Books like Ganache and Fondant and Murder

My degree in archaeology taught me life is a giant puzzle. People leave behind fragments, giving hints but never definitive answers. My deductive skills when piecing together broken pottery or looking at renderings of hominid skulls to determine how they lived, evolved my desire to write mysteries. One of the many things I love about cozy mysteries is that everything looks peaceful on the outside, but like real life, you barely need to scratch the surface before you discover dark deeds and secrets. And who doesn’t enjoy that?

My degree in archaeology taught me life is a giant puzzle. People leave behind fragments, giving hints but never definitive answers. My deductive skills when piecing together broken pottery or looking at renderings of hominid skulls to determine how they lived, evolved my desire to write mysteries. One of the many things I love about cozy mysteries is that everything looks peaceful on the outside, but like real life, you barely need to scratch the surface before you discover dark deeds and secrets. And who doesn’t enjoy that?

My degree in archaeology taught me life is a giant puzzle. People leave behind fragments, giving hints but never definitive answers. My deductive skills when piecing together broken pottery or looking at renderings of hominid skulls to determine how they lived, evolved my desire to write mysteries. One of the many things I love about cozy mysteries is that everything looks peaceful on the outside, but like real life, you barely need to scratch the surface before you discover dark deeds and secrets. And who doesn’t enjoy that?

When I met my husband, he had two dogs—Gus the collie and Charlie the Yorkie. When the collie crossed the rainbow bridge, we brought another big dog into the household—a golden retriever. Charlie let Sam know that my husband was HIS human, and Sam could have me if he wanted. That began a beautiful twelve-year love affair. I knew I had to write about the relationship between man and dog, and chose the mystery novel as my framework. I spend hours every day researching my books – walking my current goldens, Brody and Griffin; feeding them; grooming them; playing with them; and observing how they interact with the world.

I have been a mystery reader my entire life, starting with the Hardy Boys series as a child and then progressing to authors like Agatha Christie, Sir Arthur Conan Doyle, Chester Himes, Ellery Queen, Dashiell Hammett, Raymond Chandler, and many, many others. I love trying to figure out the crime or mystery before the reveal, but usually don’t. And, I have always truly enjoyed mystery books which have humor and quirky characters in them. More recently, I have become an award-winning mystery novelist myself, having published both a historical fiction mystery series and stories set in contemporary times in an ongoing anthology series that combines murder, mystery, and music.

One of my favourite reviews described my book as ‘a bloodstained version of the world of Barbara Pym.’ Perfect! I write crime novels set in the Church of England. I also read mysteries with churchy connections—lots of them. My shelves hold hundreds, featuring clerical sleuths (and even a few clerical murderers), books set in churches, cathedrals, and monasteries (past and present). I love to explore the questions I am so often asked when talking about the books I love: why is there such a plethora of them, and why does the Church, which represents ‘goodness,’ appear so often in novels which feature unspeakable crimes?

As a longtime Angeleno, I’ve read a lot about the dark underbelly of our dysfunctional metropolis, both in the news and in fiction. I try to incorporate the City of Angels as a strong presence in my writing, and when I read other writers who have put Los Angeles at the center, it gives me a sense of things the way they really are, a glimpse at a deeper reality. I see the detectives in LA noir and crime fiction as inextricably intertwined with the city, their weaknesses, and their emotional quandaries emerging from this place.

As soon as I found out about Zephyrettes, I knew I had to write about these real-life train hostesses who rode the rails on the old California Zephyr, which existed from 1949 to 1970. The only woman on a train crew, someone who keeps an eye on passengers and situations, anticipating and solving problems—who would be better placed to solve a mystery on a train? Jill is my traveling Miss Marple. I’m a former newspaper reporter, Navy journalist, and have been writing for decades, first the Jeri Howard series, then the Jill McLeod series, and lately a book featuring geriatric care manager Kay Dexter, The Sacrificial Daughter.

I have a passion for novels with creepy settings, because I grew up in a haunted house and also spent my summers at a cottage on a lake with a long history of hauntings. I’m very familiar with the sensation of someone coming up behind you but when you turn around, nobody’s there, with lights flickering and the sound of unaccounted for footsteps, with shadowy corners, and chills running down your spine. As a child I loved to explore dark woods, abandoned buildings, and hold seances. As an adult I still explore these kinds of settings through my own writing and through the reading of some very creepy novels.  

As an Anishinaabe writer, my award-winning/nominated books, Murder on the Red River and Girl Gone Missing, feature Cash Blackbear; a young, Native woman, who solves crimes for the county sheriff. Oprah Magazine 2020 listed me as a Native American Author to read. I received Minnesota's 2020 McKnight Distinguished Artist Award. My script, Say Their Names, had a staged reading with Out of Hand Theater, Atlanta, 2021. Vazquez and I received the Loft’s 2017 Spoken Word Immersion Fellowship for work with incarcerated women. I have been a friend, colleague, and peer with the authors recommended. We might currently be a small crew writing but we are a mighty, award-winning crew.