Here are 74 books that Looking for Rachel Wallace fans have personally recommended if you like
Looking for Rachel Wallace.
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I’ve been a journalist who’s focused on culture, particularly film, and especially classic film and film noir. That sparked me to write two crime novels, with a third on the way, for Level Best Books. The first came out in February. The next will reach the market in May 2025. The third will come out in 2026. For more information, please go to my website.
Did this book give birth to hardboiled literature? No, but I feel it mothered and fathered it.
Did this book—when filmed in 1941—give rise to film noir? I would say yes or “oui.”
This book lives on in libraries and bookstores, in minds and memories, on screens big and small, as a cultural masterpiece. But please don’t get me wrong about masterpiece. Hammett’s existential story of antiheroic private detective Sam Spade wriggling out of death as he fends off the cagey but crazed pursuers of a worthless “jeweled” bird breathes more deeply, more compellingly every time I re-read it. Through the book, I face the dark—and find the gloom almost charming.
One of the greatest crime novels of the 20th century.
'His name remains one of the most important and recognisable in the crime fiction genre. Hammett set the standard for much of the work that would follow' Independent
Sam Spade is hired by the fragrant Miss Wonderley to track down her sister, who has eloped with a louse called Floyd Thursby. But Miss Wonderley is in fact the beautiful and treacherous Brigid O'Shaughnessy, and when Spade's partner Miles Archer is shot while on Thursby's trail, Spade finds himself both hunter and hunted: can he track down the jewel-encrusted bird, a…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I've always wanted to be a detective. I remember writing stories on my mom's old typewriter and playing pretend investigator with my childhood friend. I have had an appetite for stories and mysteries for as long as I remember. I was intrigued by human behavior and had the desire to find justice. This led me to study forensics and use my fine art ability and critical mind to get answers for victims and their families. I have a Master's Degree in Forensic Science and years of government and experience as a forensic artist and investigator, making my writing as authentic as possible. My story and personal struggles, and life's discoveries are highlighted by my stories.
As someone who has never been to Chicago and knew nothing about the Great Lakes shipping industry, the book was fascinating in so many ways. Sara Paretsky has a compelling, strong female lead but also takes us places we never conceived of. Paretsky’s murder investigation is thrilling, and the characters are well crafted and ones that the reader will care about. It is an excellent book that has stayed in my memory for decades.
'Who're you working for then, Warshawski?' 'My cousin.' 'Boom Boom? He's dead.' 'I know. That's why I'm working for him.'
Boom Boom's body was found floating near the docks, chewed up and spat out by a ship's propeller. More like brother and sister than cousins, Vic and Boom Boom looked out for each other. Boom Boom grew up to be an ice hockey hero, and Vic a private eye. And now V.I. Warshawski would like to know how, exactly, her cousin died . . .
Our home was full of books. My mother routinely passed books to her firstborn, me. While she read widely, she loved mysteries, so I grew up devouring both classics and lesser-known whodunnits. Many of those novels had strong enough descriptions of their cities that I felt like a visitor. But most were set in places like New York and Los Angeles, never my home town, Buffalo, and never with an African-American hero. After my 2013 retirement from an English professorship, I began writing the Nickel City mysteries to add a new hero to the PI pantheon and showcase my birthplace, nicknamed for the buffalo head nickel.
In 2009, after years of writing Easy Rawlins novels set in a past Los Angeles, Walter Mosley began a new series set in contemporary New York. African-American Leonid McGill is a hard PI, with a complex seamy past who aspires to become a better person, despite the pressures of being a husband and family man caught in a near-loveless marriage. The New York in which McGill lives and struggles is the upscale but still gritty descendant of earlier versions of the city in the Mike Hammer novels of Mickey Spillane and the Matthew Scudder novels of Buffalo-born Lawrence Block. It is a land of wealth and culture but danger and deceit.
The widely praised New York Times bestseller, and Mosley's first new series since his acclaimed Easy Rawlins novels...
Leonid McGill is an ex-boxer and a hard drinker looking to clean up his act. He's an old-school P.I. working a New York City that's gotten a little too fancy all around him. But it's still full of dirty secrets, and as McGill unearths them, his commitment to the straight and narrow is going to be tested to the limit...
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
My first book love was Agatha Christie’s And Then There Were None. The game between author and reader that centers a whodunit has always delighted me. The breadcrumb trail of clues, the misdirection, the inevitable I should have seen it! are my jam. Now an author of whodunits—I have one series published and a second on the way, along with several short stories – I read mysteries with greater scrutiny—in admiration and with a selfish desire to learn from other authors’ envious talents. Each of the books on my list excited me for their excellent storytelling. In the end, I found them just plain entertaining. I hope you do too!
As much as I love this book’s hero, former television commercial star Dayna Anderson, her tight circle of got-your-back friends is what made this mystery really shine.
To say the cast has big personalities is like calling Hollywood’s Dolby Theater a quaint venue. I laughed out loud throughout and wished I could ride along with these ladies (there are some guys involved, a love interest in particular) as they doggedly unravel the deftly plotted mystery.
