Here are 100 books that For a Just and Better World fans have personally recommended if you like
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As someone who studies and writes about Latin American anarchism for a living, I’ve encountered no shortage of influential historical accounts written by scholars and activists writing in Spanish, Portuguese, and English during the past sixty years. My “best of” list includes English-language histories that reflect important shifts in how people began to study and write about anarchism beginning in the 1990s. Before then—and continuing up to today to some extent—historians often focused on the role of anarchists in a country’s labor movement. Today, historians increasingly explore both the cultural and transnational dimensions of Latin American anarchism. In these studies, authors frequently explore the roles of and attitudes toward women in anarchist politics.
Paradoxes—a 2010 translation of his 2001 work—was an important addition to the emerging literature on anarchist cultural politics—a literature that began with a fellow Argentinian historian Dora Borrancos, who wrote Anarquismo, educación y costumbres en la Argentina de principios de siglo (1990). My book built on this emerging exploration of anarchists outside the workplace. Paradoxes explores anarchist newspapers, culture, plays, meetings, and other activities radicals used to promote anarchism while also offering entertainment and relaxation. Suriano is not myopic. He notes that in a time when other forms of entertainment like cinema emerged, workers had competing forms of commercialized amusement to pursue. This book—like other cultural histories—breathes life into old histories of anarchism that often were boring “ABC histories,” i.e., stories of one union acronym after another.
An engaging historical look at fin de siécle Buenos Aires that brings to life the vibrant culture behind one of the world’s largest anarchist movements: the radical schools, newspapers, theaters, and social clubs that made revolution a way of life. Cultural history in the best sense, Paradoxes of Utopia explores how a revolutionary ideology was woven into the ordinary lives of tens of thousands of people, creating a complex tapestry of symbols, rituals, and daily practices that supported—and indeed created the possibility of—the Argentine labor movement.
Juan Suriano is a professor of social history at the University of Buenos Aires.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
As someone who studies and writes about Latin American anarchism for a living, I’ve encountered no shortage of influential historical accounts written by scholars and activists writing in Spanish, Portuguese, and English during the past sixty years. My “best of” list includes English-language histories that reflect important shifts in how people began to study and write about anarchism beginning in the 1990s. Before then—and continuing up to today to some extent—historians often focused on the role of anarchists in a country’s labor movement. Today, historians increasingly explore both the cultural and transnational dimensions of Latin American anarchism. In these studies, authors frequently explore the roles of and attitudes toward women in anarchist politics.
Craib’s Renegade uses a biographical approach to explore larger cultural and transnational politics—this time in early twentieth-century Chile. Again, migration—so crucial to the history of Latin American anarchism—plays a central role in understanding the multinational dimensions of anarchism in countries across the region. Craib uses the life and death of the anarchist poet Domingo Gómez Rojas, along with his friends and comrades, to explore the Chilean anarchists and their relations with student rebels. The book illustrates how anarchists in Chile created urban “transnational communities” of anarchists born in Santiago, anarchists who moved to the capital, and anarchists who immigrated to Chile. They then used their culture and multinational experiences to forge transnational connections beyond Chile.
On October 1, 1920, the city of Santiago, Chile, came to a halt as tens of thousands stopped work and their daily activities to join the funeral procession of Jose Domingo Gomez Rojas, a 24 year old university student and acclaimed poet. Nicknamed "the firecracker poet" for his incendiary poems, such as "The Cry of the Renegade", Gomez Rojas was a member of the University of Chile's student federation (the FECh) which had come under repeated attack for its critiques of Chile's political system and ruling parties. Government officials accused the FECh's leaders of being advocates for the destruction of…
As someone who studies and writes about Latin American anarchism for a living, I’ve encountered no shortage of influential historical accounts written by scholars and activists writing in Spanish, Portuguese, and English during the past sixty years. My “best of” list includes English-language histories that reflect important shifts in how people began to study and write about anarchism beginning in the 1990s. Before then—and continuing up to today to some extent—historians often focused on the role of anarchists in a country’s labor movement. Today, historians increasingly explore both the cultural and transnational dimensions of Latin American anarchism. In these studies, authors frequently explore the roles of and attitudes toward women in anarchist politics.
