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As someone who studies and writes about Latin American anarchism for a living, Iâve encountered no shortage of influential historical accounts written by scholars and activists writing in Spanish, Portuguese, and English during the past sixty years. My âbest ofâ list includes English-language histories that reflect important shifts in how people began to study and write about anarchism beginning in the 1990s. Before thenâand continuing up to today to some extentâhistorians often focused on the role of anarchists in a countryâs labor movement. Today, historians increasingly explore both the cultural and transnational dimensions of Latin American anarchism. In these studies, authors frequently explore the roles of and attitudes toward women in anarchist politics.
Paradoxesâa 2010 translation of his 2001 workâwas an important addition to the emerging literature on anarchist cultural politicsâa literature that began with a fellow Argentinian historian Dora Borrancos, who wrote Anarquismo, educaciĂłn y costumbres en la Argentina de principios de siglo (1990). My book built on this emerging exploration of anarchists outside the workplace. Paradoxes explores anarchist newspapers, culture, plays, meetings, and other activities radicals used to promote anarchism while also offering entertainment and relaxation. Suriano is not myopic. He notes that in a time when other forms of entertainment like cinema emerged, workers had competing forms of commercialized amusement to pursue. This bookâlike other cultural historiesâbreathes life into old histories of anarchism that often were boring âABC histories,â i.e., stories of one union acronym after another.
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn theâŠ
As someone who studies and writes about Latin American anarchism for a living, Iâve encountered no shortage of influential historical accounts written by scholars and activists writing in Spanish, Portuguese, and English during the past sixty years. My âbest ofâ list includes English-language histories that reflect important shifts in how people began to study and write about anarchism beginning in the 1990s. Before thenâand continuing up to today to some extentâhistorians often focused on the role of anarchists in a countryâs labor movement. Today, historians increasingly explore both the cultural and transnational dimensions of Latin American anarchism. In these studies, authors frequently explore the roles of and attitudes toward women in anarchist politics.
Craibâs Renegade uses a biographical approach to explore larger cultural and transnational politicsâthis time in early twentieth-century Chile. Again, migrationâso crucial to the history of Latin American anarchismâplays a central role in understanding the multinational dimensions of anarchism in countries across the region. Craib uses the life and death of the anarchist poet Domingo GĂłmez Rojas, along with his friends and comrades, to explore the Chilean anarchists and their relations with student rebels. The book illustrates how anarchists in Chile created urban âtransnational communitiesâ of anarchists born in Santiago, anarchists who moved to the capital, and anarchists who immigrated to Chile. They then used their culture and multinational experiences to forge transnational connections beyond Chile.
On October 1, 1920, the city of Santiago, Chile, came to a halt as tens of thousands stopped work and their daily activities to join the funeral procession of Jose Domingo Gomez Rojas, a 24 year old university student and acclaimed poet. Nicknamed "the firecracker poet" for his incendiary poems, such as "The Cry of the Renegade", Gomez Rojas was a member of the University of Chile's student federation (the FECh) which had come under repeated attack for its critiques of Chile's political system and ruling parties. Government officials accused the FECh's leaders of being advocates for the destruction ofâŠ
As someone who studies and writes about Latin American anarchism for a living, Iâve encountered no shortage of influential historical accounts written by scholars and activists writing in Spanish, Portuguese, and English during the past sixty years. My âbest ofâ list includes English-language histories that reflect important shifts in how people began to study and write about anarchism beginning in the 1990s. Before thenâand continuing up to today to some extentâhistorians often focused on the role of anarchists in a countryâs labor movement. Today, historians increasingly explore both the cultural and transnational dimensions of Latin American anarchism. In these studies, authors frequently explore the roles of and attitudes toward women in anarchist politics.
Soaresâ very funny novel bridges my focus on anarchist culture and transnational anarchism. Soaresâ title character is an anarchist born of a Brazilian woman. His anarchist politics are always on display as he sets out to assassinate tyrannous figures around the world. For those looking for a sympathetic story of anarchists, our clumsy, error-prone, would-be assassin does not fit the bill. However, his popping up around the world at times of key global events is bizarre and ultimately quite entertaining. If nothing else, Twelve Fingers is a reminder of how even the best-laid plans with noble intents can go disastrously astray.
A burlesque smorgasbord of international high jinksâthe âbiographyâ of a hapless, twelve-fingered, would-be assassin who lurches from Sarajevo to Paris to Hollywood to Chicago to Rio, leaving high-stakes chaos in his wake. Our hero, Dimitri Borja Korozec, is born in the late 1800s to a Brazilian contortionist mother and a fanatically nationalist Serbian linotypist father.
