Here are 100 books that Edith Holler fans have personally recommended if you like
Edith Holler.
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As a reader and an author, I prefer young adult novels because they tend to focus more on character growth and development than other genres, but I’m particularly drawn to both historical and fantasy period pieces in books and film. The medieval ages especially, with their castles and feudalistic way of life, have always fascinated me. This fascination was largely filled by reading and watching fairy tales and novel adaptations while growing up. Nowadays, I gravitate toward retellings like a moth to the flame, as I get to relive stories that have a special place in my heart in a fresh new way.
This atmospheric novel, a retelling of The Island of Doctor Moreau, is a perfect blend of gothic romance and haunting mystery. It’s beautifully written, well-paced, and filled with unexpected twists. I love the feminist theme presented through the main character, Juliet, who is independent despite the hardships she endures, is not dissuaded from pursuing her passion for science even though it wasn’t proper for a woman to do so at the time. There is also an underlying theme throughout the book that expertly juxtaposes sanity and madness, eliciting the question of where the line should be drawn.
For fans of Libba Bray, this first book in a gothic suspense trilogy is inspired by H. G. Wells's The Island of Dr. Moreau and has been hailed by New York Times bestseller Carrie Ryan as having "beautiful writing, breakneck pacing, a pulse-pounding mystery, and an irresistible romance."
Following accusations that her scientist father gruesomely experimented on animals, sixteen-year-old Juliet watched as her family and her genteel life in London crumbled around her—and only recently has she managed to piece her world back together. But when Juliet learns her father is still alive and working on a remote tropical island,…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I worked for the last 25 years teaching literature classes and creative writing workshops—most of that time at the University of California at Davis. The students in my classes were mainly English majors and/or young writers. They tended to be serious about the potential of a text. To be serious, today, in America, about the potential of a text is to dwell in an inherently counter-cultural position. It is to conceive of the value of a text as something surpassing entertainment, i.e., use. Such a surpassing is a blasphemous notion… still tolerated in the context of the University. Its proliferation beyond those boundaries seems unworkable.
What one expects to happen, in the context of a story, is a wholly unacceptable outcome… save one does not feel the story is obligated to resound with consciousness of mortality. Consciousness of mortality is not cruel in and of itself; the one who causes it to resound in the form of a story, however, might be. Cruel, that is.
This, I think, is a very cruel book. But its cruelty is the cruelty of an honest physician met with a diseased patient. His unflinching diagnosis of the disease and the difficult (painful) operations it necessitates… are simply what remaining alive calls for. The alternative, that is, is always the same thing: brief (however apparently eternal) dementia.
From the Winner of the Nobel Prize in Literature. J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018.
"Compulsively readable... A novel that not only works its spell but makes it impossible for us to lay it aside once we've finished reading it." -The New Yorker
At fifty-two, Professor David Lurie is divorced, filled with desire, but lacking in passion. When an affair with a student leaves him jobless, shunned by friends, and ridiculed by his ex-wife, he retreats to his daughter Lucy's smallholding. David's visit becomes an…
I’m a writer who grew up in the Midwest, moved away for a while, and has now raised my own kids here. I love reading other writers' takes on what kinds of stories they see unfolding here. As I get older, I realize that great stories can grow out of the ground anywhere, with the right amount of sunshine, darkness, and water.
I'm not usually much for food writing. (I mean, it's good, or it's bad, right ?). But this novel, which centers around food and what it means to us, kept me riveted all the way through.
It's hard to explain exactly why the book is so compelling, but it's by turns funny and moving, and the plot sort of spirals inward in a way I’ve never seen before.
“An impressive feat of narrative jujitsu . . . that keeps readers turning the pages too fast to realize just how ingenious they are.”—The New York Times Book Review, Editor’s Pick
From the New York Times bestselling author of The Lager Queen of Minnesota, Kitchens of the Great Midwest is a novel about a young woman with a once-in-a-generation palate who becomes the iconic chef behind the country’s most coveted dinner reservation.
