Here are 100 books that Dragon Age fans have personally recommended if you like
Dragon Age.
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When we speak in real life, much of what we say out loud doesn't have any real meaning. But when authors write, each word a character says must convey meaning to drive the scene forward. The words must exhibit some form of information—emotion, advancement of an idea, or even be the action itself—otherwise, they're just wasted words on the page. The true challenge of writing dialogue is to convey as much as possible with as few words as possible. I love a book in which I'm yearning for specific characters to return just so I can hear the carefully crafted, intelligent, and tight words they employ when speaking, especially when two characters are verbally dueling.
This fantasy series reads like a medieval history lesson come to life. They live in a world where power is dispensed with decrees, armies, and combat. But the real battles are fought among the kingdoms with verbal confrontations.
Tyrion is the jewel of the series as the despised dwarf of one of the great noble houses who must use his wit and words as both weapons and armor to overcome his lack of stature. He doesn't compete where he is weak, but rather redefines the game where his opponent's strength is irrelevant.
"I have to be careful. Everything I say is a lie."
HBO's hit series A GAME OF THRONES is based on George R R Martin's internationally bestselling series A SONG OF ICE AND FIRE, the greatest fantasy epic of the modern age. A GAME OF THRONES is the first volume in the series.
'Completely immersive' Guardian
'When you play the game of thrones, you win or you die. There is no middle ground'
Summers span decades. Winter can last a lifetime. And the struggle for the Iron Throne has begun.
From the fertile south, where heat breeds conspiracy, to the vast and savage eastern lands, all the…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve always been drawn to portal stories where a character is magically transported to another world. As a child, I loved Where the Wild Things Are. Now, as a parent, I can see how cleverly Maurice Sendak builds a fantasy around a core emotional truth. This fascination stayed with me through books like The Phantom Tollbooth and Alice in Wonderland. I believe there’s something very powerful about using fantasy worlds to explore the inner lives of characters.
This is utterly unique in the way Norton Juster is able to build a fantasy world out of words, logic, and math.
As a young adult, I loved the idea of receiving a magic tollbooth and driving into a magic world. But, immediately, I found the book challenging because Milo ends up in the doldrums (a word I had never heard before). This is not just a fantasy adventure, but a cautionary tale, a character study, and a world full of puns and puzzles.
Returning to the book as an adult, I was amazed at how seamlessly Juster puts it all together.
With almost 5 million copies sold 60 years after its original publication, generations of readers have now journeyed with Milo to the Lands Beyond in this beloved classic. Enriched by Jules Feiffer’s splendid illustrations, the wit, wisdom, and wordplay of Norton Juster’s offbeat fantasy are as beguiling as ever.
“Comes up bright and new every time I read it . . . it will continue to charm and delight for a very long time yet. And teach us some wisdom, too.” --Phillip Pullman
For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only…
One of the questions that I’m constantly asked by other authors is how do you make characters memorable in a genre that has done it all? My criteria are twofold–the characters need to be flawed and relatable; no one can truly relate to Superman. Secondly, I believe there is strength in a group. When I write with a diverse group of characters with their own personalities, the characters tell the story for me. I find that if I can emphasize and start having fun like I’m part of the group, I become enthralled with the novel. I am passionate about characters and letting them breathe and feel real.
This is the first book in a series that I don’t think is talked about enough. There are several characters from different points of view, but the ones that stand out most are Lukien and Baron Glass. I love a redeemed villain in any media, and Baron Glass fits that mold.
Originally depicted as the villain in a warring kingdoms opening story, I loved the way that the “villain” becomes portrayed as a kindly mentor that despite age and injury can still fight. Lukien and Glass serve as perfect foils for each other, and the author uses plenty of symbolism to support that. Put together with the whole cast; you have a perfect rag-tag cast of main and supporting characters that breathe on their own with flaws and relatable goals.
A young king breaks with the past and makes peace with the kingdom his father has fought for years. To seal the bargain he is offered the hand of the kingdom's princess. And so begins a fast moving epic of madness, obsession, prejudice and sheer magic. John Marco has woven an intricate tale of personalities driven by love, hatred and ambition. Each character must, in the end, pay the price for their actions and THE EYES OF GOD is, at its core, an almost classical tragedy. Rich in its evocation of magical lands, detailed in its dissection of motive, compelling…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
One of the questions that I’m constantly asked by other authors is how do you make characters memorable in a genre that has done it all? My criteria are twofold–the characters need to be flawed and relatable; no one can truly relate to Superman. Secondly, I believe there is strength in a group. When I write with a diverse group of characters with their own personalities, the characters tell the story for me. I find that if I can emphasize and start having fun like I’m part of the group, I become enthralled with the novel. I am passionate about characters and letting them breathe and feel real.
The cast of this book are all vastly different. I enjoyed going from a human, relatively normal perspective between Jaymes and Caithlin to the antagonistic orc Ghurak. Jaymes is not a superhero but a regular human on a warship, and with that comes relatability in his character.
