Here are 100 books that Fallen fans have personally recommended if you like
Fallen.
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I am a writer based in Ireland. When I was fifteen, I read about the Battle of Verdun, and the horror and ineptitude of it led me into an obsession with World War I. Visiting the Imperial War Museum, I learned about the white feather of cowardice, bestowed by girls upon men out of uniform. Such a transformation of a symbol of peace to an instrument of stigma and shame made me think of Irish society as well as British. When White Feathers was published, its refusal to follow a sentimental “Tommy in the trenches” line angered some revisionist critics. But in the end, it is a passionate and intense love story with resistance.
Anyush’s eponymous heroine is a young Armenian girl whose life is turned upside-down by the genocide carried out by the Ottomans under the Young Turks during fighting in World War One. I was only vaguely aware of the genocide before picking up the novel and it combines a beautiful love story between Anyush and Turkish captain Jahan with a vivid account of the horrors people faced. Beautifully researched and written by Martine Madden, it’s a book that both enthralled and humbled me.
On the Black Sea coast, Anyush Charcoudian dances at her friend's wedding, dreaming of a life beyond her small Armenian village. Defying tradition, she embarks on a secret and dangerous affair with a Turkish officer, Captain Jahan Orfalea. As the First World War rages, the Armenian people are branded enemies of the state, and atrocities grow day by day. Torn apart and catapulted into a struggle to survive in the face of persecution and hatred, the lovers strive desperately to be reunited.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am a romantic who believes in love and loves poetry, yet is also fascinated by WWI. I remember watching the movie All Quiet on the Western Front on television with my grandmother on a Saturday afternoon and being completely mesmerized. Over the years since then, I’ve even traveled to Sarajevo, where the assassination of Archduke Ferdinand set the war in motion, and to Gallipoli in Turkey, where a disastrous trench battle took place for almost a year. When I read about WWI Trench Art–art made by the soldiers awaiting battle in the trenches–my fiction writer's imagination was struck by the idea for my book below.
I love all things Irish. I would venture a guess that more than half of what I read is by Irish writers. Every year, my family visits Ireland–from Dublin to Dingle to Donegal. I am intensely interested in Irish history as well as literature.
This book checks off all these boxes for me. Young Willie Dunn leaves his family and the girl he loves to fight in WWI in 1914. On the Western front, it’s the letters from home and the other Irish soldiers who keep him going through the horrors of battle. Willie is able to return home, only to find Ireland itself on the brink of a civil war.
I give this book to anyone I know who, like me, is charmed by the magic of Ireland, to history buffs and lovers of Irish literature, and to those who seek love stories that happen in WWI. I cried…
Praised as a "master storyteller" (The Wall Street Journal) and hailed for his "flawless use of language" (Boston Herald), Irish author and playwright Sebastian Barry has created a powerful new novel about divided loyalties and the realities of war.
Sebastian Barry's latest novel, Days Without End, is now available.
In 1914, Willie Dunne, barely eighteen years old, leaves behind Dublin, his family, and the girl he plans to marry in order to enlist in the Allied forces and face the Germans on the Western Front. Once there, he encounters a horror of violence and gore he could not have imagined…
I am a writer based in Ireland. When I was fifteen, I read about the Battle of Verdun, and the horror and ineptitude of it led me into an obsession with World War I. Visiting the Imperial War Museum, I learned about the white feather of cowardice, bestowed by girls upon men out of uniform. Such a transformation of a symbol of peace to an instrument of stigma and shame made me think of Irish society as well as British. When White Feathers was published, its refusal to follow a sentimental “Tommy in the trenches” line angered some revisionist critics. But in the end, it is a passionate and intense love story with resistance.
Again set in the Middle East, this novel about Ahmad and Carwyn, Arab and Welsh, who are both drawn into the war on its Eastern Front, is an absorbing story from a part of the world that has been neglected in World War I fiction. The two men are both betrayed by the English in different ways, and Izzidien’s Iraqi-Welsh heritage allows her to draw a compassionate picture of both protagonists. It also shows how the rapacious European colonialist mentality that underpinned the entire war created the conditions for terrorism and strife in the region today.
It is the winter of 1915 and Iraq has been engulfed by the First World War. Hungry for independence from Ottoman rule, Ahmad leaves his peaceful family life on the banks of the Tigris to join the British-led revolt. Thousands of miles away, Welsh teenager Carwyn reluctantly enlists and is sent, via Gallipoli and Egypt, to the Mesopotamia campaign.
Carwyn’s and Ahmad’s paths cross, and their fates are bound together. Both are forever changed, not only by their experience of war, but also by the parallel discrimination and betrayal they face.
