100 Books Like Fleeing Hitler

No work of fiction has had such a profound effect on historians of Occupied France as this staggeringly beautiful book. I had never read fiction like this before, a novel written contemporaneously yet showing such a depth of knowledge of the world around by a novelist who saw beauty beyond the chaos that had engulfed her world.

The young French novelist of Ukrainian-Jewish origin had planned five books yet only completed two before being killed in Auschwitz in 1942. This book contains the first two complete novels which are very different stories, but equally dramatic and written in prose that flows poetically. I loved the first novel, about the exodus from Paris in May 1940, just as much as the second, a love story that was used for the film of this heart-wrenching book. 

A more specialized account focused on the role of women, who made up the vast majority of refugees, in petitioning government for civilian protection and assistance before and after the crisis, and their unique experiences on the road. Dombrowski Risser finds that women initiated an expansion of universal human rights in wartime to include refugees' rights. Her insightful and masterfully informed analysis of primary source materials—women's letters to government officials—brings them to life, adding illuminating, and heartrending, substance and texture.

The fall of France is essential historical context for the refugee crisis, and this book is "history with a flair." Focused on Paris—through which millions of refugees were routed and from which two million embarked—Lottman weaves micro-histories (think Eduardo Galeano), culled from an encyclopedic range of accounts, into a panoramic, propulsive day-by-day narrative that prominently features the refugee crisis. A compelling read.

Also for historical context, this is a more traditionally constructed history—though also a masterful synthesis of sources—and among those that view the refugee crisis as having a role in France's defeat. Clear, concise and comprehensive; if you read one book about the fall of France, read this.

I love the writing of Patrick Modiano.

Here, the lost world that is encountered is within the lives and beings of the characters of the three novellas that make up this book, lives and beings that are on one level from Modiano’s own biography but which, in his spare and beautiful prose become of universal moment.

The world in the book is that of the dark years of the Nazi occupation of Paris. That which is fleeting, easily lost, mysterious, and obscure haunts the pages of the book, reminding us of how evanescent and uncertain memory is but also how much our lives are bound by it.

You never know who can be until you have to be that person to survive.

Women should never underestimate themselves. That was my takeaway from Mistress of the Ritz by Melanie Benjamin, a true life story about an American woman who worked for the French Resistance during World War II. 

I couldn’t help but be inspired by Blanche Auzello, a young American actress in Paris, who, as the Nazis are taking over the city, chooses to remain in Paris with her husband.

Despite the difficulties of the Nazi occupation, and the growing distance in her relationship with her husband, Blance takes on new challenges and roles she never expected to play that will forever change her life and the lives of those close to her.  

Mistress of the Ritz is the type of historical mystery that, despite knowing the outcome of the war, will keep readers turning pages and wondering...could… show more.

I like very much the monumental book of Julian Jackson on Vichy and the French Occupation.

Despite its length, Jackson’s book remains engaging throughout. The book delves first into the formative years of Vichy. It sheds light on the political tensions that preceded this period. It elucidates how individuals from various political backgrounds were drawn to this attractive vision of societal rejuvenation. It emphasizes the unclear limits between right and wrong during this challenging era.

The book is very important both for students and researchers.

This book stayed with me for days. I love color.

Susan Vreeland is also entranced by color, artistic creativity, and the transformative power of art. In Lisette’s List, the author portrays Impressionist and Post-Impressionist art by way of the fictional character, Lisette, in Provence, during WWII and the years after as France returns to ‘normal.’ She quotes Paul Cezanne, “Art is a religion.

Its goal is the elevation of thought,” Camille Pissarro, “Blessed are they who see beautiful things in humble places where other people see nothing,” and Marc Chagall, “Art seems to me to be a state of soul more than anything else. Color is all. When color is right, form is right. Color is everything.”

Vreeland paints a story with words of color, of resilience, and of hope.

Have you ever read a book that grabbed you with a character challenged by circumstances you’d never considered? Imagine being blind and trying to survive WWII! I was intrigued by this essentially two-person novel set during World War II, which had a ‘cast’ of millions.

Again, the characters! Marie-Laure LaBlanc is a young blind French woman hiding in her great-uncle’s house in Saint-Malo after the Nazis invade Paris. I found Doerr’s lyrical sensory descriptions of Marie-Laure’s efforts to make her way around town as she’s pulled into the French resistance thrilling. I loved the depth of characterization when I met the second main character, Werner Pfennig, a radio repair savant, and his journey from a Nazi soldier tracking down illicit resistance radio operators to a young man repulsed by the Nazi brutalization of civilians.

The characters and intrigue pulled me through this book; mixed in with the eventual connection of… show more.

Dr. Sumner Jackson and his family lived at 11, avenue Foch, sandwiched between Gestapo interrogation offices. It is an extraordinary story of resistance by the head of the American Hospital and his family. They are caught, interrogated, and ultimately deported to various concentration camps.

The author does an excellent job of outlining the Gestapo hierarchy in Paris and describing the Nazis’ brutal methods. The family was classified as prisoners under the “Nacht und Nebel” program (“Night and Fog”) and Mr. Kershaw introduces you to Hitler’s infamous directive. The book also weaves various resistance icons into the story. These include the SOE agents, Violette Szabó, Noor Inayat Khan, and Francis Suttill.