Here are 100 books that Esmond and Ilia fans have personally recommended if you like
Esmond and Ilia.
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I’m a cognitive psychologist, originally from Scotland, but I have lived and worked in Canada for the last 50 years, first at the University of Toronto, and then at a research institute in Toronto. My passion has always been to understand the human mind – especially memory – through experimental research. Memory is fundamental to our mental life as humans; to a large extent it defines who we are. It is a complex and fascinating topic, and my career has been devoted to devising experiments and theories to understand it better. In our recent book, Larry Jacoby and I attempt to pass on the excitement of unravelling these fascinating mysteries of memory.
This classic book, unlike others in the list, is not so much about memory, as a collection of the author’s memories of his childhood and early years.
Nabokov was born into a wealthy family in pre-Revolutionary Russia in 1899. His childhood in St. Petersburg and at the family’s country estate are described in loving detail, as are aspects of later years in England, Germany, and France. Nabokov was one of the great writers of the 20th Century, and the memories are recounted in his glowing and evocative prose.
His writing is nostalgic, but also wryly humorous, aware that many aspects of his early life are gone forever. Many of the chapters first appeared as articles in The New Yorker; all are eminently readable.
An autobiographical volume which recounts the story of Nabokov's first forty years up to his departure from Europe for America at the outset of World War Two. It tells of his emergence as a writer, his early loves and his marriage, and his passions for butterflies and his lost homeland. Written in this writer's characteristically brilliant, mordant style, this book is also a tender record of lost childhood and youth in pre-Revolutionary Russia.
Every month on the 13th, Maria Paula Acuña arrives at a barren spot in the Mojave Desert where she sees and speaks with the Virgin Mary. Hundreds of people follow her to the makeshift shrine, which Maria Paula named Our Lady of the Rock, to watch her and search the…
I was born in Romania, a closed society during the Cold War, and I never expected to live anywhere else, especially not in the West. When communism ended, I rushed out of Eastern Europe for the first time, eager to find places and people I could only read about before. I also discovered the power longing and homesickness can have on defining our identities. I moved to the United States, where I now live and work, cherishing my nostalgia for the world I left behind, imperfect as it was. The books I read and write are always, in one way or another, about traveling across cultures and languages.
This is a Cold War chronicle of homesickness and identity change, written by a Polish woman who came to Canada as a child with her family.
Hoffman had to learn not only how to live in a radically new culture, or how to speak a new language, but also how to get used to a new name and to a new lifestyle. This book showed me how to make a potentially cheap sentiment, nostalgia, into a tool of lucid introspection.
As an immigrant myself, I learned from Hoffman to not feel like I must choose between loyalties—to my previous self, before I left my country, and to who I am now, in a new culture. In key moments, Hoffman likes to imagine who she would have been if she had stayed in Poland, not to compare to who she is in North America but to find a third, middle point…
"A marvelously thoughtful book . . . It is not just about emigrants and refugees. It is about us all." -The New York Times
When her parents brought her from the war-ravaged, faded elegance of her native Cracow in 1959 to settle in well-manicured, suburban Vancouver, Eva Hoffman was thirteen years old. Entering into adolescence, she endured the painful pull of nostalgia and struggled to express herself in a strange unyielding new language.
Her spiritual and intellectual odyssey continued in college and led her ultimately to New York's literary world yet still she felt caught between two languages, two cultures.…
I was born in Romania, a closed society during the Cold War, and I never expected to live anywhere else, especially not in the West. When communism ended, I rushed out of Eastern Europe for the first time, eager to find places and people I could only read about before. I also discovered the power longing and homesickness can have on defining our identities. I moved to the United States, where I now live and work, cherishing my nostalgia for the world I left behind, imperfect as it was. The books I read and write are always, in one way or another, about traveling across cultures and languages.
Walter Benjamin was a Jewish German philosopher who escaped Nazi Germany only to commit suicide upon arrival in Spain.
This book captures an earlier time in his life, when he was still hopeful, an idealist in search of intellectual adventures and political transformation. He went to Moscow to define his political vision and found a city both seductive and elusive. The intense winter scenes in the deep Muscovite cold are unforgettable, even though he mentions them almost in passing.
