Here are 100 books that Edith Holler fans have personally recommended if you like
Edith Holler.
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A great book can supplant your consciousness and bring you into a new headspace of altered mood and perception. Good writing about elevated human experiences can elevate the reader, as the words on the page inspire the release of "feel-good" neurochemicals like endorphins, serotonin, and dopamine. These are the effects I seek to produce in my readers’ experience – I want them to feel the buzzes and the highs and lows my characters feel. In Death By Cannabis, by focusing on the legalization of weed in Canada, I sought to tap into the passionate subculture and complex emotions the emancipation of pot brought to the surface after simmering so long underground.
What I loved most about Night Boat to Tangier is the same thing I love about all of Kevin Barry’s books – the delivery.
Whether it’s City of Bohane, The Heart in Winter, Beatlebone, or this book, the best part of a Kevin Barry novel is always the writing and the voice. The story is almost secondary.
You might expect the story of a seasoned drug importer reuniting with his estranged daughter to be a spectacle, but what I loved about this book was the way many of the tendrils of the story were allowed to uncurl slowly, and some not at all.
I like to imagine Kevin Barry was at the ferry station one day and looked at a couple of aging, shaved-head, tattooed Irish thugs leaning against a wall waiting, and asked, “What’s their story?” Then he wrote it.
LONGLISTED FOR THE BOOKER PRIZE IRISH TIMES NUMBER ONE BESTSELLER SHORTLISTED FOR NOVEL OF THE YEAR AT THE IRISH BOOK AWARDS, THE DALKEY LITERARY AWARDS AND THE KERRY GROUP AWARDS A BOOK OF THE YEAR IN THE NEW YORK TIMES, NEW STATESMAN, TIMES LITERARY SUPPLEMENT, BIG ISSUE, i, THE ATLANTIC and LITERARY HUB
'A true wonder' Max Porter 'Beautifully written' Guardian
It's late one night at the Spanish port of Algeciras and two fading Irish gangsters are waiting on the boat from Tangier. A lover has been lost, a daughter has gone missing, their world has come asunder - can…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
There is nothing quite like the thrill of discovery: both as a reader and writer. Stumbling upon books in bookstores, or chancing upon gems, is one of life’s greatest delights for me. There are so many works that never make it past the gatekeepers in a mainstream publishing market that has become increasingly narrower, drier, and scarcer of vision. There are indie publishers out there, doing what they can to support and showcase the written word, and Voice, and I feel grateful and enriched by the countless books and authors I’ve discovered through my curiouser and curiouser seeking. Listed below are some favorites I’ve encountered in my intrepid literary travels.
Katya Apekina’s debut novel, The Deeper the Water the Uglier the Fish, compelled me to do something that I have not done in a very long time: read an entire book, cover to cover, in a single night.
There are certain writers who excel at meting out their prose with deceptive flatness, or muted lucidity (Raymond Carver and Marguerite Duras being two prime examples), and it is this “awesome simplicity,” of which the jazz musician Charles Mingus raved, which Apekina deftly demonstrates in her rendering of a searing family drama and modern American gothic.
Subtly weaving together a tapestry of voices and shifting perspectives, the novel centers on two teenage daughters—Edith, sixteen, and Mae, fourteen—who go to live with their dad in New York, after their mother has been hospitalized for a suicide attempt and breakdown.
Their dad, about whom Mae has no memories and Edith has a scattered scarcity…
*2018 Los Angeles Times Book Prize Finalist *Longlisted for The Crook’s Corner Book Prize *Longlisted for the 2019 VCU Cabell First Novelist Award *Shortlisted for the 2020 William Saroyan International Prize for Writing for Fiction *A Best Book of 2018 —Kirkus Reviews, BuzzFeed News, Entropy, LitReactor, LitHub *35 Over 35 Award 2018 *One of the Most Anticipated Books of the Fall —Vulture, Harper's BAZAAR, BuzzFeed News, Publishers Weekly, The Millions, Bustle, Fast Company
It’s 16-year-old Edie who finds their mother Marianne dangling in the living room from an old jump rope, puddle of urine on the floor, barely alive. Upstairs,…
A wise (and wily) Jedi once said that “many of the truths we cling to depend greatly on our own point of view,” and I’m fascinated by storytelling that gives you more than one point of view or voice to ponder. Even as a kid, I searched for books that delved into the minds of more than one character. I’ve explored this in my own writing but also as a teacher working with undergraduate students who were finding their own voices while exploring the literary voices of others. I also love so-called genre fiction—the fantasy, sci-fi, and romance of it all—which is definitely reflected in this list, well!
I’ve seen this book described in terms of confectionery repeatedly, and sure—it’s a sweet love story. It’s also a story about grief and loss, family secrets, and deepening a connection between mother and daughter across time and place. And did I mention the sweet love story? Because I’m a sucker for a good (and believable) romance, and this is an A-plus entry in the genre.