Soares’ very funny novel bridges my focus on anarchist culture and transnational anarchism. Soares’ title character is an anarchist born of a Brazilian woman. His anarchist politics are always on display as he sets out to assassinate tyrannous figures around the world. For those looking for a sympathetic story of anarchists, our clumsy, error-prone, would-be assassin does not fit the bill. However, his popping up around the world at times of key global events is bizarre and ultimately quite entertaining. If nothing else, Twelve Fingers is a reminder of how even the best-laid plans with noble intents can go disastrously astray.
A burlesque smorgasbord of international high jinks—the “biography” of a hapless, twelve-fingered, would-be assassin who lurches from Sarajevo to Paris to Hollywood to Chicago to Rio, leaving high-stakes chaos in his wake. Our hero, Dimitri Borja Korozec, is born in the late 1800s to a Brazilian contortionist mother and a fanatically nationalist Serbian linotypist father.
Dimitri enrolls in a training school for assassins, where he excels—except for his troubling propensity for fouling things up at the last moment. Part Carlos the Jackal, part Woody Allen’s Zelig, part Inspector Clouseau, and part Forrest Gump, Dimitri is a schlemiel of an assassin…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
As someone who studies and writes about Latin American anarchism for a living, I’ve encountered no shortage of influential historical accounts written by scholars and activists writing in Spanish, Portuguese, and English during the past sixty years. My “best of” list includes English-language histories that reflect important shifts in how people began to study and write about anarchism beginning in the 1990s. Before then—and continuing up to today to some extent—historians often focused on the role of anarchists in a country’s labor movement. Today, historians increasingly explore both the cultural and transnational dimensions of Latin American anarchism. In these studies, authors frequently explore the roles of and attitudes toward women in anarchist politics.
Spanish-speaking anarchists from Spain and Latin America often circularly migrated between the United States and Latin America, especially Cuba, Puerto Rico, Panama, and Mexico. Writing Revolution’s fifteen chapters explore the transnational and print culture of these anarchists in the United States as they communicated with, learned from, and supported their colleagues across Latin America. Correspondence and newspapers from Latin America fueled their support for Cuba’s War for Independence in the 1890s, the Mexican Revolution, social justice campaigns across the Americas, and hemispheric-wide efforts to support the Spanish Civil War and Revolution in the 1930s. Again, anarchist culture and transnational politics are intimately interlinked and illustrate how these two approaches provide a wealth of material to write the histories of radical leftists who agitated for anarchism decades before the emergence of Moscow-influenced Marxist political parties.
In the late nineteenth through mid-twentieth centuries, the anarchist effort to promote free thought, individual liberty, and social equality relied upon an international Spanish-language print network. These channels for journalism and literature promoted anarchist ideas and practices while fostering transnational solidarity and activism from Buenos Aires to Los Angeles to Barcelona. Christopher J. Castaneda and Montse Feu edit a collection that examines many facets of Spanish-language anarchist history. Arranged chronologically and thematically, the essays investigate anarchist print culture's transatlantic origins; Latina/o labor-oriented anarchism in the United States; the anarchist print presence in locales like Mexico's borderlands and Steubenville, Ohio; the…
I’m a journalism historian who sees an old newspaper the way Alice saw the looking glass, as a portal to a place where things wind up beyond the imaginable. In comparing English- and Spanish-language journalism, I examine how people from the same time and place live distinct constructed realities, separated by their news source looking glass. I aim to recenter the journalism of marginalized groups in the American experience and in media history. After more than 20 years at major U.S. news organizations and 10 years in academia, often as the first or only Mexican American—I’ve honed the ability to see from both sides of the glass.
Lee & Low, the book’s publisher, describes Shame the Stars as a YA Romeo & Juliet story. This piece of historical fiction is so much more.
It draws on true stories of how Texas Rangers lynched and pillaged Mexican Americans in South Texas. These are stories that my parents heard growing up in San Antonio, Texas, and that were often orally passed on in families, though not so often in the history books of that era.
