Here are 100 books that Fallen fans have personally recommended if you like
Fallen.
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I am a writer based in Ireland. When I was fifteen, I read about the Battle of Verdun, and the horror and ineptitude of it led me into an obsession with World War I. Visiting the Imperial War Museum, I learned about the white feather of cowardice, bestowed by girls upon men out of uniform. Such a transformation of a symbol of peace to an instrument of stigma and shame made me think of Irish society as well as British. When White Feathers was published, its refusal to follow a sentimental “Tommy in the trenches” line angered some revisionist critics. But in the end, it is a passionate and intense love story with resistance.
Anyush’s eponymous heroine is a young Armenian girl whose life is turned upside-down by the genocide carried out by the Ottomans under the Young Turks during fighting in World War One. I was only vaguely aware of the genocide before picking up the novel and it combines a beautiful love story between Anyush and Turkish captain Jahan with a vivid account of the horrors people faced. Beautifully researched and written by Martine Madden, it’s a book that both enthralled and humbled me.
On the Black Sea coast, Anyush Charcoudian dances at her friend's wedding, dreaming of a life beyond her small Armenian village. Defying tradition, she embarks on a secret and dangerous affair with a Turkish officer, Captain Jahan Orfalea. As the First World War rages, the Armenian people are branded enemies of the state, and atrocities grow day by day. Torn apart and catapulted into a struggle to survive in the face of persecution and hatred, the lovers strive desperately to be reunited.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am a romantic who believes in love and loves poetry, yet is also fascinated by WWI. I remember watching the movie All Quiet on the Western Front on television with my grandmother on a Saturday afternoon and being completely mesmerized. Over the years since then, I’ve even traveled to Sarajevo, where the assassination of Archduke Ferdinand set the war in motion, and to Gallipoli in Turkey, where a disastrous trench battle took place for almost a year. When I read about WWI Trench Art–art made by the soldiers awaiting battle in the trenches–my fiction writer's imagination was struck by the idea for my book below.
I love all things Irish. I would venture a guess that more than half of what I read is by Irish writers. Every year, my family visits Ireland–from Dublin to Dingle to Donegal. I am intensely interested in Irish history as well as literature.
This book checks off all these boxes for me. Young Willie Dunn leaves his family and the girl he loves to fight in WWI in 1914. On the Western front, it’s the letters from home and the other Irish soldiers who keep him going through the horrors of battle. Willie is able to return home, only to find Ireland itself on the brink of a civil war.
I give this book to anyone I know who, like me, is charmed by the magic of Ireland, to history buffs and lovers of Irish literature, and to those who seek love stories that happen in WWI. I cried…
Praised as a "master storyteller" (The Wall Street Journal) and hailed for his "flawless use of language" (Boston Herald), Irish author and playwright Sebastian Barry has created a powerful new novel about divided loyalties and the realities of war.
Sebastian Barry's latest novel, Days Without End, is now available.
In 1914, Willie Dunne, barely eighteen years old, leaves behind Dublin, his family, and the girl he plans to marry in order to enlist in the Allied forces and face the Germans on the Western Front. Once there, he encounters a horror of violence and gore he could not have imagined…
I am a writer based in Ireland. When I was fifteen, I read about the Battle of Verdun, and the horror and ineptitude of it led me into an obsession with World War I. Visiting the Imperial War Museum, I learned about the white feather of cowardice, bestowed by girls upon men out of uniform. Such a transformation of a symbol of peace to an instrument of stigma and shame made me think of Irish society as well as British. When White Feathers was published, its refusal to follow a sentimental “Tommy in the trenches” line angered some revisionist critics. But in the end, it is a passionate and intense love story with resistance.
Again set in the Middle East, this novel about Ahmad and Carwyn, Arab and Welsh, who are both drawn into the war on its Eastern Front, is an absorbing story from a part of the world that has been neglected in World War I fiction. The two men are both betrayed by the English in different ways, and Izzidien’s Iraqi-Welsh heritage allows her to draw a compassionate picture of both protagonists. It also shows how the rapacious European colonialist mentality that underpinned the entire war created the conditions for terrorism and strife in the region today.
It is the winter of 1915 and Iraq has been engulfed by the First World War. Hungry for independence from Ottoman rule, Ahmad leaves his peaceful family life on the banks of the Tigris to join the British-led revolt. Thousands of miles away, Welsh teenager Carwyn reluctantly enlists and is sent, via Gallipoli and Egypt, to the Mesopotamia campaign.
Carwyn’s and Ahmad’s paths cross, and their fates are bound together. Both are forever changed, not only by their experience of war, but also by the parallel discrimination and betrayal they face.