Benjamin had another reason to go to Moscow: he was in love. But the woman he wished to pursue was also elusive, unavailable both in practical and emotional terms. The book speaks to the fascination Western leftist intellectuals have had with Russian culture and politics, turning to Russia as an alternative to a corrupt West.
Benjamin’s reflections about philosophy, history, and the Moscow of the 1920s makes me fantasize about our…
The life of the German-Jewish literary critic and philosopher Walter Benjamin (1892-1940) is a veritable allegory of the life of letters in the twentieth century. Benjamin's intellectual odyssey culminated in his death by suicide on the Franco-Spanish border, pursued by the Nazis, but long before he had traveled to the Soviet Union. His stunning account of that journey is unique among Benjamin's writings for the frank, merciless way he struggles with his motives and conscience.
Perhaps the primary reason for his trip was his affection for Asja Lacis, a Latvian Bolshevik whom he had first met in Capri in 1924…
Every month on the 13th, Maria Paula Acuña arrives at a barren spot in the Mojave Desert where she sees and speaks with the Virgin Mary. Hundreds of people follow her to the makeshift shrine, which Maria Paula named Our Lady of the Rock, to watch her and search the…
I was born in Romania, a closed society during the Cold War, and I never expected to live anywhere else, especially not in the West. When communism ended, I rushed out of Eastern Europe for the first time, eager to find places and people I could only read about before. I also discovered the power longing and homesickness can have on defining our identities. I moved to the United States, where I now live and work, cherishing my nostalgia for the world I left behind, imperfect as it was. The books I read and write are always, in one way or another, about traveling across cultures and languages.
At the height of her success as an American writer, Lahiri moved to Italy to pursue her dream of mastering the Italian language.
She got more than what she had hoped for—a new voice, not just a new language. But this discovery comes after many trials and tribulations that show her that a language is a whole universe that demands we completely re-invent, not merely translate ourselves.
This is the memoir of a writer who is keenly aware of language as a key part of our human condition, bilingual already before leaving Italy (in Bengali and English) and never fully at home in any language.
Italian teaches her the humbleness of sounding simple and modest; the courage of making mistakes; the patience to build a vocabulary, storing new words like a collector obsessed with having more and more items; the confidence to speak with natives, including judgmental ones who always…
On a post-college visit to Florence, Pulitzer Prize-winning author Jhumpa Lahiri fell in love with the Italian language. Twenty years later, seeking total immersion, she and her family relocated to Rome, where she began to read and write solely in her adopted tongue. A startling act of self-reflection, In Other Words is Lahiri’s meditation on the process of learning to express herself in another language—and the stunning journey of a writer seeking a new voice.
I’ve loved history and historical fiction since childhood and have been writing historical fiction/historical romance for about ten years. To give readers a sense of what life was really like almost three hundred years ago, I do extensive research: the weight of a 1717 French musket, the terrain where my story is set, and guardianship law, among other details. Titled men, gentlemen smugglers, and ballrooms are mostly absent because although they’re the stuff of daydreams, our most common problems center around family relationships. Making ends meet, difficult relatives, loyalty to family versus honor, or one’s own best interests or duty offer plenty of scope for conflict (and excitement and romance, too).
I loved that the hero of this book was illegitimate, raised in a workhouse, is a naval hero and a genius who remembers everything he has read, and is also incapable of tying his neckcloth neatly.
It’s a compelling story with good writing, humor, and a believable love interest, and it’s not populated almost exclusively by the titled and wealthy. All those things appeal to me very strongly.
Teaching at St. Brendan the Navigator’s School for workhouse boys intended for the navy, Sailing Master Six and his bride turn frightened, deprived children with no experience of kindness or affection into a family. That made a heartwarming novel that enchanted me—and I’m not easily enchanted. I’ll be re-reading it.
