Here are 100 books that Drawing Perspective fans have personally recommended if you like
Drawing Perspective.
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I have always loved to draw ever since my Dad used to sit drawing with me at the kitchen table when I was little. At Art School we had to spend the first six weeks doing a daily life drawing class before being allowed to pick up a paintbrush! I then studied graphic design setting up my own business, at a time when, without computers, drawing was essential for presenting layout and design. Nowadays, I’m constantly instilling in my students the importance of drawing and sketching. Having been a professional artist all my working life, drawing has been a fundamental element in every way, and all the way.
In this 376-page drawing “bible”, all aspects of drawing are covered in great detail, from portraits and figure studies to still life and landscapes. After the first chapter on materials and equipment, Giovanni illustrates the bone structure, musculature, and features of the head, hands, and feet using pencil, ink, and charcoal. It’s the most comprehensive approach I’ve seen in any portrait book.
Further chapters on shadows, shading, composition, sketching, perspective, and aerial perspective are also extremely helpful. This book is a mine of information, and one I turn to when in need of technical know-how for portraiture.
This is an essential book for anyone learning to draw, or wishing to improve their drawing. Starting with the basics of drawing techniques, Civardi gives expert advice on drawing portraits, the clothed figure, hands and feet and scenery, finishing with a section on the importance of light and shade. Civardi's technical advice and practical tips, accompanied by his own outstanding drawings, make this an invaluable resource for any artist.
Previously published as Giovanni Civardi's Complete Guide to Drawing (9781844482061) and now includes The Nude (9781844482443).
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have always loved to draw ever since my Dad used to sit drawing with me at the kitchen table when I was little. At Art School we had to spend the first six weeks doing a daily life drawing class before being allowed to pick up a paintbrush! I then studied graphic design setting up my own business, at a time when, without computers, drawing was essential for presenting layout and design. Nowadays, I’m constantly instilling in my students the importance of drawing and sketching. Having been a professional artist all my working life, drawing has been a fundamental element in every way, and all the way.
I love sketching and encourage my students to do as much as possible to improve both drawing techniques and observation. In this comprehensive book, Peter guides us through many different aspects of sketching using pencil, pen, and pen & wash, demonstrating his S-E-T method, reminding us constantly to consider Shapes, Edges, and Tones. His drawings and pen and wash studies are a feast for the eyes; he guides the reader through simple step-by-step drawings as well as larger projects, and everything is conveyed in an easy-to-understand way, making it a pleasure to dip into this book.
From the author of the best-selling art book, Pure Watercolour Painting and guest judge on Channel 5's Watercolour Challenge, Peter Cronin.
Sketching is more than just drawing quickly. It is training your eye and hand to work together, to respond immediately and naturally to the scene before you.
Starting from a clear, simple method to bring all the senses into play, successful author and acclaimed artist Peter Cronin shows the reader how to bring artistry and economy to their sketching; making for swift and impressive results. Whether sketching as the basis for painting, or simply for pleasure, this book teaches…
I have always loved to draw ever since my Dad used to sit drawing with me at the kitchen table when I was little. At Art School we had to spend the first six weeks doing a daily life drawing class before being allowed to pick up a paintbrush! I then studied graphic design setting up my own business, at a time when, without computers, drawing was essential for presenting layout and design. Nowadays, I’m constantly instilling in my students the importance of drawing and sketching. Having been a professional artist all my working life, drawing has been a fundamental element in every way, and all the way.
This comprehensive guide to drawing landscapes includes six step-by-step as well as many examples of Margaret’s work. With her wonderful drawing ability she is able to create stunning landscapes, some with incredible detail, some much looser, maintaining compositional balance throughout. I recommend this book to the beginner and more experienced alike as I think it has something for everyone. For anyone who wants some guidance for drawing landscapes, this book will inspire whatever your level of ability.
Artists of all skill levels will find much to inspire them in this detailed and practical guide to drawing landscapes. Margaret Eggleton guides you through easy-to-follow drawing stages, and gives advice on using sketchbooks, line and tone, perspective and more. She shows how to draw elements of the landscape such as trees and foliage, hills and mountains, skies, water and buildings, and there are practical, step-by-step exercises throughout to help you practise the techniques.