When Lars Thorvald’s wife, Cynthia, falls in love with wine—and a dashing sommelier—he’s left to raise their baby, Eva, on his own.…
Across America, a wave of brutal, inexplicable killings leaves hardened detectives and desperate federal agents grasping for answers.
But what appears to be vigilante terror is something far more ancient - an invisible war between the forces of light and the agents of darkness, playing out on the streets of…
I write, coach, and lead at the intersection of identity, healing, and leadership, especially for women navigating cultural complexity. As a South Asian woman raised in the U.S., I spent years unpacking inherited narratives about devotion, obedience, and silence. This list reflects books that helped me reclaim power, soften shame, and lead from a place of alignment rather than survival. Each title here offered me tools, language, or perspective that shaped not just how I show up in the world, but how I guide others to do the same.
This book reminded me that while immigrant stories can carry deep grief and pressure, they’re also held together by quiet acts of care that are sometimes hard to see, but no less real.
I loved how the author claimed her identity as American while still drawing comfort from Indian culture. Her deep love for her father and the painful clarity he eventually gains about who holds power in their family felt especially healing.
This book helped me see how much shared experience exists in immigrant households, and how love and harm often sit side by side. It also affirmed that even in the messiness of it all, healing is still possible.
Here We Are is a heart-wrenching memoir about an immigrant family's American Dream, the justice system that took it away, and the daughter who fought to get it back, from NPR correspondent Aarti Namdev Shahani.
The Shahanis came to Queens―from India, by way of Casablanca―in the 1980s. They were undocumented for a few unsteady years and then, with the arrival of their green cards, they thought they'd made it. This is the story of how they did, and didn't; the unforeseen obstacles that propelled them into years of disillusionment and heartbreak; and the strength of a family determined to stay…
A wise (and wily) Jedi once said that “many of the truths we cling to depend greatly on our own point of view,” and I’m fascinated by storytelling that gives you more than one point of view or voice to ponder. Even as a kid, I searched for books that delved into the minds of more than one character. I’ve explored this in my own writing but also as a teacher working with undergraduate students who were finding their own voices while exploring the literary voices of others. I also love so-called genre fiction—the fantasy, sci-fi, and romance of it all—which is definitely reflected in this list, well!
I’ve seen this book described in terms of confectionery repeatedly, and sure—it’s a sweet love story. It’s also a story about grief and loss, family secrets, and deepening a connection between mother and daughter across time and place. And did I mention the sweet love story? Because I’m a sucker for a good (and believable) romance, and this is an A-plus entry in the genre.
Added bonus: it definitely made me want to travel to Italy even more than I already did.
The dying wish of 16-year-old Lina's mother was for her daughter to live in Tuscany and get to know her father, whom Lina has never met. "Howard is the best man I've ever known," her mother says, "he'll keep you safe." Why did her mother wait so long to tell her about him? Lina has a happy life in Seattle and doesn't want to leave. Shortly after she arrives at Howard's home, Lina meets Sonya, who gives Lina a diary that belonged to Lina's mother, the one she…
“Where do you get your story ideas?” I’m often asked. The answer is, “I’m cursed.” As in the Chinese curse: May you live in interesting times. I was a serial wife and a single mom. I’ve been both poor and rich. I’ve travelled to far-flung places around the world. I’ve done extraordinary things, like the time I rode with the New York City Mounted Police in researching my novel, Trail of Secrets. I write what I know, about life with all its ups and downs, beauty and ugliness, magic and mystery.
I come from a dysfunctional family. Perhaps that’s why I’m drawn, like a rubbernecker to the scene of an accident, to novels about dysfunctional families.
To quote Tolstoy: “Happy families are all alike. Unhappy families are different, each in their own way.” To call the family that inhabits the house in We All Live Here unhappy is putting it mildly. They’re more like survivors of a shipwreck adrift at sea in a lifeboat, hoping to be rescued before they die or kill each other.
This novel is funny, wickedly so at times, with a lot of heart. And like the patriarch of its fictional family, a failed actor with substance abuse issues and a habit of stretching the truth when it suits him, never dull.
