Here are 100 books that The Art of Memoir fans have personally recommended if you like
The Art of Memoir.
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As a person who reads solely for pleasure regardless of research, I make it a mission while writing to read books I actually enjoy on topics I wanna learn more about. I chose the books on this list because I’m also a person who reads multiple books at once in various genres, it keeps me honest; aware of holes and discrepancies in my own work and pushes me towards some semblance of completion. All the writers on this list do multiple things at once and I admire their skill and risk in coupling creativity with clarity.
Sometimes I need a book that will inspire me not to continue writing, but to start; kinda like when I binge watch YouTube book talks—that’s the feeling this book brings over me—inspired. It’s a book that helps me write anything because I’m a person who struggles with—yet craves the ability to— strip a piece as bare as possible. Strip a story of its fluff and dissect its roots. I need to know what to save for later, and Gornick expressing the difference between situation and story is something I always go back to in order to help declutter my work.
A guide to the art of personal writing, by the author of Fierce Attachments and The End of the Novel of Love
All narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth.
How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal…
Fourteen is a coming-of-age adventure when, at the age of 14, Leslie and her two sisters have to batten down the hatches on their 45-foot sailboat to navigate the Pacific Ocean and French Polynesia, as well as the stormy temper of their larger-than-life Norwegian father.
My passion is helping women write the stories they need to write. I’ve spent the last twenty-some years helping women write, polish, and publish the hard, gritty, beautiful, and awe-inspiring in their lives. I teach Motherhood & Words and lead retreats and women’s writing circles. I am also a writing coach and developmental editor. I’m the author of Ready for Air: A Journey Through Premature Motherhood and co-author of Silent Running, a memoir. I’m currently working on a rom-com.
I love the way Sue William Silverman has refused to be silenced and has instead encouraged other writers, particularly women writers, to lean into their vulnerability and claim and craft their voices, on and off the page.
This book conveys both big-picture elements of craft, like voice and structure, and also helps readers think about language and metaphor. It provides so many helpful tools and so much encouragement to both beginning and more advanced writers.
This title shows how to craft compelling art out of personal experience. Everyone has a story to tell. ""Fearless Confessions"" is a guidebook for people who want to take possession of their lives by putting their experiences down on paper - or in a Web site or e-book. Enhanced with illustrative examples from many different writers as well as writing exercises, this guide helps writers navigate a range of issues from craft to ethics to marketing and will be useful to both beginners and more accomplished writers. The rise of interest in memoir recognizes the power of the genre to…
Dinty W. Moore is the author of the writing guides The Story Cure,Crafting the Personal Essay, and The Mindful Writer, among many other books. He has published essays and stories in Harper’s, The New York Times Magazine, The Southern Review, Creative Nonfiction, and elsewhere, and has taught master classes and workshops on memoir and essay writing across the United States as well as in Ireland, Scotland, Spain, Switzerland, Canada, and Mexico.
Master teacher David Mura’s A Stranger's Journey addresses long-overlooked issues of race and identity in publishing and in the standard teaching of creative writing and he brilliantly advocates for a more inclusive and expansive definition of writing craft. Though this book is partly aimed at educators, he offers incredibly useful craft lessons as well, primarily through his deft analysis of work done by writers ranging from James Baldwin to Mary Karr to ZZ Packer. In a world that no longer accepts the notion that our greatest authors have to be “dead white men,” Mura offers a necessary window into the intersection of race, literature, and culture.
Long recognized as a master teacher at writing programs like VONA, the Loft, and the Stonecoast MFA, with A Stranger's Journey, David Mura has written a book on creative writing that addresses our increasingly diverse American literature. Mura argues for a more inclusive and expansive definition of craft, particularly in relationship to race, even as he elucidates timeless rules of narrative construction in fiction and memoir. His essays offer technique-focused readings of writers such as Junot Diaz, ZZ Packer, Maxine Hong Kingston, Mary Karr, and Sherman Alexie, while making compelling connections to Mura's own life and work as a Japanese…
As one of 67 million Americans who serve as caretakers to their elderly parents, Susan Hartzler cared for her dad for three years, gaining profound insight into Parkinson's disease and the multifaceted challenges of caregiving. Throughout this period, Hartzler's rescue dog, Baldwin, a precious gift from her late mom, provided…
Dinty W. Moore is the author of the writing guides The Story Cure,Crafting the Personal Essay, and The Mindful Writer, among many other books. He has published essays and stories in Harper’s, The New York Times Magazine, The Southern Review, Creative Nonfiction, and elsewhere, and has taught master classes and workshops on memoir and essay writing across the United States as well as in Ireland, Scotland, Spain, Switzerland, Canada, and Mexico.