Margaret then guides you carefully through each stage of six stunning projects, each culminating in a beautiful landscape drawing you'll be proud of. Suitable for beginners…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’m a professional artist, and I’ve been fascinated by light and lighting for most of my life. About twenty years ago, I realized there were no books available on this subject at all and very little information around, so it was difficult to take a deep dive into the topic of light in relation to visual art. I wrote some articles on my website, which became very popular, and this resulted in a book deal with Laurence King. My book was published in 2011, and in the interim period, more books have appeared, offering a wider and more diverse range of knowledge from differing perspectives and different artists.
When I couldn’t truly see light, I couldn’t really understand it. There is a reason why we don’t notice the subtleties of light in our everyday lives, and it’s because our brains filter it out. This book gave me a key that unlocked the art of seeing so that I could see the world as it really is rather than the simplified version that my brain presented me with.
A must for any visual artist, this book gave me the most fundamental insight that I could ever hope for: it taught me to see the world as I’d never seen it before. This was a life-changing gift.
'You will quickly amaze and delight yourself. Hands down the best and most life-enhancing thing I've done in lockdown' India Knight, Sunday Times
Drawing on the Right Side of the Brain is the world's most widely used drawing instruction book. Whether you are a professional, a student, or enjoy art as a hobby, Betty Edwards' practical step-by-step guide will give you greater confidence in your ability, deepen your artistic perception and provide a new way to appreciate the way you perceive the world around you.
This groundbreaking guide includes: - Expert advice on materials…
The search for meaning in history is all part of the search for meaning in life. Whether archaeologists or historians, economists or physicists, they are not just looking for artefacts when digging in the dirt or scanning the skies, they are looking for evidence to piece together a bigger picture—meaning in the minutiae. I’m sceptical, but the philosophy of history remains a fascinating subject, which is why I’ve explored ideas about civilization, progress, and progressive history in a number of books and articles. My primary concern about teleological accounts of history is that they tend to deny people's agency, especially non-Western peoples.
I love the way this book brings together two seemingly unrelated topics, art, and socio-political organization, to offer a new perspective on the development of human societies—linear, of course. The policies and practices of development agencies do not just draw on the latest fads of economics, rather, our thinking about the shape and trajectory of ideal societies has long been influenced by the way we quite literally see and perceive the world.
In his groundbreaking study, Art, Politics and Development, Philipp Lepenies contributes to the ongoing controversy about why the track record of development aid is so dismal. He asserts that development aid policies are grounded in a specific way of literally looking at the world. This "worldview" is the result of a mental conditioning that began with the invention of linear perspective in Renaissance art. It not only triggered the emergence of modern science and brought forth our Western notion of progress, but ultimately, development as well.Art, Politics, and Development examines this process by pulling from a range of disciplines, including…
If I was asked to describe the central theme of my life's work in a phrase, it would be 'geometry in the arts'. I'm an architect originally, now a professor in London, and have always loved drawing and the art of perspective. In the 1990s I became fascinated with the idea that Johannes Vermeer used the camera obscura, an obsession that led to my book Vermeer's Camera. I'm now working on Canaletto's Camera. And I have ideas for yet another book, on perspective, to be called Points of View. I've chosen five books on these topics that I've found most thought-provoking and inspiring.
Maurice Pirenne was a physiologist who studied vision and was fascinated by the problems of how we see and interpret paintings and photographs. In this book he explains how vision works and uses his own elegant experiments to demystify perspective and visual illusion. What I especially like about this book, is that Pirenne is not content just to explain the theoretical issues, but uses his own skills in photography to explore the issues and provide vivid demonstrations. This is one of the best and clearest books, to my mind, on these tricky questions.
From DJ flap - Linear perspective is fundamental to the representation of a three-dimensional science on a surface. Author examines the whole topic starting from the geometry of human vision and the theory of perspective. The essentials of physical and physiological optics are simply explained and well illustrated. It will appeal to anyone interested in visual communication and in the meaning and evolution of pictorial art (Description by http-mart)
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
If I was asked to describe the central theme of my life's work in a phrase, it would be 'geometry in the arts'. I'm an architect originally, now a professor in London, and have always loved drawing and the art of perspective. In the 1990s I became fascinated with the idea that Johannes Vermeer used the camera obscura, an obsession that led to my book Vermeer's Camera. I'm now working on Canaletto's Camera. And I have ideas for yet another book, on perspective, to be called Points of View. I've chosen five books on these topics that I've found most thought-provoking and inspiring.