The #1 New York Times bestselling author, whose books so many love, brings us a fresh, contemporary story of a woman and her unruly blended family
“Nobody writes women the way Jojo Moyes does.” —Jodi Picoult
Lila Kennedy has a lot on her plate. A broken marriage, two wayward daughters, a house that is falling apart, and an elderly stepfather who seems to have quietly moved in. Her career is in freefall and her love life is . . . complicated. So when her real dad—a man she has barely seen since he ran off to Hollywood thirty-five years ago—suddenly…
The Amazing Afterlife of Animals
by
Karen A. Anderson,
My book is for anyone grieving the loss of a beloved pet. If your heart feels shattered and you are searching for understanding, comfort, and connection, these chapters were written with you in mind.
I share uplifting and life-changing stories that help you move beyond the devastation of grief, including…
There is nothing quite like the thrill of discovery: both as a reader and writer. Stumbling upon books in bookstores, or chancing upon gems, is one of life’s greatest delights for me. There are so many works that never make it past the gatekeepers in a mainstream publishing market that has become increasingly narrower, drier, and scarcer of vision. There are indie publishers out there, doing what they can to support and showcase the written word, and Voice, and I feel grateful and enriched by the countless books and authors I’ve discovered through my curiouser and curiouser seeking. Listed below are some favorites I’ve encountered in my intrepid literary travels.
Katya Apekina’s debut novel, The Deeper the Water the Uglier the Fish, compelled me to do something that I have not done in a very long time: read an entire book, cover to cover, in a single night.
There are certain writers who excel at meting out their prose with deceptive flatness, or muted lucidity (Raymond Carver and Marguerite Duras being two prime examples), and it is this “awesome simplicity,” of which the jazz musician Charles Mingus raved, which Apekina deftly demonstrates in her rendering of a searing family drama and modern American gothic.
Subtly weaving together a tapestry of voices and shifting perspectives, the novel centers on two teenage daughters—Edith, sixteen, and Mae, fourteen—who go to live with their dad in New York, after their mother has been hospitalized for a suicide attempt and breakdown.
Their dad, about whom Mae has no memories and Edith has a scattered scarcity…
*2018 Los Angeles Times Book Prize Finalist *Longlisted for The Crook’s Corner Book Prize *Longlisted for the 2019 VCU Cabell First Novelist Award *Shortlisted for the 2020 William Saroyan International Prize for Writing for Fiction *A Best Book of 2018 —Kirkus Reviews, BuzzFeed News, Entropy, LitReactor, LitHub *35 Over 35 Award 2018 *One of the Most Anticipated Books of the Fall —Vulture, Harper's BAZAAR, BuzzFeed News, Publishers Weekly, The Millions, Bustle, Fast Company
It’s 16-year-old Edie who finds their mother Marianne dangling in the living room from an old jump rope, puddle of urine on the floor, barely alive. Upstairs,…
COVID killed my father early on during the pandemic. Every day, I blogged about him. First, when he was in the ICU and I was begging the universe to save him. Then, after he died, as I grieved in a world that seemed cold and lonely. I wrote about Dad, telling stories of happier times, to keep him alive through my memories and to share his life with others. Soon, friends started recommending books about grief. In reading, feeling, and absorbing the pain of others, I somehow felt less alone.
I loved this book because it was another daughter reminiscing about her relationship with her father following his death.
I could empathize with the emptiness Schultz felt in the midst of her father’s absence, but also feel the joy she experienced when remembering him. Also, I like reading books written by other lesbians, especially books about family.
In hard times, we rely on family to support us emotionally, and Schulz, through her relationship with her partner, demonstrated that beautifully.
