Here are 100 books that Feminist Film Studies fans have personally recommended if you like
Feminist Film Studies.
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I am a professor of pop culture, so I know personally that talking about race can be so incredibly awkward at times – but it does not always have to be! Often, many restrict themselves from fully participating in these necessary dialogues only because of a profound fear of “saying the wrong thing.” As individuals responsible for preparing a new generation of thinkers prepared to innovate improved solutions for the society we share, inevitably, the topic of race must not only be broached, but broached productively. I write to provide tools to help make such difficult conversations less difficult.
This book is an absolutely indispensable reference – Donald Bogle may well be dubbed the “godfather” of race studies in film as he meticulously chronicled and chartered black images in early film.
The book’s title alone already clues readers into the idea that Bogle will not pull any punches in describing popular black film caricatures that we now regard as problematic today.
This classic iconic study of black images in American motion pictures has been updated and revised, as Donald Bogle continues to enlighten us with his historical and social reflections on the relationship between African Americans and Hollywood. He notes the remarkable shifts that have come about in the new millennium when such filmmakers as Steve McQueen (12 Years a Slave) and Ava DuVernay (Selma) examined America's turbulent racial history and the particular dilemma of black actresses in Hollywood, including Halle Berry, Lupita Nyong'o, Octavia Spencer, Jennifer Hudson, and Viola Davis. Bogle also looks at the ongoing careers of such stars…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a professor of pop culture, so I know personally that talking about race can be so incredibly awkward at times – but it does not always have to be! Often, many restrict themselves from fully participating in these necessary dialogues only because of a profound fear of “saying the wrong thing.” As individuals responsible for preparing a new generation of thinkers prepared to innovate improved solutions for the society we share, inevitably, the topic of race must not only be broached, but broached productively. I write to provide tools to help make such difficult conversations less difficult.
I recommend this book because it is one of the few works that systematically analyzes different facets of individual identity by illustrating how movie makers consciously and strategically prioritize the images they showcase onscreen.
Nothing we see is by coincidence nor accident and the authors remind me of the audience’s responsibility in remaining as active participants, constantly questioning rather than blindly accepting the images we see onscreen.
America on Film: Representing Race, Class, Gender, and Sexuality in the Movies, 2nd Edition is a lively introduction to issues of diversity as represented within the American cinema. Provides a comprehensive overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, and sexuality Includes over 100 illustrations, glossary of key terms, questions for discussion, and lists for further reading/viewing Includes new case studies of a number of films, including Crash, Brokeback Mountain, and Quinceanera
I am a professor of pop culture, so I know personally that talking about race can be so incredibly awkward at times – but it does not always have to be! Often, many restrict themselves from fully participating in these necessary dialogues only because of a profound fear of “saying the wrong thing.” As individuals responsible for preparing a new generation of thinkers prepared to innovate improved solutions for the society we share, inevitably, the topic of race must not only be broached, but broached productively. I write to provide tools to help make such difficult conversations less difficult.
This book is both valuable and important primarily because whenever most conversations get started about race relations, magically white people as a group are “left out” as attention is turned to black, indigenous, Latino, or other people of color.
This book prompts readers to reconcile with whiteness as a larger category of analysis to deepen our understanding of complex race relations.
Explores how whiteness is culturally constructed in American films.
Performing Whiteness crosses the boundaries of film study to explore images of the white body in relation to recent theoretical perspectives on whiteness.
Drawing on such diverse critical methodologies as postcolonial studies, feminist film criticism, anthropology, and phenomenology, Gwendolyn Audrey Foster examines a wide variety of films from early cinema to the present day in order to explore the ways in which American cinema imposes whiteness as a cultural norm, even as it exposes its inherent instability.
In discussions that range from The Philadelphia Story to Attack…
Mia Lark is running out of options. There is only one way to change the score: the fantasy planet Revivium.
Armed with the powerful magic in the helm and the friendly AI, Hex that goes with it, Mia throws caution out the window. It’s time to find the main guildhall…
I am a professor of pop culture, so I know personally that talking about race can be so incredibly awkward at times – but it does not always have to be! Often, many restrict themselves from fully participating in these necessary dialogues only because of a profound fear of “saying the wrong thing.” As individuals responsible for preparing a new generation of thinkers prepared to innovate improved solutions for the society we share, inevitably, the topic of race must not only be broached, but broached productively. I write to provide tools to help make such difficult conversations less difficult.
This book is excellent in providing quantitative data to demonstrate how well-meaning people often make negative racial associations based upon media content – this book really helps readers question to what degree we are influenced by or are impervious to media images.
While they do not focus on movies exclusively, they do thoroughly explain subtle racial patterns within mainstream media.
