Here are 100 books that The Ins on the Line fans have personally recommended if you like
The Ins on the Line.
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Iâm a political philosopher who lives in Seattle. I teach and write about political ethics, and the ways in which moral concepts change when they get applied to the relationships between statesâand to the complicated borders that define where states end. I tend to write about what puzzles me, and many of these puzzles come from my personal life; Iâm a migrant myself, and the experience of migrating to the United States led me to write about what sorts of values a country can rightly pursue through migration policyâand what sorts of things, more generally, it can and canât do to migrants themselves.
The insistence that migration is a âcrisisâ has led to a greater willingness to take enforcement as more urgent than human rights. Todd Millerâs book is a moral argument about the costs of that bargain. He argues that the powers given to those who enforce borders have led to abusive and violent practices at the borderâand, increasingly, within the United States itself. The book is sobering, but importantâand it should worry all of us, citizen and migrant alike.
"In his scathing and deeply reported examination of the U.S. Border Patrol, Todd Miller argues that the agency has gone rogue since the Sept. 11 terrorist attacks, trampling on the dignity and rights of the undocumented with military-style tactics...Miller's book arrives at a moment when it appears that part of the Homeland Security apparatus is backpedaling by promising to tone down its tactics, maybe prodded by investigative journalism, maybe by the revelations of NSA leaker Edward Snowden...Border Patrol is quite possibly the right book at the right time ..."--Tony Perry, Los Angeles Times "At the start of his unsettling andâŠ
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn theâŠ
I first came face to face with the expansive and unchecked authority of the Border Patrol about a decade ago when I was stopped five times in less than an hour while driving on a Texas country road. Could the Border Patrol really stop any vehicle they want without any reason whatsoever deep inside the United States? That day set me off on a journey through the borderlands and into the history of the Supreme Court in order to tell the untold story of how the Border Patrol became the most dangerous police force in the United States.
Jenn Buddâs account of her life as a Border Patrol agent is powerful because it comes from a place of self-reflection and growth. She faces up to her previous ignorance and accepts the criticism that goes along with it. This book inspired me because she sees the racism and violence that are endemic to the Border Patrol and then dedicates her life to changing it.Â
Jenn Budd, the only former U.S. Border Patrol agent to continually blow the whistle on this federal agency's rampant corruption, challenges us-as individuals and as a nation-to face the consequences of our actions. Her journey offers a vital perspective on the unfolding moral crisis of our time. She also gives harrowing testimony about rape culture, white privilege, women in law enforcement, LGBTQ issues, mental illness, survival and forgiveness.
"An unflinching look at a Border Patrol riddled with corruption, racism, and misogyny. Raw and truthful, no one escapes judgement, not even Budd, who searches deep within herself to examine her ownâŠ
I first came face to face with the expansive and unchecked authority of the Border Patrol about a decade ago when I was stopped five times in less than an hour while driving on a Texas country road. Could the Border Patrol really stop any vehicle they want without any reason whatsoever deep inside the United States? That day set me off on a journey through the borderlands and into the history of the Supreme Court in order to tell the untold story of how the Border Patrol became the most dangerous police force in the United States.
This one takes us back to the founding of the Border Patrol to look at its Wild West origins. The first agents were plucked from frontier law enforcement and the Texas Rangers, whose earlier tasks included slave patrols and the violent removal of Native Americans. Lytle Hernandez shows how those racist and violent origins shaped the practices of the early Border Patrol.Â
This is the untold history of the United States Border Patrol from its beginnings in 1924 as a small peripheral outfit to its emergence as a large professional police force. To tell this story, Kelly Lytle Hernandez dug through a gold mine of lost and unseen records stored in garages, closets, an abandoned factory, and in U.S. and Mexican archives. Focusing on the daily challenges of policing the borderlands and bringing to light unexpected partners and forgotten dynamics, "Migra!" reveals how the U.S. Border Patrol translated the mandate for comprehensive migration control into a project of policing Mexicans in theâŠ
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŠ
As a second-generation immigrant, I knew very little of my familyâs migration story. My grandparents never really learned English despite living in the US sixty or more years. In my twenties when the country was undergoing turmoil about immigration reform once again, I began looking at the immigrants all around me (and in literature) and identifying what we had in commonâhow our lives intertwined and were mutually dependent on one another. In 2007 I traveled 8,500 miles around the perimeter of the US by bicycle on a research trip to collect stories from immigrants and those whose lives they impacted. I wrote two books based on that experience.
The Devilâs Highway is the 2001 story of the tragedy that befell 26 men and boys from Veracruz who cross the Mexico/Arizona border led by human smugglers who get lost on a stretch of desert known as the Devil's Highway.