This novel is on my list because it flips the camera angle on images of Mexican Americans in media, with characters taking to the printing press to assert their rights and tell their stories. One such journalist/protagonist is the father of the character Juliet/Dulceña, who illuminates the misdeeds of the Rangers in his news accounts.
Without giving too much away, I’ll merely hint that the book draws inspiration from the long overlooked crusading Mexican…
Eighteen-year-old Joaquin del Toro's future looks bright. With his older brother in the priesthood, he s set to inherit his family s Texas ranch. He s in love with Dulcena and she s in love with him. But it s 1915, and trouble has been brewing along the US-Mexico border. On one side, the Mexican Revolution is taking hold; on the other, Texas Rangers fight Tejano insurgents, and ordinary citizens are caught in the middle.
As tensions grow, Joaquin is torn away from Dulcena, whose father s critical reporting on the Rangers in the local newspaper has driven a wedge…
I write thrillers full-time these days, but for many years, I was a writer and editor at publications that take reporting and fact-checking seriously. I still strive for accuracy in my novels—which always involve violence. As a Brazilian Jiu Jitsu black belt, the mechanics and psychology of close-quarters combat are things I think about daily. This is not to say that you need to rob banks to write a heist scene. And while technical knowledge is helpful, there’s no substitute for close noticing of what happens to our bodies and minds in extreme situations. Here are some books (and one screenplay) which do that incredibly well.
I’ll never forget my first Jiu-Jitsu competition in front of a screaming crowd. I barely remember the actual fight, but what sticks in my head is the buildup to it—the warm-ups, the waiting, the bizarre cocktail of fear and boredom. It all felt weirdly familiar, thanks to the famous knife fight scene from this book, which I’ve read at least a dozen times.
The protagonist, John Grady Cole, is stuck in a Mexican prison when he learns that another prisoner is planning an attempt on his life. What follows is an excruciating waiting game. McCarthy nails the details—the sharpening of the senses, the undercurrent of dread, the way your perception of time slows and accelerates in unpredictable ways when the moment finally arrives.
John Grady Cole is the last bewildered survivor of long generations of Texas ranchers. Finding himself cut off from the only life he has ever wanted, he sets out for Mexico with his friend Lacey Rawlins. Befriending a third boy on the way, they find a country beyond their imagining: barren and beautiful, rugged yet cruelly civilized; a place where dreams are paid for in blood.
The first volume in McCarthy's legendary Border Trilogy, All The Pretty Horses is an acknowledged masterpiece and a grand love story: a novel about the passing of childhood, of innocence and a vanished American…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I first came face to face with the expansive and unchecked authority of the Border Patrol about a decade ago when I was stopped five times in less than an hour while driving on a Texas country road. Could the Border Patrol really stop any vehicle they want without any reason whatsoever deep inside the United States? That day set me off on a journey through the borderlands and into the history of the Supreme Court in order to tell the untold story of how the Border Patrol became the most dangerous police force in the United States.
While writing my own book, this is the book that I had to keep going back to for all the historical detail on the early Border Patrol. It’s an academic book, but it does a great job of explaining the story of the early Border Patrol from the perspective of the people in the borderlands.
For much of the twentieth century, Immigration and Naturalization Service (INS) officials recognized that the US-Mexico border region was different. Here, they confronted a set of political, social, and environmental obstacles that prevented them from replicating their achievements on Angel Island and Ellis Island, the most restrictive immigration stations in the nation. In response to these challenges, local INS officials resorted to the law, nullifying, modifying, and creating the nation's immigration laws and policies for the borderlands.
In The INS on the Line, S. Deborah Kang traces the ways in which the INS on the US-Mexico border made and remade…
I’m a scholar of gender and state violence, and I live and work at the US-Mexico border. For the past several years, I’ve worked collaboratively with large teams of Latinx-identified students to study the impacts of US immigration policies on migrants from Mexico and Central America. We realized that even though about half of immigrants are women, around 95% of deportees are men. So, we started to think about how US policies criminalize immigrant men. I became especially interested in how immigration enforcement (at the border and beyond) intersects with mass incarceration. In the list, I pick up books that trace the multinational reach of the carceral apparatus that comes to treat migrants as criminals.