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I am a writer based in Ireland. When I was fifteen, I read about the Battle of Verdun, and the horror and ineptitude of it led me into an obsession with World War I. Visiting the Imperial War Museum, I learned about the white feather of cowardice, bestowed by girls upon men out of uniform. Such a transformation of a symbol of peace to an instrument of stigma and shame made me think of Irish society as well as British. When White Feathers was published, its refusal to follow a sentimental “Tommy in the trenches” line angered some revisionist critics. But in the end, it is a passionate and intense love story with resistance.
Hochschild’s moving, powerful account of the build-up to World War One is not a dry historical treatise, but an interweaving of individual stories such as those of Sylvia Pankhurst, Keir Hardie, Emily Hobhouse, and Bertrand Russell. These counter-cultural stories of pacifists, objectors, and philosophers inspired and informed the plot of White Feathers, particularly the divisions among the suffragettes and the toxic consequences of the Boer Wars, which Emily Hobhouse bravely reported on and smuggled out post in the face of extreme censorship. An absolute page-turner and highly informative.
In this brilliant new work of history, Adam Hochschild follows a group of characters connected by blood ties, close friendships or personal enmities and shows how the war exposed the divisions between them. They include the brother and sister whose views on the war could not have been more diametrically opposed - he a career soldier, she a committed pacifist; the politician whose job was to send young men who refused conscription to prison, yet whose godson was one of those young men and the suffragette sisters, one of whom passionately supported the war and one of whom was equally…
My literary interest began in childhood when my love for rhyme encouraged me to write limericks and poems. In 2009, my first novel, An Ordinary Life was published, which I considered to be a therapeutic exercise to see where it would lead, and here I am, much wiser, but still learning. Becoming an author has greatly enhanced my appreciation of the written word and how powerful it can be, hence, my book choices – a personal literary journey.
Reading Fay Weldon for the first time played on my imagination with her unconventional style and interpretation.
I was always a daydreamer at school and remember being able to relate to the innocence of the main character. She led you on a journey where you didn’t quite know what to believe and for this reason, I fell in love with her work.
A novel of urban deceit and rural passion, of doctors, witches, birth and death.
'Many people dream of country cottages. Liffey dreamed for many years, and saw her dream come true one hot Sunday afternoon, in Somerset, in September... A trap closed around her. The getting of the country cottage, not the wanting - that was the trap.'
Richard and Liffey, a young married couple, follow their dream of moving out of London to a country cottage in the middle of Somerset. Richard continues to live and work in London, coming to stay with Liffey only on weekends.
I’m a fantasy author and mythologist who studies myth’s place in culture, history, and heritage conservation. To finish my doctorate, I moved from Seattle to Galway, Ireland and never left. Myth and folklore permeate the landscape around me as well as my day-to-day life. After grad school I returned to my first love, fiction, with all the knowledge and passion that came from the better part of a decade spent studying mythology. When I’m not writing, I spend my time exploring 5000-year-old tombs or practicing Fiore (14th century Italian sword fighting) with my husband. The Serpent and the Swan is the debut fairy tale in a much larger series.
This book is one of the best at capturing the impact of myth on history, culture, and politics. Thompson starts long before the Easter 1916 Rising, the book’s central event, and examines how Celticity became a focal point of reclaiming an Irish identity separate from the British. Just as Jack Zipes’ Grimm Legacies demonstrates how the collection of folklore developed a unified German cultural identity, Thompson illustrates how collecting (and in many cases updating) the myths of the land gave Ireland not only a new identity but also a new history. The heroes of those mythic stories would be used for the next three centuries as allegories for both Ireland and the Irish in art, literature, theatre, and political rhetoric. It is the blueprint of all my worldbuilding.
We know from our literary histories that there was a movement called the Irish Literary Renaissance, and that Yeats was at its head. We know from our political histories that there is now a Republic of Ireland because of a nationalistic movement that, militarily, began with the insurrection of Easter Week, 1916. But what do these two movements have to do with one another?… Because I came to history with literary eyes, I could not help seeing history in terms and shapes of imaginative experience. Thus Movement, Myth, and Image came to be the way in which the nature of…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
Over the course of my so-called career as a travel writer, the ‘I’ve-Got-A Big-One’ school favoured by the male of the species has ceded ground. Women, less interested in ‘conquering,’ have pioneered a kind of creative non-fiction that suits the travel genre. I prefer it to the blokeish business of seeing how dead you can get. It notices more. As the decades unfurled – Pole to Pole, via Poland – I realised, more and more, the debt I owe to the other women who not only set sail but also unsparingly observed the world that turns within each self.