Gutkind founded the journal Creative Nonfiction and has been a tireless advocate of the CNF genre for decades, as a writer, teacher, public speaker, and publisher. His nuts and bolts guidebook, You Can't Make This Stuff Up, offers a wide-ranging examination of the craft of writing true stories – dialogue, description, beginnings, endings, intimate detail, reflection, point-of-view, framing – as well as clear and helpful chapters about forming a writing habit and learning to live one’s life as a writer. Gutkind has generously packed decades of wisdom and knowledge into perhaps the most comprehensive nonfiction guide available.
From rags-to-riches-to-rags tell-alls to personal health sagas to literary journalism everyone seems to want to try their hand at creative nonfiction. Now, Lee Gutkind, the go-to expert for all things creative nonfiction, taps into one of the fastest-growing genres with this new writing guide. Frank and to-the-point, with depth and clarity, Gutkind describes and illustrates each and every aspect of the genre, from defining a concept and establishing a writing process to the final product. Offering new ways of understanding genre and invaluable tools for writers to learn and experiment with, You Can't Make This Stuff Up allows writers of…
I have taught writing to adults for over half of my life—starting in my twenties, when I looked so young that my students once mistook me for a confused kid having wandered into the wrong room! I love love love seeing writers find their writing voice—and the only way to do so is simply to do it. Writing and communicating well is an art, a delight, a form of self-expression, and a way of being in the world—and it is VERY easy to learn with a good teacher. All of these books inspire me because their writers are excellent, encouraging, practical teachers.
Ferocious, sparse, wise, and dedicated to the lifelong love affair between an author and her work. This book is full of paradoxes: it grounds the process…and elevates it.
It is about writing…and also it is about flying planes, fishing, chopping wood, and a thousand other beautiful metaphors that Dillard describes in perfect detail without ever over-explaining. A perfect book for writers.
"For nonwriters, it is a glimpse into the trials and satisfactions of a life spent with words. For writers, it is a warm, rambling, conversation with a stimulating and extraordinarily talented colleague." — Chicago Tribune
From Pulitzer Prize-winning Annie Dillard, a collection that illuminates the dedication and daring that characterizes a writer's life.
In these short essays, Annie Dillard—the author of Pilgrim at Tinker Creek and An American Childhood—illuminates the dedication, absurdity, and daring that characterize the existence of a writer. A moving account of Dillard’s own experiences while writing her works, The Writing Life offers deep insight into one…
The first memoir I ever read—Road Songby Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
No frills, this book. Just good stuff. Chapters on the state of nonfiction today and on the ways to end an essay. Essential talk about “the ethics of writing about others” and “the necessity of turning oneself into a character.” Thoughts on the lyric essay and on research as it applies to nonfiction. Lopate blazed many a trail for teachers and writers of nonfiction. He is perennially relevant.
A long-awaited new book on personal writing from Phillip Lopate—celebrated essayist, the director of Columbia University’s nonfiction program, and editor of The Art of the Personal Essay.
Distinguished author Phillip Lopate, editor of the celebrated anthology The Art of the Personal Essay, is universally acclaimed as “one of our best personal essayists” (Dallas Morning News).
Here, combining more than forty years of lessons from his storied career as a writer and professor, he brings us this highly anticipated nuts-and-bolts guide to writing literary nonfiction.
A phenomenal master class shaped by Lopate’s informative, accessible tone and immense gift for storytelling, To…
On August 8, 2020, 40-year-old Stephanie Lincoln seemingly had the perfect life. She just had the wedding of her dreams, owned a successful business, and was traveling the country in an RV with her husband and 3 dogs. An innocent choice to go on a short hike in the Olympic…
I believe in the power of personal narratives and the memoir genre as tools to foster healing and forgiveness. As a licensed professional counselor with a doctorate in adult education, I devoted years toward better understanding the fractured relationship I had with my mother, eventually uncovering the source of her pain and trauma. My mother’s mental health and addiction issues were muddied by the shame she carried for years, as a terrified secret keeper, full of self-loathing. Although I was often the target of her anger, I found a pathway to compassion that mended my heart and provided an example of intergenerational healing for my own daughter.
Melissa Febos’ book Body Work provides encouragement to writers who are considering the memoir genre by highlighting the importance of storytelling as central to human experience.
Memoir writing is like magic; unique in its ability to shine a light on stories of survival, perseverance, and resilience. Febos’ book beautifully portrays the power of memoir as a tool to prompt growth, pulling back façades in ways that are both personally empowering and enriching for readers and writers alike.
“We are telling the stories that no one else can tell, and we are giving this proof of our survival to each other.” (p. 27)
Memoir meets craft master class in this “daring, honest, psychologically insightful” exploration of how we think and write about intimate experiences—“a must read for anybody shoving a pen across paper or staring into a screen or a past" (Mary Karr)
In this bold and exhilarating mix of memoir and master class, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller’s life and the questions which run through it.
