Here are 100 books that Escaping the Delta fans have personally recommended if you like
Escaping the Delta.
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I am a romantic; I live to love. My books Eve’s Blessing and Subjectified both help women build great sex and love lives. As a therapist and sex educator, I help people connect with their partners and build the relationships of their dreams. I am currently working on a romance novel with spiritual and psychedelic themes. I love books that introduce us to new worlds as we explore the inner world of each character.
This 1937 novel centers on a Black woman in the contemporary American South seeking to find freedom and love as she leaves her grandmother's farm to explore three romances.
In the process, she finds herself—and recovers it as a dark, shocking twist at the end creates a stumbling block she triumphantly surmounts.
Cover design by Harlem renaissance artist Lois Mailou Jones
When Janie, at sixteen, is caught kissing shiftless Johnny Taylor, her grandmother swiftly marries her off to an old man with sixty acres. Janie endures two stifling marriages before meeting the man of her dreams, who offers not diamonds, but a packet of flowering seeds ...
'For me, THEIR EYES WERE WATCHING GOD is one of the very greatest American novels of the 20th century. It is so lyrical it should be sentimental; it is so passionate it should be overwrought, but it is instead a rigorous, convincing and dazzling piece…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I’ve been a working blues musician for almost half a century, a blues harmonica teacher for much of that time. Twenty-five years ago I first began offering university-level courses on the blues literary tradition. My experience as a Harlem busker back in the 1980s and a touring performer in the 1990s as part of the duo Satan & Adam critically shaped my approach, anchoring me in the wisdom, humor, and deep-groove aesthetics of partner, Mississippi native Sterling “Mr. Satan” Magee. The blues is or the blues are? It’s complicated! I try to honor that multiplicity and the people who put it there.
I’ve been assigningThe World Don’t Owe Me Nothing in Southern Studies classes at Ole Miss for the past twenty years; the incarcerated students in my blues lit class at Parchman said this was their favorite book.
Honeyboy, born in 1915, grew up in the bad old Mississippi Delta, back when cottonfield sharecropping, lynching, and prison farms were the givens. The blues were his way out. He learned his trade, rambled widely, took his pleasures where he found them.
“I had three ways of making it,” he writes. “Women, my guitar, and the dice.” He knew all the great bluesmen, and gigged with most of them: Charley Patton, Robert Johnson, Little Walter. An unforgettable Delta blues autobiography.
This vivid oral snapshot of an America that planted the blues is full of rhythmic grace. From the son of a sharecropper to an itinerant bluesman, Honeyboy’s stories of good friends Charlie Patton, Big Walter Horton, Little Walter Jacobs, and Robert Johnson are a godsend to blues fans. History buffs will marvel at his unique perspective and firsthand accounts of the 1927 Mississippi River flood, vagrancy laws, makeshift courts in the back of seed stores, plantation life, and the Depression.
I’ve been a working blues musician for almost half a century, a blues harmonica teacher for much of that time. Twenty-five years ago I first began offering university-level courses on the blues literary tradition. My experience as a Harlem busker back in the 1980s and a touring performer in the 1990s as part of the duo Satan & Adam critically shaped my approach, anchoring me in the wisdom, humor, and deep-groove aesthetics of partner, Mississippi native Sterling “Mr. Satan” Magee. The blues is or the blues are? It’s complicated! I try to honor that multiplicity and the people who put it there.
I remember reading Wilson’s play for the first time as a grad student, not long after I’d been a street musician in Harlem working with a brilliant, irascible old bluesman from Mississippi, and thinking “I knowthese guys.”
Wilson, the greatest American blues playwright (and one of the greatest American dramatists period), has an uncanny ear for the jibing, jiving, wisdom-declaiming back-and-forth that fills the conversational space between four southern-born musicians who find themselves in a Chicago recording studio one day in 1927, getting ready to back up their boss, Ma Rainey.
Toledo, elder and griot, the keeper of ancestral wisdom, butts heads with Levee, the hotheaded young innovator who bears, and brandishes, deep wounds inflicted by white southern violence. The play’s denouement is hurtful, shattering, unforgettable.
NOW A NETFLIX FILM STARRING VIOLA DAVIS AND CHADWICK BOSEMAN
From the Pulitzer Prize-winning author of Fences and The Piano Lesson comes the extraordinary Ma Rainey's Black Bottom—winner of the New York Drama Critics’ Circle Award for Best Play.
The time is 1927. The place is a run-down recording studio in Chicago. Ma Rainey, the legendary blues singer, is due to arrive with her entourage to cut new sides of old favorites. Waiting for her are her Black musician sidemen, the white owner of the record company, and her white manager. What goes down in the session to come is…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
I’ve been a working blues musician for almost half a century, a blues harmonica teacher for much of that time. Twenty-five years ago I first began offering university-level courses on the blues literary tradition. My experience as a Harlem busker back in the 1980s and a touring performer in the 1990s as part of the duo Satan & Adam critically shaped my approach, anchoring me in the wisdom, humor, and deep-groove aesthetics of partner, Mississippi native Sterling “Mr. Satan” Magee. The blues is or the blues are? It’s complicated! I try to honor that multiplicity and the people who put it there.
