Books like Good Night, Mr. James — picked by fans

This book takes everything amazing about the mystery genre and transposes it into an endlessly fascinating, well-developed sci-fi world. I was captivated by the web of interconnected plot lines, told from the perspectives of rich and multi-faceted characters throughout the entire story.

Specifically, the fact that all of their seemingly disconnected backstories converge to form the real picture of the story was masterfully done. Furthermore, the final reveal of the story was quite literally the only plot twist in fiction that has given me a verbal “oh my god” moment.

It was a massive inspiration for me and led to my love of a combination of morally gray mystery, sci-fi, and action adventure.

The Ophiuchi Hotline is the first of four novels set in Varley’s Eight Worlds universe, where bodies are malleable things, and appearance, gender, and even your basic form can be changed on a whim. Its protagonist, Lilo, begins by escaping her execution by allowing an illegally produced replicant to die for her. Her situation deteriorates steadily from there, as she is repeatedly killed and resurrected while passing through the belly of the solar system’s underworld.

This book hits all my sweet spots—a morally ambiguous protagonist, an imaginative plot that provides a running commentary on the many ways we’re making a mess of the present world, and, as a bonus, someone getting chucked into a black hole for making a new kind of food called “bananameat” out of human DNA. What more could you ask?

Speaking of noir, Kiln People is basically Mickey Spillane with replicants. This book posits a future where the well-off use temporary copies of themselves to do things that are dangerous or difficult or just boring. The copies fall apart after a few days, at which point they ideally merge their memories back into their original. Brin’s protagonists are a private detective and one of his copies who decides he’d rather spend the few hours of life he’s given doing something more interesting than his original’s scutwork. I came to this story for the fun premise, but I stayed for the deeper exploration of the morality of creating an army of sentient beings whose only hope is to live long enough to be re-absorbed into the mind that created them.

It's all about the unlikely alliance between a woman and her clone in this gripping revenge thriller.

Evelyn Caldwell learns that her husband Nathan is cheating on her when she discovers that he has stolen her cloning technology and replaced her with a more docile substitute. They work together to conceal Nathan's murder and preserve Evelyn's scientific reputation.

However, Evelyn discovers her clone standing over Nathan's body and crying, "It was self-defense." Its juicy premise raises eerie questions about love, justice, and the nature of identity.

I knew the film Blade Runner before I read this, the novel upon which it's based, but I was not prepared for the richer complexities of the novel.

My favorite parts of the novel, a bizarre new religion and the extinction of all but human and animal life, barely make it into the film. Even the androids, built to be slaves, are much more nuanced and complex than in the film. I loved the conclusion of the book, which affirms the beauty of life, both natural and mechanical.

I’ve always wondered about those amateur detectives who just happen to be nearby when murder occurs, especially the sixth or seventh time. Surely they are secretly serial killers, or they’re really, really unlucky. It’s the latter for Mallory Viridian, so when the possibility arises she flees Earth to a space station inhabited only by aliens to escape. I love truly alien aliens, and there are plenty of those on board, with strange customs and otherworldly motives for the ever-increasing number of murders. I also really loved how this book delves into the question of why murder seems to follow Mallory around, and the resolution is satisfying and delightfully science fictional.

I loved this book for two main reasons: the technology and science engineering were fascinating to me, and told to me in a way I could understand; and the socio-political aspect of this book I thought was very imaginative and realistic.

I liked the fact that the story jumped ahead thousands of years to tell me how the experiment actually played out. For me, it portrayed one imaginative outcome of what would happen if Earth became uninhabitable.

I’ve picked this story from the 1950s because, as a teenager, it stirred my sense of wonder at time and space.

Dard Nordis must get safely to the ship that will carry him, his family, and his friends from the tyranny that has overtaken Earth to freedom among the stars. Halfway into the book, hundreds of years pass with the turn of a page, the tyranny of old Earth is just a distant memory, and Dard is in a new world far from the troubled world that he knew.

The story opened up for me the potential for a profoundly new life. It stirred my desire to discover the universe through scientific exploration. There is no romance here, but there is family, friends, and an adventure like no other!

I have a soft spot for stories written from non-human perspectives, and Footfall sticks out in my mind as a prime example of the subgenre. It follows the story of an invasion of Earth by a species called the Fithp, which has a herd-like social structure. The scenes told from the point of view of the invading Fithp present the first contact and alien invasion tropes in a new way. 

The unfolding conquest of Earth gives us a glimpse into Fithp minds and, most importantly, a look at ourselves from an outside perspective. It is a bit of a slow burn, but for me the world-building paid off in the end.

Footfall inspired me to write several short stories about alien invasion.

Bill, the Galactic Hero is a satirical novel by Harry Harrison published while I was still in my teens. It’s funny, it’s satirical, and still delivers a good plot. Harrison also wrote the fabulous Stainless Steel Rat books. Taken together Harry’s novels taught me about the use of humor in military books—and literature generally.