Here are 100 books that Do Something fans have personally recommended if you like
Do Something.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As someone who lived through the very interesting and tumultuous 1960s and 70s, I am fascinated by details of other’s experiences of the same time frame. I inhabited the early 70s fully, going to so many once-in-a-lifetime cultural events: poetry readings, music performances, avant-garde theater, and ‘be-ins’ or ‘happenings.’ With a Masters degree in Creative Writing, I have been an observer of culture and art for several decades. I am the author of three collections of poetry, a book of short fiction, a novel, and a book for writers.
A nonfiction book that reads like a novel; I loved this book because it gave context to one of San Francisco’s darkest days. On November 27, 1978, California suffered a terrible blow as its beloved mayor, George Moscone, and its first openly gay Supervisor, Harvey Milk, were assassinated.
With its infamous ‘Twinkie defense,” the assailant, Dan White, attempted to convince the city that he was temporarily insane. I loved learning about the behind-the-scenes politics.
The critically acclaimed, San Francisco Chronicle bestseller—a gripping story of the strife and tragedy that led to San Francisco’s ultimate rebirth and triumph.
Salon founder David Talbot chronicles the cultural history of San Francisco and from the late 1960s to the early 1980s when figures such as Harvey Milk, Janis Joplin, Jim Jones, and Bill Walsh helped usher from backwater city to thriving metropolis.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve curated a list of music memoirs that resonate deeply with me, particularly because they strip away the polished veneer of fame and expose the raw, imperfect humanity of their subjects. My book, Asshole, explores similar territory, delving into the complexities and contradictions that make us who we are.
These memoirs, much like my book, aren't about celebrating flawless heroes. Instead, they offer unflinching accounts of individuals—whether artists, managers, or those behind the scenes—navigating the extraordinary and often turbulent landscape of the music industry. These stories delve into the imperfections, challenges, and moments of accountability— sometimes even outright acts that might be considered, well, asshole-ish—that shape these fascinating lives, leaving a lasting impression.
Patti Smith’s book beautifully chronicles her intense and formative friendship with the groundbreaking artist Robert Mapplethorpe as they navigated the vibrant and often gritty art scene of late 1960s and 1970s New York City.
Theirs wasn’t a fairytale romance, but a complex, evolving bond between two flawed yet undeniably brilliant creatives. Reading about their struggles, their artistic pursuits within the legendary Chelsea Hotel, and the wider New York City scene evoked a strong sense of nostalgia for me, a time and place I've always found artistically inspiring.
The exploration of their creative partnership, the push and pull between them as individuals finding their artistic voices, is something I’ve often yearned for but haven’t quite experienced in such a profound way.
“Reading rocker Smith’s account of her relationship with photographer Robert Mapplethorpe, it’s hard not to believe in fate. How else to explain the chance encounter that threw them together, allowing both to blossom? Quirky and spellbinding.” -- People
It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.
Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence…
I am passionate about words and reading, and I love books that examine and record the chaos and mayhem of human existence. When I think about why I don’t want to die, it’s mainly because I can't bear the thought of missing out on what happens next. I feel privileged to be alive during this strange, fraught time of epochal change and to be able to use my skills as a writer to record not just the facts of what happens but how it feels to witness it all, the sensibility of our time, the recording of which is, I believe, the essence of great literature.
This is a tightly focused memoir of a turbulent time in American history experienced by a 20-something fledgling writer trying to understand and relate to an older man haunted by guilt and memories of what he witnessed in Vietnam.
This is another book that examines the effect of historic events and public dystopia on the inner lives of human beings living through those times.
“In this remarkable memoir, the qualities that have long distinguished Francine Prose’s fiction and criticism—uncompromising intelligence, a gratifying aversion to sentiment, the citrus bite of irony—give rigor and, finally, an unexpected poignancy to an emotional, artistic, and political coming-of-age tale set in the 1970s—the decade, as she memorably puts it, when American youth realized that the changes that seemed possible in the ’60s weren’t going to happen. A fascinating and ultimately wrenching book.”—Daniel Mendelsohn, author of The Lost: A Search for Six of Six Million
The first memoir from critically acclaimed, bestselling author Francine Prose, about the close relationship she…
Former model Kira McGovern picks up the paint brushes of her youth and through an unexpected epiphany she decides to mix ashes of the deceased with her paints to produce tributes for grieving families.
