Here are 92 books that Faceless Killers fans have personally recommended if you like
Faceless Killers.
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I lived vicariously through Nancy Drew when I was young. I was naturally observant and curious, and my mom was known to tail a car through our neighborhood if she thought the driver looked suspicious. So, it’s not surprising that I developed a love for all things thrilling. While working in the oil and gas industry for fifteen years, I spent some time focused on a foreign deal that served as inspiration for my first novel. I worked with people seeking power; negotiations bordered on nefarious; the workplace became toxic. If you ever ponder the moral implications behind the pursuit of power, you’ll enjoy the books on this list!
I tell everyone I know that if they want a book with incredible character development, read The Girl with a Dragon Tattoo.
This book is highly atmospheric. You can feel the biting cold, the fear, the pain. It also has characters with questionable ethics. It made me question how I feel about vengeance and retribution. Some of the content is very dark, yet it doesn’t feel sensationalized.
This is also a thriller with hints of a happy ending—at least, for some people—while also leaving some things uncertain or unresolved. I prefer a thriller to leave me hanging a little . . .
Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her uncle is convinced it was murder - and that the killer is a member of his own tightly-knit but dysfunctional family.
He employs disgraced financial journalist Mikael Blomkvist and the tattooed, truculent computer hacker Lisbeth Salander to investigate. When the pair link Harriet's disappearance to a number of grotesque murders from forty years ago, they begin to unravel a dark and appalling family history.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I grew up in Edinburgh and, from an early age, I heard the tale of Deacon Brodie. However, it was not until I was older—when a city official was charged with corruption—that I realised Brodie might just be the first ‘white collar’ criminal in Edinburgh. The more I found out, the more fascinating he became. Here was a man who everyonein the city saw as a wealthy, respectable, Councillor, yet—at the same time—he was a gambler who became a criminal to feed his habit, and so, when I moved to America, I decided to write my first crime novel based on Brodie’s life.
Lehane, one of my favourite authors, introduces the crime writer’s device of the duo, in his firstKenzie and Gennaro novel. For me, as in my own DCI Steel novels, the duo in writing can work to inform, or mislead, the reader and, if handled well, the reader doesn’t notice, seeing the interaction between characters as normal. Clichés abound in crime fiction, especially in lead characters, but Lehane avoids this with P.I. Patrick Kenzie, and his lifelong friend, Angie Gennaro. Given the area they inhabit, with its racial and gang tensions, added to the clients they have, clichés would seem unavoidable, but—once again—the lesson here is to write multi-faceted characters, which Kenzie and Gennaro emphatically are. They are flawed, but in Lehane’s hands, triumphantly human, and verybelievable.
Patrick Kenzie and Angela Gennaro are tough private investigators who know the blue-collar neighbourhoods and ghettos of Boston's Dorchester section as only natives can. Working out of an old church belfry, Kenzie and Gennaro take on a seemingly simple assignment for a prominent politician: to uncover the whereabouts of Jenna Angeline, a black cleaning woman who has allegedly stolen confidential Statehouse documents. But finding Jenna proves easy compared to staying alive. The investigation escalates, uncovering a web of corruption extending from bombed-out ghetto streets to the highest levels of state government.
With slick, hip dialogue and a lyrical narrative pocked…
It’s hard to pinpoint where my interest in cold cases began, but I remember reading about the Isdal Woman and being intrigued. She was found in Norway in 1970, badly burned, with the labels cut off her clothes. Police discovered fake identities and disguises in suitcases left at the railway station, but, to this day, have no idea who she was. I’m a member of several Facebook groups where people investigate cold cases, and I’m always amazed at how these clues can be put together so many years later. Or, in some cases, how some people go unnamed, or crimes unsolved despite all the resources at our fingertips.
I have to confess that I discovered these books after watching the TV series Department Q. As soon as I saw "Based on the books by Jussi Adler-Olsen," I knew I had to read them.
The books differ significantly from the TV show. For one thing, they are set in Copenhagen, not Scotland. But the dark humour and clever plots are still the same. In this, the first of the series, Carl Morck—who is recovering from an incident where two of his colleagues were shot—is made the head of Department Q, looking into cold cases.
His first case is the disappearance of a politician who we know is still alive, but no one—apart from Morck—is looking for him anymore, assuming he fell off a ferry.
Get to know the detective in charge of Copenhagen's coldest cases in the first electrifying Department Q mystery from New York Times bestselling author Jussi Adler-Olsen.
Carl Morck used to be one of Denmark's best homicide detectives. Then a hail of bullets destroyed the lives of two fellow cops, and Carl-who didn't draw his weapon-blames himself. So a promotion is the last thing he expects. But Department Q is a department of one, and Carl's got only a stack of cold cases for company. His colleagues snicker, but Carl may have the last laugh, because one file keeps nagging at…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
These books aren't just the best in their field–they're the best at pinpointing the place I am from. Tartan Noir is a rich world, and I'm just about to join it. These books give a sense of place and people and sometimes bring a little laughter in the dark. To me, that's Scotland, in its magnificence, grandeur, and polar opposite of these things. Scotland is a country with two faces, as everyone from James Hogg onwards knew well... Let's see which side you prefer!