Sailing Master Able Six, Royal Navy, is a man like no other. To call him a mere polymath is to sell him short. Someone with his extraordinary gifts should rise to the top, unless it is the 1800s, where pedigree and money govern Regency society, as sure as Napoleon seeks world domination. A bastard raised in a Scottish workhouse with nothing in his favor except his amazing mind, Able must navigate life ashore on half-pay during the uneasy Truce of Amiens, and find a way to provide for his charming bride Meridee Bonfort, a gentlewoman to be sure, but lacking…
I’ve loved F. Scott Fitzgerald’s stories ever since I read The Great Gatsby as a teenager. After that, I devoured all of his works, thanks to a membership in one of those book subscription services where you have to send back monthly book selections if you don’t want them. I read almost all his short stories, all his novels, including the unfinished The Last Tycoon, and everything I could find on him and his wife Zelda.When The Great Gatsby entered the public domain a couple years ago, I started daydreaming of how I'd love to revisit the story from a fresh perspective, which led me to penning Daisy.
Probably the biggest tragedy of F. Scott Fitzgerald’s life was his wife Zelda’s descent into mental illness.
This magnificent biography chronicles their tumultuous relationship as well as Zelda’s upbringing, and how she became the perfect flapper, independent and even a little wild. While the story is drenched in sadness as we all know its ending, this book reveals the struggles of creative women to be respected and seen as individuals, not just appendages to their famous husbands.
It also illuminates Scott’s enduring love for Zelda. Even as he had an affair at the end of his life, he never abandoned his wife to public institutions, insisting she have the best care, no matter the expense, at private ones.
“Profound, overwhelmingly moving . . . a richly complex love story.” — New York Times
Acclaimed biographer Nancy Milford brings to life the tormented, elusive personality of Zelda Sayre and clarifies as never before Zelda’s relationship with her husband F. Scott Fitzgerald—tracing the inner disintegration of a gifted, despairing woman, torn by the clash between her husband’s career and her own talent.
Zelda Sayre’s stormy life spanned from notoriety as a spirited Southern beauty to success as a gifted novelist and international celebrity at the side of her husband, F. Scott Fitzgerald. Zelda and Fitzgerald were one of the most…
I’m a poet, novelist, and Senior Lecturer in Creative Writing at Teesside University in the UK. I like to write and read about particularly gender power dynamics, and how those come to play in domestic situations. I love lyrical novels and books that explore characters’ interiority, and I’m interested in how, generally speaking, ‘toxic’ and ‘abusive’ relationships have become synonymous – even though they are quite different. These novels helped me write my own, and I hope you’ll enjoy reading them as much as I did!
This might be one of my favourite books of all time.
Riley’s prose is exquisite – pared back, yet lyrical – and her dialogue is unmatched. Neve has married Edwyn, an older and more financially stable man. As Neve thinks about all the decisions and circumstances that led to her marriage – including trying to escape her bully of a father and her intense and naïve mother – Riley deftly and subtly details cycles of abuse and neglect.
Edwyn has terrible moods, which Neve excuses, and for which she blames herself. Riley truly understands and captures the psychology of loving and making excuses for an abusive partner or family member.
'A singular, devastating journey into the ungovernable reaches of the heart' Observer
SHORTLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2017
Neve is a writer in her mid-30s married to an older man, Edwyn. For now they are in a place of relative peace, but their past battles have left scars. As Neve recalls the decisions that led her to this marriage, she tells of other loves and other debts, from her bullying father and her self-involved mother to a musician who played her and a series of lonely flights from place to place.
As much as I enjoy traveling to real places in fiction, I find that authors who ask me to inhabit a world of their own making make me think more deeply, and these are also the novels I dream about when I’m not actually reading them, the pages I cannot wait to return to when I can pick up the book again. By exiting the world we inhabit, and occupying a world very much like our own, I end up reflecting more thoughtfully about the contemporary moment, and in a way, feel more connected. I tried to create such a world in The Stranger Game, and this is something I hope to do again in a future novel.
