Here are 100 books that Fearless Confessions fans have personally recommended if you like
Fearless Confessions.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As a person who reads solely for pleasure regardless of research, I make it a mission while writing to read books I actually enjoy on topics I wanna learn more about. I chose the books on this list because I’m also a person who reads multiple books at once in various genres, it keeps me honest; aware of holes and discrepancies in my own work and pushes me towards some semblance of completion. All the writers on this list do multiple things at once and I admire their skill and risk in coupling creativity with clarity.
Sometimes I need a book that will inspire me not to continue writing, but to start; kinda like when I binge watch YouTube book talks—that’s the feeling this book brings over me—inspired. It’s a book that helps me write anything because I’m a person who struggles with—yet craves the ability to— strip a piece as bare as possible. Strip a story of its fluff and dissect its roots. I need to know what to save for later, and Gornick expressing the difference between situation and story is something I always go back to in order to help declutter my work.
A guide to the art of personal writing, by the author of Fierce Attachments and The End of the Novel of Love
All narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth.
How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Dinty W. Moore is the author of the writing guides The Story Cure,Crafting the Personal Essay, and The Mindful Writer, among many other books. He has published essays and stories in Harper’s, The New York Times Magazine, The Southern Review, Creative Nonfiction, and elsewhere, and has taught master classes and workshops on memoir and essay writing across the United States as well as in Ireland, Scotland, Spain, Switzerland, Canada, and Mexico.
Master teacher David Mura’s A Stranger's Journey addresses long-overlooked issues of race and identity in publishing and in the standard teaching of creative writing and he brilliantly advocates for a more inclusive and expansive definition of writing craft. Though this book is partly aimed at educators, he offers incredibly useful craft lessons as well, primarily through his deft analysis of work done by writers ranging from James Baldwin to Mary Karr to ZZ Packer. In a world that no longer accepts the notion that our greatest authors have to be “dead white men,” Mura offers a necessary window into the intersection of race, literature, and culture.
Long recognized as a master teacher at writing programs like VONA, the Loft, and the Stonecoast MFA, with A Stranger's Journey, David Mura has written a book on creative writing that addresses our increasingly diverse American literature. Mura argues for a more inclusive and expansive definition of craft, particularly in relationship to race, even as he elucidates timeless rules of narrative construction in fiction and memoir. His essays offer technique-focused readings of writers such as Junot Diaz, ZZ Packer, Maxine Hong Kingston, Mary Karr, and Sherman Alexie, while making compelling connections to Mura's own life and work as a Japanese…
Dinty W. Moore is the author of the writing guides The Story Cure,Crafting the Personal Essay, and The Mindful Writer, among many other books. He has published essays and stories in Harper’s, The New York Times Magazine, The Southern Review, Creative Nonfiction, and elsewhere, and has taught master classes and workshops on memoir and essay writing across the United States as well as in Ireland, Scotland, Spain, Switzerland, Canada, and Mexico.
Gutkind founded the journal Creative Nonfiction and has been a tireless advocate of the CNF genre for decades, as a writer, teacher, public speaker, and publisher. His nuts and bolts guidebook, You Can't Make This Stuff Up, offers a wide-ranging examination of the craft of writing true stories – dialogue, description, beginnings, endings, intimate detail, reflection, point-of-view, framing – as well as clear and helpful chapters about forming a writing habit and learning to live one’s life as a writer. Gutkind has generously packed decades of wisdom and knowledge into perhaps the most comprehensive nonfiction guide available.
From rags-to-riches-to-rags tell-alls to personal health sagas to literary journalism everyone seems to want to try their hand at creative nonfiction. Now, Lee Gutkind, the go-to expert for all things creative nonfiction, taps into one of the fastest-growing genres with this new writing guide. Frank and to-the-point, with depth and clarity, Gutkind describes and illustrates each and every aspect of the genre, from defining a concept and establishing a writing process to the final product. Offering new ways of understanding genre and invaluable tools for writers to learn and experiment with, You Can't Make This Stuff Up allows writers of…
Dr. Power is promoted to a chair of forensic psychiatry at Allminster University and selected by the Vice Chancellor for a key task which stokes the jealousy of the Deans, and he is plunged into a precariously dangerous situation when there is a series of deaths and the deputy Vice…
I’m a philosophy professor who started writing memoir in her mid-thirties. I love the similarities and the differences between memoir and philosophy (to sum it up: both are ways of making sense of your experience, but memoirists are allowed to tell stories, make jokes and break your heart.) On the trail of my obsession with the two, I’ve written a book on the philosophy of memoir and a memoir about philosophy. My sister calls them “your weird book twins.” Whatever! The whole experience has felt like falling in love, and I now want to encourage everyone to give personal writing a shot.
