Books like The Blue Max — picked by fans

My father was a pilot in WW2 and I learned to fly in Africa when I was 17. Subsequently I flew biplanes, some of them like the ones in these books, made of wood, glue, and fabric. Since childhood, I've been fascinated by flying in WW1. It was a time of incredible change. The dawn of aviation, when designers and pilots barely understood what they were doing. Biographies written at the time are typically laconic, “emotionally repressed” might be modern. So these novels help us understand today some of those stresses and joys of these remarkable adventurers who dared to undertake what mankind had never done before; fight in the heavens.

I had finished The Bluebird Trilogy, three novels that centred on the first half of the Second World War, and I heard echoes of the Great War ringing faintly in the egos of my older characters. I started to read more of the history and was drawn to the aerial maelstrom that befell the RFC over Arras in 1917. I was also interested in working with a larger cast of characters, many transients, and telling their stories over a short stretch of time. The result was Major Claypole and Jackdaw Squadron, Glory Boys every last one.

My father was a pilot in WW2 and I learned to fly in Africa when I was 17. Subsequently I flew biplanes, some of them like the ones in these books, made of wood, glue, and fabric. Since childhood, I've been fascinated by flying in WW1. It was a time of incredible change. The dawn of aviation, when designers and pilots barely understood what they were doing. Biographies written at the time are typically laconic, “emotionally repressed” might be modern. So these novels help us understand today some of those stresses and joys of these remarkable adventurers who dared to undertake what mankind had never done before; fight in the heavens.

My father was a pilot in WW2 and I learned to fly in Africa when I was 17. Subsequently I flew biplanes, some of them like the ones in these books, made of wood, glue, and fabric. Since childhood, I've been fascinated by flying in WW1. It was a time of incredible change. The dawn of aviation, when designers and pilots barely understood what they were doing. Biographies written at the time are typically laconic, “emotionally repressed” might be modern. So these novels help us understand today some of those stresses and joys of these remarkable adventurers who dared to undertake what mankind had never done before; fight in the heavens.

I'm an award-winning journalist, a frequent New York Times contributor (and former business columnist for The Times), and the author of, most recently, Duped: Double Lives, False Identities and the Con Man I Almost Married. Duped was turned into the #1 Spotify-original podcast, Impostors: The Commander, which I hosted and executive produced. I was also a producer/reporter on The NY Times Presents documentary film To Live and Die in Alabama, about the execution of Nathaniel Woods. As of press time, my greatest accomplishments have been summiting Mt. Kilimanjaro (with a broken wrist!), learning to play the cello at 35, and naming Karamel Sutra for Ben and Jerry’s.

Some of my first memories as a kid are of films and TV shows about World War Two; the theme tune and credits of The World At War TV series still haunt me even now. But to be honest, the bombing of Germany never gripped me as much as, say, the war in Russia, that is, until I started to read up on it. It was a revelation. Suddenly, I saw incredibly young men fighting to survive in the most hostile environment on the planet–or rather above the planet, miles above, in fact. To me, I find the war they fought alien, but at the same time so absorbing I lose myself in it.      

Ever since I discovered science fiction and fantasy as a kid, I loved playing in other worlds. It didn’t take me long to start creating my own to play in, so I thought I might as well write them down. I also learned that it’s more fun to throw disparate elements and genres together. Why not throw some time travel and aliens in a Western? Or put some aliens and a little cyberpunk in an alternate history? I always find the most interesting worlds are the ones where things are not so easily categorized.

When I emigrated from the UK to Western Australia as a child, one of my first big moments was learning about sharks and realising swimming in the ocean was not the same as in the sea. Ever since writing my thriller The Shark, I’ve been on the lookout for novels with sharks in the title or on the page. Real sharks, human sharks, property sharks, sharks of the mind and the heart, these are stories that have influenced me, entertained me, beguiled, terrified, and at times utterly blindsided me.

Dr. Wesley Britton is the author of four non-fiction books—Spy Television, Beyond Bond: Spies in Fiction and Film, Onscreen and Undercover: The Ultimate Book of Movie Espionage, and The Encyclopedia of TV Spies. He's also the author of eight Beta-Earth Chronicles sci-fi stories. For seven years, he was co-host of online radio’s Dave White Presents. He earned his doctorate in American Literature at the University of North Texas. In 2016 he retired from teaching English at Harrisburg Area Community College, after 33 years as an instructor. He lives with his wife, Grace, their dog Joey and their cat Molly in Harrisburg, Pennsylvania. Wesley also has a Radio show and podcast called Remember When.

Dr. Emily Mayhew is the historian in residence in the Department of Bioengineering at Imperial College London. Her primary research interest is the infliction, treatment, and long-term outcomes of complex casualty in contemporary warfare. She is the author of the Wounded trilogy. A Heavy Reckoning, The Guinea Pig Club, and Wounded: From Battlefield to Blighty which was shortlisted for the Wellcome Prize in 2014. She is Imperial College Internal Lead on the Paediatric Blast Injury Partnership and co-edited The Paediatric Blast Injury Field Manual.