I am grateful to Garrett that there is a sequel to this first in the series, Hollywood Ending.
Dayna Anderson doesn t set out to solve a murder. All the semi-famous, mega-broke black actress wants is to help her parents keep their house. After witnessing a deadly hit-and-run, she figures pursuing the fifteen-grand reward isn t the craziest thing a Hollywood actress has done for some cash. But what starts as simply trying to remember a speeding car soon blossoms into a full-on investigation. As Dayna digs deeper into the victim s life, she wants more than just reward money. She s determined to find the poor woman's killer too. When she connects the accident to a notorious…
With a Ph.D. in pharmacology, I worked in drug development for many years. Now a published author, mysteries are my passion. I love to laugh and enjoy the humor of Steve Martin and Mel Brooks, so I’ve written a medical comedy mystery series. This dysfunctional detective series, starting with Pleasuria: Take as Directed, takes place in the pharmaceutical industry, a surprisingly fertile ground for humor, and murder. I’ve also written a dark mystery series,The Guardian Angel series. This includes a serial killer, a cult leader, and a touch of vigilante justice. With my overactive imagination you’ll enjoy engaging characters and unique plots.
Robert B. Parker’s Cold Service is one of my favorite Spenser novels because it provides more insight into the character Hawk. Hawk is in the hospital, three bullets in his back from trying to protect a bookie from the Ukrainian mob. The Ukrainians are spreading their turf from NYC to the Boston area (a town called Marshport). Spenser comes to the rescue, and the two men take on the impossible task of defeating the Ukrainian mob and their Afghani heroine-dealing overlords while avenging Hawks shooting. Alone, Hawk can’t deal with the thought of showing weakness and Spencer ponders his mortality. Together Spenser and Hawk appear to be invincible. Their code allows them to engage in brutality and come out as likable characters. The way in which Parker spins a tale using simple dialogue is ingenious. His main characters Spenser, Hawk, and Susan Silverman are a joy to get to know…
When his closest ally, Hawk, is beaten and left for dead while protecting a bookie, Spenser embarks on an epic journey to rehabilitate his best pal, body and soul. But that means infiltrating a ruthless mob-and redefining his friendship with Hawk in the name of vengeance...
"Cold Service moves with the speed of light."-Orlando Sentinel
I grew up in California when cameras had flashcubes, skateboards had clay wheels, and kids longed for a lime-green Schwinn Stingray. Sailing, surfing, beach parties, and rock music were staples of my youth. Over time, we lost the Beatles but found the Allman Brothers, Zeppelin, and The Who. Disco had not yet destroyed us. I ditched the skateboard but kept sailing. Later, I became a criminal defense attorney. My profession inspires me to write realistic mystery/thriller novels. My sailing provides the setting. My goal is to give readers a solid, entertaining tale while bringing them to warm waters and island cultures and putting a little sand between their toes.
Spenser is a hard-nosed private detective living and working in Boston. When his girlfriend Susan runs off to California with another man, Spenser feels betrayed but understands. She has her freedom. Then his best friend, Hawk, is falsely arrested and jailed in the new man’s town. This sets off a firestorm of murder and violence as Spenser first frees Hawk and then they both attempt to free Susan from an abusive, if consensual, relationship. And then the CIA gets involved.A Catskill Eagle is the twelfth of forty Spenser novels written by Parker.
Susan's letter came from California: Hand was in jail, and she was on the run. Twenty-four hours later, Hawk is free, because Spenser has sprung him loose—for a brutal cross-country journey back to the East Coast. Now the two men are on a violent ride to find the woman Spenser loves, the man who took her, and the shocking reason so many people had to die. . . .
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
When I was nine years old, I joined a book club. The members were me and my dad. He’d throw detective books into my room when he was done with them, and I’d read them. We’d never discuss them. But that’s why hard-boiled detective fiction is comfort food for me and how I know it so well. I’ve been binging on it most of my life and learning everything the shamus-philosophers had to teach me. Now I write my own, the Ben Ames series, for the joy of paying it forward.
Early Autumn made me cry from two directions. As a tween, reading about Spenser’s rescue of Paul, a shut-down, emotionally neglected boy that Spenser first assesses as “an unlovely little bastard”, I cried in sympathy and relief for Paul.
Over a summer, Spenser taught him skills, built up his strength and gave him the confidence to find his own dreams, before leaving him at the doorway to the life he now knew he wanted. As an adult, I cried with joy for Spenser, who connected with a stranger, taught what he had to teach, and changed a life.
Really helping someone in a lasting way is rarely so easy as it was in this book, but it’s a worthwhile dream and this Cinderella story gets me every time.
“[Robert B.] Parker's brilliance is in his simple dialogue, and in Spenser.”—The Philadelphia Inquirer
A bitter divorce is only the beginning. First the father hires thugs to kidnap his son. Then the mother hires Spenser to get the boy back. But as soon as Spenser senses the lay of the land, he decides to do some kidnapping of his own.
With a contract out on his life, he heads for the Maine woods, determined to give a puny 15 year old a crash course in survival and to beat his dangerous opponents at their own brutal game.