Urrea is known for his direct and clear reportage style of writing. As he depicts what happened to these men seeking a chance at the American Dream, Urrea does not lose sight of the broken system of immigration, the border patrol, the smugglers or the criminal enterprise of which they are part.
The actual walk and the deadly mistakes made by their âguideâ are not shared until Part Three of the book. Through the recollections of walkers and creative non-fiction he recreates dialogue that captures the motives and dreams of these ill-fated men.
A widely-praised piece of investigative reporting examining the journey of 26 men who in May 2001 attempted to cross the Mexican border into the desert of Southern Arizona through the region known as the Devil's Highway. So harsh and desolate that even the Border Patrol is afraid to travel through it, the Highway has claimed the lives of countless men and women - in May 2001 it claimed 14 more. History of high acclaim from the author of The Hummingbird's Daughter.
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, Iâm lucky to love what I doâand so I enjoy most of what I read. But these books are special. They drew me in and wouldnât let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
Much of âthe line,â as Border Patrol agents and migrants sometimes call the border, is far from big cities and curious journalists. And a lot of what happens there, happens under cover of darkness or behind the secured doors of Border Patrol stations.
As a former Border Patrol agent, CantĂș saw what happened when no one else was looking. His memoir shares it with the rest of us.
Shortlisted for the Orwell Prize for Political Writing 2019, an electrifying memoir from a Mexican-American US Border Patrol guard
'Stunningly good... The best thing I've read for ages' James Rebanks, author of The Shepherd's Life
Francisco Cantu was a US Border Patrol agent from 2008 to 2012.
In this extraordinary account, he describes his work in the desert along the Mexican border. He tracks humans through blistering days and frigid nights. He detains the exhausted and hauls in the dead. The line he is sworn to defend, however, begins to dissolve. Haunted by nightmares, Cantu abandons the Patrol for civilianâŠ
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, Iâm lucky to love what I doâand so I enjoy most of what I read. But these books are special. They drew me in and wouldnât let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
Olivares is also a migrant who knows what itâs like to have his family split apart by immigration laws. Read it for the play-by-play account of family separation in 2018 but enjoy it because in Olivares the future of migration breathes, walks, and fights back.
INTERNATIONAL LATINO BOOK AWARD WINNER - The Raul Yzaguirre Best Political/Current Affairs Book
This deeply personal perspective from a human rights lawyerâwhose work on the front lines of the fight against family separations in South Texas intertwines with his own story of immigrating to the United States at thirteenâreframes the United States' history as a nation of immigrants but also a nation against immigrants.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother hadâŠ
I have always been a seeker, fascinated by all cultures, philosophies, and spiritual perspectives. Although the concept is often differentâfor some, itâs a place of refuge, feeling safe or sheltered from pursuit, danger, or trouble; for others, itâs a state of being, an inner peace, Iâve found that the search for sanctuaryâsafe-havenâelsewhereâhas ancient roots and contemporary reverberations. My novel, Guesthouse for Ganesha, further heightened my interest in this subject, for my protagonist, Esther GrĂŒnspan, both deeply wounded and unsafe, was compelled to seek sanctuary. As a first-time novelist with an 18-year journey to publication, I fully immersed myself in this topicâs study and comprehension.
In Debra Thomasâs compassionately rendered Luz, her protagonistâs (Alma) border crossing from Mexico into the United States is relayed in painful, harrowing, and often shocking detail. It is a powerful and, at times, difficult read. Yet an important one. I often forgot that this is a work of fiction, as the story Thomas so deftly portrays is all too common and all too real, especially for a resident of Southern California, which I am. However, it is one filled with hope and determination and the unwavering spirit of a young, passionate girl in search of answers.
Alma Cruz wishes her willful teenage daughter, Luz, could know the truth about her past, but there are things Luz can never know about the journey Alma took to the US to find her missing father.
In 2000-three years after the disappearance of her father, who left Oaxaca to work on farms in California-Alma sets out on a perilous trek north with her sister, Rosa. What happens once she reaches the US is a journey from despair to hope.
Timeless in its depiction of the depths of family devotion and the blaze of first love, Luz conveys, with compassion andâŠ
I first got seriously interested in immigration when I moved to L.A. in the late 1980s. I had been a sociologist of labor for over a decade already, and now found myself in a city whose working class was overwhelmingly foreign-born. I was amazed to discover that L.A.âs immigrant workers, even the undocumented, were actively organizing into unions and community-based organizations. Trying to understand how this came about, my fascination with the larger dynamics of migration grew, and immigrant labor became central to my research agenda.
