Books like Forgotten Yorkshire Folk and Fairy Tales — picked by fans

I adore this book!

It reminds me of the classic Joan Aiken/Jan Pienkowski fairy tale books of my childhood, such as The Kingdom Under the Sea. The amazing silhouette illustrations by Lorena Carrington just make it. Apparently, the girls in the images are Kate and Lorena’s daughters! 

I love how this book brings to light the many fairy tales from our past in which female characters are brave and resourceful. The stories don’t have to be changed; they already exist. Each tale comes with an introduction stating its source, and a little afterword from both Kate and Lorena, which feels cosy.

I’ve been a fan of Jen Campbell since first watching her YouTube channel.

She is very knowledgeable about fairy tales, and as a queer, disabled person, keen to challenge some of the genre’s othering tropes. (I’ve met her, too!). I especially like how Jen makes the Irish merman tale “The Souls Trapped Under the Sea” more obviously gay, but in a child-friendly way, and has the merman communicate underwater using sign language.

The book has a good selection of tales from across the continents, and the illustrations are just the right mix of creepy and cosy.

I was recommended this book at a local festival of African and Caribbean culture, by a storyteller who performed two of the tales from it - with music!

I love it that the tales come from many countries in the Caribbean, and reflect the many cultures that have gone into its melting pot, including West African, Indian and Indigenous peoples.

Even better, I don’t just get the tales, I get to hear about the tellers. Between the stories are recollections of the Windrush Generation, who emigrated from the Caribbean to Britain in the 1950s and 60s. As a British reader, I really appreciate that.

I remember the excitement when the news broke in 2009 that five hundred previously unknown German fairy tales had been discovered in an archive in Bavaria.

I couldn’t wait to get my hands on it. And I still love it now. As an amateur folklorist, I like the unembellished rawness of the tales. It can be weird at times, but it brings me closer to the original tellers all those years ago.

And the little commentaries and notes on each tale, comparing them with similar tales and giving each their Aarne-Thompson-Uther classification number. Super helpful, both for studying and retelling the tales.

This is what fairy tales would look like if they were gothic, so I love this book.

I read it a few years ago and fell in love with it. I purchased the print copy because I wanted the illustrations in front of me to look at too. Almost any story you read comes from a myth or a fairy tale if you deconstruct it, so reading this book keeps your brain tuned into this idea, but you don't need to be a writer to find delight in this book.

The cover of this book is quite lovely, too!

I absolutely loved the way that Emma wrote these characters. I related to Seraphina and fell for Rafe’s charm time and time again. They’re a couple that’s perfect for each other.

Some book couples you read and think they may not make it past the last page, but I could see these two together forever. The whole book made me swoon and laugh. 

I love, love, love this book, for so many reasons. My top two are: 1) It sits squarely in that odd ‘fantasy in a technological world’ niche (Imagine 1984’s world filled with fairies!) 2) It has an odd, dark humour feel to a book that I like (think Gaiman or Pratchett) And oh! The characters? Funny, clever, nuanced. Bum that was three wasn’t it? I’ll come in again.

This book is a classic story that transported me to a realm where fairies come alive—I felt I could be there dancing with them, too.

I love the story's initial opening with the magical expression, “Once upon a time.” It’s like opening a gateway to my mind’s eye, imagining life in that country that was very close to Fairy Land, guided by the exquisite illustrations in the book.

I like also very much the simplicity of the names of the characters, like for example, “Princess Niente (Princess Nobody) and of the structure of the story divided into three chapters.

The end is sweet: “Journeys end in lovers meeting, and so do stories.” And offered me a pearl with the quote of Apuleius and the poem.

Wolves and Roses is a fun and snarky start to a big series in which humans exist in a modern world alongside shifters, witches, and fairies. Sounds fun, right?

Bryar Rose is expected to follow the Sleeping Beauty story template for her life. Unfortunately, something glitched in her personality, because no part of that story appeals to who she truly is, or what she wants out of life. When Bryar meets Knox, a powerful werewolf shifter in the midst of his own identity crisis, sparks fly.

If you enjoy strong, rebellious female leads and bad-boy heroes (yes, please!), this book has all those vibes, plus intrigue, witty banter (my fave), and action. Fans of alternate-history fantasy, paranormal romance, and modern-set fairy tale retellings should add this book to their TBR.

Lewis considered George MacDonald his spiritual father, having never met the man. He said that MacDonald introduced him to the gospel through his stories before he even knew that that’s what was happening. How? Metaphor. George MacDonald knew of God’s love more than most and did his best to share it with the world, deeply hidden in fairy tales, the kind of folklore that Lewis, Tolkien, and the rest of the Inklings loved so dearly.