Martin Kemp is the world's leading expert on the use of perspective, optical tools, and scientific knowledge in art. This encyclopaedic book follows developments from the Italian Renaissance to the nineteenth century, with a great wealth of illustrations, from Brunelleschi and Alberti to the colour theories of Goethe and Chevreul. I re-read and refer to this book repeatedly - as I am sure do many others - and am always finding new insights. Kemp's explanations are always clear and penetrating, even when the writers and artists he is writing about are not.
In this pathbreaking and richly illustrated book, Martin Kemp examines the major optically oriented examples of artistic theory and practice from Brunelleschi's invention of perspective and its exploitation by Leonardo and Durer to the beginnings of photography. In a discussion of color theory, Kemp traces two main traditions of color science: the Aristotelian tradition of primary colors and Newton's prismatic theory that influenced Runge, Turner, and Seurat. His monumental book not only adds to our understanding of a large group of individual works of art but also provides valuable information for all those interested in the interaction between science and…
Drawing and painting people has been my passion and my profession for a couple of decades now. Fine art, comic books, animation, illustration – as long as I'm drawing people, I'm happy. I love the challenge of trying to capture (or create) a living, breathing, thinking person on paper. And I love talking about art books with other artists. Which ones are great, which ones miss the mark, which ones have tiny hidden gems in them. This list is a mix of books I love, and books I heartily recommend.
This is my list so I wanted to include this book that was so key to me. This is an art book, but it's a very math-y art book with very few illustrations and almost no how-to step-by-step illustrations. It has pages and pages of “to draw a line from 30 degrees above the horizon and 15 degrees to the left of center etc. etc. etc.” text. It's a dense read, but it was the book that solved six-point perspective for me, which was a topic I'd been working feverishly on for a solid year and couldn't quite nail on my own. It really opened up my understanding of perspective, especially curvilinear perspective drawing. I owe this book (and Flocon and Barre) a lot.
I have been continuously studying, practicing, and/or teaching architecture since 1984, and my particular focus has been on drawing–why we draw and how we can develop our own practices for drawing, whether it’s related to architecture or not. Even more particular is my focus on drawing by hand–a practice that has had a major resurgence after the initial wave of fascination for digital drawing tools has waned. I am passionate about drawing and want to share that passion with others, partially by recommending books that have been of significant use to me over the years.
Like my previous selection, this is a wonderfully illustrated book with helpful information and many examples. Thomas is an amazing and prolific artist who has a gift for leading the reader through his subject matter in a direct and accessible way. Including many examples from other artists makes this a true compendium of on-location sketching.
Look no further for a drawing guide that will take your artistic pursuits to a new level! Urban Sketching takes inspiration from the living, breathing world around us to provide step-by-step instructions for creating urban landscapes using a wide range of techniques.
Urban Sketching provides the fundamentals of sketching and drawing while delving into this unique community of urban sketchers. This how-to book includes:
A perspective drawing guide that will aid in capturing landscapes, buildings, and objects accurately
Tips for capturing the essence of people in sketches when subjects are on the move
The art of adding notes, commentary, and…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
As a child my heroes were designers and I thought designers could design across many disciplines, this was what I understood and aspired to. I'm fortunate to have been a designer, illustrator, and design teacher for many years. Passionate about the process I firmly believe if you can design in one area you can design in another. Understanding your material's potential is the key. As a tutor and author my job is to unwrap a student’s talent, support and encourage that unique view through skills building and advice to help them. I believe good design can solve many of the world’s problems and passing on that message is valuable.
Ching has a great gift for illustrating with his visuals, and his amazing handwritten text, all manner of information about drawing and designing space. This is a comprehensive and instructional book introducing design drawing from basic principles to the communication of designed space as a structural diagram or atmospheric perspective. A wonderful exploration of sketching and drawing methods to illustrate theory, atmosphere, and the communication of three-dimensional space. For me, it transcended the textbook approach and provided a clear exploration of the communication of design method and its potential outcomes.
THE CLASSIC GUIDE TO DRAWING FOR DESIGNERS, REVISED AND UPDATED TO INCLUDE CURRENT DIGITAL-DRAWING TECHNIQUES
Hand drawing is an integral part of the design process and central to the architecture profession. An architect's precise interpretation and freedom of expression are captured through hand drawing, and it is perhaps the most fundamental skill that the designer must develop in order to communicate thoughts and ideas effectively. In his distinctive style, world-renowned author Francis D. K. Ching presents Design Drawing, Third Edition, the classic guide to hand drawing that clearly demonstrates how to use drawing as a practical tool for formulating and…