The seventies. The tough town. Laidlaw, Glasgow’s philosopher detective, is trying to find out who killed the lassie in the park. Arguably the template for Taggart, arguably the starting point for Tartan Noir.
I liked the way its bark was just as bad as its bite. It threatens to explode into violence all the way through, between most of its characters–then it does. Hard cases. And yet, at the very end, incredibly, compassion and sympathy.
First in “a crime trilogy so searing it will burn forever into your memory. McIlvanney is the original Scottish criminal mastermind” (Christopher Brookmyre, international bestselling author).
The Laidlaw novels, a groundbreaking trilogy that changed the face of Scottish fiction, are credited with being the founding books of the Tartan Noir movement that includes authors like Val McDermid, Denise Mina, and Ian Rankin. Says McDermid of William McIlvanney: “Patricia Highsmith had taken us inside the head of killers; Ruth Rendell tentatively explored sexuality; with No Mean City, Alexander McArthur had exposed Glasgow to the world; Raymond Chandler had dressed the…
I am eternally fascinated by the way in which a string of words can take on a life of its own. With a mere 26 letters, a good writer can have a reader believe anything. When realist fiction first became a category in the 18th century in England, there was a lot of handwringing over whether readers were being lied to. Of course, they were! That is the point of fiction. My own work has always played with the boundary of realist fiction, fairytale, and truth. I’m interested in the way a story can make meaning—and the more hijinks, the better!
I set out very determined to despise this first book of Knausgard’s series. Knausgard’s life is no more fascinating than anyone’s. This is not necessarily his life but some reasonable facsimile that dips in and out of reverie, philosophy, and the hardcore reality of cleaning up after an alcoholic parent dies. Hoarding, self-loathing, and Nordic landscape are all features. I mean, what is NOT to love about that?
My lust for this book is not so much what it is about, though, as how it does this thing of drawing me along in its unadorned vocabulary to wholesale belief in everything that is put down. It is a supreme hoax that I am grateful to have encountered.
A New York Times bestseller, My Struggle: Book 1 introduces American readers to the audacious, addictive, and profoundly surprising international literary sensation that is the provocative and brilliant six-volume autobiographical novel by Karl Ove Knausgaard.
It has already been anointed a Proustian masterpiece and is the rare work of dazzling literary originality that is intensely, irresistibly readable. Unafraid of the big issues—death, love, art, fear—and yet committed to the intimate details of life as it is lived, My Struggle is an essential work of contemporary literature.
I’ve always enjoyed murder mysteries, with spy novels coming a very close second. I like the puzzle aspect of the story and the unravelling thereof. From early in my childhood I have written and it has never occurred to me to write in any other genre than Crime Fiction. I do like, however, both in my own output and that which I read, to gain an insight into other people’s lives and histories. I like to learn about the surroundings in which the stories are set. Also, for me a must, the characters have to be rounded and three dimensional.
I thoroughly enjoyed this book. It’s set in Sweden and takes the reader to Latvia during the disintegration of the Soviet Union, so it touches on another genre that I like to dip into—spy novels. The hero is Kurt Wallander, a sympathetic character, who’s just trying to do his job which, in this case, means dealing with the bodies of two torture victims that have been discovered on the Swedish Coast. Now read on …
Sweden, winter, 1991. Inspector Kurt Wallander and his team receive an anonymous tip-off. A few days later a life raft is washed up on a beach. In it are two men, dressed in expensive suits, shot dead.
The dead men were criminals, victims of what seems to have been a gangland hit. But what appears to be an open-and-shut case soon takes on a far more sinister aspect. Wallander travels across the Baltic Sea, to Riga in Latvia, where he is plunged into a frozen, alien world of police surveillance, scarcely veiled threats, and lies.
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I came into the world telling stories. From the age of four you could often find me surrounded by a little cluster of friends, amusing them with a story I was spinning on the spot. When I was nine, I began telling my sisters about a Martian who was living on Earth and who loved his comfy chairs. This Martian eventually became Alou, and it has been such a joy to share his world through my picture book Alou: The Martian Agent and its sequels. One thing I’m passionate about is sparking the potent imagination bottled up inside all our little ones and I hope my books can encourage that.
Make-believe was one of my favorite pastimes as a little girl. When I wasn’t writing a story, chances were, I was off with a sister in a world of imagination. And when I was there, it was as if my fancy was reality. I think that’s why I identify with this charming picture book so much. The main character’s potent imagination pulls his surroundings into his play reality. But the ending leaves us to ponder, along with Baby Ben’s mama…can his imagination conjure things into the tangible world? This translation from the original Swedish expertly converted the rhymes, and the pictures add so very much to the adventure. If you have a little adventurer in your life, this is a must-read!
