56 Books Like Paradoxes of Utopia

Hernández’s book is one of the latest to pick up on the growing trend of studies about or that include anarchist women activists. What is particularly alluring about her book is its transnational focus as she explores how Mexican women agitated for anarchism in the decades preceding, during, and following the violence of the Mexican Revolution. Hernández focuses on one woman in particular: Caritina Piña Montalvo, an anarcho-syndicalist whose fight for gender equity linked anarchists on both sides of the border. Besides its important focus on gender and women’s issues, Hernández’s study illustrates how so much of the writing about Latin American anarchism has become transnational in focus as activists crossed borders—either physically or through correspondence—to promote the anarchist ideal.  

Craib’s Renegade uses a biographical approach to explore larger cultural and transnational politics—this time in early twentieth-century Chile. Again, migration—so crucial to the history of Latin American anarchism—plays a central role in understanding the multinational dimensions of anarchism in countries across the region. Craib uses the life and death of the anarchist poet Domingo Gómez Rojas, along with his friends and comrades, to explore the Chilean anarchists and their relations with student rebels. The book illustrates how anarchists in Chile created urban “transnational communities” of anarchists born in Santiago, anarchists who moved to the capital, and anarchists who immigrated to Chile. They then used their culture and multinational experiences to forge transnational connections beyond Chile.

Soares’ very funny novel bridges my focus on anarchist culture and transnational anarchism. Soares’ title character is an anarchist born of a Brazilian woman. His anarchist politics are always on display as he sets out to assassinate tyrannous figures around the world. For those looking for a sympathetic story of anarchists, our clumsy, error-prone, would-be assassin does not fit the bill. However, his popping up around the world at times of key global events is bizarre and ultimately quite entertaining. If nothing else, Twelve Fingers is a reminder of how even the best-laid plans with noble intents can go disastrously astray.

Spanish-speaking anarchists from Spain and Latin America often circularly migrated between the United States and Latin America, especially Cuba, Puerto Rico, Panama, and Mexico. Writing Revolution’s fifteen chapters explore the transnational and print culture of these anarchists in the United States as they communicated with, learned from, and supported their colleagues across Latin America. Correspondence and newspapers from Latin America fueled their support for Cuba’s War for Independence in the 1890s, the Mexican Revolution, social justice campaigns across the Americas, and hemispheric-wide efforts to support the Spanish Civil War and Revolution in the 1930s. Again, anarchist culture and transnational politics are intimately interlinked and illustrate how these two approaches provide a wealth of material to write the histories of radical leftists who agitated for anarchism decades before the emergence of Moscow-influenced Marxist political parties.  

First published in 1935, The Green Child is among the strangest books you’ll ever read. It enchanted me, forcing me to believe that Olivero, a South American dictator, could fake his own assassination, return to his roots in England, and save a speechless translucent creature, the Green Child, from her sadistic husband. I revelled in the exquisite writing – Sir Herbert Read was a renowned stylist who penned the classic English Prose Style -- and the improbable’s being made real. At one time Norton Professor of Fine Arts at Harvard, Read called his novel a philosophical myth to which ‘all types of Fantasy should conform’. It was his only long fiction. One reviewer called it an ‘organic fusion of thought and imagination into a crystalline beauty’.

Transgender anarchist author Margaret Killjoy’s collection of short speculative fiction stories, We Won’t Be Here Tomorrow, is a stark contrast to the dazzling high-tech fantasies and cinematic adventures of my first three recommendations. Most of these stories are set in disturbingly plausible and not-at-all-distant futures, and veer into the territories of dark fantasy, gritty dystopianism, and atomspheric horror. No interplanetary space opera here; Killjoy’s protagonists are earthbound, anarchistic outcasts and misfits struggling to survive on the edges of society or in society’s ruins, in worlds gone unfathomably strange. And Killjoy writes it all beautifully, with a clarity of description that often left me stunned by its simple poetic power. This one’s for you if you like your speculative fiction close to the bone.

Bottici is another such friend at first reading, another partisan of the Spinozan current, but one deeply immersed in the feminist thought that Colson regrettably ignores. Hers is a fully intersectional feminism, attending especially to the margins of society, where its freaks and pariahs live. Like Colson, she offers opportunities for difficult thinking that reward us with new vistas, new possibilities for life.

Translating this book from the French was a slow process, the slowest reading I have ever done, and some of the most rewarding. This book did not just return me to my pre-existing ideas; it changed my way of thinking permanently. Colson writes to us from a world that is full of unexpected possibilities for life, a “world within which many worlds might fit,” as the Zapatistas have it—possibilities for the better and the worse that are screened off from our view. Difficult, demanding reading, but it too suggests a way of living that is premised on finding good connections with others (ones that expand your “collective force”) and withdrawing from relations characterized by “error and sadness,” linking people to “the dominations that, internally and externally, chain them to their own misfortune.” In other words, Colson is drawing from the same Spinozan currents as Bergman and Montgomery, that… show more.

For decades, Jack Loeffler and Ed Abbey were best friends. Nearly fifteen years after Abbey’s death, Loeffler wrote about their friendship and their time exploring the Desert Southwest in this beautiful biographical memoir.

Loeffler takes us on some of the countless backpacking trips the two men went on while also revealing the many complexities of Abbey. This beautiful book lets us lean in and listen to Loeffler and Abbey talking about anarchism and environmentalism around so many campfires. I had the pleasure of interviewing Loeffler, and this book sounds so authentic to him.

It is smart, passionate, and kind, just like Loeffler is. 

Seriously, I’m not exaggerating, and I say this as someone who’s read all the works of Philip K. Dick: Wallflower Assassin is without exception the weirdest, wildest, most psychedelic, and gleefully anarchistic book it’s ever been my pleasure to encounter. Our narrator, Jack, has near-total amnesia, induced by a trauma he can’t remember (because amnesia). He’s stumbling randomly between alternate universes, stalked and manipulated by agents of the sinister Reality Patrol. Oh, and he’s not in his own body––his mind has somehow been transferred into the body of a deadly former Reality Patrol assassin named Max. And Max’s mind is still in there, too, disoriented and annoyed at Jack’s presence... And all of this only just begins to scratch the surface of how weird it gets.