100 Books Like The Photographer of the Lost

I first read this book about twenty years ago and still find it heartbreaking to think it was written by someone who experienced first-hand the horror of the First World War and with it so much pain and grief brought about not only from her experiences as a V.A.D. but also from her own personal losses.

It is a book that helped me understand as much as anything possibly could living in the twenty-first century, how much of a struggle it must have been for ordinary people to keep going and survive that dark time in history.

I love this book because it is a war novel without a single battlefield or battle, except the one for Siegfried Sassoon’s sanity. I became fascinated by WWI as a teenager. I can’t say why this war caught my imagination, but it did, and that fascination has continued for my whole life.

I gobbled up books, movies, and history about the war, and I especially loved the poetry of Siegfried Sassoon, a noted poet and war hero who publicly refused to continue fighting in 1917. When I re-read his poetry fifty years later, I found a kinship with that refusal and the boys around me who were conscientious objectors to the Vietnam War.

I was a dreamy, romantic teenager, which is why Sassoon’s words pierced my heart: “Soldiers are dreamers; when the guns begin they think of firelit homes, clean beds, and wives.” Oh! How I cried over his poems… show more.

A brilliant, shocking read but one I’ve read several times, and each time I read it the claustrophobic feeling of being trapped underground leaves me feeling breathless.

Although graphic in places, this is a beautifully written novel that I know I’ll return to time and again. As an author of World War One fiction, I aim to bring a sense of how it felt to be my characters and this book achieves that perfectly as far as I’m concerned.

My WW1 novel was about four friends one of whom suffers horrific facial injuries, so when a friend recommend this book I felt compelled to read it. 

During WW1 some park benches were painted blue to warn locals that the person sitting there might have distressing injuries. Set in 1920, Edward was once known as The Lucky Lieutenant before suffering a disfigurement bad enough to warrant wearing a mask to cover his injuries. He struggles to cope with the pain but travels to Margate with his closest friend, William.

Edward is a brilliant pianist and finds work at The Winter Gardens where he and William meet two women, Catherine and Evelyn. I always wonder what happened to people after the war and this book depicted that extremely well.

The most influential spy novelist of them all, John Buchan, had the Germans planning to disable the British army with anthrax germs. While an admittedly small part of all the various plots in the complex novel, Buchan’s Richard Hannay touched all the bases in the five books in which he starred. For another example, in 1924 The Three Hostages, international demigods stirred up trouble with brainwashing and hypnotism. This device was a popular weapon employed by the likes of Fu Manchu.

The late historian, Thomas Fleming, was a friend. It was an article he wrote for American Heritage magazine in 1968, “Two Argonnes,” about his father, a lieutenant in the 78th Division, that inspired me to write my first World War I book centered on my great uncle as the main character.

Thomas authored 19 books, The Illusion of Victory, is his last book, and he paints a different picture of America’s role in the war, showing how President Wilson and our country were “duped” by Great Britain and France to enter the war, thinking the war was almost won. He not only writes about the Western Front but goes into detail about the home front. After reading his book, you’ll get a different perspective on World War I.

In 2020, to honor one of our most imminent historians, Military History Quarterly magazine inaugurated the annual Thomas Fleming Award for… show more.

Parade’s End has been described by Mary Gordon as “the best fictional treatment of war in the history of the novel.” 

What made me truly connect with the story is its protagonist, Christopher Tietjens, who serves in the British Army during the “Great War.”

A member of a prominent, landowning family, Tietjens is driven by a strong sense of duty and commitment to marriage and country—whatever the cost to himself. Although he is in love with Valentine, he remains married to his promiscuous wife, Sylvia, and accepts as his son a child who may not be his.

But Tietjens’ experiences in the trenches on the Western Front eventually teach him that truth and happiness are more important than societal duties.

World War I caused 20 million deaths and left 21 million wounded.

Soldiers who survived the gas attacks and trench warfare often returned to societies eager to forget the atrocities of the conflict and move on. Remarque’s insightfully written novel details the struggles of three German soldiers who return home only to discover that they may have no place in a nation that has learned almost nothing from what they regard as a senseless and immoral war.

In May of 1933, this novel and the rest of Remarque's writing were declared “unpatriotic” by the Nazi dictatorship and all his novels were banned.

My choice here could have been Douglas Newton’s superb Hell-Bent about Australia’s entry into the conflict, or various other fine books by renowned historians, but I can’t go past this one by an expert on Australia in WWI.

Peter Pedersen’s PhD on Monash as a commander became a fine book; his authoritative survey of the AIF during the war entitled The Anzacs: Gallipoli to the Western Front is another work of high quality; and he has also produced several studies of notable AIF battles. But my recommendation is a different publication — his extraordinary Western Front guidebook. Stay with me while I explain why.

Anzacs on the Western Front is lavishly illustrated with maps and photographs, and informed by his comprehensive detailed familiarity with what Australians did. It’s crucial for anyone visiting France and Belgium with the aim of pursuing particular engagements great or small, both to plan your… show more.

Published almost sixty years ago, this compelling study of four senior commanders who served (mostly) on the Western Front remains as fresh as when it was first written. Barnett’s prose is exquisite, bringing us directly into the world of Helmuth von Moltke, John Jellicoe, Philippé Pétain, and Erich Ludendorff, telling us how they coped (or not) with the enormous stresses and strains they encountered as ‘supreme commanders’. It is a stunning portrait of men (and their command systems) at war.