'Extraordinary . . . a profound and beautiful book . . . a moving meditation on grief and loss, but also a sparky celebration of joy, wonder and the miracle of love . . . Witty, wise, beautifully structured and written in clear, singing prose' - Sunday Times
Longlisted for the 2022 National Book Award for Nonfiction
Eighteen months before Kathryn Schulz's beloved father died, she met the woman she would marry. In Lost & Found, she weaves the stories of those relationships into a brilliant exploration of how all our lives are shaped by loss and discovery - from…
A great book can supplant your consciousness and bring you into a new headspace of altered mood and perception. Good writing about elevated human experiences can elevate the reader, as the words on the page inspire the release of "feel-good" neurochemicals like endorphins, serotonin, and dopamine. These are the effects I seek to produce in my readers’ experience – I want them to feel the buzzes and the highs and lows my characters feel. In Death By Cannabis, by focusing on the legalization of weed in Canada, I sought to tap into the passionate subculture and complex emotions the emancipation of pot brought to the surface after simmering so long underground.
What I loved most about Night Boat to Tangier is the same thing I love about all of Kevin Barry’s books – the delivery.
Whether it’s City of Bohane, The Heart in Winter, Beatlebone, or this book, the best part of a Kevin Barry novel is always the writing and the voice. The story is almost secondary.
You might expect the story of a seasoned drug importer reuniting with his estranged daughter to be a spectacle, but what I loved about this book was the way many of the tendrils of the story were allowed to uncurl slowly, and some not at all.
I like to imagine Kevin Barry was at the ferry station one day and looked at a couple of aging, shaved-head, tattooed Irish thugs leaning against a wall waiting, and asked, “What’s their story?” Then he wrote it.
LONGLISTED FOR THE BOOKER PRIZE IRISH TIMES NUMBER ONE BESTSELLER SHORTLISTED FOR NOVEL OF THE YEAR AT THE IRISH BOOK AWARDS, THE DALKEY LITERARY AWARDS AND THE KERRY GROUP AWARDS A BOOK OF THE YEAR IN THE NEW YORK TIMES, NEW STATESMAN, TIMES LITERARY SUPPLEMENT, BIG ISSUE, i, THE ATLANTIC and LITERARY HUB
'A true wonder' Max Porter 'Beautifully written' Guardian
It's late one night at the Spanish port of Algeciras and two fading Irish gangsters are waiting on the boat from Tangier. A lover has been lost, a daughter has gone missing, their world has come asunder - can…
Jose Castillo is a cynical, wise-cracking Cuban-American who restores classic cars. He’s also a private eye whose sarcastic ways sometimes get him into trouble.
One day, in the process of installing a four-barrel carburetor on a 1965 Mustang, into his shop walks trouble—in the shape of a mysterious, beautiful woman…
I was born into the heart of American religious fundamentalism and spent years helping build the Religious Right before walking away from it. My book tells the story of that journey: from certainty to doubt, from dogma to paradox, from fear to love.
I’ve lived at the crossroads of faith, politics, family, and art—and these recommendations reflect the questions that still haunt me: How do we live with compassion in a divided world? How do we raise our children with tenderness in the absence of certainty? These books moved me because they don’t preach. They search. They speak in the voice of those of us who are done with black-and-white thinking, but still believe in grace.
Melanie’s memoir is a testament to how love and grief can live side by side.
Her story of grappling with faith, family, and loss resonated deeply with me, and her prose is simply luminous—elegant, honest, and profoundly moving. Like my own path, Melanie’s journey is about making peace with life’s messiness—finding the courage to create beauty in the ruins and hold fast to love, even when faith itself is in doubt.
I came away reminded that doubt is not the opposite of faith, but the companion that keeps it real and tender.
"A profound and riveting journey through shame and grief, A Hard Silence is, quite simply, unforgettable." Monica Wood, author of When We Were the Kennedys
In the mid 1980s, Canada's worst public health disaster was unfolding. Catastrophic mismanagement of the country's blood supply allowed contaminated blood to be knowingly distributed nationwide, infecting close to two thousand Canadians with HIV. Among them was Melanie Brooks's surgeon father who, after receiving a blood transfusion during open-heart surgery in 1985, learned he was HIV positive.
At a time when HIV/AIDS was widely misunderstood and public perception was shaped by fear, prejudice, and homophobia,…
