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I am a romantic who believes in love and loves poetry, yet is also fascinated by WWI. I remember watching the movie All Quiet on the Western Front on television with my grandmother on a Saturday afternoon and being completely mesmerized. Over the years since then, I’ve even traveled to Sarajevo, where the assassination of Archduke Ferdinand set the war in motion, and to Gallipoli in Turkey, where a disastrous trench battle took place for almost a year. When I read about WWI Trench Art–art made by the soldiers awaiting battle in the trenches–my fiction writer's imagination was struck by the idea for my book below.
I love all things Irish. I would venture a guess that more than half of what I read is by Irish writers. Every year, my family visits Ireland–from Dublin to Dingle to Donegal. I am intensely interested in Irish history as well as literature.
This book checks off all these boxes for me. Young Willie Dunn leaves his family and the girl he loves to fight in WWI in 1914. On the Western front, it’s the letters from home and the other Irish soldiers who keep him going through the horrors of battle. Willie is able to return home, only to find Ireland itself on the brink of a civil war.
I give this book to anyone I know who, like me, is charmed by the magic of Ireland, to history buffs and lovers of Irish literature, and to those who seek love stories that happen in WWI. I cried…
Praised as a "master storyteller" (The Wall Street Journal) and hailed for his "flawless use of language" (Boston Herald), Irish author and playwright Sebastian Barry has created a powerful new novel about divided loyalties and the realities of war.
Sebastian Barry's latest novel, Days Without End, is now available.
In 1914, Willie Dunne, barely eighteen years old, leaves behind Dublin, his family, and the girl he plans to marry in order to enlist in the Allied forces and face the Germans on the Western Front. Once there, he encounters a horror of violence and gore he could not have imagined…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a writer based in Ireland. When I was fifteen, I read about the Battle of Verdun, and the horror and ineptitude of it led me into an obsession with World War I. Visiting the Imperial War Museum, I learned about the white feather of cowardice, bestowed by girls upon men out of uniform. Such a transformation of a symbol of peace to an instrument of stigma and shame made me think of Irish society as well as British. When White Feathers was published, its refusal to follow a sentimental “Tommy in the trenches” line angered some revisionist critics. But in the end, it is a passionate and intense love story with resistance.
Set in the period 1914-1916, it follows the life of Kate Crilly, a young girl whose brother Liam has just been killed in the Great War. This loss binds Kate to Liam’s comrade in arms, Hubie Wilson. Meanwhile, the tensions of the Rising are at boiling point and Dublin is turning into a battleground as Kate doubles back and across the River Liffey checking on her family, her friends and her desperately ill sister. Mills excels at describing the nature of grief and how one lives with it, rather than dwelling on the immediate impact of the loss per se. Beautiful, limpid prose and imagery, really enjoyed.
Fallen by Lia Mills - a remarkable love story amidst the ruins of the First World War and the Easter Rising SELECTED AS THE 2016 'ONE CITY ONE BOOK' TITLE FOR BOTH DUBLIN AND BELFAST
Spring, 1915. Katie Crilly gets the news she dreaded: her beloved twin brother, Liam, has been killed on the Western Front.
A year later, when her home city of Dublin is suddenly engulfed by the violence of the Easter Rising, Katie finds herself torn by conflicting emotions and loyalties. Taking refuge in the home of a friend, she meets Hubie Wilson, a friend of Liam's…
I am a writer based in Ireland. When I was fifteen, I read about the Battle of Verdun, and the horror and ineptitude of it led me into an obsession with World War I. Visiting the Imperial War Museum, I learned about the white feather of cowardice, bestowed by girls upon men out of uniform. Such a transformation of a symbol of peace to an instrument of stigma and shame made me think of Irish society as well as British. When White Feathers was published, its refusal to follow a sentimental “Tommy in the trenches” line angered some revisionist critics. But in the end, it is a passionate and intense love story with resistance.
Again set in the Middle East, this novel about Ahmad and Carwyn, Arab and Welsh, who are both drawn into the war on its Eastern Front, is an absorbing story from a part of the world that has been neglected in World War I fiction. The two men are both betrayed by the English in different ways, and Izzidien’s Iraqi-Welsh heritage allows her to draw a compassionate picture of both protagonists. It also shows how the rapacious European colonialist mentality that underpinned the entire war created the conditions for terrorism and strife in the region today.
It is the winter of 1915 and Iraq has been engulfed by the First World War. Hungry for independence from Ottoman rule, Ahmad leaves his peaceful family life on the banks of the Tigris to join the British-led revolt. Thousands of miles away, Welsh teenager Carwyn reluctantly enlists and is sent, via Gallipoli and Egypt, to the Mesopotamia campaign.
Carwyn’s and Ahmad’s paths cross, and their fates are bound together. Both are forever changed, not only by their experience of war, but also by the parallel discrimination and betrayal they face.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am a writer based in Ireland. When I was fifteen, I read about the Battle of Verdun, and the horror and ineptitude of it led me into an obsession with World War I. Visiting the Imperial War Museum, I learned about the white feather of cowardice, bestowed by girls upon men out of uniform. Such a transformation of a symbol of peace to an instrument of stigma and shame made me think of Irish society as well as British. When White Feathers was published, its refusal to follow a sentimental “Tommy in the trenches” line angered some revisionist critics. But in the end, it is a passionate and intense love story with resistance.