Unexpectedly this leads to visions and images of the subjects of her work and terrifying changes…
As someone who lived through the very interesting and tumultuous 1960s and 70s, I am fascinated by details of other’s experiences of the same time frame. I inhabited the early 70s fully, going to so many once-in-a-lifetime cultural events: poetry readings, music performances, avant-garde theater, and ‘be-ins’ or ‘happenings.’ With a Masters degree in Creative Writing, I have been an observer of culture and art for several decades. I am the author of three collections of poetry, a book of short fiction, a novel, and a book for writers.
“Telegraph Avenue” captures both the seediness and joy of South Berkeley in the early 1970s. Peopled with compelling characters, this book gives readers a backstage look at the soul music, soul food, and soul of a neighborhood on the verge of change.
Home to simple, working-class folks, South Berkeley provided a safe haven for creative innovation and experimentation, as well as social change and community activists.
“A genuinely moving story about race and class, parenting and marriage. . . Chabon is inarguably one of the greatest prose stylists of all time." — Benjamin Percy, Esquire
New York Times bestselling, Pulitzer Prize-winning novelist Michael Chabon has transported readers to wonderful places: to New York City during the Golden Age of comic books (The Amazing Adventures of Kavalier & Clay); to an imaginary Jewish homeland in Sitka, Alaska (The Yiddish Policemen’s Union); to discover The Mysteries of Pittsburgh. Now he takes us to Telegraph Avenue in a big-hearted and exhilarating novel that explores the…
I’m a fiction and humor writer whose imagination was initially sparked by superheroes and comic books. The idea of an otherwise average person who could turn themselves into a superbeing was transformative and powerful. As a teenager, these early heroes faded, and I became fascinated by The Twilight Zone’s compact and poignant storytelling that contained moral messages. This eventually led me to the fiction of Stephen King where the idea of average people encountering the supernatural and overcoming obstacles was a recurring theme. In my own work, I have tried to carry forward the idea that our everyday lives are more absurd, complex, and magical than they appear.
Adler’s book depicts a woman’s life through a series of moments, incidents, bits of speech that come at the journalist narrator. The short passages perfectly capture the neurotic energy, humor, and horror of New York City. When I first read it, I was blown away. It showed there is great latitude in ways to approach writing. The short, choppy format is the closest a book has come to mirror my experience as a writer who seeks to find meaning and/or humor in everyday life. It’s a jagged mosaic of a book when put together is a delightful treasure.
When Speedboat burst on the scene in the late ’70s it was like nothing readers had encountered before. It seemed to disregard the rules of the novel, but it wore its unconventionality with ease. Reading it was a pleasure of a new, unexpected kind. Above all, there was its voice, ambivalent, curious, wry, the voice of Jen Fain, a journalist negotiating the fraught landscape of contemporary urban America. Party guests, taxi drivers, brownstone dwellers, professors, journalists, presidents, and debutantes fill these dispatches from the world as Jen finds it.
A touchstone over the years for writers as different as David…
Well, I’ve devoted my life to literature (to a lesser extent, to music) as a critic, professor, and author of eleven books, from fiction to criticism to collected journalism to memoir and poetry. I’ve won several awards and fellowships for my own work. So, literary history and biography/autobiography are in my territory, so to speak. You can find more about me and my books at my website.
Well, the title and subtitle say it all. Who wouldn’t be interested? I certainly was.
But it’s not just the 50s-the 70s that we see in this history of the newspaper; we are taken right up into the recent 2000s, and all the changes and permutations and personalities involved. The author herself worked for the Voice, so it is an inside story too.
Also, it is not just a biography of the major American voice in alternative journalism covering art, film, music, and literature. It is an autobiography of many of the writers and artists who tell their own stories during their time at the Voice in oral history fashion.
I knew I was getting the real, if sometimes conflicting, skinny on the personalities and evolutions of the paper. I found the whole thing engaging from start to finish because of this direct personal quality in the way the history/biography…
A rollicking history of America's most iconic weekly newspaper told through the voices of its legendary writers, editors, and photographers.
You either were there or you wanted to be. A defining New York City institution co-founded by Norman Mailer, The Village Voice was the first newspaper to cover hip-hop, the avant-garde art scene, and Off-Broadway with gravitas. It reported on the AIDS crisis with urgency and seriousness when other papers dismissed it as a gay disease. In 1979, the Voice’s Wayne Barrett uncovered Donald Trump as a corrupt con artist before anyone else was paying attention. It invented new forms…
Rusty Allen is an Iraqi War veteran with PTSD. He moves to his grandfather's cabin in the mountains to find some peace and go back to wilderness training.