A precise, thoughtful, and unromantic blues scholar, Barry Lee Pearson was also a friend of, and occasional booking agent for, DC-area acoustic blues legends like John Jackson and Cephas & Wiggins.
Jook Right On, which I was delighted to blurb and use in my own teaching, offers a series of compact autobiographical testimonies—“blues stories”—on a wide range of topics from a wide range of blues people.
“Wordsmiths by trade,” Pearson writes in his brilliantly incisive introduction, “these storytellers bring to their tales qualities also found in blues musical performance and philosophical perspectives characteristic of the blues tradition such as improvisation, ironic humor, ambivalence, and a life-affirming sense of hope in the face of adversity.”
Constitutionally immune to cliches, Pearson brings you closer to the blues musician’s perspective than any writer I know.
“Pearson has collected a gold mine of compelling tales, organized them with convincing logic, and introduced them with the kind of penetrating insight and professional modesty that any blues scholar might do well to emulate. This is a terrific book—one I know I’ll use in my own teaching.” —Adam Gussow, author of Seems Like Murder Here: Southern Violence and the Blues TraditionJook Right On: Blues Stories and Blues Storytellers is what author and compiler Barry Lee Pearson calls a “blues quilt.” These blues stories, collected by Pearson for thirty years, are told in the blues musicians’ own words. The author…
I've been a lawyer for 30 years, 20 of them as an elected district attorney, and writing relieves stress for me. Real crime is messy and irrational; crime fiction restores order. But literary fiction is too slow—a novel must compel the reader to turn the page. Good thrillers tackle major issues, revealing themes that deepen our understanding of humanity. I've witnessed courage during grief and stress, but I'd never betray that trust by writing nonfiction accounts. I deliberately jumbled character traits and real events and combined them with my understanding of modern police techniques like geofencing and DNA.
This book by John Grisham asks how moral people live in an unjust society. They either come to terms with the wickedness of a broken world or end their lives.
The opening page of the Grisham novel reveals a man who can’t cope with his sins, those of his ancestors, and society. I submit the reader wants a more courageous protagonist capable of coping with the chaos. The entire purpose of crime fiction is to re-establish the order shattered by evil.
In the long-awaited successor to the novel that launched his phenomenal career, John Grisham brings us the powerful sequel to A Time to Kill. As filled with page-turning twists as it is with legal mastery, Sycamore Row proves beyond doubt that John Grisham is in a league of his own.
Jake Brigance has never met Seth Hubbard, or even heard of him, until the old man's suicide note names him attorney for his estate. The will is dynamite. Seth has left ninety per cent of his vast, secret fortune to his housemaid.
I’m a nonfiction author whose success owes enormously to fiction. It challenges me to portray real people as vividly as characters in novels, and to use narrative and dialogue to keep readers turning the pages. Reading great novelists has taught me to obsessively seek exactly the right words, to fine-tune the cadence of each sentence, and to heed overall structural rhythm; continually, I return to the fount of fiction for language and inspiration. The astonishing novels I’ve shared here are among the most important books I’ve recently read to help grasp the critical times we’re living in. I’m confident you’ll feel the same.
I hesitate to describe The Trees — in fact, I recommend you avoid reading any reviews, or even the back cover, because the book is so full of surprises that it would be a sin to spoil any of them. I’ll only say that of all the recent books dealing with the intractable shame of racial struggles, this is my favorite, hands-down. Prepare yourself to be alternately sick with laughter or sick with horror — which is exactly the experience of the protagonists, and of their real-life compatriots. Afterward, like me, you’ll want to read everything else Percival Everett has written.
An uncanny literary thriller addressing the painful legacy of lynching in the US, by the author of Telephone
Percival Everett's The Trees is a page-turner that opens with a series of brutal murders in the rural town of Money, Mississippi. When a pair of detectives from the Mississippi Bureau of Investigation arrive, they meet expected resistance from the local sheriff, his deputy, the coroner, and a string of racist White townsfolk. The murders present a puzzle, for at each crime scene there is a second dead body: that of a man who resembles Emmett Till.
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
As a reading educator my mission in life is to give the gift of literacy. Inspiration came from my mother, my first-grade teacher who taught me to read. At 90-plus years old and declining, I dedicated one of my 18 books on teaching literacy to her. She sent me the last letter she would ever write and said, “Oh, oh, oh!”—a quote from Dick and Jane, the book she used to teach reading to three generations of first graders—“I always wanted to write a book but never did. I hope a word of mine is on a page or two of yours.” Her inspiration is on every page.
Richard Grant a British journalist and adventure writer traveled the world before moving from New York City with his Brookland girlfriend to transform a dilapidated antebellum mansion in Mississippi into a new home and a new life.
