Books like Double Whammy — picked by fans

I love any book written by Carl Hiaasen for the simple fact that he’s not boring, and of course, his writing, though somewhat politically incorrect, makes me laugh. I can forget about everything when reading one of his books.

In this novel, there’s a twist that the bad guy doesn’t think about when he pushes his wife off a cruise ship. The book is seriously hilarious. If you want to disappear into some Floridian madness, you’ll want to read this book.

I love Andrews’ combination of Women’s Fiction and Mystery, and I think this series creates a wonderful bridge between Andrews’ writing style between the two genres and her pen names (originally, she wrote mysteries as Kathy Hogan Trocheck). Savannah Blues is more character- than plot-driven, but for those looking for a light mystery in a sultry southern setting with all the ubiquitous eccentrics and some BFFs bent on ex-husband revenge, you’ll enjoy the story like I did. You learn a bit about antiquing and Savannah architecture while cheering on amateur sleuth Weezie and enjoy a lot of laughs with her friend Bebe Loudermilk. By the end of Savannah Blues, I wanted to move across Georgia and have Weezie dress me up at home in Savannah.

Unwed, broke, and over thirty, Mississippi native Sarah Booth Delaney may live on the family plantation, but take it from me; she’s no Scarlett O’Hara. And if the not-so-Southern Belle didn’t already have enough to contend with, she’s being haunted by the wise-cracking ghost of her great-great-grandmother’s nanny, who never misses an opportunity to remind her of the mess her life has become.

I burst out laughing when the irreverent ghost scolded Sarah Booth, saying her biological clock was ticking and she better start birthing babies before her eggs got too old and dried up! If you’re like me and love a sassy ghost poking fun at an unladylike sleuth, then this is the book for you.

I love this one because it’s funny. Every so often, I need something witty and maybe a little offbeat, but with a crime element, and this does the trick.

Elmore Leonard’s Raylan Givens stories set in Kentucky also fit that bill, but Leonard was an outsider writing about a foreign place he researched, and sometimes those seams show. I like McCrumb because she knows the landscape personally.

This is a novel based on Frederick’s own gambling addiction on the Mississippi riverboats. Ray and Jewel Kaiser love to gamble, until a fun night out becomes a compulsion. They find themselves showing up at the Paradise casino all hours of the day and night, becoming intimate with the employees and escalating their bets. After visiting the area, I knew the scenes in the casino ring true and the dialogue is so on point, that you root for Ray and Jewel even though in the back of your mind you know the house always wins. 

Ryan Carroll is a young woman who has recently moved back home to rural Mississippi to live in her childhood home. A home where, as a young child, she became lost in the surrounding woods one winter night and was saved by a mysterious young man who was gone by the time rescuers were able to find her. All these years later, she finds she is irresistibly drawn to these woods.

I love it when a character can feel a calling to something, and they follow that instinct, which leads them to an epic adventure. One day, while she is taking a dip in a pond tucked back into the thick of these woods, she sees him, the boy who saved her. She soon learns that there is an entire secret world hidden in the woods surrounding her childhood home, and it’s not one populated by humans. Once this story… show more.

Set in 1920s Mississippi, this Southern novel weaves a harrowing tale of two teenage girls who are drawn into a dangerous world of bootleggers and moral corruption. Forced to come to terms with their hidden past, they discover that they are linked in ways that could cost them their lives.

As rich and lush as the Natchez Trace swamps where the story takes place, Mustian’s lyrical prose combined with her deep insight into the resiliency of the human spirit make this novel shine. You know a book is good when you wish you’d written it!

Wald is a contrarian’s contrarian; this revisionist study--lucid, sensible, self-assured--demolishes not just the soul-selling-at-the-crossroads mythology embraced by fans of Robert Johnson, but a series of romantic misconceptions about blues music in general and Mississippi blues in particular.

He reminds us, for example, that classic blueswomen like Ma Raney and Bessie Smith were the first stars of the blues; that Johnson was, by contrast, virtually unknown on a national level during his own lifetime; and that Johnson, celebrated by his mythologizers as a devil-haunted innovator, was actually a savvy, record-copying consolidator of a broad range of contemporary blues styles.

He was also a “polka hound” and human jukebox, according to Wald, a jack-of-all-trades who played Gene Autry songs and other pop tunes for the pleasure of his audiences, black and white.

As someone who considers her brother her creative muse, I would describe this novel as one interested in siblings.

Between Leonie and Given, and Jojo and Kayla is an indescribable, utterly unique bond, held within and beyond both family and friendship. 

I was utterly consumed by this heartbreaking novel. From the opening scene where Pop and Jojo kill and skin a goat, to the heat in Leonie’s car and the scene of Jojo’s police cuffing, Ward delivers a pace, language, and viscerality that means you can’t look away. 

Somewhat surprisingly, I was even compelled by the book’s ghostly elements. I found they enhanced the magnitude of the characters’ burdens, especially for thirteen-year-old Jojo, who already shoulders so much.

I highly recommend this book, as a pleasure and as a duty to your fellow human beings. 

I almost chose a fifth book by an author more readers will likely have heard of (Octavia Butler, Parable of the Sower), but I’m going with a second autobiography, Anne Moody’s, Coming of Age in Mississippi.

Between ages 13 and 16, I read my blue paperback cover of this book more times than I can remember. It’s about Anne Moody’s growing up amid poverty and Jim Crow, beset by sexism and danger from within and outside her community due to her gender and race.

It chronicles her childhood in Mississippi to her evolution into a Civil Rights Activist as a teen and college student. It’s so unforgivingly honest, detailed, and visually rich on the page - it humanizes the history like an Eyes on the Prize documentary but way more personalized.

I think it taught me further about the value of writing very visually,  the power of our individual… show more.