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
I am a writer based in Ireland. When I was fifteen, I read about the Battle of Verdun, and the horror and ineptitude of it led me into an obsession with World War I. Visiting the Imperial War Museum, I learned about the white feather of cowardice, bestowed by girls upon men out of uniform. Such a transformation of a symbol of peace to an instrument of stigma and shame made me think of Irish society as well as British. When White Feathers was published, its refusal to follow a sentimental “Tommy in the trenches” line angered some revisionist critics. But in the end, it is a passionate and intense love story with resistance.
Hochschild’s moving, powerful account of the build-up to World War One is not a dry historical treatise, but an interweaving of individual stories such as those of Sylvia Pankhurst, Keir Hardie, Emily Hobhouse, and Bertrand Russell. These counter-cultural stories of pacifists, objectors, and philosophers inspired and informed the plot of White Feathers, particularly the divisions among the suffragettes and the toxic consequences of the Boer Wars, which Emily Hobhouse bravely reported on and smuggled out post in the face of extreme censorship. An absolute page-turner and highly informative.
In this brilliant new work of history, Adam Hochschild follows a group of characters connected by blood ties, close friendships or personal enmities and shows how the war exposed the divisions between them. They include the brother and sister whose views on the war could not have been more diametrically opposed - he a career soldier, she a committed pacifist; the politician whose job was to send young men who refused conscription to prison, yet whose godson was one of those young men and the suffragette sisters, one of whom passionately supported the war and one of whom was equally…
My literary interest began in childhood when my love for rhyme encouraged me to write limericks and poems. In 2009, my first novel, An Ordinary Life was published, which I considered to be a therapeutic exercise to see where it would lead, and here I am, much wiser, but still learning. Becoming an author has greatly enhanced my appreciation of the written word and how powerful it can be, hence, my book choices – a personal literary journey.
Reading Fay Weldon for the first time played on my imagination with her unconventional style and interpretation.
I was always a daydreamer at school and remember being able to relate to the innocence of the main character. She led you on a journey where you didn’t quite know what to believe and for this reason, I fell in love with her work.
A novel of urban deceit and rural passion, of doctors, witches, birth and death.
'Many people dream of country cottages. Liffey dreamed for many years, and saw her dream come true one hot Sunday afternoon, in Somerset, in September... A trap closed around her. The getting of the country cottage, not the wanting - that was the trap.'
Richard and Liffey, a young married couple, follow their dream of moving out of London to a country cottage in the middle of Somerset. Richard continues to live and work in London, coming to stay with Liffey only on weekends.
I’m a fantasy author and mythologist who studies myth’s place in culture, history, and heritage conservation. To finish my doctorate, I moved from Seattle to Galway, Ireland and never left. Myth and folklore permeate the landscape around me as well as my day-to-day life. After grad school I returned to my first love, fiction, with all the knowledge and passion that came from the better part of a decade spent studying mythology. When I’m not writing, I spend my time exploring 5000-year-old tombs or practicing Fiore (14th century Italian sword fighting) with my husband. The Serpent and the Swan is the debut fairy tale in a much larger series.
This book is one of the best at capturing the impact of myth on history, culture, and politics. Thompson starts long before the Easter 1916 Rising, the book’s central event, and examines how Celticity became a focal point of reclaiming an Irish identity separate from the British. Just as Jack Zipes’ Grimm Legacies demonstrates how the collection of folklore developed a unified German cultural identity, Thompson illustrates how collecting (and in many cases updating) the myths of the land gave Ireland not only a new identity but also a new history. The heroes of those mythic stories would be used for the next three centuries as allegories for both Ireland and the Irish in art, literature, theatre, and political rhetoric. It is the blueprint of all my worldbuilding.
We know from our literary histories that there was a movement called the Irish Literary Renaissance, and that Yeats was at its head. We know from our political histories that there is now a Republic of Ireland because of a nationalistic movement that, militarily, began with the insurrection of Easter Week, 1916. But what do these two movements have to do with one another?… Because I came to history with literary eyes, I could not help seeing history in terms and shapes of imaginative experience. Thus Movement, Myth, and Image came to be the way in which the nature of…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
Over the course of my so-called career as a travel writer, the ‘I’ve-Got-A Big-One’ school favoured by the male of the species has ceded ground. Women, less interested in ‘conquering,’ have pioneered a kind of creative non-fiction that suits the travel genre. I prefer it to the blokeish business of seeing how dead you can get. It notices more. As the decades unfurled – Pole to Pole, via Poland – I realised, more and more, the debt I owe to the other women who not only set sail but also unsparingly observed the world that turns within each self.
I picked this because it showed me – and still does – that the most foreign journey is within, and that when the body stops travelling, the spirit takes over the trek.
Brennan is a fabulous writer – at her best, among the best – and in her head (she wore a beehive that according to a colleague at The New Yorkerwas taller than she was) she is travelling all the time.