Added bonus: it definitely made me want to travel to Italy even more than I already did.
The dying wish of 16-year-old Lina's mother was for her daughter to live in Tuscany and get to know her father, whom Lina has never met. "Howard is the best man I've ever known," her mother says, "he'll keep you safe." Why did her mother wait so long to tell her about him? Lina has a happy life in Seattle and doesn't want to leave. Shortly after she arrives at Howard's home, Lina meets Sonya, who gives Lina a diary that belonged to Lina's mother, the one she…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
COVID killed my father early on during the pandemic. Every day, I blogged about him. First, when he was in the ICU and I was begging the universe to save him. Then, after he died, as I grieved in a world that seemed cold and lonely. I wrote about Dad, telling stories of happier times, to keep him alive through my memories and to share his life with others. Soon, friends started recommending books about grief. In reading, feeling, and absorbing the pain of others, I somehow felt less alone.
I loved this book because it was another daughter reminiscing about her relationship with her father following his death.
I could empathize with the emptiness Schultz felt in the midst of her father’s absence, but also feel the joy she experienced when remembering him. Also, I like reading books written by other lesbians, especially books about family.
In hard times, we rely on family to support us emotionally, and Schulz, through her relationship with her partner, demonstrated that beautifully.
'Extraordinary . . . a profound and beautiful book . . . a moving meditation on grief and loss, but also a sparky celebration of joy, wonder and the miracle of love . . . Witty, wise, beautifully structured and written in clear, singing prose' - Sunday Times
Longlisted for the 2022 National Book Award for Nonfiction
Eighteen months before Kathryn Schulz's beloved father died, she met the woman she would marry. In Lost & Found, she weaves the stories of those relationships into a brilliant exploration of how all our lives are shaped by loss and discovery - from…
COVID killed my father early on during the pandemic. Every day, I blogged about him. First, when he was in the ICU and I was begging the universe to save him. Then, after he died, as I grieved in a world that seemed cold and lonely. I wrote about Dad, telling stories of happier times, to keep him alive through my memories and to share his life with others. Soon, friends started recommending books about grief. In reading, feeling, and absorbing the pain of others, I somehow felt less alone.
Even though Adichie’s father did not die from COVID, it happened during the pandemic when the world shut down. To this, I could relate all too well.
I spent the pandemic, and months afterward, grieving my father’s death, and I found comfort reading the stories of other daughters whose dads have died.
A personal and powerful essay on loss from Chimamanda Ngozi Adichie, the bestselling author of Americanah and Half of a Yellow Sun.
'Grief is a cruel kind of education. You learn how ungentle mourning can be, how full of anger. You learn how glib condolences can feel. You learn how much grief is about language, the failure of language and the grasping for language'
On 10 June 2020, the scholar James Nwoye Adichie died suddenly in Nigeria.
In this tender and powerful essay, expanded from the original New Yorker text, his daughter, a self-confessed daddy's girl, remembers her beloved father.…
In 2015, I moved to Michigan’s Upper Peninsula, a world all its own. I live only four blocks from Lake Superior, and I can’t imagine living anywhere without that lake. I pay much more attention to the weather—those waves really crash during Winter storms—and I’ve become more interested in things like geology and local history since moving to such a unique place. Everything I notice eventually enters my poetry, which has become filled with water, shorelines, copper, and white deer. And best of all, our long winters give me a lot of time to read.
This book appealed to me because of its strong central character, Helena, who’s carrying around a big secret. Let’s face it—we all have secrets. But most of our secrets are comparatively minor. Helena’s is anything but. Helena’s past is complicated, which makes the plot complicated, just the way I like plots, but the book is still easy enough to follow.
I was interested to see how Helena appreciated some aspects of her past life, even if most people would consider her present life much better. I kept wanting to know more about this imagined place in the U.P., which seemed so strange even though it’s not that far from St. Ignace or Sault Ste. Marie or even the Mackinaw Bridge.
You'd recognise my mother's name if I told it to you. You'd wonder, briefly, where is she now? And didn't she have a daughter while she was missing?
And whatever happened to the little girl?
Helena's home is like anyone else's. With a husband and two daughters, and a job she enjoys. But no one knows the truth about her childhood.
Born into captivity and brought up in an isolated cabin until she was 12, Helena was raised to be a killer by the man who kept her captive - her own father.…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I write, coach, and lead at the intersection of identity, healing, and leadership, especially for women navigating cultural complexity. As a South Asian woman raised in the U.S., I spent years unpacking inherited narratives about devotion, obedience, and silence. This list reflects books that helped me reclaim power, soften shame, and lead from a place of alignment rather than survival. Each title here offered me tools, language, or perspective that shaped not just how I show up in the world, but how I guide others to do the same.
