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I became interested in the genre of memoir during the lockdown when I found myself reflecting on my past during the extended solitary periods. Looking through a shoebox of old letters put me in touch with the person I had once been. I then discovered that the act of writing downmemories opened up areas that I had forgotten about or that had faded almost to nothing, and suddenly they became quite vivid. I decided to create memoirist.org for writing at a more literary level and only publish highly polished pieces. Memoirist now has many followers and some posts have nearly a thousand views.
Like so many people of my generation, I have the writing of Roald Dahl in my blood. I learned to read with his children’s classics then, as an older child, watched his disturbing yet rivetingly spooky Tales of the Unexpectedon television. The stories from his life in these two volumes are often more incredible than his fiction, and certainly equally outlandish. The people he encountered can certainly be traced to the characters he created in his career as an author. This is one of the few books I can re-read.
Boy and Going Solo is the whole of Roald Dahl's extraordinary autobiography in one volume. Reissued in the exciting new Roald Dahl branding.
Roald Dahl wasn't always a writer. Once he was just a schoolboy. Have you ever wondered what he was like growing up? In BOY you'll find out why he and his friends took revenge on the beastly Mrs Pratchett who ran the sweet shop. He remembers what it was like taste-testing chocolate for Cadbury's and he even reveals how his nose was nearly sliced off. Then in GOING SOLO you'll read stories of whizzing through the air…
The Stormy Night is the first in a series of nine children's books for ages 8-12. The stories follow two dogs–a senior, disabled dog and a newly adopted puppy–as they learn to become friends and family.
The Adventures of Lucky and Mr. Pickle series are chapter books, not picture books.…
I am a part-time professional pianist and full-time professional digital media designer who has recently turned my creative sensibilities toward writing vibrant, fun fiction. I am inspired by world-building adventures, bedtime stories, and being a parent. Stories that bring families together is something I have always enjoyed, and I’d like to put more of that out into the world. I like unpredictable twists, unnecessary footnotes, and breaking the fourth wall (as long as it isn’t load-bearing).
Many are familiar with the hugely popular Chocolate Factory book and the films made about it. But I remember reading this lesser-known sequel in 4th grade, and then dressing up like Willy Wonka to do a book report presentation about it for class. I even included a “magic trick” with the hat. I liked that it furthered the original character’s adventures and got even sillier with the Vermicious Knid aliens, aging pills, and taking elevators into space. It stretches kids’ brains imaginatively and takes the story in the least predictable directions, which is something I strive to achieve in my writing.
A splendiferous new hardback of Charlie and the Great Glass Elevator, part of a collection of truly delumptious classic Roald Dahl titles with stylish jackets over surprise printed colour cases, and exquisite endpaper designs. WHOOSH! Inside the Great Glass Elevator, Willy Wonka, Charlie Bucket and his family are cruising a thousand feet above the chocolate factory. They can see the whole world below them, but they're not alone. The American Space Hotel has just launched. Lurking inside are the Vernicious Knids - the most brutal, vindictive murderous beasts in the universe. So grab your gizzard! Hold your hats! Only Charlie…
I’m a storyteller who loves ‘oh my gosh’ ideas. Something that, the moment I hear about it, it captivates me. I also love characters who are deeply heart-warming and pleasurable to be around. For me, delving into the intimacy of a character’s mind and their shifting relationships with others is a pleasure. This is why I’m so attracted to contemporary domestic family issues or love stories with living, breathing characters. By pairing it with a puzzling or shocking wow of an idea to investigate, I can explore my character’s unique world and set it at odds with something that threatens that existence.
Yes, this is the published shooting script of the film.
When I read the premise of this story, I knew it would be special. I remember the author stating he got the idea of someone receiving a postcard through the post with the words "You have been deleted from X’s memory. Do not attempt to contact her" and how it intrigued him. From that idea, the entire idea of deleting the memory of a romantic relationship gone wrong, unfolded.
I love story ideas that stop me from breathing. The film (and script) is lovely, yet holds a twist or two up its sleeve. It is, underneath the science, a tragicomic love story. Genius.
In this illuminating script book, Charlie Kaufman, the Academy Award®-nominated screenwriter of Being John Malkovich and Adaptation, shares the logistical challenges of writing Eternal Sunshine of the Spotless Mind in a fascinating interview.
Kaufman also provides commentary on stills from the movie, revealing remarkable details about the editing process, set construction, and shooting techniques that were used to tell this unconventional story.