Drawing on original data collected by the authors, this bookâs focus is Mexican immigration to the U.S. in the 1980s and 1990s, when the U.S. ramped up border enforcement to deter undocumented immigration. It illuminates the dysfunctionality of the U.S. immigration system, highlighting the unintended consequences of legislation like the 1986 Immigration Control and Reform Act (IRCA), which utterly failed to achieve its objectives. Rather than coming under âcontrol,â the flow of undocumented immigrants across the U.S.-Mexico border instead skyrocketed after IRCA. The reason, the authors show, is that intensified border enforcement raised the costs and risks of crossing the border without authorization, leading many Mexican workers who once had gone back and forth across the border to permanently settle in the U.S., soon joined by family members. Â
Migration between Mexico and the United States is part of a historical process of increasing North American integration. This process acquired new momentum with the passage of the North American Free Trade Agreement in 1994, which lowered barriers to the movement of goods, capital, services, and information. But rather than include labor in this new regime, the United States continues to resist the integration of the labor markets of the two countries. Instead of easing restrictions on Mexican labor, the United States has militarized its border and adopted restrictive new policies of immigrant disenfranchisement. Beyond Smoke and Mirrors examines theâŠ
Iâm a philosopher fascinated by science and its relationship to society, who science benefits and who it harms; why scientists get some things right and some things wrong; and which scientific results make their way into the physicianâs office, the courtroom, and the school textbook. Science impacts all facets of our lives: our health, our relationships with others, and our understanding of our place in our community and in the universe. Iâve spent decades investigating this relationship between science and society; these are some of the books Iâve found most influential in thinking about how we, as humans, impact the environment around us, which in turn circles back and impacts us. Â
In 1973, Smeltertown was razed to the ground. For the vibrant community of Mexican Americans who had lived there for generations, that meant abandoning their homes, their social gathering spaces, and their way of life.
Smeltertown was destroyed because public health research revealed that the industrial smelter around which the town formed was spewing tons of toxic lead into the air and poisoning the developing brains of the Mexican-American children who lived there.
This book tells the heartbreaking story of how that community first took shape on the Texas-Mexico border, how it grew to become a bustling suburb of El Paso, and how the lead poisoning ultimately spelled its destruction. The concept of environmental racism wouldnât come along until decades later; but in hindsight, this town was a textbook example of how environmental threats to health disproportionately impact communities of color. Â
Company town. Blighted community. Beloved home. Nestled on the banks of the Rio Grande, at the heart of a railroad, mining, and smelting empire, Smeltertown--La Esmelda, as its residents called it--was home to generations of ethnic Mexicans who labored at the American Smelting and Refining Company in El Paso, Texas. Using newspapers, personal archives, photographs, employee records, parish newsletters, and interviews with former residents, including her own relatives, Monica Perales unearths the history of this forgotten community. Spanning almost a century, Smeltertown traces the birth, growth, and ultimate demise of a working class community in the largest U.S. city onâŠ
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to runâŠ
I'm a writer of humorous fiction living in Austin, Texas. I enjoy writing novels about unusual friendships and the healing power that comes when people just shut up and listen to each other. Many of my stories have the odd-couple dynamic on full display and I love to explore what would happen if people with very different backgrounds and opinions are forced to deal with each other. I do have a couple of novels that wouldnât seem to be humorous on the surface, but there is an element of humor or comedy that runs through all of my work. My next novel, The Codger and the Sparrow, will be published by TCU Press in 2024.
These stories are all surreal, trippy, and many are quite funny. Sort of a mashup of MĂĄrquez, Burroughs, and Bukowski, trying to pin down Floresâ actual style is difficult as it is wholly unique: the ultimate compliment for a writer. One story is about a couple who make a sculpture of a baby using their ear wax while the male partner is a writer who also is paid to be a life coach to other writers of lesser talent. Another story is about two men who are neighbors, one of which owns an extraterrestrial shape-shifting cloth, the other is a philosophizing writer prone to drink too much. This collection of short stories is top-notch as well as bizarre and humorous.
No one captures the border-its history and imagination, its danger, contradiction, and redemption-like Fernando A. Flores, whose stories reimagine and reinterpret the region's existence with peerless style. In his immersive, uncanny borderland, things are never what they seem: a world where the sun is both rising and setting, and where conniving possums efficiently take over an entire town and rewrite its history.
The stories in Valleyesque dance between the fantastical and the hyperreal with dexterous, often hilarious flair. A dying Frederic Chopin stumbles through Ciudad Juarez in the aftermath of his mother's death, attempting to recover his beloved piano thatâŠ
