Here are 100 books that To Die for fans have personally recommended if you like
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I'm a journalist and author writing (mostly) about labour rights and the politics of the fashion industry. This work has taken me to Bangladesh, Kenya, Macedonia, and the Topshop warehouses in Solihull. I am the author of Foot Work – What Your Shoes Are Doing To The World, an exposé of the dark origins of the shoes on our feet. My award-winning first book Stitched Up – The Anti-Capitalist Book of Fashion, is available in six languages and was selected by Emma Watson for her "Ultimate Book List".
This is an award winning book by an extraordinary social commentator who turned his anthropological eye to the Bangladeshi garment industry in the aftermath of Rana Plaza – the 2012 factory collapse that killed 1,138 people. This is painstaking and sensitive work documenting the lives of workers and the poverty and instability that drives people into garment factories. It is also a detailed explanation of how Rana Plaza was the latest in a long list of industrial homicides that stretches back to imperialism and the East India Company. It is exceptional.
Oh, Men, with Sisters dear! Oh, Men, with Mothers and Wives! It is not linen you re wearing out, But human creatures lives! Stitch stitch stitch, In poverty, hunger and dirt, Sewing at once, with a double thread, A Shroud as well as a Shirt. --from The Song of the Shirt by Thomas Hood (1843) Labour in Bangladesh flows like its rivers -- in excess of what is required. Often, both take a huge toll. Labour that costs $1.66 an hour in China and 52 cents in India can be had for a song in Bangladesh -- 18 cents. It…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I'm a journalist and author writing (mostly) about labour rights and the politics of the fashion industry. This work has taken me to Bangladesh, Kenya, Macedonia, and the Topshop warehouses in Solihull. I am the author of Foot Work – What Your Shoes Are Doing To The World, an exposé of the dark origins of the shoes on our feet. My award-winning first book Stitched Up – The Anti-Capitalist Book of Fashion, is available in six languages and was selected by Emma Watson for her "Ultimate Book List".
This is such an inspirational book from the heart of the anti-globalisation movement in 2001. It documents the lives of immigrant women working in underground sweatshops not just in the USA but right across the world. It resolutely stands as a monument against the ‘down trodden’ woman stereotype and welcomes you into an often ignored world where workers are fighting back against some of the biggest corporations on the planet.
In this up-close and personal look at the heroines who make family, community, and society tick, Miriam Ching Yoon Louie showcases immigrant women workers speaking out for themselves, in their own words. While public outrage over sweatshops builds in intensity, this book shows us who these workers really are and how they are leading campaigns to fight for their rights.
In-depth, accessible analyses of the immigration, labor, and trade policies, which together have forced these women into the most dangerous, poorly paid jobs, dovetail with vivid portraits of the women themselves. Louie, a longtime writer/activist and well-known figure in feminist,…
I'm a journalist and author writing (mostly) about labour rights and the politics of the fashion industry. This work has taken me to Bangladesh, Kenya, Macedonia, and the Topshop warehouses in Solihull. I am the author of Foot Work – What Your Shoes Are Doing To The World, an exposé of the dark origins of the shoes on our feet. My award-winning first book Stitched Up – The Anti-Capitalist Book of Fashion, is available in six languages and was selected by Emma Watson for her "Ultimate Book List".
This is an anthology of work about the Bangladeshi garment industry in the months and years following the Rana Plaza factory collapse that killed 1,138 people. It is rigorous academic work that doesn’t shy away from asking hard questions, and which seeks to tackle the gigantic problem of how to end exploitation in the garment industry.
This book argues that larger flaws in the global supply chain must first be addressed to change the way business is conducted to prevent factory owners from taking deadly risks to meet clients' demands in the garment industry in Bangladesh.
Using the 2013 Rana Plaza disaster as a departure point, and to prevent such tragedies from occurring in the future, this book presents an interdisciplinary analysis to address the disaster which resulted in a radical change in the functioning of the garment industry. The chapters present innovative ways of thinking about solutions that go beyond third-party monitoring. They open up…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I'm a journalist and author writing (mostly) about labour rights and the politics of the fashion industry. This work has taken me to Bangladesh, Kenya, Macedonia, and the Topshop warehouses in Solihull. I am the author of Foot Work – What Your Shoes Are Doing To The World, an exposé of the dark origins of the shoes on our feet. My award-winning first book Stitched Up – The Anti-Capitalist Book of Fashion, is available in six languages and was selected by Emma Watson for her "Ultimate Book List".
This book is an excellent chance to hear straight from the people on the sharp end of the fashion industry. From India to Cambodia, it is full of detailed interviews with garment workers and workers’ rights advocates. As well as taking you behind the scenes of the fashion industry, it also serves as a best practise guide – from a real industry expert – for how fashion could one day be made fair and sustainable.