Dimitri enrolls in a training school for assassins, where he excelsâexcept for his troubling propensity for fouling things up at the last moment. Part Carlos the Jackal, part Woody Allenâs Zelig, part Inspector Clouseau, and part Forrest Gump, Dimitri is a schlemiel of an assassinâŠ
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŠ
As someone who studies and writes about Latin American anarchism for a living, Iâve encountered no shortage of influential historical accounts written by scholars and activists writing in Spanish, Portuguese, and English during the past sixty years. My âbest ofâ list includes English-language histories that reflect important shifts in how people began to study and write about anarchism beginning in the 1990s. Before thenâand continuing up to today to some extentâhistorians often focused on the role of anarchists in a countryâs labor movement. Today, historians increasingly explore both the cultural and transnational dimensions of Latin American anarchism. In these studies, authors frequently explore the roles of and attitudes toward women in anarchist politics.
Spanish-speaking anarchists from Spain and Latin America often circularly migrated between the United States and Latin America, especially Cuba, Puerto Rico, Panama, and Mexico. Writing Revolutionâs fifteen chapters explore the transnational and print culture of these anarchists in the United States as they communicated with, learned from, and supported their colleagues across Latin America. Correspondence and newspapers from Latin America fueled their support for Cubaâs War for Independence in the 1890s, the Mexican Revolution, social justice campaigns across the Americas, and hemispheric-wide efforts to support the Spanish Civil War and Revolution in the 1930s. Again, anarchist culture and transnational politics are intimately interlinked and illustrate how these two approaches provide a wealth of material to write the histories of radical leftists who agitated for anarchism decades before the emergence of Moscow-influenced Marxist political parties. Â
In the late nineteenth through mid-twentieth centuries, the anarchist effort to promote free thought, individual liberty, and social equality relied upon an international Spanish-language print network. These channels for journalism and literature promoted anarchist ideas and practices while fostering transnational solidarity and activism from Buenos Aires to Los Angeles to Barcelona. Christopher J. Castaneda and Montse Feu edit a collection that examines many facets of Spanish-language anarchist history. Arranged chronologically and thematically, the essays investigate anarchist print culture's transatlantic origins; Latina/o labor-oriented anarchism in the United States; the anarchist print presence in locales like Mexico's borderlands and Steubenville, Ohio; theâŠ
I first came face to face with the expansive and unchecked authority of the Border Patrol about a decade ago when I was stopped five times in less than an hour while driving on a Texas country road. Could the Border Patrol really stop any vehicle they want without any reason whatsoever deep inside the United States? That day set me off on a journey through the borderlands and into the history of the Supreme Court in order to tell the untold story of how the Border Patrol became the most dangerous police force in the United States.
While writing my own book, this is the book that I had to keep going back to for all the historical detail on the early Border Patrol. Itâs an academic book, but it does a great job of explaining the story of the early Border Patrol from the perspective of the people in the borderlands.Â
For much of the twentieth century, Immigration and Naturalization Service (INS) officials recognized that the US-Mexico border region was different. Here, they confronted a set of political, social, and environmental obstacles that prevented them from replicating their achievements on Angel Island and Ellis Island, the most restrictive immigration stations in the nation. In response to these challenges, local INS officials resorted to the law, nullifying, modifying, and creating the nation's immigration laws and policies for the borderlands.
In The INS on the Line, S. Deborah Kang traces the ways in which the INS on the US-Mexico border made and remadeâŠ
I became passionate about the Mexico/US border question after meeting someone who is now a close friend, a Mexican academic who introduced me to some of the issues. She helped me write Saint Death as a way to explore the politics of ultra-capitalism, in the form of multinational business, and the action of drug cartels.
Dodson was an officer for the ATF working along the border with Mexico. He stumbled across the scandal behind Operation Fast and Furious, and rather than keeping quiet, he took the risky step of whistleblowing on covert operations by US government agencies in collusion with the drug gangs of Mexico, and the death of Border Patrol Agent, Brian Terry.
A hard-hitting inside account of the Fast and Furious scandalâthe government-sponsored program intended to âwin the drug warâ by providing and tracking gun sales across the border to Mexicoâfrom whistle-blower and ATF agent John Dodson.
After the terror attacks of September 11, 2001, John Dodson pulled bodies out of the wreckage at the Pentagon. In 2007, following the shooting massacre at Virginia Tech, John Dodson walked through the classrooms, heartbroken, to cover up the bodies of the victims.
Then came Arizona. The American border.
Ten days before Christmas, 2010, ATF agent John Dodson awoke to the news he had dreadedâŠ
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother hadâŠ
I first came face to face with the expansive and unchecked authority of the Border Patrol about a decade ago when I was stopped five times in less than an hour while driving on a Texas country road. Could the Border Patrol really stop any vehicle they want without any reason whatsoever deep inside the United States? That day set me off on a journey through the borderlands and into the history of the Supreme Court in order to tell the untold story of how the Border Patrol became the most dangerous police force in the United States.
Jenn Buddâs account of her life as a Border Patrol agent is powerful because it comes from a place of self-reflection and growth. She faces up to her previous ignorance and accepts the criticism that goes along with it. This book inspired me because she sees the racism and violence that are endemic to the Border Patrol and then dedicates her life to changing it.Â
Jenn Budd, the only former U.S. Border Patrol agent to continually blow the whistle on this federal agency's rampant corruption, challenges us-as individuals and as a nation-to face the consequences of our actions. Her journey offers a vital perspective on the unfolding moral crisis of our time. She also gives harrowing testimony about rape culture, white privilege, women in law enforcement, LGBTQ issues, mental illness, survival and forgiveness.