How might we go about capturing on the page the relationships that have formed us? How…
I have always loved asking the big questions. What is justice? What is freedom? How should we live? I’ve been lucky to turn these questions into a career teaching philosophy, and I’m always inspired by authors who ask “Why?” in ways that shift our paradigms and broaden our minds. I’m also passionate about women who ask these questions—for too long, women were excluded from philosophy and not taken seriously when they wanted to know why. I loved writing a biography of Lydia Maria Child. So my list includes books by and about women like her: smart, witty, powerful women who ask why. Here’s to asking more questions and finding better answers!
This book is a mind-blowing, paradigm-shifting biographical reflection that asks why we see beauty and disability the way we do.
Jones is herself a philosopher and is disabled. Through anecdotes of ways she has been treated (also by philosophers), stories of her own birth and her unexpected pregnancy, and accounts of her travels (including going to see a Beyoncé concert!), she upended my ideas about beauty and about being able-bodied.
She helps us ask why we think of ability the way we do and why expanding our openness to beauty could help build a more beautiful world. I finished it feeling both humbled and exhilarated.
A New York Times Notable Book of 2022 * A Washington Post, Time,Publishers Weekly and New York Public Library Best Book of the Year * “Gorgeous, vividly alive.” —The New York Times * “Soul-stretching, breathtaking…A game-changing gift to readers.” —Booklist (starred review)
From Chloé Cooper Jones—Pulitzer Prize finalist, philosophy professor, Whiting Creative Nonfiction Grant recipient—an “exquisite” (Oprah Daily) and groundbreaking memoir about disability, motherhood, and the search for a new way of seeing and being seen.
“I am in a bar in Brooklyn, listening to two men, my friends, discuss whether my life is worth living.”
I have degrees in history and Christian theology, and enjoy science fiction and fantasy stories, whether set on earth, or in other worlds, whether real (other planets of our solar system), hypothetical (possible planets in other galaxies), or imaginary (Narnia, Wonderland). But I like those set in this world best, and value them especially for the insights they give into life, the universe, and everything. As C.S. Lewis once said to his friend J.R.R. Tolkien, if we want more of the kind of stories we like, we shall have to write them ourselves. The books I’ve recommended are the kind I like, and I’ve tried to write a few more.
Charles Williams’s books have been described as “supernatural thrillers.” Many later authors have tried to use the theme of a recently-rediscovered ancient holy relic, which various people want to get hold of for good or evil purposes, in this case the Holy Grail or Graal, but few have done it as well as Charles Williams. I’ve read it at least five times, and I also think it has one of the most attention-grabbing opening lines in fiction: “The telephone bell was ringing wildly, but without result, since there was no-one in the room but the corpse.”
"War in Heaven" is a horrific romance, with many mythical creatures present. Instead of creating a unique secondary fantasy world or switching between two universes, Williams allows the supernatural to invade his modern world. This allows him to explore the influence of another reality on different characters. The object that guides the supernatural to the natural in this novel is the Holy Grail
I’ve been fascinated by magic and its history since I was at school. One of my first Saturday jobs was as a shelf stacker in Portsmouth Central Library, and I was delighted to discover that the library had a special collection on the occult and magic. I spent as much time dipping into the books as I did shelving them! That interest was sharpened by holiday visits to places with links to magical people and events in the past – and I am very grateful for the patience of my family. I now research and teach medieval magic at Reading University and enjoy discussing spells and instruction manuals on various types of magic.
Robert de Boron was a medieval French writer of romances who made Merlin a central figure in the story of the Arthurian world and almost the inventor of the quest for the Holy Grail.
Medieval romances are a bit of a niche read, but I want to tell everyone about this version of Merlin. TheRomance of Merlin actually starts in Hell, with the demons plotting to win the ongoing battle against God by bringing about the birth of Antichrist.
The chosen demon expresses squeamishness at the idea of seducing a human woman but does his duty – and the result is Merlin!
These stories helped make Merlin the time-travelling superhero of later romances, and the prophet who influenced Joseph of Arimathea’s decision to come to Britain with the Grail.
This trilogy establishes a provenance for the Holy Grail and, through the figure of Merlin, links Joseph of Arimathea with mythical British history and with the knightly adventures of Perceval's Grail quest.
It is hard to overstate the importance of this trilogy of prose romances in the development of the legend of the Holy Grail and in the evolution of Arthurian literature as a whole. They give a crucial new impetus to the story of the Grail by establishing a provenance for the sacred vessel - and for the Round Table itself - in the Biblical past; and through the…