Hochschild’s moving, powerful account of the build-up to World War One is not a dry historical treatise, but an interweaving of individual stories such as those of Sylvia Pankhurst, Keir Hardie, Emily Hobhouse, and Bertrand Russell. These counter-cultural stories of pacifists, objectors, and philosophers inspired and informed the plot of White Feathers, particularly the divisions among the suffragettes and the toxic consequences of the Boer Wars, which Emily Hobhouse bravely reported on and smuggled out post in the face of extreme censorship. An absolute page-turner and highly informative.
In this brilliant new work of history, Adam Hochschild follows a group of characters connected by blood ties, close friendships or personal enmities and shows how the war exposed the divisions between them. They include the brother and sister whose views on the war could not have been more diametrically opposed - he a career soldier, she a committed pacifist; the politician whose job was to send young men who refused conscription to prison, yet whose godson was one of those young men and the suffragette sisters, one of whom passionately supported the war and one of whom was equally…
I’m a professor of history at the University of Nevada, Las Vegas where I teach and write about topics ranging from feminism to World War. I became interested in the history of the Armenian Genocide because my grandmother was a survivor. Other books I’ve written include: Women Making News: Gender and Journalism in Modern Britain; Smyrna’s Ashes: Humanitarianism, Genocide and the Birth of the Middle East and The British Empire and the Armenian Genocide.
Reading this book you will come to understand the extent of the suffering brought on by World War I to Ottoman society.
I particularly like Akin’s retelling of the experience of ordinary people who lived through the ordeal. Accounts of the war by soldiers and survivors of the nearly decade-long conflict that engulfed Ottoman lands add texture and shape to the military narrative that began in 1914 and only came to an end with the signing of the Treaty of Lausanne in 1923.
The Ottoman Empire was unprepared for the massive conflict of World War I. Lacking the infrastructure and resources necessary to wage a modern war, the empire's statesmen reached beyond the battlefield to sustain their war effort. They placed unprecedented hardships onto the shoulders of the Ottoman people: mass conscription, a state-controlled economy, widespread food shortages, and ethnic cleansing. By war's end, few aspects of Ottoman daily life remained untouched.
When the War Came Home reveals the catastrophic impact of this global conflict on ordinary Ottomans. Drawing on a wide range of sources-from petitions, diaries, and newspapers to folk songs and…
Studying unexplored topics has always fascinated me as a historian. Some overlooked aspects in history might shed a new light on many things that we consider obvious. I studied the Ottoman home front during the First World War from an unusual perspective by taking up the concept of moral crisis. Until very recently, talking about the First World War in the Middle East meant talking about only the European side of the story such as the famous “Lawrence of Arabia” and/or only political events that were attached to the Anglo-British rivalry. Instead, we need a “new” history of this watershed event that takes the local aspects into consideration. After all, the Great War was the most remarkable moment in the history of the Middle East which shaped its modern dynamics.
Based on a wide array of archival sources, the book discusses the Ottoman governance of Greater Syria during the First World War. During the war, the Ottoman government-appointed Cemal Pasa, one of the chief names of the ruling Committee of Union and Progress, as the commander of the Fourth Army and the military governor of Ottoman Arab provinces to lead a campaign against in the British-held Suez Canal. However, in addition to the military aim of this appointment, there was also a political and social one that can briefly be summarized as further centralization of the state through the “iron fist” of the governor. The book presents us the power struggle in the region between the Ottoman government, Arab leaders, Zionists, and the Central Powers (the allies of the Ottoman Empire during the war) who attempted to increase their influence in the region after the British and French were declared…
During the First World War, Cemal Pasha attempted to establish direct control over Syrian and thereby reaffirm Ottoman authority there through various policies of control, including the abolishment of local intermediaries.
Elaborating on these Ottoman policies of control, this book assesses Cemal Pasha's policies towards different political groups in Syrian society, including; Arabists, Zionists, Christian clergymen and Armenian immigrants. The author then goes on to analyse Pasha's educational activities, the conscription of Syrians- both Muslim and Christian, and the reconstruction of the major Syrian cities, assessing how these policies contributed to his attempt to create ideal Ottoman citizens.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
The Mediterranean is in my family’s history. My dad was a naval officer who worked in the sea in peace and war and took us to Malta when I was nine. I was entranced by the island’s history, by an evocative sensory world of sunlight, brilliant seas, and antiquity. I’ve been travelling in this sea ever since, including a spell living in Turkey, and delved deep into its past, its empires, and its maritime activity. I’m the author of three books on the subject: Constantinople: the Last Great Siege, Empires of the Sea, and Venice: City of Fortune.
