Here are 100 books that Fashionopolis fans have personally recommended if you like
Fashionopolis.
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I'm a journalist and author writing (mostly) about labour rights and the politics of the fashion industry. This work has taken me to Bangladesh, Kenya, Macedonia, and the Topshop warehouses in Solihull. I am the author of Foot Work – What Your Shoes Are Doing To The World, an exposé of the dark origins of the shoes on our feet. My award-winning first book Stitched Up – The Anti-Capitalist Book of Fashion, is available in six languages and was selected by Emma Watson for her "Ultimate Book List".
A classic book on the pain that fashion inflicts on both people and planet. This book does an excellent job of showing how the exploitation of people is inseparable from the exploitation of the biosphere. It is a searing critique of the fashion industry and its voracious appetite for evermore profit, and how this short-termist model is driving us towards disaster.
An expose on the fashion industry written by the Observer's 'Ethical Living' columnist, examining the inhumane and environmentally devastating story behind the clothes we so casually buy and wear.
Coming at a time when the global financial crisis and contracting of consumer spending is ushering in a new epoch for the fashion industry, To Die For offers a very plausible vision of how green could really be the new black.
Taking particular issue with our current mania for both big-name labels and cheap fashion, To Die For sets an agenda for the urgent changes that can and need…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I published the novel Ehrenfried & Cohn in 2016 about the decimation of the Jewish fashion industry in Berlin by the Nazis. I studied at the University of Arts in Berlin and became a fashion reporter for newspapers. Later I worked as a producer and journalist for German Public Broadcasting, the BBC in London, and PBS and CBS in New York City. I currently share my time between London and Berlin writing fact books on Jewish fashion and as a lecturer on fashion history in the US.
Fashion is, without any question, a matter of one's own taste. Or so one would think. But no other successful fashion designer has ever analysed and observed the New York fashion world of the 1950s to mid-60s as mercilessly and literarily as John Weitz did in his novel published in 1970. With his clearly English-influenced men’s designs he kept his distance from New York’s high society. Perhaps this was due to his unusual life path.
John Weitz, born to a famous Berlin Jewish family. To guarantee his education, in 1936 his parents send him to London. After his A-levels, John and a short apprenticeship emigrated to the US and worked after 1944 for the OSS (now the CIA) during the Second World War as an under-cover agent in German-occupied France and witnessed the liberation of the Nazi concentration camp Dachau.
Weitz's reputation as a men's fashion designer had the name…
Here is the world of haute couture, racing cars, Seventh Avenue, Palm Beach, Sebring, New York, where the Beautiful People - and their vultures and hangers-on - pretend to live. It is a world where young Philip Ross, through a sexual arrangement that provides him with his first break, crawls onto the lowest rung of the fashion ladder and begins the great climb, over backs and bodies, from couturier's assistant to nationwide fame as an avant-garde American designer.
For as long as I can remember I have been absolutely gripped by the stories that old clothes can tell. From visiting fashion museums as a child to collecting books on the subject, I was drawn to the shapes, the fabrics, and the tales. I can remember a curator once telling me that clothes are the closest we can get to people in the past. They are the ghostly outlines of our ancestors and that has stayed with me. We give so much away about ourselves through the clothes we choose to wear and so they really do matter.
I do love a novel with history and objects at the core and The Corset adds an extra layer of spine tingling to the mix as well.
Ruth is a poorly paid seamstress, awaiting trial for murder. She is visited by the well-to-do Dorothea who wants to hear her story. The object, the corset, lies at the heart of Ruth’s tale and every stitch that she made in the creation of high-end pieces for her mistress begins to carry a greater significance.
In a world of fast fashion I have become increasingly fascinated by the handmade, the art of the needle, and the skill of the maker and here it has a slightly sinister facet to it.
'Laura is a masterful writer, her deliciously gothic stories so skilfully woven that you can't get them out of your head even if you wanted to' Stacey Halls, author of The Familiars 'The Corset is a contender for my Book of the Year. Beautifully written, intricately plotted, a masterpiece' Sarah Hilary Is prisoner Ruth Butterham mad or a murderer? Victim or villain? Dorothea Truelove is young, wealthy and beautiful. Ruth Butterham is young, poor and awaiting trial for murder. When Dorothea's charitable work leads her to Oakgate Prison, she finds herself drawn to Ruth, a teenage seamstress - and self-confessed…
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
As a professional organizer since 1999, I’ve realized that the problem isn’t so much that we are disorganized, but that we are out-matched. We have too much stuff, it is too cheap and we are too busy and we can’t keep up. If you really want to stay organized, you have to examine your relationship to stuff. Why we want what we want and buy what we buy. Less but better!
