Books like Amatka

This is a highly propulsive and emotionally engaging novel with a sympathetic protagonist at its core.

It could be considered a portal fantasy, but I'd categorize it, along with the other books on this list, as “speculative,” because it doesn’t fit neatly into either the fantasy or science fiction genres and is anchored in contemporary or near-future realism.

Piranesi’s beautifully executed theme, about how a dramatic change in perspective can lead to a deeper appreciation for the beauty and nobility abiding beneath the ugliness of humanity and our one and only world, is one for the ages.

This highly original and beautiful book is destined to endure as one of the classics of early twenty-first century literature.

For a more traditional take on fantasy, Sofia Samatar’s A Stranger in Olondria is lovely and immersive, a fascinating new world worthy of Ursula Le Guin and Gene Wolfe.

Reportedly, she created Olondria from a combination of regions in Turkey and North Africa, and it feels absolutely fresh and instantly powerful. A teenage merchant becomes haunted by the ghost of a young girl and must find a way to put her to rest.

But the story is really about the power of books and stories and language itself. It’s a love letter to adventure and open seas, harbors, and alleys, and snowy mountains in the distance.

Ms. Samatar holds several advanced degrees in language and literature, including Arabic and various African dialects, and you can feel the joy of her verbal artistry dancing on the page.

Stranger is not to be missed.

Technically—very technically—this is the conclusion of a trilogy, but it’s more three standalone novels that have some things to say to, and about, each other.

The first book, The Iron Dragon’s Daughter, was hugely influential on me as a reader and writer, and on speculative fiction as a field. This one, two decades later, is the most direct about the mutual imbrication, the bidirectional haunting, between our world and theirs.

Swanwick’s Dragon books do indeed feature dragons, except the iron dragons are mechanical, warplanes bonded to their human pilots, in a version of Faerie that has fully integrated vile modernity and knows our souls all too well. 

Death in Spring is a tiny book containing a bigger, more intricate world than many a doorstopper, for all that the whole story set in a small, nameless hamlet.

Life there too is made of strange, violent rituals, only not the ones we know. We follow a boy growing up and learning them, and being scarred by these mysteries—what do they fill the mouths of the dead with, before they are killed and put into a tree forever? (It’s cement.)

Rodoreda wrote in Catalan, and Tennent’s translation is fluid and beautiful.

Perfection is a rare thing; if you want to see what that looks like, here you go.   

In a post-apocalyptic world run by an oppressive American empire, we find Little Bird hiding in a hole. Though her mother was a great leader of the rebellion, Little Bird has found herself very lost, in a very cruel world - and she just might be the last chance that the freethinking people of the Western world have. 

I love that this story takes familiar forces and fears of our modern life and cranks them up to eleven. With that in mind, the star of the show must be Ian Bertram’s artwork. All the huge ideas and themes created by Darcy are elevated to a startling degree by the way Ian is able to build this world visually. The iconography, the violence, the characterizations, it slaps you in the face page after page.

This book didn’t just fascinate me; it shattered my understanding of utopia. Cronin’s Prospera seemed idyllic, but as I read, a gnawing unease grew. Like the protagonist, Proctor, I found myself grappling with the realization that perfection might come at a devastating cost.

The unraveling of Prospera’s facade forced me to reflect on the illusions we cling to in our own society. Cronin’s exploration of memory, loss, and the price of paradise stuck with me, making me ponder the lies we tell ourselves.

The Ukraine crisis began in 2014 with the popular "Maidan" uprising that toppled the country’s pro-Russian president. Russia’s seizure of the Crimean peninsula was followed by civil war and the takeover by pro-Russian rebels of Eastern Ukraine’s Donbas region.

Sakwa focuses on the international factors that exacerbated internal splits within Ukraine. Crucially, the crisis might have been avoided altogether if the United States, EU, and NATO had found a way to incorporate Russia into the post-Cold War order in Europe that emerged after the collapse of the USSR in 1991.

Fragmentation is a natural tendency among humans. Collectives, groups, and organizations face centrifugal tendencies that push for division and fragmentation. Ideological movements, in particular, face this risk, as there will always be members of the group who are dissatisfied with how the collective is progressing toward achieving its goals.

Rebel movements are an excellent example, as such actors constantly fragment, divide, and evolve through years of rebellion. But what factors contribute to or prevent divisions among rebel groups from disintegrating? And not less importantly, what are the implications of fragmentation on civil wars in which the rebel movements participate?

Based on rigorous fieldwork in the Horn of Africa, with particular attention to Eritrea and Ethiopia and an additional outlook into Somalia, Woldemariam offers a convincing theory that addresses these questions by examining such factors as battlefield developments and the nature of control over territory. He does so clearly and eloquently,… show more.

I think some of the strongest and most compelling stories can be told in video game RPGs, and I consistently refer to this one as having some of the best characters. I read this novel after playing the game, and I loved being able to learn more about Loghain.

In this book, he is lorded as a powerful figure, and he affects major parts of the story. I loved exploring his backstory and seeing his character evolve and grow into how he is in the game. I also enjoyed connecting the pieces of his personality to the plot of the novel. The author captured the formula of creating “real,” flawed characters from the game and translated it excellently into prose.

Marwan Kraidy’s book is a deep dive into the cultural politics of the Arab Uprisings during 2011. Wonderfully written and cleverly organized this academic book looks at the ‘digital’ nature of these resistance movements and the use of art and media tools in the protests. The focus is on young Arabs who used the street to challenge authority and cutting-edge social media platforms to argue for social change. In the book political activism and a period of digital euphoria meet when places like Tahrir Square became the centre of the world. This is one of the most essential accounts of 2011 that offers a refreshing take on Facebook and Twitter as revolutionary agents that helped to bring down the military regime.