"An unflinching look at a Border Patrol riddled with corruption, racism, and misogyny. Raw and truthful, no one escapes judgement, not even Budd, who searches deep within herself to examine her ownâŠ
Iâm a scholar of gender and state violence, and I live and work at the US-Mexico border. For the past several years, Iâve worked collaboratively with large teams of Latinx-identified students to study the impacts of US immigration policies on migrants from Mexico and Central America. We realized that even though about half of immigrants are women, around 95% of deportees are men. So, we started to think about how US policies criminalize immigrant men. I became especially interested in how immigration enforcement (at the border and beyond) intersects with mass incarceration. In the list, I pick up books that trace the multinational reach of the carceral apparatus that comes to treat migrants as criminals.
Muehlmannâs beautiful, gripping book reveals how cartels and drug violence are not separate from everyday life, but instead interwoven with almost all facets of life on the Mexican side of the US-Mexico border.
In a narrative style, she traces how everyday people unwittingly get into supporting the drug trade, or find themselves wrapped up in supporting traffickers without their knowledge. She also illustrates how the figure of the ânarcoâ (drug trafficker) gets idealized in the borderlands. An incredible read for anyone interested in the complexity of the US-Mexico border.
When I Wear My Alligator Boots examines how the lives of dispossessed men and women are affected by the rise of narcotrafficking along the U.S.-Mexico border. In particular, the book explores a crucial tension at the heart of the "war on drugs": despite the violence and suffering brought on by drug cartels, for the rural poor in Mexico's north, narcotrafficking offers one of the few paths to upward mobility and is a powerful source of cultural meanings and local prestige. In the borderlands, traces of the drug trade are everywhere: from gang violence in cities to drug addiction in ruralâŠ
Iâm a political philosopher who lives in Seattle. I teach and write about political ethics, and the ways in which moral concepts change when they get applied to the relationships between statesâand to the complicated borders that define where states end. I tend to write about what puzzles me, and many of these puzzles come from my personal life; Iâm a migrant myself, and the experience of migrating to the United States led me to write about what sorts of values a country can rightly pursue through migration policyâand what sorts of things, more generally, it can and canât do to migrants themselves.
Neiwertâs book focuses on the horrifying case of Shawna Forde, an anti-migration activist who ended up murdering a child on the Arizona border in an attempt to steal money to fund her activism. Itâs sometimes easier to understand the politics of the borderlands by focusing on particular people who inhabit and cross the borders; Neiwert let me see the complex politics of the Arizona border, and the ways in which those politics can curdle into a murderous rage.
It began with a frantic 911 call from a woman in a dusty Arizona border town. A gang claiming to be affiliated with the Border Patrol had shot her husband and daughter. It was initially assumed that the murders were products of border drug wars ravaging the Southwest until the leader of one of the more prominent offshoots of the Minutemen movement was arrested for plotting the home invasion as part of a scheme to finance a violent antigovernment border militia. And Hell Followed With Her: Crossing to the Dark Side of the American Border is award-winning journalist David Neiwert'sâŠ
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to runâŠ
Iâm a journalism historian who sees an old newspaper the way Alice saw the looking glass, as a portal to a place where things wind up beyond the imaginable. In comparing English- and Spanish-language journalism, I examine how people from the same time and place live distinct constructed realities, separated by their news source looking glass. I aim to recenter the journalism of marginalized groups in the American experience and in media history. After more than 20 years at major U.S. news organizations and 10 years in academia, often as the first or only Mexican AmericanâIâve honed the ability to see from both sides of the glass.
Lee & Low, the bookâs publisher, describes Shame the Stars as a YA Romeo & Juliet story. This piece of historical fiction is so much more.
It draws on true stories of how Texas Rangers lynched and pillaged Mexican Americans in South Texas. These are stories that my parents heard growing up in San Antonio, Texas, and that were often orally passed on in families, though not so often in the history books of that era.
This novel is on my list because it flips the camera angle on images of Mexican Americans in media, with characters taking to the printing press to assert their rights and tell their stories. One such journalist/protagonist is the father of the character Juliet/Dulceña, who illuminates the misdeeds of the Rangers in his news accounts.
Without giving too much away, Iâll merely hint that the book draws inspiration from the long overlooked crusading MexicanâŠ
Eighteen-year-old Joaquin del Toro's future looks bright. With his older brother in the priesthood, he s set to inherit his family s Texas ranch. He s in love with Dulcena and she s in love with him. But it s 1915, and trouble has been brewing along the US-Mexico border. On one side, the Mexican Revolution is taking hold; on the other, Texas Rangers fight Tejano insurgents, and ordinary citizens are caught in the middle.
As tensions grow, Joaquin is torn away from Dulcena, whose father s critical reporting on the Rangers in the local newspaper has driven a wedgeâŠ
