Books like Farmer Joe's Hot Day — picked by fans

I’m a New Englander by birth, a Canadian by circumstance, and a Nova Scotian by choice. For as long as I can remember, I’ve told stories, first to my little sister—a captive audience—then to my children, then at my book readings, and now on my podcast, Kate and Friends, which I’m lucky enough to record with two professional musicians. For me, the ultimate test of a story is whether it can be told without visual aids. While I love picture books, and the way an artist can deepen a child’s experience of a story, I gravitate to satisfying, stand-alone tales with a good twist. They’re difficult to write, easy to remember, and great fun to tell! 

Picture books are so important. They’re for everyone, not just young children, and often the readers are adult. Writing one is similar to writing a poem while watching the story in my imagination like a film. Usually I know the illustrator and can write to their strengths. Sophy Williams has drawn The Winter Dragon as an awesome creature who's also kind and protective. When I was seven, my teacher sent my stories to Enid Blyton who replied I must not be spoiled (shame!) and wouldn’t write once I was an adult. After making Dragons with children, I watched them bring their creature alive in their play. The Winter Dragon enlarges Rory’s imaginative world.

I’m a New Englander by birth, a Canadian by circumstance, and a Nova Scotian by choice. For as long as I can remember, I’ve told stories, first to my little sister—a captive audience—then to my children, then at my book readings, and now on my podcast, Kate and Friends, which I’m lucky enough to record with two professional musicians. For me, the ultimate test of a story is whether it can be told without visual aids. While I love picture books, and the way an artist can deepen a child’s experience of a story, I gravitate to satisfying, stand-alone tales with a good twist. They’re difficult to write, easy to remember, and great fun to tell! 

I’m a New Englander by birth, a Canadian by circumstance, and a Nova Scotian by choice. For as long as I can remember, I’ve told stories, first to my little sister—a captive audience—then to my children, then at my book readings, and now on my podcast, Kate and Friends, which I’m lucky enough to record with two professional musicians. For me, the ultimate test of a story is whether it can be told without visual aids. While I love picture books, and the way an artist can deepen a child’s experience of a story, I gravitate to satisfying, stand-alone tales with a good twist. They’re difficult to write, easy to remember, and great fun to tell! 

I’m a professional keynote speaker and author that has studied the pillars of high performance for most of my life. This journey started through basketball, as I was able to work with, work alongside, and observe many of the game’s top players and coaches and witness firsthand the disciplines, rituals, and routines they modeled in pursuit of optimal performance on and off the court. That transitioned into the business world where I not only watched these foundational principles be applied by executives and entrepreneurs… but I applied them to my own life and business as well. 

With my debut comedic travel memoir having come out in April, I read every humorous travel book I could get my hands on both as part of my education for inspiration on how to write my book and before I even knew I was going to write a book because I simply love reading these types of stories. From my own experience, travel has made me grow so much as a person, and all of these authors beautifully capture their own journeys and how travel helped them find their way.

I’ve always been interested in what drives people, their passions, and whether or not they’ve gone after them. I love it when something inspires them to emerge from a dormant state and give it their all. Show me a person who graduates from college at 85 or skydives at 99. Those people are inspiring! People go through the most incredible situations and use them as fuel for their lives. I funneled all of this into my latest novel. It’s a universal story that’s singular only to the person going through it. We can all take something positive away from this type of story.

I'm a mother, and at one time, I was a single mother going through a very bitter divorce. I know what it's like to panic that your child will be in an accident, or that the other parent will kidnap the child (even if observers would say I'm overreacting). Looking back, my experience as a mother has permeated both my fiction and nonfiction writing in unplanned ways. Why does my second novel start with a mother kidnapping her own daughter? Why does the subtitle of my fourth nonfiction book cite "Parenting and Other Daily Dilemmas in an Age of Political Activism"? 

I live in England but grew up in Canada, where my Grade 5 Social Studies teacher filled my head with stories of people and places, including the Vikings. In the early 1960s, I learned about the excavations at L’Anse aux Meadows in Newfoundland featured in Canadian newspapers. My first job was in Denmark, and I subsequently travelled in the Nordic homelands and settlement areas, including the Faeroes, Iceland, and Greenland, visiting museums and archaeological sites at every opportunity. Norse America is my 26th book, but it is both the one with the deepest roots in my own past and the one most engaged with contemporary concerns about race.

I’m the author of 26 twisty psychological thrillers, many of which are Amazon bestsellers. I’ve sold over three-quarters of a million books and particularly enjoy writing about dysfunctional families and unpleasant neighbours! Several of my novels touch upon this theme: The Visitors, The New Neighbour, and Violets Are Blue, to name just three. And yes, I have drawn upon some difficult experiences I’ve had with neighbours... I’m a full-time author and I’m also an avid reader of thrillers and enjoy nothing more than reading a book with an ending that makes me gasp!