Anyone who reads one Peter Cameron book will read them all. In his latest novel, a married couple ends up at a grand hotel in a strange European country of fading glory, amid guests who are both eccentric and troubling. At times it’s hard to know whether what is happening is really happening; at times it’s all too acid and real. I hesitate to call this book a comedy, because it’s unsettling. But it’s also magical and memorable, and you won’t want to check out and depart its pages.
A couple find themselves at a fading, grand European hotel full of eccentric and sometimes unsettling patrons in this "faultlessly elegant and quietly menacing" allegorical story that examines the significance of shifting desires and the uncertainty of reality (Garth Greenwell, author of Cleanness).
An unnamed American couple travels to a strange, snowy European city to adopt a baby. It’s a difficult journey that leaves the wife, who is struggling with cancer, desperately weak, and her husband worries that her illness will prevent the orphanage from releasing their child.
On arrival, the couple checks into the cavernous and eerily deserted Borgarfjaroasysla…
France claimed me early, when I was a teenager. A French major, a Rotary scholarship year in the Loire Valley, and decades of return visits later, I'm still not done with this gorgeous country. Since retirement, my husband and I spend at least several weeks there every year, and in 2011, we lived in France for three months during an adult gap year. My third book, a novel set in Paris and Normandy, is the most recent evidence that France and her food, wine, culture, literature, art and landscapes, have never loosened their hold on me.
Paris in the 1920s and Hemingway—what more could I want?
I'll admit I'm not a devoted fan of Hemingway's prose, but I've always been captivated by the man himself, and this novel more than satisfied that fascination. What unfolds is a love story as beautiful as it is devastating: Hemingway and his first wife, Hadley, set against the glittering, restless backdrop of 1920s Paris.
The author's prose is quietly stunning, and her historical rendering of the era feels fully alive. But it's Hadley who stayed with me. Watching her fight to hold her marriage together, to hold him together, is at times almost unbearable. She's drawn with such sympathy and complexity: a woman of real intelligence and grace, loving someone who was always partly beyond reach.
NEW YORK TIMES BESTSELLER • A deeply evocative novel of ambition and betrayal that captures the love affair between two unforgettable people, Ernest Hemingway and his wife Hadley—from the author of Love and Ruin and When the Stars Go Dark
“A beautiful portrait of being in Paris in the glittering 1920s—as a wife and as one’s own woman.”—Entertainment Weekly
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY People • Chicago Tribune • NPR • The Philadelphia Inquirer • Kirkus Reviews • The Toronto Sun • BookPage
Chicago, 1920: Hadley Richardson is a quiet twenty-eight-year-old who has…
I love novels that show female characters finding their way in life, and especially women who use writing to help themselves to grow and evolve. Finding my own voice through writing has been my way of staking my claim in the world. It hasn’t always been easy for us to tell our stories, but when we do, we’re made stronger and more complete. The protagonist of my novel The Literary Undoing of Victoria Swann fights hard to tell her own story. I know something about being held back by male-dominated expectations and Victoria’s situation could easily take place today. But when women writers finally find their voices, the works they create are of great value.
This novel, by Meg Wolitzer, offers such a twist at the end, I’m not sure how to write about it as an example of a woman writer finding her voice without giving too much away. The Wife is the story of a Noble Prize-winning author, Joe Castelman, and his wife, Joan, who have kept a terrible secret for all the years of their marriage. Because you know the topic of my selections here, you can surmise that Joan is also a writer, though she hides that fact. Her character tells the story, and we only slowly see the facets of their strange and deceptive marriage. It becomes clear that Joan is a very good writer indeed, and she’s tired of keeping her secret.
This clever tale will make you think about what it means to invent a life both on and off the page. And that there’s no stopping a…
THE WIFE is the story of the long and stormy marriage between a world-famous novelist, Joe Castleman, and his wife Joan and the secret they've kept for decades. The novel opens just as Joe is about to receive a prestigious international award, The Helsinki Prize, to honour his career as one of America's preeminent novelists of the Mailer-Bellow-Updike school. But this isn't a book for writers; it's a book for readers, for people who are interested in questions such as: Is there a 'male' voice and a 'female' voice? Do men and women see the world differently, and how? THE…