This tiny gem of a book was born when Lazarovic decided to go on a shopping diet and paint the things she coveted instead of buying them. In the first half of her wonderfully illustrated and hand-lettered book, she explains her evolution from “I want it” child, to mall-rat teen to coming of age in the age of fast fashion. She chronicles her clothes, her awakening to the downsides of late-stage capitalism, and ends with several wise tips to help slow our consumption. A dynamo of a political pill wrapped in utterly playful confection of art and humor. One thing I do not regret buying is this book!
Like most people, Sarah Lazarovic covets beautiful things. But rather than giving in to her impulse to spend and acquire, Sarah spent a year painting the objects she wanted to buy instead. Based on a visual essay that was first published on The Hairpin, A Bunch of Pretty Things I Did Not Buy is a beautiful and witty take on the growing 'slow shopping' movement. Sarah is a well-known blogger and illustrator, and she writes brilliantly without preaching or guilt-tripping. Whether she's trying to justify the purchase of yet another particleboard IKEA home furnishing, debating the pros and cons of…
I'm a journalist and author writing (mostly) about labour rights and the politics of the fashion industry. This work has taken me to Bangladesh, Kenya, Macedonia, and the Topshop warehouses in Solihull. I am the author of Foot Work – What Your Shoes Are Doing To The World, an exposé of the dark origins of the shoes on our feet. My award-winning first book Stitched Up – The Anti-Capitalist Book of Fashion, is available in six languages and was selected by Emma Watson for her "Ultimate Book List".
This book is an excellent chance to hear straight from the people on the sharp end of the fashion industry. From India to Cambodia, it is full of detailed interviews with garment workers and workers’ rights advocates. As well as taking you behind the scenes of the fashion industry, it also serves as a best practise guide – from a real industry expert – for how fashion could one day be made fair and sustainable.
“Slave to Fashion offers hope of a fairer, more ethical world and gives the reader plenty of tools to navigate a challenging fashion system.”―Livia Firth
There are over 35 million people trapped in modern slavery today―the largest number of slaves in modern history. This is fueled by the global demand for cheap labor―which is what makes the fast fashion industry work.
Slave to Fashion is a highly accessible book which uses brilliant design, personal stories, and easy-to-grasp infographics to raise awareness among common brand consumers.
Fair trade and sustainable fashion expert Safia Minney draws on her extensive knowledge and personal…
I have worked on the problems of poverty, particularly in sub-Saharan Africa, for much of my professional life. I worked at the Centre for the Study of African Economies, which is part of the Department of Economics at Oxford University, from 1991 until my retirement in 2012. I continue to work both with the Centre and the Department as a Managing Editor of Oxford Economic Papers and Chief Editor of the Journal of African Economies. My recent book The Poor and the Plutocrats grew out of this background where I wanted to understand the links between very poor countries and those of much richer ones.
The approach of Milanovic is very different from that of Hickel in that it is intensive in the use of data which, he would argue, shows a much more nuanced picture of the success of the global economy in reducing poverty than argued by Hickel.
He begins by reproducing the ‘Elephant Chart’ from his earlier work. This is a chart showing the relative gain in real per capita income by global income level. The name ‘Elephant’ comes from the shape of the chart which shows the largest income gains to have occurred for those in the middle of the distribution and the lowest in the range of 70 to 80 in the percentile distribution and the highest for those at the very top. Those in the middle being the hump of the elephant those at the top being its trunk.
Milanovic argues that in many respects the years before the…
Winner of the Bruno Kreisky Prize, Karl Renner Institut A Financial Times Best Economics Book of the Year An Economist Best Book of the Year A Livemint Best Book of the Year
One of the world's leading economists of inequality, Branko Milanovic presents a bold new account of the dynamics that drive inequality on a global scale. Drawing on vast data sets and cutting-edge research, he explains the benign and malign forces that make inequality rise and fall within and among nations. He also reveals who has been helped the most by globalization, who has been held back, and what…
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
I am a professor of International Studies and a former museum curator. This combination provides me with a unique perspective not only on the inner workings of the art world, but the way that those practices map on to broader social, political, and economic transformations that occur as a result of globalization. This leads me, for example, to an assessment of how free-trade zones affect the art market. In past research, I have focused on colonialism and French art in the nineteenth century, so I am attuned to power imbalances between the center and the periphery and I am fascinated to see how these are shifting in the present.
This book was the first to bring together a group of international artists, curators, and scholars to discuss and engage the changing nature of the art world, as a result of globalization.
The project was launched at the Center for Media and Art (ZKM) in Karlsrühe, Germany in 2006 with a series of conferences that turned into a series of books over time and an exhibition in 2013.
No other book considers so many new manifestations of the museum in the twenty-first century, illuminating new opportunities for the reader to explore distant lands vicariously and also to discover how many different ways institutions are being developed in cities around the world.
