Books like France on Trial — picked by fans

The first book to read on this subject. An accessible, expert synthesis of refugee experiences based on many accounts, including interviews, but focused on eight that contain extensive, significant detail (all by Paris residents, Léon Werth among them). Diamond concludes that Philippe Pétain leveraged refugees' suffering to propagandize for military capitulation and the legitimacy of his regime.

I love the writing of Patrick Modiano.

Here, the lost world that is encountered is within the lives and beings of the characters of the three novellas that make up this book, lives and beings that are on one level from Modiano’s own biography but which, in his spare and beautiful prose become of universal moment.

The world in the book is that of the dark years of the Nazi occupation of Paris. That which is fleeting, easily lost, mysterious, and obscure haunts the pages of the book, reminding us of how evanescent and uncertain memory is but also how much our lives are bound by it.

You never know who can be until you have to be that person to survive.

Women should never underestimate themselves. That was my takeaway from Mistress of the Ritz by Melanie Benjamin, a true life story about an American woman who worked for the French Resistance during World War II. 

I couldn’t help but be inspired by Blanche Auzello, a young American actress in Paris, who, as the Nazis are taking over the city, chooses to remain in Paris with her husband.

Despite the difficulties of the Nazi occupation, and the growing distance in her relationship with her husband, Blance takes on new challenges and roles she never expected to play that will forever change her life and the lives of those close to her.  

Mistress of the Ritz is the type of historical mystery that, despite knowing the outcome of the war, will keep readers turning pages and wondering...could… show more.

At the time of writing, this is the last book I read, in the couple of weeks before the 80th anniversary of VE Day. Powerful is the only way to describe it.

I think it’s the ordinariness of the characters, particularly the main protagonists, that makes it so powerful. None of them had any training or expertise that would have helped them to ‘fight’ back, to resist; they are just ordinary people doing extraordinary things, which is what happened during the Second World War, particularly in occupied France.

It’s a reminder that we should never forget our history—even when it isn’t very palatable—and hope that one day we might start to learn from it.

This book stayed with me for days. I love color.

Susan Vreeland is also entranced by color, artistic creativity, and the transformative power of art. In Lisette’s List, the author portrays Impressionist and Post-Impressionist art by way of the fictional character, Lisette, in Provence, during WWII and the years after as France returns to ‘normal.’ She quotes Paul Cezanne, “Art is a religion.

Its goal is the elevation of thought,” Camille Pissarro, “Blessed are they who see beautiful things in humble places where other people see nothing,” and Marc Chagall, “Art seems to me to be a state of soul more than anything else. Color is all. When color is right, form is right. Color is everything.”

Vreeland paints a story with words of color, of resilience, and of hope.

Plenty of Resistance activity in the Lot, certainly, but it was also the home of the vicious anti-semite Louis Darquier de Pellepoix, who rounded up many Jews to their deaths on behalf of the Vichy Government. Years later, Carmen Callil, founder of Virago, was seeking psychiatric help when she came across his daughter Anne, a psychiatrist, who had been abandoned by her despicable parents.

It was Anne’s death by suicide that set Callil off on a stunning attempt to track the life of Darquier, a drunkard, a rapist, and a man of few if any redeeming features. He disgraced his family and native town, where his father was mayor of Cahors, capital of the Lot. He was sentenced to death but, protected by Franco, died a free man in Spain.

“Only lice were ever gassed at Auschwitz” was his mantra as he sent children off to the gas chambers.

Reading aloud to students is my ultimate commendation for the best books, with a bonus for books that are short and powerful. Twenty and Ten is based on actual events in a French boarding school during World War II. When ten desperate Jewish children needed a sanctuary to survive, to avoid being sent to concentration camps, the nuns wisely discussed this with the twenty resident children. Those children would need to keep their life-or-death secret. Limited food and resources, barely enough for the twenty, would need to stretch to keep ten more alive, perhaps for years. If discovered, all might be taken, or killed. “What do you think they will do?” and “What would you do?” and “Why?” are among my favorite questions when sharing this book. Amazing conversations follow, for children and adults. Then eager hands reach for copies to read again.

This book doesn’t deal with veiled representations of Jewish Characters in French theater during German Occupation, but it decrypts subtle political messages in French Drama during this period.

It takes you on a journey into the world of dramatic works produced in Nazi-occupied Paris. It's fascinating how financial support from Vichy led to a revival of theater during that challenging time. You'll find within it well-known classics like Anouilh's Antigone but also hidden gems like Cocteau's The Typewriter.

The book doesn't stop at the past, it concludes with a look at Truffaut's The Last Métro, showing us how the present can reinterpret history. Krauss's meticulous research, including insights from archival materials, gives you a deeper understanding of the intricacies of staging and design. This work isn't just important for scholars; it's a captivating exploration that breathes life into French drama and offers unique insights into the Occupation era.

Making Cojot, a documentary about a Parisian business consultant who hunted down former Gestapo commander Klaus Barbie, prompted me to closely examine Vichy. This French national administration went out of its way to appease its Nazi occupiers during World War II. But the more answers I dug up, the more questions I had. Verdict on Vichy filled in many of the gaps. For instance, it provided a possible explanation as to why the judges presiding over Barbie’s 1987 trial in Lyon granted his request to sit out the proceedings, thus depriving his victims’ families the opportunity to look him in the eyes as they recounted some of his crimes against humanity. The judges might have pounced at the chance to hide Barbie, who was reportedly ready to spill the beans about French leaders such as then-President François Mitterrand who collaborated with the Nazis. Michael Curtis went to great lengths… show more.

I like very much the monumental book of Julian Jackson on Vichy and the French Occupation.

Despite its length, Jackson’s book remains engaging throughout. The book delves first into the formative years of Vichy. It sheds light on the political tensions that preceded this period. It elucidates how individuals from various political backgrounds were drawn to this attractive vision of societal rejuvenation. It emphasizes the unclear limits between right and wrong during this challenging era.

The book is very important both for students and researchers.