This book reminded me that while immigrant stories can carry deep grief and pressure, they’re also held together by quiet acts of care that are sometimes hard to see, but no less real.
I loved how the author claimed her identity as American while still drawing comfort from Indian culture. Her deep love for her father and the painful clarity he eventually gains about who holds power in their family felt especially healing.
This book helped me see how much shared experience exists in immigrant households, and how love and harm often sit side by side. It also affirmed that even in the messiness of it all, healing is still possible.
Here We Are is a heart-wrenching memoir about an immigrant family's American Dream, the justice system that took it away, and the daughter who fought to get it back, from NPR correspondent Aarti Namdev Shahani.
The Shahanis came to Queens―from India, by way of Casablanca―in the 1980s. They were undocumented for a few unsteady years and then, with the arrival of their green cards, they thought they'd made it. This is the story of how they did, and didn't; the unforeseen obstacles that propelled them into years of disillusionment and heartbreak; and the strength of a family determined to stay…
“Where do you get your story ideas?” I’m often asked. The answer is, “I’m cursed.” As in the Chinese curse: May you live in interesting times. I was a serial wife and a single mom. I’ve been both poor and rich. I’ve travelled to far-flung places around the world. I’ve done extraordinary things, like the time I rode with the New York City Mounted Police in researching my novel, Trail of Secrets. I write what I know, about life with all its ups and downs, beauty and ugliness, magic and mystery.
I come from a dysfunctional family. Perhaps that’s why I’m drawn, like a rubbernecker to the scene of an accident, to novels about dysfunctional families.
To quote Tolstoy: “Happy families are all alike. Unhappy families are different, each in their own way.” To call the family that inhabits the house in We All Live Here unhappy is putting it mildly. They’re more like survivors of a shipwreck adrift at sea in a lifeboat, hoping to be rescued before they die or kill each other.
This novel is funny, wickedly so at times, with a lot of heart. And like the patriarch of its fictional family, a failed actor with substance abuse issues and a habit of stretching the truth when it suits him, never dull.
The #1 New York Times bestselling author, whose books so many love, brings us a fresh, contemporary story of a woman and her unruly blended family
“Nobody writes women the way Jojo Moyes does.” —Jodi Picoult
Lila Kennedy has a lot on her plate. A broken marriage, two wayward daughters, a house that is falling apart, and an elderly stepfather who seems to have quietly moved in. Her career is in freefall and her love life is . . . complicated. So when her real dad—a man she has barely seen since he ran off to Hollywood thirty-five years ago—suddenly…
I am a descendant of William Bradford and Myles Standish, of Pilgrim fame. I was raised in a Massachusetts farmhouse where the commission of James Churchill as a Captain in the militia still hangs, signed by John Hancock. I have lived and breathed this stuff since first opening my eyes. My wife, MaryLu, is a retired elementary teacher who helps bring life to the young characters. Together, through the medium of novels they would actually enjoy reading, we seek to inspire American youth with the principles of our founding, so that they may be more effective in preserving and defending them.
Many an idealistic young law student like me felt that jolt in our spine early on when we saw up in the balcony of that courthouse a sleepy Scout being told, “Stand up, Jean Louise. Your father’s passin’.”
The movie is as faithful to the novel as the medium would allow. The novel is told entirely from Scout’s POV and not only focuses upon the racism of the time and place, but also upon her coming of age as a tomboy and being told to act “As a little girl should.”
The book offers more to those of us for whom the rule of law and not of men is a passion, especially in Finch’s closing: “There is one human institution that makes a pauper the equal of Rockefeller, a stupid man the equal of Einstein… That institution, gentlemen, is a court.”
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
I am a long-time ER nurse, aid worker, and writer, and I have long been fascinated by true crime/mysteries; much of that interest honed in the ER, where I was often stumped when patient injuries or recollections of witnesses didn’t quite add up. As amateur detectives, we ER nurses often hounded detectives with our own theories, and in one especially big murder case, we had figured out exactly what had happened and who the real killer was before the detectives did. I am also a voracious reader and love a good mystery/thriller to take me away from real life, except when I am solving real life crimes on Dateline.
I love anything that Lisa Jewell writes, and this is the perfect mystery, albeit a little predictable.
A 15-year-old girl has gone missing and her family is frantic. The characters were so well drawn, I felt as though I knew them. And for me, that is often what keeps me reading.
From the New York Times bestselling author of Invisible Girl and The Truth About Melody Browne comes a “riveting” (PopSugar) and “acutely observed family drama” (People) that delves into the lingering aftermath of a young girl’s disappearance.
Ellie Mack was the perfect daughter. She was fifteen, the youngest of three. Beloved by her parents, friends, and teachers, and half of a teenaged golden couple. Ellie was days away from an idyllic post-exams summer vacation, with her whole life ahead of her.