The humor sown throughout this book between Jaymes and Karnon about understanding nautical terms also helped me to properly understand some of the words I had never heard of before while not beating me over the head with dry prose. I enjoyed Pirates of the Caribbean, but taking that general concept and adding salamanders, orcs (not to mention a sober protagonist), and more into the mix made it that much more fun!
A story based on the new game from Mantic featuring sea battles in a fantasy setting
“Lieutenant Jaymes Ellias is ready to leave the Basilean Navy. A career spent in coastal defence and administrative positions has left him dejected and resentful, and he has a plan for life outside the military. But when he is suddenly sent to the ship’s company of the HW Pious, an elohi-class frigate, he is propelled into action under the command of the harsh, sardonic Captain Charn Ferrus. Ferrus and his squadron are employed in pirate hunting duties in the sun-drenched Infant Sea, combating the…
My interest in politics and conflict has always come from the margins. I have developed an interest in the periphery, minorities, liberation movements, other actors outside the center, official governance institutions, and national political elites. My work has mainly concentrated on how such actors have sought to influence politics at the national and international level and how questions of identity, perceptions of self and other, and sense of belonging come into play. Geographically, my interest has lied primarily in the Middle East, broadly defined, particularly Iraq, Turkey, Syria, and Kurdistan. In recent years, however, I have also developed an interest in East Africa, especially Sudan and South Sudan.
Fragmentation is a natural tendency among humans. Collectives, groups, and organizations face centrifugal tendencies that push for division and fragmentation. Ideological movements, in particular, face this risk, as there will always be members of the group who are dissatisfied with how the collective is progressing toward achieving its goals.
Rebel movements are an excellent example, as such actors constantly fragment, divide, and evolve through years of rebellion. But what factors contribute to or prevent divisions among rebel groups from disintegrating? And not less importantly, what are the implications of fragmentation on civil wars in which the rebel movements participate?
Based on rigorous fieldwork in the Horn of Africa, with particular attention to Eritrea and Ethiopia and an additional outlook into Somalia, Woldemariam offers a convincing theory that addresses these questions by examining such factors as battlefield developments and the nature of control over territory. He does so clearly and eloquently,…
When insurgent organizations factionalize and fragment, it can profoundly shape a civil war: its intensity, outcome, and duration. In this extended treatment of this complex and important phenomenon, Michael Woldemariam examines why rebel organizations fragment through a unique historical analysis of the Horn of Africa's civil wars. Central to his view is that rebel factionalism is conditioned by battlefield developments. While fragmentation is caused by territorial gains and losses, counter-intuitively territorial stalemate tends to promote rebel cohesion and is a critical basis for cooperation in war. As a rare effort to examine these issues in the context of the Horn…
I’m Vajra Chandrasekera, from Colombo, Sri Lanka. I’m a writer, and more importantly, a reader. My favourite kind of book is bigger on the inside, the kind that drops you into a world too big and too weird to really get a handle on, a world that’s strange in ways you feel you recognize, like how sometimes you wake up from a dream and think, I’ve dreamed about that place and those people before,but you can’t tell if you have, or whether you dreamed the memory, too. You read the book and look at the world and you ask yourself: Did I dream those people, that place? Or is this the dream?
You know how you go somewhere you’ve never been and you feel hollow in your bones, like you’re more fragile there, you might blow away in a strong wind or just melt down if this place doesn’t learn to recognize you?
Amatkais like that, and it’s about that. We follow someone trying to diligently do a perfectly normal market research gig in place where everyday objects must be clearly labelled and the labels reinforced constantly, otherwise they dissolve into slush.
She has to keep putting things in their place, but she’s not too good at that, because she’s always been out of place herself.
I mean, isn’t that exactly what life is like? And then it all falls apart.
ONE OF THE GUARDIAN’S BEST SCIENCE FICTION AND FANTASY BOOKS OF 2017
A surreal debut novel set in a world shaped by language in the tradition of Margaret Atwood and Ursula K. Le Guin.
Vanja, an information assistant, is sent from her home city of Essre to the austere, wintry colony of Amatka with an assignment to collect intelligence for the government. Immediately she feels that something strange is going on: people act oddly in Amatka, and citizens are monitored for signs of subversion.
Intending to stay just a short while, Vanja falls in love with…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I’ve always been fascinated by the razor-thin line between innovation and disaster—where progress often conceals a darker potential. As a Gen-Xer who grew up questioning authority, speculative fiction became my outlet for exploring these precarious themes. Now, as an author, I channel that curiosity into stories that push the boundaries of ethical ambition, forcing us to confront the unsettling truths behind our technological dreams. This list reflects my deep love for sci-fi thrillers that don’t just entertain but challenge us to examine the hidden costs of our relentless pursuit of progress.