I’m originally from New York but have lived in Portugal for the last 33 years. I write my novels in English and my children’s books in Portuguese. As anyone who reads my latest novel will discover, I have been greatly influenced the mythology and mystical traditions of various religions, especially Judaism (kabbalah). Happily, I discovered early on that I adore writing about people who have been systematically persecuted and silenced. It gives me a great sense of accomplishment to explore taboo subjects and topics that others would prefer to forget or conceal. When I’m not working on a book, I like to garden and travel.
World War I caused 20 million deaths and left 21 million wounded.
Soldiers who survived the gas attacks and trench warfare often returned to societies eager to forget the atrocities of the conflict and move on. Remarque’s insightfully written novel details the struggles of three German soldiers who return home only to discover that they may have no place in a nation that has learned almost nothing from what they regard as a senseless and immoral war.
In May of 1933, this novel and the rest of Remarque's writing were declared “unpatriotic” by the Nazi dictatorship and all his novels were banned.
After surviving several horrifying years in the inferno of the Western Front, a young German soldier and his cohorts return home at the end of WW1. Their road back to life in civilian world is made arduous by their bitterness about what they find in post-war society. A captivating story, one of Remarque's best.
Who doesn’t love fairies and their tales? As a kid, I devoured every collection I could find in the library. It was only when I learned Irish at university, though, that I stumbled into the síd–the ancient Irish Otherworld of medieval literature—and discovered the race of ever-living, perfectly beautiful creatures who dwell there. These Irish stories inspired some of the earliest fairy romances of France and England, but they are sexier, funnier, and bloodier than better-known tales. Never mind the winged warriors of YA fiction or the twee Tinkerbells of Fairy Core—these five books led me into the hollow hills of the original fairies.
There are more accurate translations and better selections, but I love this collection for two reasons. First, Stephens was a Dublin-born, Irish-speaking novelist, poet, and eyewitness to the Easter Rising of 1916. His stories of ancient heroes and Otherworldly folk salute a proudly Celtic past. Stephens was part of the nationalist literary revival that harnessed Irish myths to an independent future. A friend to politicians and intellectuals, he claimed (untruthfully) to have the same birthday as his friend James Joyce. Stephens cleaned up the old stories for tender ears, but his early 20th-century language casts an antiquarian sheen on his fairytales.
So do the enchanting illustrations by Arthur Rackham, one of the most skillful depicters of fairies (second only to Harry Clarke)—my second reason for loving this book.
James Stephens' collection of Irish Fairy Tales is presented in this beautiful volume alongside gorgeous illustrations by Arthur Rackham.
James Stephens was an Irish novelist and poet, and his retellings of Irish myths and fairy tales combine humour and lyricism, making them light and fun reads. This edition of Irish Fairy Tales features a series of dazzling colour and black-and-white illustrations from the masterful Golden Age artist Arthur Rackham.
Tales featured in this volume include:
The Story of Tuan Mac Cairill The Boyhood of Fionn The Birth of Bran The Wooing of Becfola Oisin's Mother The Little Brawl at Allen…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m an experienced historian, biographer, and storyteller. I’ve written widely about Australian politics, social history, sport, and World War I. My biography of Australia’s most famous fighting general, Pompey Elliott, won multiple national awards, and I assembled his extraordinary letters and diaries in a separate book, Pompey Elliott at War: In His Own Words. Another biography, Will Dyson: Australia’s Radical Genius, about a remarkably versatile artist–writer who was Australia’s first official war artist, was shortlisted for the National Biography Award. My multi-biography Farewell, Dear People: Biographies of Australia’s Lost Generation won the Prime Minister’s Prize for Australian History, and I’ve written a sequel, Life So Full of Promise.
My choice here could have been Douglas Newton’s superb Hell-Bent
about Australia’s entry into the conflict, or various other fine books by renowned historians, but I can’t go past this one by an expert on Australia in WWI.
Peter Pedersen’s PhD on Monash as a commander became a fine book; his authoritative survey of the AIF during the war entitled The Anzacs: Gallipoli to the Western Front is another work of high quality; and he has also produced several studies of notable AIF battles. But my recommendation is a different publication — his extraordinary Western Front guidebook. Stay with me while I explain why.
Anzacs on the Western Front is lavishly illustrated with maps and photographs, and informed by his comprehensive detailed familiarity with what Australians did. It’s crucial for anyone visiting France and Belgium with the aim of pursuing particular engagements great or small, both to plan your…
A newly updated, lavishly illustrated account of the ANZACs involvement in the Western Front—complete with walking and driving tours of 28 battlefields.
With rare photographs and documents from the Australian War Memorial archive and extensive travel information, this is the most comprehensive guide to the battlefields of the Western Front on the market. Every chapter covers not just the battles, but the often larger-than-life personalities who took part in them. Following a chronological order from 1916 through 1918, the book leads readers through every major engagement the Australian and New Zealanders fought in and includes tactical considerations and extracts from…