“Slave to Fashion offers hope of a fairer, more ethical world and gives the reader plenty of tools to navigate a challenging fashion system.”―Livia Firth
There are over 35 million people trapped in modern slavery today―the largest number of slaves in modern history. This is fueled by the global demand for cheap labor―which is what makes the fast fashion industry work.
Slave to Fashion is a highly accessible book which uses brilliant design, personal stories, and easy-to-grasp infographics to raise awareness among common brand consumers.
Fair trade and sustainable fashion expert Safia Minney draws on her extensive knowledge and personal…
I published the novel Ehrenfried & Cohn in 2016 about the decimation of the Jewish fashion industry in Berlin by the Nazis. I studied at the University of Arts in Berlin and became a fashion reporter for newspapers. Later I worked as a producer and journalist for German Public Broadcasting, the BBC in London, and PBS and CBS in New York City. I currently share my time between London and Berlin writing fact books on Jewish fashion and as a lecturer on fashion history in the US.
Fashion is, without any question, a matter of one's own taste. Or so one would think. But no other successful fashion designer has ever analysed and observed the New York fashion world of the 1950s to mid-60s as mercilessly and literarily as John Weitz did in his novel published in 1970. With his clearly English-influenced men’s designs he kept his distance from New York’s high society. Perhaps this was due to his unusual life path.
John Weitz, born to a famous Berlin Jewish family. To guarantee his education, in 1936 his parents send him to London. After his A-levels, John and a short apprenticeship emigrated to the US and worked after 1944 for the OSS (now the CIA) during the Second World War as an under-cover agent in German-occupied France and witnessed the liberation of the Nazi concentration camp Dachau.
Weitz's reputation as a men's fashion designer had the name…
Here is the world of haute couture, racing cars, Seventh Avenue, Palm Beach, Sebring, New York, where the Beautiful People - and their vultures and hangers-on - pretend to live. It is a world where young Philip Ross, through a sexual arrangement that provides him with his first break, crawls onto the lowest rung of the fashion ladder and begins the great climb, over backs and bodies, from couturier's assistant to nationwide fame as an avant-garde American designer.
As a professional organizer since 1999, I’ve realized that the problem isn’t so much that we are disorganized, but that we are out-matched. We have too much stuff, it is too cheap and we are too busy and we can’t keep up. If you really want to stay organized, you have to examine your relationship to stuff. Why we want what we want and buy what we buy. Less but better!
This tiny
gem of a book was born when Lazarovic decided to go on a shopping diet and
paint the things she coveted instead of buying them. In the first half of her
wonderfully illustrated and hand-lettered book, she explains her evolution from
“I want it” child, to mall-rat teen to coming of age in the age of fast fashion. She chronicles her clothes, her awakening to the downsides of
late-stage capitalism, and ends with several wise tips to help slow our
consumption. A dynamo of a political pill wrapped in utterly playful confection
of art and humor. One thing I do not regret buying is this book!
Like most people, Sarah Lazarovic covets beautiful things. But rather than giving in to her impulse to spend and acquire, Sarah spent a year painting the objects she wanted to buy instead. Based on a visual essay that was first published on The Hairpin, A Bunch of Pretty Things I Did Not Buy is a beautiful and witty take on the growing 'slow shopping' movement. Sarah is a well-known blogger and illustrator, and she writes brilliantly without preaching or guilt-tripping. Whether she's trying to justify the purchase of yet another particleboard IKEA home furnishing, debating the pros and cons of…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
For as long as I can remember I have been absolutely gripped by the stories that old clothes can tell. From visiting fashion museums as a child to collecting books on the subject, I was drawn to the shapes, the fabrics, and the tales. I can remember a curator once telling me that clothes are the closest we can get to people in the past. They are the ghostly outlines of our ancestors and that has stayed with me. We give so much away about ourselves through the clothes we choose to wear and so they really do matter.
I do love a novel with history and objects at the core and The Corset adds an extra layer of spine tingling to the mix as well.
Ruth is a poorly paid seamstress, awaiting trial for murder. She is visited by the well-to-do Dorothea who wants to hear her story. The object, the corset, lies at the heart of Ruth’s tale and every stitch that she made in the creation of high-end pieces for her mistress begins to carry a greater significance.
In a world of fast fashion I have become increasingly fascinated by the handmade, the art of the needle, and the skill of the maker and here it has a slightly sinister facet to it.
'Laura is a masterful writer, her deliciously gothic stories so skilfully woven that you can't get them out of your head even if you wanted to' Stacey Halls, author of The Familiars
'The Corset is a contender for my Book of the Year. Beautifully written, intricately plotted, a masterpiece' Sarah Hilary
Is prisoner Ruth Butterham mad or a murderer? Victim or villain?