This book is a blast to read and also packed with insight (the Holy Grail, no?) It’s a collection of short chapters on a wide range of questions that either a baby or seasoned memoirist might ask. How do I find my voice? How do I organize my material? Am I betraying my family? (When Karr asked her own mom if she minded being outed as a knife-wielding alcoholic who set her children’s toys on fire, Mrs. Karr apparently replied: “Oh hell, the whole town knew about that.”) Karr draws on her extensive experience as a best-selling memoirist and teacher of memoir, serving up hard-won wisdom and concrete practical advice. ReadingThe Art of Memoiris like trapping a celebrity genius in a hotel bar and getting the unvarnished version. You’ll love it.
Credited with sparking the current memoir explosion, Mary Karr's The Liars' Club spent more than a year at the top of the New York Times list. She followed with two other smash bestsellers: Cherry and Lit, which were critical hits as well. For thirty years Karr has also taught the form, winning teaching prizes at Syracuse. (The writing program there produced such acclaimed authors as Cheryl Strayed, Keith Gessen, and Koren Zailckas.) In The Art of Memoir, she synthesizes her expertise as professor and therapy patient, writer and spiritual seeker, recovered alcoholic and "black belt sinner," providing a unique window…
I teach and publish short stories, novels, and flash fiction. I’m also interested in the language people use to critique writing. Concepts (suspense, for example) can be helpful, but they often co-opt the imagination and become gold standards for what good fiction should be. In addition to the writer’s voice, I’m interested in the alchemy of the story, which is always greater than the sum of its parts. Right now, I’m writing a book called Accordion Fiction. It's about the shape and rhythm of stories—how they contract and expand like an accordion.
This book has a playful quality that engaged me immediately.
I was intrigued by Allison’s adventurous vision—one that sees patterns in nature as models for stories that don’t follow the traditional Aristotelian arc.
Alison analyzes many novels in terms of their shape (waves, spirals, tsunamis, and fractals)—stretching my imagination. She also makes it brilliantly clear that the shape of the hero’s journey is just one of many possible shapes for a fictional work.
"How lovely to discover a book on the craft of writing that is also fun to read . . . Alison asserts that the best stories follow patterns in nature, and by defining these new styles she offers writers the freedom to explore but with enough guidance to thrive." ―Maris Kreizman, Vulture
A Publishers Weekly Best Book of 2019 | A Poets & Writers Best Books for Writers
As Jane Alison writes in the introduction to her insightful and appealing book about the craft of writing: “For centuries there’s been one path through fiction we’re most likely to travel― one…
My passion is helping women write the stories they need to write. I’ve spent the last twenty-some years helping women write, polish, and publish the hard, gritty, beautiful, and awe-inspiring in their lives. I teach Motherhood & Words and lead retreats and women’s writing circles. I am also a writing coach and developmental editor. I’m the author of Ready for Air: A Journey Through Premature Motherhood and co-author of Silent Running, a memoir. I’m currently working on a rom-com.
It’s clear that in this book, we are in the hands of master writing teachers. Miller and Paola’s guide will help any writer, but particularly a beginning writer, find their way into a fruitful writing practice. The book contains essays on craft, inspiring examples, and writing prompts that are sure to launch readers into their own stories.
Though this book is specifically geared toward nonfiction writers, a writer of any genre will find useful and encouraging nuggets of wisdom here.
Demonstrating the range of creative nonfiction from memoir to travel writing to the lyric essay, Tell It Slant combines practical guidance with an illustrative anthology of 34 essays from Margaret Atwood, David Sedaris, E.B. White, Virginia Woolf, and others. The result is a stimulating collection of writing and activities that makes it easy and enjoyable for students to begin to write and to try new modes of writing.
The Whale Surfaces follows a daughter of Holocaust survivors who tries to deal with trans-generational trauma.
From the age of eleven to 22, she struggles to be ‘normal’ and to conceal the demons haunting her. Her sensitivity to her parents’ past and to injustices everywhere prevents her from enjoying life.…
My passion is helping women write the stories they need to write. I’ve spent the last twenty-some years helping women write, polish, and publish the hard, gritty, beautiful, and awe-inspiring in their lives. I teach Motherhood & Words and lead retreats and women’s writing circles. I am also a writing coach and developmental editor. I’m the author of Ready for Air: A Journey Through Premature Motherhood and co-author of Silent Running, a memoir. I’m currently working on a rom-com.
I love that Jarrett Andrew has raised the revision process (which often gets a bad rap) to a spiritual level. This book will help any writer see their work anew and tap into the joy—yes joy!—of revision.
This book encourages writers to listen deeply to their own stories and dig deep until they have found their true beating hearts. Jarrett Andrew presents big-picture and craft revision strategies that will make this a trusted companion for any writer.