In the film, Joel ( Jim Carrey) is stunned to discover that his girlfriend Clementine (Kate Winslet) has had her memories of their tumultuous relationship erased. Out of desperation, he contacts the inventor of the process, Dr. Howard…
The Stormy Night is the first in a series of nine children's books for ages 8-12. The stories follow two dogs–a senior, disabled dog and a newly adopted puppy–as they learn to become friends and family.
The Adventures of Lucky and Mr. Pickle series are chapter books, not picture books.…
I’ve always felt myself to be different, odd, and a bit of a loner. As a child, people said I was "too clever by half," and I both hated and loved being able to understand things that other kids did not. Being good at maths and science in a girls’ boarding school does not make you friends! Escaping all that, I became a psychologist and, after a dramatic out-of-body experience, began studying lucid dreams, sleep paralysis, psychic claims, and all sorts of weird and wonderful experiences. This is why I love all these books about exceptional children.
I was a clever child too, ridiculed at my horrible boarding school and constantly afraid of showing off and being laughed at.
But I did not have it half as bad as Roald Dahl’s desperately abused Matilda. Perhaps this is why I loved this book, for taking a child I could so closely identify with and getting her to suffer and overcome it all in the magical ways Matilda does.
A fabulous read, to be read many times and enjoyed again and again.
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Puffin Audiobooks presents Roald Dahl's Matilda, read by Kate Winslet. This audiobook features original music and sound design by Pinewood film studios.
Matilda Wormwood is an extraordinary genius with really stupid parents.
Miss Trunchbull is her terrifying headmistress who thinks all her pupils are rotten little stinkers.
But Matilda will show these horrible grown-ups that even though she's only small, she's got some very powerful tricks up her sleeve . . .
Kate Winslet's award-winning and varied career has included standout roles in Titanic, Eternal Sunshine of the Spotless Mind, Finding Neverland, Revolutionary Road and The Reader, for which she…
I grew up living in a housing co-op on Vancouver Island, BC. While not technically a commune, it did have some of the hallmarks. There were gangs of partially clothed kids roaming wild. There were a bunch of idealistic adults who had dreams of shared land stewardship and, well, shared everything. The housing project succeeded in many ways (it still exists today) and, it failed in other ways (over the years there were many fractures in the community). I’ve always been fascinated by attempts at communal living. I suppose my obsession with cult life is just an extension of this. It is my life imagined one step further.
This book is about a young mother who takes her two daughters to Marrakech, Morocco in the 1960s so she can study Sufism, which, although not technically a “cult” does seem rather cult-like when described from the point of view of a five-year-old child who is watching her mother do strange ritual spinning to try to annihilate her ego.
You might remember the 1998 movie adaptation of this book starring Kate Winslet, but I think the book is better because of its dreamy, almost other-worldly descriptions of street life in Marrakech. This gem of a book is steeped in childlike wonder and longing and it will be over far too soon.
My passion for historical fiction evolved late in my life. I was assigned to teach the second of the core courses required of all undergraduates at Holy Names University. Required materials: the Divine Comedy, the Canterbury Tales, Sundiata, Don Quixote, Othello, the Tale of Genji,Leonardo da Vinci, Islamic calligraphy, the music of Ravi Shankar… But everything was set in history–boring!–dates and places I could never remember, events that meant nothing to me. But my passion for genealogy and for oral history made me realize that everything had a story. This course was about people telling their stories. Now that I’m retired from teaching, I want to tell people’s stories–in their historical context.
Another slim tome, also a lesser-known work, this is the famous diarist’s how-to on writing fiction from the depths of the psyche. Nin places herself in the trajectory of the history of the novel and defends its elements that she has learned through her own diary, which resonated with me. The title of the first chapter, a quote from Jung, “Proceed from the Dream Outward,” sets the tone for what I can only call a justification of my choice of the fictional diary genre for my book. Nin does not use these terms exactly, but when she sets one genre against another, a composite genre might emerge: “The diary made me aware of organic and perpetual motion… [but] when you write a novel you are arresting motion….”
