Books like Ganache and Fondant and Murder — picked by fans

My degree in archaeology taught me life is a giant puzzle. People leave behind fragments, giving hints but never definitive answers. My deductive skills when piecing together broken pottery or looking at renderings of hominid skulls to determine how they lived, evolved my desire to write mysteries. One of the many things I love about cozy mysteries is that everything looks peaceful on the outside, but like real life, you barely need to scratch the surface before you discover dark deeds and secrets. And who doesn’t enjoy that?

My degree in archaeology taught me life is a giant puzzle. People leave behind fragments, giving hints but never definitive answers. My deductive skills when piecing together broken pottery or looking at renderings of hominid skulls to determine how they lived, evolved my desire to write mysteries. One of the many things I love about cozy mysteries is that everything looks peaceful on the outside, but like real life, you barely need to scratch the surface before you discover dark deeds and secrets. And who doesn’t enjoy that?

My degree in archaeology taught me life is a giant puzzle. People leave behind fragments, giving hints but never definitive answers. My deductive skills when piecing together broken pottery or looking at renderings of hominid skulls to determine how they lived, evolved my desire to write mysteries. One of the many things I love about cozy mysteries is that everything looks peaceful on the outside, but like real life, you barely need to scratch the surface before you discover dark deeds and secrets. And who doesn’t enjoy that?

When I met my husband, he had two dogs—Gus the collie and Charlie the Yorkie. When the collie crossed the rainbow bridge, we brought another big dog into the household—a golden retriever. Charlie let Sam know that my husband was HIS human, and Sam could have me if he wanted. That began a beautiful twelve-year love affair. I knew I had to write about the relationship between man and dog, and chose the mystery novel as my framework. I spend hours every day researching my books – walking my current goldens, Brody and Griffin; feeding them; grooming them; playing with them; and observing how they interact with the world.

I believe many writers suspect they are Strangers in a Strange Land. How ironic that I, a confirmed atheist, should use a biblical quote to describe the mindset of authors. Some discover where they belong through their writing. My book recommendations have a strong sense of place, whether it be the Old West, wartime Berlin, or modern-day Scotland. I was born into a 300-year-old N. Ireland Protestant Plantation family, yet many people saw us as interlopers: we weren’t quite Irish, and we weren’t quite British, yet we held dual passports. It was not until I left Ireland that I realized my Irish Heritage exerted a stronger pull than my British.

I’ve been drawn to islands ever since I was a child spending summer holidays ferry-hopping around the Inner Hebrides in Scotland. In 2017 I was lucky enough to be able to live for several months in a remote settlement called Cliff on the Atlantic coast of the Outer Hebrides. It was such a life-changing experience: the isolation, storms, abandoned villages, standing stones, and shipwreck memorials; the beauty and wonder and peace, but also the fear, how vulnerable living somewhere like that can make you feel. How vulnerable you are. My latest novel, The Blackhouse, is a gothic thriller inspired by all the wonderful and eerie islands that I have ever known or read about! 

As soon as I found out about Zephyrettes, I knew I had to write about these real-life train hostesses who rode the rails on the old California Zephyr, which existed from 1949 to 1970. The only woman on a train crew, someone who keeps an eye on passengers and situations, anticipating and solving problems—who would be better placed to solve a mystery on a train? Jill is my traveling Miss Marple. I’m a former newspaper reporter, Navy journalist, and have been writing for decades, first the Jeri Howard series, then the Jill McLeod series, and lately a book featuring geriatric care manager Kay Dexter, The Sacrificial Daughter.

I adore all things ghostly, from TV shows to books to movies. I immerse myself. For me, I think it began as a young girl with poems from my grandmother’s favorite book and films or programs we’d watch together. The what-if factor and the vast unknown is addicting. It chronically makes us think or sit at the edge of our seats. I’ve even visited haunted locations before and had a couple of experiences. Romance ties into that for me. We all strive for it and hope to find it. It can be as elusive as fog. By combining the two genres, readers like me get the best of all worlds. 

As an Anishinaabe writer, my award-winning/nominated books, Murder on the Red River and Girl Gone Missing, feature Cash Blackbear; a young, Native woman, who solves crimes for the county sheriff. Oprah Magazine 2020 listed me as a Native American Author to read. I received Minnesota's 2020 McKnight Distinguished Artist Award. My script, Say Their Names, had a staged reading with Out of Hand Theater, Atlanta, 2021. Vazquez and I received the Loft’s 2017 Spoken Word Immersion Fellowship for work with incarcerated women. I have been a friend, colleague, and peer with the authors recommended. We might currently be a small crew writing but we are a mighty, award-winning crew.

Like myself, each of these novels involved older professional Black women protagonists. Each of these authors presented multidimensional women experiencing circumstances that surpass culture and ethnicity. As women age, not only do we take on new roles, but we physically and emotionally change. I appreciate books with relatable characters coping with issues I experience—menopause, aging parents, an empty nest. Reading mysteries with fictional characters dealing with situations I experience makes me feel less isolated.