This book didn’t just fascinate me; it shattered my understanding of utopia. Cronin’s Prospera seemed idyllic, but as I read, a gnawing unease grew. Like the protagonist, Proctor, I found myself grappling with the realization that perfection might come at a devastating cost.
The unraveling of Prospera’s facade forced me to reflect on the illusions we cling to in our own society. Cronin’s exploration of memory, loss, and the price of paradise stuck with me, making me ponder the lies we tell ourselves.
NEW YORK TIMES BESTSELLER • “Next to impossible to put down . . . exciting, mysterious, and totally satisfying.”—STEPHEN KING
From the New York Times bestselling author of The Passage comes a riveting standalone novel about a group of survivors on a hidden island utopia—where the truth isn't what it seems.
Founded by the mysterious genius known as the Designer, the archipelago of Prospera lies hidden from the horrors of a deteriorating outside world. In this island paradise, Prospera’s lucky citizens enjoy long, fulfilling lives until the monitors embedded in their forearms, meant to measure their physical health and…
I'm a human rights activist from Burma. When I was 14, I was forced to flee to Thailand because of an attack by the Burmese military and ended up in a refugee camp. As one of Burma's leading democracy activists in Europe, I campaign for the promotion of human rights, democracy, and development back home in Burma. Together with my family, I set up Phan Foundation which aims to preserve Karen culture, promote human rights, fight poverty and provide education for Karen people. This is in memory of my mother Nant Kyin Shwe and my father Padoh Mahn Sha Lah Phan, who was assassinated by agents of the Burmese military.
I knew Saw Ralph and Naw Sheera when we were in Manerplaw, which used to be the headquarters of the Karen resistance, in Burma. As a little girl, I often followed my mother Nant Kyin Shwe to her workplace and remembered seeing Naw Sheera in the office of the Karen Women's Organisation. When I read her book, it reminds me of all the places and the people, and my beautiful childhood in, Kawthoolei, Burma.
Fifty Years in the Karen Revolution in Burma is about commitment to an ideal, individual survival and the universality of the human experience. A memoir of two tenacious souls, it sheds light on why Burma/Myanmar's decades-long pursuit for a peaceful and democratic future has been elusive. Simply put, the aspirations of Burma's ethnic nationalities for self-determination within a genuine federal union runs counter to the idea of a unitary state orchestrated and run by the dominant majority Burmans, or Bamar.
This seemingly intractable dilemma of opposing visions for Burma is personified in the story of Saw Ralph and Naw Sheera,…
I began studying Arabic language in middle school in Utah. While I was in university, I read history and politics to understand what was happening in Israel and Palestine, and widened my interest to the entire Middle East. The major question that compelled my interest was how things have changed in the region and why.
I was fortunate to live in Iran, Tunisia, Morocco, and Egypt and to travel through much of the Middle East. During my time in these countries, I saw warning signs of political trouble, the involvement of the US, and the Arab Awakening of 2011. Change in the region has brought much that is good, but it has come in many areas at a high cost.
First, I need to explain that the title of this book is deceptive as Riverbend, an Iraqi tech expert, is a well-educated young woman, not a girl. The book is taken from her blog, written from August 2003 through September 2004, and details the changes that war between Saddam Hussein and American forces brings to Iraq.
I lived in the US during these years and followed the news closely as the US organized and launched its attack on Saddam Hussein’s regime with “shock and awe”. However, Riverbend’s account taught me far more than all the media accounts. Her formerly quiet life as a computer tech ends as a woman is no longer allowed to come into the office, or even be safely seen on the street. Almost every page contains contrasts of Iraqi everyday life as lived by her family with the changes the invasion brings—changes no U.S. reader was…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I am an award-winning historian, biographer, and political commentator. As a specialist in Soviet history, my books have been translated into many languages, including Arabic, Chinese, French, Finnish, German, Japanese, Portuguese, Russian, Spanish, and Turkish.
The Ukraine crisis began in 2014 with the popular "Maidan" uprising that toppled the country’s pro-Russian president. Russia’s seizure of the Crimean peninsula was followed by civil war and the takeover by pro-Russian rebels of Eastern Ukraine’s Donbas region.
Sakwa focuses on the international factors that exacerbated internal splits within Ukraine. Crucially, the crisis might have been avoided altogether if the United States, EU, and NATO had found a way to incorporate Russia into the post-Cold War order in Europe that emerged after the collapse of the USSR in 1991.
The unfolding crisis in Ukraine has brought the world to the brink of a new Cold War. As Russia and Ukraine tussle for Crimea and the eastern regions, relations between Putin and the West have reached an all-time low. How did we get here? Richard Sakwa here unpicks the context of conflicted Ukrainian identity and of Russo-Ukrainian relations and traces the path to the recent disturbances through the events which have forced Ukraine, a country internally divided between East and West, to choose between closer union with Europe or its historic ties with Russia. In providing the first full account…