Why read The Women Who Knew Too Much?

Book cover of The Women Who Knew Too Much: Hitchcock and Feminist Theory

Book description

Originally published in 1988, The Women Who Knew Too Much remains a classic work in film theory and feminist criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as…

Explore

Topics

Genres

Coming soon!

When you buy books, we may earn a commission that helps keep our lights on (or join the rebellion as a member).

Why read it?

2 authors picked The Women Who Knew Too Much as one of their favorite books. Why do they recommend it?

Peter Verstraten

Author

How can one take the tradition of feminist film studies (instigated by Laura Mulvey’s ‘the male gaze’ essay) seriously and at the same time be hooked to the cinema of Alfred Hitchcock?

Tania Modleski had set herself the task in this 1988 study to combine these two positions that, for a long time, seemed mutually exclusive. Whereas Mulvey had mentioned that the flashback in Hitchcock’s Vertigo was an exception that had proven the rule (of a cinema of patriarchy), Modleski reversed this by making the exceptions as such the rule in Hitchcock’s work. She thus ended up not condemning Hitchcock’s…

From Peter's list on books in film studies.

Mark William Roche

Author

If one wants to learn about Hitchcock’s complex relation with women, one can turn to Donald Spoto’s The Dark Side of Genius or Laurence Leamer’s recent Hitchcock’s Blondes, but if one wants to contemplate the aesthetic question, how are women portrayed in Hitchcock, Modleski is far more rewarding.

I learned much from her weighing of Hitchcock’s ambivalence toward women. The book offers a strong feminist account of seven films, and I have consistently recommended it to my students as one of the best books on Hitchcock.

From Mark's list on Alfred Hitchcock.