85 Books Like Down Cemetery Road

I was completely absorbed by Beautiful Ugly, where nothing is quite what it seems.

I love stories that play with perception, and this one does it so elegantly, weaving grief and obsession into something hauntingly beautiful. The isolated Scottish island provides a fabulously claustrophobic and creepy backdrop that I couldn’t get enough of.

It’s dark, atmospheric, and exquisitely written—I raced through it.

Whilst I’ve enjoyed most of Irvine Welsh’s books, The Acid House (a collection of short stories) is my favourite because it so accurately crystallises a particular culture, place and time.

The stories are set in Edinburgh and its environs during a period when I was living in a village nearby. My familiarity with the settings made The Acid House feel intimate, sometimes unsettlingly so. I love the way each story blends the real and the surreal. There are drugs and booze galore, of course, as well as brutality and revenge, but the author’s savvy wit and incisive dialogue give these tales gravitas, authenticity and philosophical depth.

I laughed when a couple of years ago I witnessed “Scotland’s top cop” (in the spoof police documentary Scot Squad) sum up Irvine Welsh’s written output as “monkey gibberish” – the barely concealed glee with which that phrase was delivered by comedian Jack… show more.

I love this book because it takes me to the far north (where I used to live).

It takes me back to the wide skies, jagged cliffs, pounding waves, miles of rough open land, and seals gazing at you from every bay and cove. I love reading old traditional tales because, as a writer, they feed me, and give me ideas for new stories.

This is one of those books with a setting so strong it becomes a character—in this case, a run-down old castle in Scotland.

There’s so much more to love here, though, like lost and found friendships, an old diary that adds a historical thread, and, of course, birds. I felt a connection to the main character, Callie, who just wants to stay home and read books!

If I were forced to choose an extracurricular activity, I’d also skip the sports and pick something animal-related, like the birding club. My admiration for Callie grew when she spoke up, even when she was intimidated.

Ludington’s book is exciting because it disproves pervasive ideas about wine consumption. One of the big assumptions in the history of commodities is that middle-class people want to imitate elites, and that taste trickles down the social ladder.

Ludington shows that the opposite was true 250 years ago in England and Scotland: aristocrats started changing their wine-buying habits to appear more sympathetic to the middling sort. This trickle-up is an eighteenth-century equivalent of affluent hipsters drinking Pabst Blue Ribbon or fashionistas buying $400 jeans.

I’m the type of reader who finishes each sentence thinking yeah, but how do we know that?, so I find Ludington’s generous footnotes and detailed cellar inventories to be deeply satisfying. This is not an easy read, but it’s a thoroughly enriching one.   

When I moved to Scotland for my postgrad year studying writing at the University of Edinburgh, the apartment I rented had one book in it – this collection of short stories, set in the same city.

I was pretty sure Trainspotting was the best novel I’d ever read, but I wasn’t aware of this collection of three works of Irvine Welsh’s short fiction. My first night in the apartment, I sat on the one chair and read the one book. And what a buzz!

I loved the mix of grittiness, euphoria, and dark-as-night humour. The focus on club drugs was more relatable than the heroin culture of Trainspotting (although to my delight, Spud Murphy makes a cameo appearance – twice!). 

Great writing is the key to my heart, and this book is gorgeously written. Isobel, a newly arrived Scottish immigrant to Salem, MA, carries a dangerous secret gift—the “magic” of synesthesia. The story takes place two generations after the infamous witch trials, and while Isobel’s unique color awareness means she can support herself as a seamstress and embroiderer while her husband is at sea, it also means she’s vulnerable to suspicion. Meanwhile, she meets Nathaniel Hawthorne—yes, that Nathaniel Hawthorne.

While Albanese explains that Isobel isn’t specifically “Hester” of The Scarlet Letter, by the end of the novel, I completely believe that she is. Here's a strong feminist perspective on a classic case of a woman wronged. I can’t wait to pick it up again.

This magnificent book made me realize perhaps more than any other by a Scottish female writer that the lives of working-class Scottish women are unique, important, and worth writing/reading about.

The book tells the story of Joy, a woman whose mental health is slowly crumbling before our eyes. Galloway masterfully tells this story in the first person so that we are right inside Joy’s mind. We discover a background of abuse and recent bereavement, leading to issues with alcohol abuse and anorexia.

That should all make for a depressing read, and it is of course heart-breaking at times but it is also ultimately about one woman’s search for what it takes ‘to keep breathing’. Utterly spellbinding writing from one of Scotland’s greatest writers. 

This is the story of a woman who is having a hard time personally, and she swims to heal herself. She swims to reconnect with her wild nature. And she is brave. She swims in all seasons, all weathers, all conditions. Once she was almost pushed against craggy rocks.

I swim too. I love seals, and know this act of taking to the water - our small bit of wild - to reconnect with my wild nature.

I loved the vulnerability that shines through in this book and I like to read of strong women who dare connect with nature to empower themselves. I feel I do that (a bit) and people like Victoria inspire me to push those wild boundaries a little more.

This is a timeless volume of classic Scottish folktales. Judy Paterson has wisely chosen a diverse and enthralling selection of folk stories from Scotland.

Her writing style is superb for children aged 7 plus. She blends her literary skills with an intimate knowledge of Children's literacy needs. They are sensitively chosen stories, nothing overtly scary, but some are supernatural enough for bed covers to be pulled up if needed.

Children will adore the beautiful pictures and the carefully crafted attention to detail within each tale. I particularly loved her tender descriptions of horses. I recommend this book to anyone (children and adults) who want to enjoy Scottish folklore and folktales.

Read this book, and you will be initiated into the Celtic world of myths, giants, kelpies, fairies, and supernatural creatures.