In the process he discovers the real Mississippi—good and bad—as “the most American place on earth.” This book makes the reader laugh, cry, but most important think deeply about jazz, sex, politics, food, America’s class system, racism, democracy, and what it means to be American which is in constant change.
Grant’s writing is addictive and an elixir—you can’t put it down.
Adventure writer Richard Grant takes on "the most American place on Earth" the enigmatic, beautiful, often derided Mississippi Delta. Richard Grant and his girlfriend were living in a shoebox apartment in New York City when they decided on a whim to buy an old plantation house in the Mississippi Delta. This is their journey of discovery into this strange and wonderful American place. Imagine A Year In Provence with alligators and assassins, or Midnight in the Garden of Good and Evil with hunting scenes and swamp-to-table dining. On a remote, isolated strip of land, three miles beyond the tiny community…
I am a history professor at Ohio State, where I have taught for most of my career. I have always been fascinated by how people in different regions define their own identities, how other Americans perceive them, and how these ideas change over time. Having lived through several wars (as a civilian), I have observed that social and political conflicts on the homefront can be intense in their own right and that non-military events and military events are often connected. In my work, I have published on gender, race, slavery, family, material culture, legal history, and environmental history, from the Revolution through the Civil War.
Black people, enslaved and free, sued whites in court in Mississippi and Louisiana, and sometimes they won.
Welch researched hundreds of documents in some archives off the beaten path. She discovered a hitherto unknown chapter of African American life which changes our perspective on the legal system.
I felt inspired by the courage and resilience of the litigants.
In the antebellum Natchez district, in the heart of slave country, black people sued white people in all-white courtrooms. They sued to enforce the terms of their contracts, recover unpaid debts, recuperate back wages, and claim damages for assault. They sued in conflicts over property and personal status. And they often won. Based on new research conducted in courthouse basements and storage sheds in rural Mississippi and Louisiana, Kimberly Welch draws on over 1,000 examples of free and enslaved black litigants who used the courts to protect their interests and reconfigure their place in a tense society.
Teachers and children’s writers are some of each other’s biggest fans, and I have been both, so I couldn’t resist putting a teacher in my book. Besides that, teachers are very useful characters because they can make kids in books do things like write reports or keep a journal. Initially, my main character, Patsy, doesn’t especially like her teacher, Miss Ashman. Patsy thinks she’s too strict. But by the end of the book, she realizes that challenging students and having high expectations are some of the things that make a great teacher. If you’ve ever had a teacher you loved, you’ll want to check out the books on this list.
I immediately fell in love with Cassie Logan, the spunky, resourceful main character in this classic novel. But by the end of the book, I had as much affection for her courageous mother, Mrs. Logan, a teacher who, in depression-era Mississippi, runs a school for African-American kids.
Among her pupils are some her own children, which I know from personal experience can be complicated. Of all the powerful themes in this book, an important, but often overlooked one is the power of teachers and schools to build community and respect for self and others.
Readers should know this book, written by a Black woman based on her childhood experiences, uses strong racial epithets, and young readers could benefit from thoughtful discussion with an adult.
The stunning repackage of a timeless Newbery Award Winner, with cover art by two-time Caldecott Honor Award winner Kadir Nelson!
With the land to hold them together, nothing can tear the Logans apart.
Why is the land so important to Cassie's family? It takes the events of one turbulent year-the year of the night riders and the burnings, the year a white girl humiliates Cassie in public simply because she is black-to show Cassie that having a place of their own is the Logan family's lifeblood. It is the land that gives the Logans their courage and pride, for no…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Having studied the civil rights movement for over twenty years, I can attest that it is infinitely more complex, more nuanced, and more inspiring than how it has come to be remembered and celebrated. Students in my civil rights seminar always ask “Why did we never learn this in high school?!” They do so because they discover what becomes possible when ordinary people united around the goals of freedom and justice undertake extraordinary challenges. For those concerned about our contemporary historical moment, both the movement’s successes and shortcomings help explain how we got here. Yet they also suggest how we might best adapt the lessons from that era to our own as the struggle continues.
Sanders offers a most compelling portrait of how working-class Black women harnessed civil rights activism to education and the War on Poverty. In 1965, the Child Development Group of Mississippi became one of the earliest Head Start programs in the nation. Sanders focuses on how activists deployed it to enhance educational opportunities for Black children and to secure economic independence from white employers for Black women. She also tracks how the state’s white supremacist political leaders and those in Washington D.C. undermined this successful program. In so doing, Sanders demonstrates the precariousness of civil rights victories, especially when activists sought economic justice that required fundamentally remaking the structure of U.S. society.
In this innovative study, Crystal Sanders explores how working-class black women, in collaboration with the federal government, created the Child Development Group of Mississippi (CDGM) in 1965, a Head Start program that not only gave poor black children access to early childhood education but also provided black women with greater opportunities for political activism during a crucial time in the unfolding of the civil rights movement. Women who had previously worked as domestics and sharecroppers secured jobs through CDGM as teachers and support staff and earned higher wages. The availability of jobs independent of the local white power structure afforded…
