100 Books Like Dreams of Joy

I first listened to this book about 20 years ago, and to write this article, I revisited it. In 20 years, many things have changed. Yet, my love for this book remains as strong as ever. I love its simple opening sentence and foreshadowing closing sentence. I love the details—the vivid, realistic descriptions of the characters, emotions, setting, culture, customs, and language. I felt immersed in the scenes, right alongside the characters. Using a Chinese expression, the book flows smoothly and naturally, like clouds and water. I believe this book represents the pinnacle of Pearl S. Buck’s career, not just because it won the Nobel Prize for Literature but because the quality of the writing is truly extraordinary. 

I must also mention that Anthony Heald narrates this audiobook. His voice is captivating and mesmerizing; I believe he’s one of the best narrators in the world. I recently watched a short… show more.

I love this book for its epic structure, character development, intricate and complex plotlines, rich imagination, poetic language, and use of magical realism.

The book spans several decades, covering significant events in 20th-century China from the 1920s to the 1990s across four generations. Through this multi-generational lens, Mo Yan explores themes of family, identity, and the impact of historical events on individual lives. Each character is so unique that after reading the book, I wrote a group of poems, two to four lines for each of the fifteen main and supporting characters. For protagonist Jin Tong, I wrote, “You are the hope of the Shangguan family, yet you live so pathetically.”

For his mother, I wrote, “The old cow eats grass, but what it gives is milk; the mother swallows tears, but what flows out is blood.” Mo Yan's sharp insights, profound reflections, and vivid prose reveal the harsh realities… show more.

Like most readers, I love a story with intense conflict, high stakes, dilemmas, and tension. In this book, the clever setup allows the author to weave them seamlessly into the narrative.

The story is set during the late Qing Dynasty in China. The heroine, Sun Meiniang, is compelled to marry the imbecile Zhao Xiaojia due to her large feet. Her father, Sun Bing, remarries, but tragedy strikes when German soldiers kill his new wife and their young children before his eyes. Driven by revenge, Sun Bing leads the townspeople in sabotaging the Germans' railroad and ambushing their soldiers.

Simultaneously, Sun Meiniang falls in love with the county magistrate, a married man, Qian Ding, who is forced to arrest her father. Adding to the conflict, her father-in-law, the notorious executioner Zhao Jia, returns and takes pride in executing Sun Bing using the torturous sandalwood death. This means both her father-in-law and… show more.

I love this book for its unique perspective. Most war stories feature heroic protagonists—whether fighting on the front lines, operating behind enemy lines, or innocent victims enduring hardship and struggling to survive. However, this book presents a group of characters who ordinarily would be unlikely to cross paths. A Roman Catholic priest and a deacon in an American church during the Japanese occupation of Nanking in China were tasked with protecting 16 schoolgirls. They unexpectedly become entangled with 13 young prostitutes from a famous brothel and three injured Chinese soldiers.

The priest faces an impossible dilemma: allowing the prostitutes to stay means there will be less food and water for everyone, but turning them away could lead to their deaths. The presence of the injured soldiers complicates matters further; if discovered, the church would lose its neutrality and risk a raid by Japanese soldiers, endangering everyone inside.

I won’t reveal… show more.

This book is an ethnographic account of Uyghur suburban life in the mid-1990s, which might sound very far removed from the political and humanitarian crisis going on in the region today. Yet the portrait it offers of Uyghur family life, market trading, informal socializing, and forms of religious devotion has arguably never been more important, given that the Chinese state has been targeting precisely these benign, everyday practices and beliefs in recent years by separating children from their parents, sending officials to live with Uyghur families, and destroying traditional Uyghur homes. Reading it is an immersive, often funny, experience, which should make people understand the consequences of the state-sponsored violence these communities have been subjected to.

A great deal has been written about the Jewish refugees who flooded into Shanghai during World War II, but that’s not the case with the story of the wealthy Sephardic Jewish families who arrived in the early days of opium trading and built fabulous fortunes. In Last Kings of Shanghai, Pulitzer Prize winning journalist Jonathan Kaufman weaves the epic tale of the Sassoons and the Kadoories, stretching from Baghdad to Shanghai to London and Hong Kong. It’s a story of business acumen and political intrigue, of wartime survival and the choices that saw one family perpetuate its wealth and influence in China, and the other fade into history.

I enjoyed immersing myself in the world of a cult family where sexual practices that are objectionable to much of mainstream society are considered normal within this family. It’s interesting to see how members of a cult who are isolated from the outside world go through their lives as if nothing is wrong.

The world in the cult is their whole worldview. Plus, I found myself having much sympathy for the author who bravely shared her life experiences.

This novel broke my heart so many times. It did so with beautiful and subtle prose, with its astonishing depiction of tragedy and loss, and with its magical insistence that the music we make can outlive us all. But what broke my heart the most in Thien’s novel is the reminder, or perhaps the revelation, of how much art’s existence depends on an unpredictable, ever-shifting, uncaring, brutal world.

It was staggering, watching generations of a family of musicians fight through a century of political turmoil in China and not knowing if they, and the music, would survive. But I loved it. This novel is a marvel.

If you’re looking to virtually experience Asian culture, I’d highly recommend this story. Not only the language used, the expressions used, but also the décor, the clothing, the food, the religious rituals, and rites. All is woven into a beautiful tapestry of life and people in Malay. The story explores the tensions between tradition and modernizing. Especially, in this case, the Western influences on the traditions and expectations of the Asian cultures. I was reminded of the tension between my mother and myself “merely” because of the age difference, not a cultural difference. Mom was 42 when I was born, 60 when I graduated high school. Expectations had most definitely shifted by then!

Denise Chong explores a similar period of Chinese Canadian history in Lives of the Family: Stories of Fate & Circumstance. Similar to my own book, Lives of the Family looks beyond Vancouver and British Columbia Chinatowns to tell the story of Chinese Canadian migrants, whose lives straddled continents, who ran successful businesses, and were involved with the KMT.