Muehlmann’s beautiful, gripping book reveals how cartels and drug violence are not separate from everyday life, but instead interwoven with almost all facets of life on the Mexican side of the US-Mexico border.
In a narrative style, she traces how everyday people unwittingly get into supporting the drug trade, or find themselves wrapped up in supporting traffickers without their knowledge. She also illustrates how the figure of the “narco” (drug trafficker) gets idealized in the borderlands. An incredible read for anyone interested in the complexity of the US-Mexico border.
When I Wear My Alligator Boots examines how the lives of dispossessed men and women are affected by the rise of narcotrafficking along the U.S.-Mexico border. In particular, the book explores a crucial tension at the heart of the "war on drugs": despite the violence and suffering brought on by drug cartels, for the rural poor in Mexico's north, narcotrafficking offers one of the few paths to upward mobility and is a powerful source of cultural meanings and local prestige. In the borderlands, traces of the drug trade are everywhere: from gang violence in cities to drug addiction in rural…
I first came face to face with the expansive and unchecked authority of the Border Patrol about a decade ago when I was stopped five times in less than an hour while driving on a Texas country road. Could the Border Patrol really stop any vehicle they want without any reason whatsoever deep inside the United States? That day set me off on a journey through the borderlands and into the history of the Supreme Court in order to tell the untold story of how the Border Patrol became the most dangerous police force in the United States.
This one takes us back to the founding of the Border Patrol to look at its Wild West origins. The first agents were plucked from frontier law enforcement and the Texas Rangers, whose earlier tasks included slave patrols and the violent removal of Native Americans. Lytle Hernandez shows how those racist and violent origins shaped the practices of the early Border Patrol.
This is the untold history of the United States Border Patrol from its beginnings in 1924 as a small peripheral outfit to its emergence as a large professional police force. To tell this story, Kelly Lytle Hernandez dug through a gold mine of lost and unseen records stored in garages, closets, an abandoned factory, and in U.S. and Mexican archives. Focusing on the daily challenges of policing the borderlands and bringing to light unexpected partners and forgotten dynamics, "Migra!" reveals how the U.S. Border Patrol translated the mandate for comprehensive migration control into a project of policing Mexicans in the…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
As a writer, I’ve been deeply influenced by Southern literature—especially the work of William Faulkner and Flannery O’Connor. Even though I’m not from the South myself, I am drawn to Southern writers’ immodesty. I believe much of contemporary literature is too timid. It is about the mundane, the everyday. It does not elevate; instead, it diminishes. Much of the literature of the South is biblical in its sensibilities. It is unafraid to deal with the big universal issues with language that is equally big and universal. It does not pander to modesty or postmodern selfconsciousness. It is audacious. It’s the kind of writing that made me want to write.
Mixing Faulkner’s gothic language with McCarthy’s sense of history, Blake writes a story of two brothers torn apart by circumstance and their experiences in the Mexican-American War. Blake captures that sense of aimless wandering that echoes Faulkner’s stories—the rootless characters meandering across the country, not only unsure of their destinations but maybe even indifferent to them. To me, one of the most profound twists in the book is that the brothers don’t seem to care which side of the war they participate in. They are itinerants whose purpose in the world is simply circumstantial; they are instruments of universal forces that they neither question nor understand.
The offspring of a whore mother and a homicidal father, Edward and John Little are driven from their home in the Florida swamplands by a sching parent's treacheries, and by a shameful, horrific act that will haunt their dreams for the rest of their days. Joining the swelling ranks of the rootless--wandering across an almost surreal bloodland populated by the sorrowfully lost and defiantly damned--two brothers are separated by death and circumstance in the lawless "Dixie City" of New Orelans, and dispatched by destiny to opposing sides in a fierce and desperate territorial struggled between Mexico and the United States.…