Living in a segregated society, white Americans learn about African Americans not through personal relationships but through the images the media show them. "The Black Image in the White Mind" offers the most comprehensive look at the intricate racial patterns in the mass media and how they shape the ambivalent attitudes of Whites towards Blacks. Using the media, and especially television, as barometers of race relations, Robert M. Entman and Andrew Rojecki explore but then go beyond the treatment of African Americans on network and local news to incisively uncover the messages sent about race by the entertainment industry -…
I'm a London-based critic, author, and host whose love affair with film began after seeing The Lion King in the cinema as a kid. I trained as a journalist because I wanted to talk about the world. Since then I’ve been covering film and culture for the likes of Empire Magazine, Time Out, and IGN. I co-host MTV Movies and the weekly film reviews podcast Fade to Black; co-founder of The First Film Club event series and podcast, and am a member of London's Critics' Circle. I'm a voice for gender equality, diversity, and inclusion in the entertainment industry and an advocate for MENA representation as a writer of Tunisian heritage.
Helen is a fantastic film journalist and professional peer who has put her sharp writing to excellent use with this short history of female contributions to cinema as well as their erasure.
From the original pioneers to the experience of female film critics today, this is an accessible and educational gateway into the marginalised struggle for women to be taken seriously as filmmakers and creatives on the silver screen.
'A fascinating polemic' Sunday Times 'A powerful, sobering and vital work' The Mail on Sunday 'A page-turning read, peppered with humour' Sight & Sound 'A must read' Edgar Wright
A call to arms from Empire magazine's 'geek queen', Helen O'Hara, that explores women's roles - both in front of and behind the camera - since the birth of Hollywood, how those roles are reflected within wider society and what we can do to level the playing field.
Hollywood was born just over a century ago, at a time of huge forward motion for women's rights. With no rules in place…
When students ask me: ‘Do you never get bored with a film after you have analyzed it thoroughly?’ my usual reply is: ‘Either the film is not as good as you have assumed, or your analysis is not succinctly enough’. The books I recommend have all, in their own ways, taught me how and why I love the movies as I do. (Film) theory ideally functions as a stepping-stone to cinephilia, and the best way to ensure that a love for cinema will grow is to develop an attention to details, idiosyncratic shot transitions, focus (or out-of-focus), striking performances, un-heard camera movements (or the choice of a static shot).
How can one take the tradition of feminist film studies (instigated by Laura Mulvey’s ‘the male gaze’ essay) seriously and at the same time be hooked to the cinema of Alfred Hitchcock?
Tania Modleski had set herself the task in this 1988 study to combine these two positions that, for a long time, seemed mutually exclusive. Whereas Mulvey had mentioned that the flashback in Hitchcock’s Vertigo was an exception that had proven the rule (of a cinema of patriarchy), Modleski reversed this by making the exceptions as such the rule in Hitchcock’s work. She thus ended up not condemning Hitchcock’s presumed patriarchal attitude but uncovering his ambivalence.
In her readings, she convincingly explains that it is not just a matter of desiring female characters but also identifying with them among others because of their cleverness.
Originally published in 1988, The Women Who Knew Too Much remains a classic work in film theory and feminist criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic "master of suspense." The third edition features an interview with the author by David Greven, in which he and Modleski reflect…
Winner of the 2024 New Mexico - Arizona Book Award.
In this deeply researched novel of America's most celebrated outlaw, Mark Warren sheds light on the human side of Billy the Kid and reveals the intimate stories of the lesser-known players in his legendary life of crime. Warren's fictional composer…
I'm a London-based critic, author, and host whose love affair with film began after seeing The Lion King in the cinema as a kid. I trained as a journalist because I wanted to talk about the world. Since then I’ve been covering film and culture for the likes of Empire Magazine, Time Out, and IGN. I co-host MTV Movies and the weekly film reviews podcast Fade to Black; co-founder of The First Film Club event series and podcast, and am a member of London's Critics' Circle. I'm a voice for gender equality, diversity, and inclusion in the entertainment industry and an advocate for MENA representation as a writer of Tunisian heritage.
One of the most influential thinkers and writers on feminist film theory, Mulvey’s groundbreaking essay “Visual Pleasure and Narrative Cinema” is one of many that tackle the representation of women in art and culture and how these mediums might impede or aid the women’s movement.
Mulvey was a great resource for my own book in analysing the overt sexualisation of female characters on screen to cater to the so-called Male Gaze and misogynistic pleasures.
A new edition of Laura Mulvey's groundbreaking collection of essays, originally published in 1989. In an extensive introduction to this second edition, Mulvey looks back at the historical and personal contexts for her famous article Visual Pleasure and Narrative Cinema , and reassesses her theories in the light of new technologies.