This is the second publication from the ongoing research series, Global Art and the Museum (GAM), which was initiated in 2001 by German art historian Hans Belting and artist, writer and curator Peter Weibel at the ZKM Center for Art and Media in Karlsruhe, Germany. The last 20 years have seen a rapid globalization of the art world, resulting in geographic decentralization and a shift away from a primarily Western perspective. GAM's aim is to analyze the effect of these changes on the art market, museums and art criticism. This volume comprises a collection of essays by experts--such as Claude…
I am a professor of International Studies and a former museum curator. This combination provides me with a unique perspective not only on the inner workings of the art world, but the way that those practices map on to broader social, political, and economic transformations that occur as a result of globalization. This leads me, for example, to an assessment of how free-trade zones affect the art market. In past research, I have focused on colonialism and French art in the nineteenth century, so I am attuned to power imbalances between the center and the periphery and I am fascinated to see how these are shifting in the present.
Adam is one of the foremost reporters to cover the art market and has worked for the Financial Times and the Art Newspaper. In her second book on the art market, she dives into the unsightly domain of the global art world, including speculation, forgery, art as an asset class, and freeports, the secret offshore warehouses where the rich stash their treasures tax-free. Her unique approach, focusing on classic categories such as supply, demand, and price among others brings a refreshing approach to the changing nature of the art market.
This book scrutinizes the excesses and extravagances that the 21st-century explosion of the contemporary art market brought in its wake. The buying of art as an investment, temptations to forgery and fraud, tax evasion, money laundering and pressure to produce more and more art all form part of this story, as do the upheavals in auction houses and the impact of the enhanced use of financial instruments on art transactions. Drawing on a series of tenaciously wrought interviews with artists, collectors, lawyers, bankers and convicted artist forgers, the author charts the voracious commodification of artists and art objects, and art's…
My interest in global issues developed when I was a student. What was my conviction already then became more obvious every year since then. In order to solve our most urgent problems, we need to have a strong and legitimate global governance system. Global governance, therefore, became the core of my research. I am Michael Zürn, the Director of the Research Unit Global Governance at the Berlin Social Science Center (WZB) and a Professor of International Relations at Free University of Berlin. I have also been the co-spokesperson for the Cluster of Excellence "Contestations of the Liberal Script" (SCRIPTS) since 2019.
This anthology is highly recommended if you are looking for profound and multidimensional analyses of authoritative rule-making systems beyond the nation-state that emerged within the dynamics of globalization.
Readers will find general investigations on the structure and development of the institutional framework of “global governance” next to case studies focusing on how specific issues, e.g., the HIV/AIDS epidemic or transnational finance hazards, are governed within these frameworks. Furthermore, this volume is of great value as it depicts the controversial academic debates on how practices of “global governance” should be interpreted on a theoretical level. One can learn from both: “realist” and “Marxist” critiques on the concept of global governance and its proponents from “liberal institutionalist” and “functionalist” perspectives.
Alongside the explanatory level, the book is rounded off by some normative investigations on how global governance should look in the future in order to overcome patterns of global injustice.
Since the UN's creation in 1945 a vast nexus of global and regional institutions has evolved, surrounded by a proliferation of non-governmental agencies and advocacy networks seeking to influence the agenda and direction of international public policy. Although world government remains a fanciful idea, there does exist an evolving global governance complex - embracing states, international institutions, transnational networks and agencies (both public and private) - which functions, with variable effect, to promote, regulate or intervene in the common affairs of humanity.
This book provides an accessible introduction to the current debate about the changing form and…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
My interest in global issues developed when I was a student. What was my conviction already then became more obvious every year since then. In order to solve our most urgent problems, we need to have a strong and legitimate global governance system. Global governance, therefore, became the core of my research. I am Michael Zürn, the Director of the Research Unit Global Governance at the Berlin Social Science Center (WZB) and a Professor of International Relations at Free University of Berlin. I have also been the co-spokesperson for the Cluster of Excellence "Contestations of the Liberal Script" (SCRIPTS) since 2019.
This book offers a comprehensive exploration of the challenges and opportunities facing global governance. Weiss skillfully analyzes the evolving landscape of international cooperation, addressing the “Why?” behind the need for effective governance, the “What?” of its current structures, and the “Whither?” of its future trajectories.
With his insightful perspectives on pressing global issues, Weiss delves into the complexities of power dynamics, institutional frameworks, and the role of state and non-state actors. He identifies five gaps in the present global governance system: knowledge, normative, policy, institutional, and compliance. These gaps must be filled to ensure global governance structures are secured in the face of inevitable challenges ahead.
Engaging and accessible, the book provides a vital roadmap for readers interested in the past and future of global governance.
Friends and foes of international cooperation puzzle about how to explain order, stability, and predictability in a world without a central authority. How is the world governed in the absence of a world government?
This probing yet accessible book examines "global governance" or the sum of the informal and formal values, norms, procedures, and institutions that help states, intergovernmental organizations, civil society, and transnational corporations identify, understand, and address trans-boundary problems. The chasm between the magnitude of a growing number of global threats - climate change, proliferation of weapons of mass destruction, terrorism, financial instabilities, pandemics, to name a…
