisting, and the love relationships are…complicated. But in this book, you will identify with the hero and find yourself rooting for him as he battles Germans in the air and an enemy in his own squadron while on the ground. Gripping and fast-moving.

The first in the Bandy Papers series, and the best. Jack was a Canadian who served in the air force and managed the difficult task of providing a comedy about flying in WW1 with, once again, realistic, and well-researched flying scenes. This book is a comedic tour de force, wringing belly laughs from war without belittling the surrounding terror and angst. It won several Canadian comedy awards, and you can understand why. It made me laugh so hard in places, that it hurt. But I repeat, the flying scenes are first-rate, and the characters are a hoot as they blunder through the war.

Johns wrote nearly 100 Biggles books, with this one published amongst the first in 1932. He actually fought in WW1 as a pilot, then was shot down, and became a prisoner of war. So he certainly knows whereof he speaks, and this carries through in his descriptions of fighting in the air and the loss of friends. Nevertheless, this book is essentially light-hearted despite its moments of pathos, being aimed primarily at what would be called today “young adults.” I loved them as a boy and love them today as an adult. The plot and characters are not complex, but if you want to be entertained while finding out how a pilot who fought in the conflict approached WW1 flying, this is an excellent and enjoyable read by someone who was there.

By the measure of its daily casualty rate, The Battle of Arras was the costliest British offensive of the First World War, far higher than either the Somme or Passchendaele. One survivor described it as 'the most savage infantry battle of the war.' The strength of this history derives from the fact that Nicholls interviewed so many (now deceased) veterans of both sides and uses their words to inject a visceral dynamism into his text. He takes us from early breakthroughs by the British forces to the, perhaps inevitable, final stalemate. Cuttingly, Nicholls lifts his title directly from a comment made by an officer who rationalised the enormous slaughter as a ‘cheerful sacrifice’ on the part of the soldiers who served and died at his behest.

Barely a decade after The Wright brothers’ first tentative take-off, flying machines were thrown into the scorching crucible of war in Europe. The men who flew them were pioneers, members of what many saw as a military flying club. But the flying club soon developed into a bear-pit of mortal combat, fought behind synchronised machine guns without the solace of a parachute. Levine paints his pictures with the personal accounts and anecdotes of the pilots that fought these battles, seeking to understand the feelings and motivations of the young men who volunteered to risk all in the frightening new theatre of aerial warfare. These truths, are in many instances, stranger than fiction, forged, as they were, on the cutting edge of the new aviation technology.

The First World War stripped Britain of hundreds of thousands of its young men. In an age where women’s lives were funnelled towards the certainty of marriage, this left a big shortfall on the balance sheet of matrimony, creating what became known as the Surplus Women. Now they had to find their own sources of income and become responsible for their own future happiness.

Nicholson curates many memoirs and diaries of such women from all tiers of society. Adding material from interviews she conducted herself, she tells the stories of lost potential and loneliness, together with inspirational tales of liberation, fresh-forged independence, and the unprecedented freedom that self-reliance brought for those who rose to the challenge.

Bloody April was a month well-named. The Royal Flying Corp lost one in three of its pilots, with the average life expectancy of a newly arrived airman dropping to less than two weeks. Pushed by the commanders and planners at HQ, they continued to rise against these horrible odds in flimsy biplanes without parachutes. Their young lives were gambled away for the prize of the reconnaissance photographs that the survivors might bring back, grainy images upon which the planning for the ground battle so depended. Hart mixes the hard facts and figures with the personal recollections of those that fought this desperate battle and those that watched and waited on the ground. This book is a sharp and inciteful history that takes you on an emotional journey.

Historian James Holland is also a novelist, and it is that parallel writing talent that makes his history books as compelling to read as a thriller novel. In this history of the Battle of Britain he casts his net back to events in France, marking the beginning of the battle proper as early May 1940, two months before the officially recorded date. This presents the battle as a continuation of the wider events that caused it to be necessary. He widens his narrative beyond the desperate struggles of the fighter pilots to include the experiences of bomber command, the navy, the back-room boffins, and the politicians. The result is a highly readable and deeply satisfying account of one of history’s most important pivotal events.

Let me start by saying that Peter Sís is a genius and his books are like no one else’s. This story about Antoine Saint-Exupéry, the author of the beloved classic, The Little Prince, is original in every possible way. Maps and mountains are transformed into creatures smiling at each other. In a scene describing the German invasion of France in 1940, his careful tiny crosshatching gives way to loose watercolor, red paint that spreads across the page like fire or blood. At the end, where Saint-Exupéry dreams of the Little Prince, is a stunning double-page spread with no words, just an expanse of blue with prince-like golden stars on the far horizon. The book is sheer perfection.