We are reminded on almost a daily basis of the plight of refugees in fragile boats that this sea can be cruel as well as kind. The present diaspora has its forerunners – in this book the great population exchange of 1923 that saw the displacement of two million people across the Mediterranean: Greeks living in the Ottoman Empire, Turks living in Greece. Bruce Clarke both explains the chain of events in the aftermath of the First World War and records the personal stories of those who were uprooted from the places they called home. They have a familiar resonance, the repeating patterns of memory and loss: ‘I remember the day they went away,’ recorded a Greek woman of her Muslim neighbours. ‘Some kissed the earth, some took bowls of soil with them. They were decent types; their menfolk used to attend our funerals, and we would exchange presents of…
In the dismantling of the Ottoman Empire following World War I, nearly two million citizens in Turkey and Greece were expelled from homelands. The Lausanne treaty resulted in the deportation of Orthodox Christians from Turkey to Greece and of Muslims from Greece to Turkey. The transfer was hailed as a solution to the problem of minorities who could not coexist. Both governments saw the exchange as a chance to create societies of a single culture. The opinions and feelings of those uprooted from their native soil were never solicited.
In an evocative book, Bruce Clark draws on new archival research…
I’m a professor of history at the University of Nevada, Las Vegas where I teach and write about topics ranging from feminism to World War. I became interested in the history of the Armenian Genocide because my grandmother was a survivor. Other books I’ve written include: Women Making News: Gender and Journalism in Modern Britain; Smyrna’s Ashes: Humanitarianism, Genocide and the Birth of the Middle East and The British Empire and the Armenian Genocide.
This magisterial and sweeping history explains why the Ottomans went to war on the side of the Central Powers and how they failed to achieve victory. It discusses the military confrontations and battlefront traumas that resulted from the decision to go to war against the Allies in 1914 in a highly readable and engaging style.
By 1914 the powers of Europe were sliding inexorably toward war, and they pulled the Middle East along with them into one of the most destructive conflicts in human history. In The Fall of the Ottomans, award-winning historian Eugene Rogan brings the First World War and its immediate aftermath in the Middle East to vivid life, uncovering the often ignored story of the region's crucial role in the conflict. Unlike the static killing fields of the Western Front, the war in the Middle East was fast-moving and unpredictable, with the Turks inflicting decisive defeats on the Entente in Gallipoli, Mesopotamia,…
My primary field in history is Spain, over which I have published six books. However, I became interested in the Middle East when the US Army deployed me to Iraq in 2004. Although I had taught the history of the region, experiencing war and reconstruction for myself, and spending time in Iraq, Kuwait, and Qatar made the Middle East come alive to me. I wrote Undoing Saddam, my war diary, during my Iraq tour.I followed up that work with a textbook on Arabia, articles on the Ottoman Empire, and plans for future projects on the region, both on its own and in relation to early modern and modern Spain.
It may seem odd to recommend a book focused on a fifteen-year period, in the midst of a region that boasts many thousands of years of history. However, the collapse of the Ottoman Empire echoed across the Middle East in ways we are just beginning to understand. Having traveled to Turkey and many nations in this region, I’ve encountered historic sites, political quandaries, border conflicts, and ethnic troubles that can only be understood with the end of the Ottomans in mind. McMeekin does an exemplary job of viewing the Ottoman ending in the context of local challenges, global warfare, rising nationalism, and economic pressures in all directions. I had many “so that’s why that is the way it is” moments, and also enjoyed the gripping read.
'An outstanding history ... one of the best writers on the First World War' Simon Sebag Montefiore
Shortlisted for the Duke of Westminster Medal for Military Literature
The Ottoman Endgame is the first, and definitive, single-volume history of the Ottoman empire's agonising war for survival. Beginning with Italy's invasion of Ottoman Tripoli in September 1911, the Empire was in a permanent state of emergency, with hardly a frontier not under direct threat. Assailed by enemies on all sides, the Empire-which had for generations been assumed to be a rotten shell-proved to be strikingly resilient, beating off major attacks at Gallipoli…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Emrah Sahin is a specialist in the history of religious interactions and international operations in Islam and Muslim-Christian relations. He received a Ph.D. from McGill University, a Social Science and Humanities Research Award from Canada, the Sabancı International Research Award from Turkey, and the Teacher of the Year Award from the University of Florida. He is currently with the University of Florida as a board member in Global Islamic Studies, an affiliate in History, a lecturer in European Studies, a college-wide advisor, and the coordinator of the federal Global Officer program.
Kafadar’s classic is a compelling prose unraveling the sources and fundamentals of the Ottoman state. It helps navigate the state’s existentialist search for order between Europe and the Orient. I like this book also because it comes from a culturally versed author well trained in multiple countries, disciplines, and traditions. Its focus on early conversations makes it one of my top picks in the Ottoman Empire and the Wider World.
This text analyzes medieval as well as modern historiography from the perspective of a cultural historian, demonstrating how ethnic, tribal, linguistic, religious and political affiliations were all at play in the struggle for power in Anatolia and the Balkans during the late Middle Ages. This examination of the rise of the Ottoman Empire - the longest-lived political entity in human history - shows the transformation of a tiny frontier enterprise into a centralized imperial state that saw itself as both leader of the world's Muslims and heir to the Eastern Roman Empire.