Dorothea Truelove is young, wealthy and beautiful. Ruth Butterham is young, poor and awaiting trial for murder.
When Dorothea's charitable work leads her to Oakgate Prison, she finds herself drawn to Ruth, a teenage seamstress - and self-confessed…
Clothing is one of the most important aspects of our humanity, of the things which make us who we are. We use fashion to identify allies and enemies. To express our interests, politics, and belief systems. To make a statement about who we are to the outside world. To show our identity or ethnicity. Or to indicate our affiliation with certain groups. Fashion is everywhere, but compared to other disciplines, is very rarely talked about. Though I'm a lingerie expert, fashion in its totality interests me. I’m excited every time I learn something new, not just because I enjoy pretty garments, but because I also learn something about the nature of who we are.
Of course, I can’t put together a list of fashion books without dedicating one of them to lingerie. Underwear: Fashion in Detail was one of the first lingerie-focused books I purchased (the other was Valerie Steel’s The Corset, unfortunately no longer in print). Full of amazing photos and equally amazing diagrams, if you want to learn about lingerie specifically, this is where to start.
From camisoles to corsets, basques to boudoir caps and girdles to garters, Underwear: Fashion in Detail gets up close to some of the most intimate items in the V&A. The book traces the evolution of underwear, from rare examples dating from the sixteenth century and the exaggerated shapes of eighteenth-century courtly undergarments, to Dior's curvaceous 'New Look' girdles to contemporary lingerie by Agent Provocateur and Rigby and Peller. Meticulous colour photography shows these fascinating garments in close detail, while intricate line drawings reveal their construction. The book also highlights the work of designers such as Vionnet and Westwood, who have…
As a professional organizer since 1999, I’ve realized that the problem isn’t so much that we are disorganized, but that we are out-matched. We have too much stuff, it is too cheap and we are too busy and we can’t keep up. If you really want to stay organized, you have to examine your relationship to stuff. Why we want what we want and buy what we buy. Less but better!
Przybryszewski,
a history professor at Notre Dame, had me from the start where she says she’s
probably the only person to have spoken to the Supreme court wearing a ’suit
that won a blue ribbon at a country fair.” Taking American fashion back to the
Home Economics taught at Land Grant Universities and subsequently, at high schools, Przybryszewski argues that knowing how to sew was not just a
practical skill, but also made us better consumers.
Making our own clothes
might have seemed like drudgery, but it was empowering and now that most of us
don’t have those skills, we’re literally slaves to fashion… we can’t tell
high-quality from low quality, we can’t put in pockets when we need them… and
nothing, nothing is ever our exact size. This is a book that will make you want
to learn to make your own clothes… or at least cast a far…
As a glance down any street in America quickly reveals, American women have forgotten how to dress. We chase fads, choose inappropriate materials and unattractive cuts, and waste energy tottering in heels when we could be moving gracefully. Quite simply, we lack the fashion know-how we need to dress professionally and flatteringly.As historian and expert dressmaker Linda Przybyszewski reveals in The Lost Art of Dress , it wasn't always like this. In the first half of the twentieth century, a remarkable group of women,the so-called Dress Doctors,taught American women how to stretch each yard of fabric and dress well on…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Since I retired from lecturing in Classical Studies I’ve been writing more pieces on women in the ancient world, and also some plays. One of them, 189 Pieces, is about the Portland Vase, a beautiful example of Roman glass whose label in the British Museum tells us that it was owned by the Duke of Portland. This is true—he’d inherited it—but it was bought at great expense by his grandmother, the wonderful Duchessof Portland. Giving women their place in history has been my aim in much of my work. Nowadays I’m obsessed with female footwear, and Cinderella, Goody Two-Shoes, and Carrie Bradshaw take up a lot of my time.
"The statements we make just by getting dressed in the morning." This book about fashion and dress codes, and how they interconnect with gender, sexuality, and class, is lively and thought-provoking. My own study of the women who appear in Greek vase paintings led me to look more closely at women’s relationship with their clothing. In particular their handling of shoes became a source of fascination, and in my current research I’m focussing on narratives around female footwear. In the book, Brydon’s chapter "Sensible Shoes" has been an inspiration. Stilettos, for example, are seen as being entirely ambiguous in their significance, items which can both empower and disable the wearer. Like the knife they are named after, they are double-edged.
Clothing the body is one of the most complicated acts of daily existence. When a nun ponders red shoes, an architect knots his bowtie, a lesbian laces her Doc Marten's, or a nude model disrobes, each is engaging in a process of identity-making that is both intensely personal and deeply social. In an increasingly material world, negotiating dress codes is a nuanced art, informed by shifting patterns of power and authority, play and performance, as well as gender, sexuality, class, ethnicity and race. Drawing on ethnographic knowledge to connect theory and practice, authors reveal links between material culture, social and…