I’m an Australian writer. I came to creative writing late in life but have been an avid reader since my early school years. My fascination with mystery thrillers started with Enid Blyton and included Raymond Chandler books—not usually recommended for an 11-year-old. I have always had an inquisitive mind, asking difficult questions and seeking understanding. My first degree was a Bachelor of Science, majoring in Chemistry. My diverse working life spanned a variety of roles, building a rich tapestry of experience. I relish layered, complex, and thought-provoking stories both as a writer and a reader. I hope you enjoy my recommended books as much as I have.
I was enthralled by this dark, terrifying historical thriller, and its being based on a true story made it more unsettling. The gothic horror vibe of Scandinavian dark winters and the island setting heightened my dread as I read. The rising tension had me on the edge of my seat.
Gustawsson has created an atmospheric mystery story that connects past and present murders—9 years apart. I didn’t know who to believe or trust, and I didn’t figure out the motive until the end. Multiple viewpoints and numerous twists and turns kept me guessing. Just when I thought I knew what was happening, another piece of information took me in a different direction, only to be thwarted yet again. I couldn’t have predicted the ending. It’s masterful storytelling.
There are great, believable, but also sinister characters, making it a complex read. The plot is rooted in Viking rites and sinister secrets…
An art expert joins a detective to investigate a horrific murder on a Swedish island, leading them to a mystery rooted in Viking rites and Scandinavia's deepest, darkest winter. The Queen of French Noir returns with a chilling, utterly captivating gothic thriller, based on a true story. FIRST in a new series.
'A dark, dark slice of Scandi Noir' Heat magazine *Book of the Month*
'Gustawsson's writing is so vivid, it's electrifying' Peter James
'Remember her name. Johana Gustawsson has become a leading figure in French crime fiction [and] Yule Island is impossible to put down' Le Monde …
Mihoko and Anne first met at the University of Miami, where Mihoko was a specialist in early modern England and Anne, in early modern Spain. Sharing their interests in gender studies, literature, and history, and combining their expertise, they team-taught a popular course on early modern women writers. Anne’s publications range from studies of women in Cervantes’ Don Quixote, female rogues, and religious women to early modern Habsburg queens. Mihoko has published on the figure of Helen of Troy in classical and Renaissance epic; and women and politics in early modern Europe, especially in the context of the many civil wars that upended the political and social order of the period.
Christina of Sweden, known today primarily through Greta Garbo’s portrayal of her in the 1933 film, became queen at age six when her father was killed in battle; she received the education of a prince, including the study of statecraft, for which she read the Latin biography of Elizabeth I. Initially deemed a boy at birth, Christina’s habit of crossdressing, her refusal to marry, and her romantic attachments to both women and men bespeak her ambiguous sexuality. Veronica Buckley’s biography does justice to this idiosyncratic and controversial figure who abdicated her throne, converted to Catholicism, and moved to Rome. Although she took Alexander the Great as her model and sought to rule Naples and Poland-Lithuania after her abdication, she revealingly recorded in her memoirs her thoughts concerning the predicament she faced as a female sovereign: “Women should never be rulers... Women who rule make themselves ridiculous one way or the…
The groundbreaking biography of one of the most progressive, influential and entertaining women of the seventeenth century, Christina Alexandra, Queen of Sweden.
In 1654, to the astonishment and dismay of her court, Christina Alexandra announced her abdication in favour of her cousin, Charles. Instrumental in bringing the Thirty Years War to a close at the age of 22, Christina had become one of the most powerful monarchs in Europe. She had also become notorious for her extravagant lifestyle.
Leaving the narrow confines of her homeland behind her, Christina cut a remarkable path across Europe. She acted as mediator…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
Although I’d been to Scandinavia many times as a translator and travel writer, it wasn’t until about twenty years ago that I spent significant time above the Arctic Circle, writing my travel book, The Palace of the Snow Queen. Over the course of three different winters spent in Lapland, I discovered a world of Sami history, politics, culture, and literature. I was particularly interested in the friendship between Emilie Demant Hatt and Johan Turi. It’s been inspiring over the past years to see a new generation of artists and activists shaping and sharing their culture and resisting continued efforts to exploit natural resources in territories long used by the Sami for herding and fishing.
If you’re curious about the woman who collected the Sami folktales, you’ll want to read Emilie Demant Hatt’s story of living in a tent with a Sami family in a community in Northern Sweden. You’ll be fascinated by her grueling journey with a group of Sami herders and their hundreds of reindeer over the icy mountains in the spring of 1908 to find summer pastures on the Norwegian coast. I’ve long loved the adventure, humor, and visual feast in this book, first published in 1913, and was eager to translate it and share it with readers curious about the high north of Scandinavia. Demant Hatt was a brilliant observer and an early immersive journalist who didn’t shy away from hard work, rough conditions, and learning the Sami language.
With the Lapps in the High Mountains is an entrancing true account, a classic of travel literature, and a work that deserves wider recognition as an early contribution to ethnographic writing. Published in 1913 and available here in its first English translation, With the Lapps is the narrative of Emilie Demant Hatt's nine-month stay in the tent of a Sami family in northern Sweden in 1907-8 and her participation in a dramatic reindeer migration over snow-packed mountains to Norway with another Sami community in 1908. A single woman in her thirties, Demant Hatt immersed herself in the Sami language and…