Revision is the spiritual practice of transformation - of seeing text and, therefore, the world with new eyes. Done well, revision returns us to our original love.
In LIVING REVISION, award-winning author and teacher, Elizabeth J. Andrew, guides writers through the writing and revision process. With insight and grace, Andrew asks writers to flex their spiritual muscles, helping them to transform their writing as they in turn transform into more curious and reflective human beings. Her expertly honed techniques, exercises and personal examples will help writers invigorate their work and themselves as they engage the human heart within and across…
My passion is helping women write the stories they need to write. I’ve spent the last twenty-some years helping women write, polish, and publish the hard, gritty, beautiful, and awe-inspiring in their lives. I teach Motherhood & Words and lead retreats and women’s writing circles. I am also a writing coach and developmental editor. I’m the author of Ready for Air: A Journey Through Premature Motherhood and co-author of Silent Running, a memoir. I’m currently working on a rom-com.
This latest book by poet Maggie Smith is writing guide meets cheerleading section. I love the way readers get to see her poet's mind at work. And I love the way that this book gives us all, any reader, permission to claim the titles of poet and writer.
There are helpful tips here about the craft of writing, but for me, this book is, at its heart, about encouraging each of us to tap into the power of our own creativity. I love that.
New York Times bestselling author and poet Maggie Smith distills creativity and the craft of writing with a practical guide perfect for fans of Elizabeth Gilbert'sBig Magicand Anne Lamott'sBird by Bird.
Drawing from her twenty years of teaching experience and her bestselling Substack newsletter, For Dear Life, Maggie Smith breaks down creativity into ten essential elements: attention, wonder, vision, play, surprise, vulnerability, restlessness, tenacity, connection, and hope. Each element is explored through short, inspiring, and craft-focused essays, followed by generative writing prompts. Dear Writer provides tools that artists of all experience levels can apply to their own…
I went through a particularly hard time several years ago and to get through it I was forced to dig deep into what I’d learned about compassion and self-compassion over three decades of meditating. Because I’m a meditation teacher, I wanted to share with my students everything I learned about being kind and supportive toward myself as I went through the toughest challenges I’d ever faced so that they could benefit as well. That’s why I wrote This Difficult Thing of Being Human. Self-compassion has become the core of everything I’ve taught since then, and one of the wonderful things about it is that once you’ve shown yourself compassion, you automatically find yourself treating others with compassion too.
One of my favorite sayings (by G.K. Chesterton) is, “If a thing’s worth doing, it’s worth doing badly.” With these well-chosen words, Chesterton converted me to “imperfectionism.” It’s not that as imperfectionists we should aim to do things badly, but that we should aim to do necessary things and accept that we’re going to make mistakes on the way. Guise’s writing isn’t always elegant. However, he puts the case strongly that perfectionism is not something to humble-brag about, and is a “disorder of the mind.” More importantly, though, he offers detailed, practical, easy-to-implement steps for developing an imperfectionist mindset where we “lose our crippling fear of not doing [things] well.”
From an early age, kids are taught to color inside the lines, and any color that strays outside the lines is considered to be a mistake that must be avoided. Perfectionism is a naturally limiting mindset. Imperfectionism, however, frees us to live outside the lines, where possibilities are infinite, mistakes are allowed, and self-judgment is minimal.The old way to approach perfectionism was to inspire people to “let go” of their need for perfection and hope they could do it. The new way is to show people how simple but highly strategic "mini actions” can empower them to gradually and effortlessly…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
My very intelligent, very (self-described) un-literary father taught me all about the complexities and beauty of God. My librarian mother gave me the literature that would introduce me to the most profound descriptions of those complex beauties. As the author of Marvelous Light, numerous metaphor-dependent blog posts, and future allegorical novels, I hope to introduce each of my readers to the divine realities on which I depend daily.
Lakoff famously contends that metaphor is the crux of all human understanding. This classic academic, literary, philosophical, and sociological text suggests that at the root of what it means to be human is an absolute need to describe all experience and knowledge through comparison. Read More Than Cool Reason to begin gaining an appreciation for the theory of how metaphor makes us who we are and establishes our place in the universe.
"The authors restore metaphor to our lives by showing us that it's never gone away. We've merely been taught to talk as if it had: as though weather maps were more 'real' than the breath of autumn; as though, for that matter, Reason was really 'cool.' What we're saying whenever we say is a theme this book illumines for anyone attentive." - Hugh Kenner, Johns Hopkins University
"In this bold and powerful book, Lakoff and Turner continue their use of metaphor to show how our minds get hold of the world. They have achieved nothing less than a postmodern Understanding…