In The Novel of the Future, Anais Nin explores the act of creation-in film, art, and dance as well as literature-to chart a new direction for the young artist struggling against what she perceived as the sterility, formlessness, and spiritual bankruptcy afflicting much of mid-twentieth-century fiction. Nin offers, instead, an argument for and synthesis of the poetic novel and discusses her own efforts in this genre as well as its influence on the development of such writers as D. H. Lawrence, Henry Miller, Lawrence Durrell, Marguerite Young, and Djuna Barnes. In chapters devoted to the pursuit of the hidden self,…
I’ve loved cooking and baking since I was a little girl. I attempted to bake a chocolate cake when I was nine without a recipe and put the resulting glop in a plastic bowl in the oven. Luckily, I forgot to turn the oven on and my mother discovered it later, no harm done. I was always a foodie but also a tremendous reader with a great love for the English language, so food writing marries my two passions. My published works include The New York Timesbestselling The Unofficial Harry Potter Cookbook (over a million copies sold), and I write a food column for a women’s magazine.
This was my favorite childhood cookbook (my mom wanted it back recently but I begged). As a kid, I made quite a few dishes from that book for my family and was even allowed to make the Butter Cream Orange Cups for my brother’s bar mitzvah. I got loads of compliments for them and walked around in a happy glow for the rest of the day. The cookbook is chock full of unusual recipes, so I love revisiting them for inspiration for my food columns. Though out of print, it’s worth a search on eBay or used book stores.
As a primary head teacher, then literacy consultant, I wrote many books about education but at the age of 50 I changed tack. A meeting with a researcher who’d discovered an alarming decline in young children’s listening skills led to eight years’ research on the effects of modern lifestyles on children’s development. It involved many interviews with experts on diet, sleep, play, language, family life, childcare, education, screen-time, marketing influences and parenting styles – and a great deal of reading. By the time Toxic Childhood was first published in 2006 I’d realised that, in a 21st century culture, society should be paying far more attention to child development, especially in the early years. I hope to go on spreading that message until my dying breath.
Postman was a hugely erudite and witty writer. When I discovered this book in the 1990s, I was immediately convinced by his argument that our modern conception of ‘childhood’ is connected with the invention of the printing press … and with human progress over succeeding centuries. I was just as convinced by his concern that the recent explosion of screen-based culture would have profound effects on childhood and, indeed, on the quality of human thought. I’m therefore deeply honoured that Toxic Childhood is now on an ‘A’ Level Sociology syllabus alongside The Disappearance of Childhood – can’t believe that we’re sitting on the same shelf!
From the vogue for nubile models to the explosion in the juvenile crime rate, this modern classic of social history and media traces the precipitous decline of childhood in America today−and the corresponding threat to the notion of adulthood.
Deftly marshaling a vast array of historical and demographic research, Neil Postman, author of Technopoly, suggests that childhood is a relatively recent invention, which came into being as the new medium of print imposed divisions between children and adults. But now these divisions are eroding under the barrage of television, which turns the adult secrets of sex and violence into popular…
I am a retired federal constitutional law professor, the former Fredric C. Tausend Professor of Constitutional Law at Seattle University Law School. Moreover, I am the coauthor of more than ten books, most of them focusing on First Amendment free speech topics. Often, I wrote at the intersection of popular culture and free speech rights. My booklist reflects my passion for books about the history, purposes, and practices of freedom of speech, particularly as it is exercised in the United States.
Like most people alive today, I am an avid user of the Internet and am aware of the astounding changes that electronic media have made to communication. With the rise of social media and AI, I am increasingly aware of the profound effects that these media already have and will have on society in general. However, I lived in the print age without specifically focusing on the socio-economic and political changes that the printing press advanced.
I love Eisenstein’s book because it brilliantly portrays the astounding global and cultural aftermath of the Gutenberg invention.
Originally published in two volumes in 1980, The Printing Press as an Agent of Change is now issued in a paperback edition containing both volumes. The work is a full-scale historical treatment of the advent of printing and its importance as an agent of change. Professor Eisenstein begins by examining the general implications of the shift from script to print, and goes on to examine its part in three of the major movements of early modern times - the Renaissance, the Reformation, and the rise of modern science.
I wrote Billy Balloon in fourth grade for a writing exercise. I remember the teacher reading it to the whole class.I was filled with pride. Then through the years I’d revisit the story and think about getting it published. Many years later, with the support and encouragement from my family, I finally decided to go through with it. We then went from wanting to publish one book to building a brand similar to Curious GeorgeandThomas the Train. We had such a great experience and fun time we also decided to share the adventure with others. We invite readers to submit ideas for other books in the Billy Balloon series through our website.
Youngsters can learn their colors and shapes as they help Nova the Robot build himself a friend, in a robot-shaped board book which features the author's popular eight-year-old robot boy, Nova.