The roots of my debut novel Charlesgate Confidentialare in the time I spent in Boston, most notably the three years I lived in the Charlesgate building when it was an Emerson College dormitory. I always wanted to find a way to write about that time, but it wasn’t until I immersed myself in the world of Boston crime—not only the novels of Higgins, Lehane, and company but nonfiction works like Black Massand movies like The Departedand The Town—that I hit on the way to tell my story. I’ll always be excited for new Boston-based crime fiction, and I’m happy to share these recommendations with you.
As great as it was, Eddie Coyle didn’t leave much of a cultural footprint, at least not until the movie adaptation starring Robert Mitchum was rediscovered decades after its initial release. Robert B. Parker’s Spenser is another matter entirely, having spawned nearly 40 novels by Parker, another 10 by Ace Atkins, a popular ‘80s TV series, and a Netflix movie starring Mark Walhberg. Picking just one of the durable shamus’s adventures is a daunting task, but I’ll give the nod to Ceremonyfor its evocation of the seedy seventies Combat Zone (Boston’s long-gone red light district) and the murky morality of Spenser’s dealings with a teen runaway turned sex worker.
The house looked right. And the neighborhood was perfect. And everything else was wrong. So Spenser took the parents' money and went after a runaway girl. Unfortunately, April Kyle had already traveled two lifetimes from her suburban home. Now she was caught up in a web of pinps, criminals, and exploiters—the kinf of people who won't listen to anything but money, or a gun. . . .
Praise for Ceremony
“Sizzling.”—The Pittsburgh Press
“Pick of the crop, this one. Genuinely involving.”—The Cleveland Plain Dealer
I grew up in Edinburgh and, from an early age, I heard the tale of Deacon Brodie. However, it was not until I was older—when a city official was charged with corruption—that I realised Brodie might just be the first ‘white collar’ criminal in Edinburgh. The more I found out, the more fascinating he became. Here was a man who everyonein the city saw as a wealthy, respectable, Councillor, yet—at the same time—he was a gambler who became a criminal to feed his habit, and so, when I moved to America, I decided to write my first crime novel based on Brodie’s life.
Lehane, one of my favourite authors, introduces the crime writer’s device of the duo, in his firstKenzie and Gennaro novel. For me, as in my own DCI Steel novels, the duo in writing can work to inform, or mislead, the reader and, if handled well, the reader doesn’t notice, seeing the interaction between characters as normal. Clichés abound in crime fiction, especially in lead characters, but Lehane avoids this with P.I. Patrick Kenzie, and his lifelong friend, Angie Gennaro. Given the area they inhabit, with its racial and gang tensions, added to the clients they have, clichés would seem unavoidable, but—once again—the lesson here is to write multi-faceted characters, which Kenzie and Gennaro emphatically are. They are flawed, but in Lehane’s hands, triumphantly human, and verybelievable.
Patrick Kenzie and Angela Gennaro are tough private investigators who know the blue-collar neighbourhoods and ghettos of Boston's Dorchester section as only natives can. Working out of an old church belfry, Kenzie and Gennaro take on a seemingly simple assignment for a prominent politician: to uncover the whereabouts of Jenna Angeline, a black cleaning woman who has allegedly stolen confidential Statehouse documents. But finding Jenna proves easy compared to staying alive. The investigation escalates, uncovering a web of corruption extending from bombed-out ghetto streets to the highest levels of state government.
With slick, hip dialogue and a lyrical narrative pocked…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
All of the books I’ve listed above have flawed characters. Characters that deal with emotional and/or moral dilemmas. The plots: murder, missing children, or runaway husbands are secondary to me. What I look for in a book and what I write about in my Cole and Callahan series, are characters with flaws. People who struggle with truth. Cops or investigators that hide or skew evidence because the truth would cause more harm than good. It’s the moral dilemma I want. The angst we all feel when we are faced with a particularly painful decision. That’s what real life is and that’s what brings a book and a character to life.
Gone Baby Gone is book 4 in Lehane’s Patrick Kenzie and Angela Gennaro series. As private detectives, Gennaro and Kenzie are a top-notch investigative team and the story itself is one that will suck you in from the start. It keeps you guessing with its mix of characters, reliable, and unreliable, upfront and in the shadows. It’s my kind of story and one I often referred to while writing my book. Beyond the story of a missing girl, Lehane uses the relationship between Gennaro and Kenzie as a subplot. The friction, the conflict, the barriers in their personal life continue to give the reader angst even after the facts are uncovered. Gone Baby Gone is a suspense story that doesn’t just solve a crime, but also takes the reader into the lives of the investigators, questioning their morality, their decisions and ultimately asking the reader, is the truth always worth…
Boston private investigators Patrick Kenzie and Angela Gennaro are hired to find four-year-old Amanda Cready.
Despite extensive news coverage and dogged investigation into her abduction, the police have uncovered nothing. And as the Indian summer fades, Amanda McCready stays gone - vanished so completely that she seems never to have existed.
Then a second child disappears.
Confronted with a police force seething with lethal secrets, Kenzie and Gennaro soon discover that those who go looking for the missing may not come back alive.