I’ve always searched for personalities – mythological, literary, or real – affirming the highest ethical claims for justice. Sophocles’s Antigone is, without doubt, the preeminent example of this ethical demand, based on ancient unwritten laws and related demands for human dignity. As a woman, Antigone also presents the forgotten and suppressed orders of femininity, which were present in all archaic religions and mythologies, but later repressed and fully replaced with exclusively male Gods. I’m therefore interested in books that guide us in this search for the power of ethics and femininity and hope this list will give you an idea of the rich ethical potentials that we possess.
This excellent collection of essays brings some of the key readings of Sophocles’ Antigone in an ethical and feminist key. It includes, among others, interpretations by Tina Chanter, Luce Irigaray, and Bracha L. Ettinger. In the fascinating lineup of chapters, the book guides us through political, psychoanalytical, and sexual genealogies and classical interpretations of this Greek myth, thus providing the authoritative scholarship on a female figure of Antigone.
Antigone has become a major figure in current cultural discourse thanks to the late twentieth-century interpretations by such controversial theorists as Lacan, Derrida, Irigaray, Zizek, and Judith Butler. This collection of articles by distinguished scholars from a variety of intellectual disciplines (including philosophy, psychoanalysis, feminism, theatre, and the classics) provides a postmodern perspective on the ethical and political issues raised by this ancient text and recent theatrical productions. The contributors provide an array of perspectives on a female figure who questions the role of the patriarchal state.
As an author and activist, I use fiction as a way of exploring social issues which mean a lot to me. As a woman of color, that means writing protagonists who encounter sexism, racism, class, and geographic inequality—but who combat those injustices in inventive and heroic ways. For me, the story is always about being human: trying to understand why a character acts a certain way in a certain situation. After all, aren’t we all trying to pursue our own desires against a backdrop of societal expectations? A good story—whether fiction or non-fiction—brings these conflicts to emotional, vivid life, and roots them in a reality we can all relate to.
I loved this atmospheric debut, often described as a collection of interlinked short stories. Set on an isolated group of islands off the coast of Virginia, the stories span more than two centuries of the same family’s history: from the 19th century and far ahead into a post-apocalyptic, post-pandemic future. There are intimations that a supernatural ‘second sight’ runs in the family and the book’s Southern Gothic vibe is nothing short of intriguing. But for all the hints of magic realism, the focus on female characters contending with obstacles of class and gender at different points in history is rooted in an understandable reality. Beautifully written descriptions of the natural environment, poignant characters, and local color all demonstrate Taylor’s imagination to be visionary and impressive.
An ambitious, Baileys prize-nominated debut set in an unforgettable place, introducing a powerful new voice in fiction
The Shore: a group of small islands in the Chesapeake Bay, just off the coast of Virginia. The Shore is clumps of evergreens, wild ponies, oyster-shell roads, tumble-down houses, unwanted pregnancies, murder, and dark magic in the marshes. Sanctuary to some but nightmare to others, it's a place that generations of families both wealthy and destitute have inhabited, fled, and returned to for hundreds of years. From a half-Shawnee Indian's bold choice to escape an abusive home only to find herself with a…
Ramon Ramirez’s Dog is a collection of essays written over the years about the adventures and misadventures, mostly outside but occasionally inside the diplomatic career of a U.S. ambassador. Common threads weaving the stories together are a desire for a life well-lived, balancing career with family and friends, keeping physically…
I have always been interested in family stories, the history of women’s lives, and history in general. Discovering new (at least it was at the time!) work in social and women’s history at university in the 1980s opened up new vistas for me and showed me it was possible to do academic work in the discipline in creative and challenging ways. These books were crucial to my development as a historian, both because of their subject matter and because they are so beautifully written. They brought the past “to life” for me and showed that historians could care about their subjects without sacrificing academic rigor.
This book is very dear to me because of the author’s breadth of vision, the creativity with which she approached it, and the radical possibilities for women’s lives and gender relations in the late eighteenth and early nineteenth centuries that she uncovered.
Taylor demonstrates the importance of radical utopianism in challenging traditional notions of gender relations and marriage and introduces us to fascinating women who were part of that process. Her book shows us how new possibilities were considered for society and makes us realize that women’s marginalization in more mainstream socialist parties was not inevitable. Taylor’s writing is elegant and moving.
A new edition of Barbara Taylor's classic book, with a new introduction.
In the early nineteenth century, radicals all over Europe and America began to conceive of a 'New Moral World', and struggled to create their own utopias, with collective family life, communal property, free love and birth control. In Britain, the visionary ideals of the Utopian Socialist, Robert Owen, attracted thousands of followers, who for more than a quarter of a century attempted to put theory into practice in their own local societies, at rousing public meetings, in trade unions and in their new Communities of Mutual Association.