I picked this because it showed me – and still does – that the most foreign journey is within, and that when the body stops travelling, the spirit takes over the trek.
Brennan is a fabulous writer – at her best, among the best – and in her head (she wore a beehive that according to a colleague at The New Yorkerwas taller than she was) she is travelling all the time.
I’m an experienced historian, biographer, and storyteller. I’ve written widely about Australian politics, social history, sport, and World War I. My biography of Australia’s most famous fighting general, Pompey Elliott, won multiple national awards, and I assembled his extraordinary letters and diaries in a separate book, Pompey Elliott at War: In His Own Words. Another biography, Will Dyson: Australia’s Radical Genius, about a remarkably versatile artist–writer who was Australia’s first official war artist, was shortlisted for the National Biography Award. My multi-biography Farewell, Dear People: Biographies of Australia’s Lost Generation won the Prime Minister’s Prize for Australian History, and I’ve written a sequel, Life So Full of Promise.
My choice here
could have been Douglas Newton’s superb Hell-Bent
about Australia’s entry into the conflict, or various other fine books by
renowned historians, but I can’t go past this one by an expert on Australia in
WWI.
Peter
Pedersen’s PhD on Monash as a commander became a fine book; his authoritative survey
of the AIF during the war entitled The
Anzacs: Gallipoli to the Western Front is another work of high quality; and
he has also produced several studies of notable AIF battles. But my
recommendation is a different publication — his extraordinary Western Front
guidebook. Stay with me while I explain why.
Anzacs on the Western Front is lavishly illustrated
with maps and photographs, and informed by his comprehensive detailed
familiarity with what Australians did. It’s crucial for anyone visiting France
and Belgium with the aim of pursuing particular engagements great or small,
both to plan your…
A newly updated, lavishly illustrated account of the ANZACs involvement in the Western Front—complete with walking and driving tours of 28 battlefields.
With rare photographs and documents from the Australian War Memorial archive and extensive travel information, this is the most comprehensive guide to the battlefields of the Western Front on the market. Every chapter covers not just the battles, but the often larger-than-life personalities who took part in them. Following a chronological order from 1916 through 1918, the book leads readers through every major engagement the Australian and New Zealanders fought in and includes tactical considerations and extracts from…
I discovered my passion for the First World War when researching my great-grandfather’s service history in the cavalry. I also write historical fiction with several of my books being set during the First World War and have spent thousands of hours over the past twenty years researching different aspects of this period, both from the point of view of the V.A.D.s, wounded soldiers, medical staff treating them, as well as grieving families. The stories I’ve come across never fail to haunt me and I can’t imagine I’ll ever tire of wanting to discover more about the people who survived these experiences, or stop needing to write books about them.
This is the first novel I read about grieving families who commissioned photographers to search for the place where their loved one died, in order that a photo could be taken for them to have as a keepsake.
I love learning something new when I read a book and I discovered so much about the after-effects of losing someone without having knowledge of their last moments and a place to pay one’s respects.
This is about Edie, a widow wanting answers about her husband who she believes might still be alive, despite being classed as ‘missing, presumed dead’ in 1917. She commissions her late husband’s brother to search for him and photograph his final resting place, if indeed there is one.
A wonderful, haunting story of enduring love and loss.
**Don't miss Caroline Scott's brand-new novel When I Come Home Again, a beautiful and compelling story based on true events - out now!!**
A BBC RADIO 2 BOOK CLUB PICK
'This excellent debut is a melancholic reminder of the rippling after-effects of war' The Times 'A touching novel of love and loss' Sunday Times
For fans of The Tattooist of Auschwitz and Where The Crawdads Sing comes a moving story, inspired by real events, about how hope and love will prevail against all odds.
1921 In the aftermath of war, everyone is searching for answers.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
Nick Lloyd is Professor of Modern Warfare at King's College London, based at the Defence Academy UK in Shrivenham, Wiltshire. He is the author of five books, including Passchendaele: A New History, which was a Sunday Times bestseller, and most recently, The Western Front: A History of the First World War. He lives with his family in Cheltenham.
Published almost sixty years ago, this compelling study of four senior commanders who served (mostly) on the Western Front remains as fresh as when it was first written. Barnett’s prose is exquisite, bringing us directly into the world of Helmuth von Moltke, John Jellicoe, Philippé Pétain, and Erich Ludendorff, telling us how they coped (or not) with the enormous stresses and strains they encountered as ‘supreme commanders’. It is a stunning portrait of men (and their command systems) at war.
Interprets the major events of World War I through an analysis of the actions and characters of four supreme commanders, Ludendorff, Petain, Jellicoe, and Moltke