He gets wrapped up in a kidnapping first, as a suspect and then as a guide. He tolerates the sheriff's deputy with…
I’m the descendant of three generations of visual artists, a gene I thought had skipped me. However, art popped up in many of my stories when I started writing fiction. In 2012, I published The Life Story of a Chilean Sea Blob, and to promote it, I launched a street art campaign that included putting plaster blobs on the streets of Washington, D.C. This blossomed into several other street art projects and earned attention from The Washington Postand several D.C. TV news stations. My next two books centered around Frida Kahlo and Edvard Munch.
This posthumously published novel is the last offering from the punk rocker, poet, and writer Jim Carrol. Carrol was a friend of Patti Smith and Andy Warhol and a product of the New York City art scene in the 1970s and 1980s.
The central character is Billy, a successful painter with such deep artistic sensitivities that navigating small things like relationships, his health, and earning money is crushingly difficult. The book reads like an allegory as much novel as moving characters through action seems a secondary aim. In this way, it reminds me of Franz Kafka’s A Hunger Artist.
A moving, vividly rendered novel from the late author of The Basketball Diaries.
When poet, musician, and diarist Jim Carroll died in September 2009, he was putting the finishing touches on a potent work of fiction. The Petting Zoo tells the story of Billy Wolfram, an enigmatic thirty- eight-year-old artist who has become a hot star in the late-1980s New York art scene. As the novel opens, Billy, after viewing a show of Velázquez paintings, is so humbled and awed by their spiritual power that he suffers an emotional breakdown and withdraws to his Chelsea loft. In seclusion, Billy searches…
It took eight years to write New York, New York, New York, and reading hundreds and hundreds of books about all different aspects of New York past and present. There were lots of brilliant ones along the way, but these five changed how I think about New York, flipped assumptions, created entirely new maps and narratives.
This is the primer for everything Downtown during arguably Downtown’s greatest era. The contributions are first-rate, by people who were on the scene, and it’s a handsome book to hold. If you’re interested in anything from Punk and Patti Smith to Haring, Basquiat, and Afrika Bambaataa, this is the place to start, without nostalgia, agenda, or hype.
Downtown is more than just a location, it's an attitude--and in the 1970s and '80s, that attitude forever changed the face of America. This book charts the intricate web of influences that shaped the generation of experimental and outsider artists working in Downtown New York during the crucial decade from 1974 to 1984. Published in conjunction with the first major exhibition of downtown art (organized by New York University's Grey Art Gallery and Fales Library), The Downtown Book brings the Downtown art scene to life, exploring everything from Punk rock to performance art. The book probes trends that arose in…
I am captivated by memoirs that shed light on the deeper life experiences of their authors. My curiosity about inner life compelled me to learn about the psychological essence of memoir writers, resulting in my writing a memoir from an in-depth psychological perspective. My curiosity also led me to become a psychotherapist, which helped me better navigate dark and uncertain waters with my clients. By probing the inner psychological dynamics of such memoirs, I learned more about myself and became a writer with rare psychological insight. Such illumination served to ignite my very soul. My passion is fueled by tapping the mysteries of what lies within us all.
I’m not a lifelong addict, so with every chapter, I found myself exclaiming again and again, “Oh, no, you fool! Just stop before it’s too late!” David Carr had his way with me as he dragged me down the painful road of his life, teaching me that addiction is something you can never really shake. Yet, he became a world-famous editor at the New York Times and a single, sober father of twin girls.
The story of Carr’s unpredictable metamorphosis is made brilliantly clear by his searingly raw and unforgiving style. Even as a junkie and late-night boozer, he wrote with a clarity and conviction that defies the mind to absorb. His life and his soul are always hanging in the balance—by what higher power is still a mystery. I stand in awe.
"In one sense, my story is a common one, a white boy misdemeanant who lands in a ditch and is restored to sanity through the love of his family, a God of his understanding and a support group that will go unnamed. But if the whole truth is told, it does not end there. "The book will be fundamentally different than a tell-all, or more commonly, tell-most. It will be a rigorously clear-eyed reported memoir in which the process of discovery will be part of the narrative motor...For instance, my brother asked if I was going to give him credit…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I started to experiment at a very early age with alcohol. During my teen years, like so many of my peers, I had low self-esteem. I wanted to fit in so I understand firsthand the effects that peer pressure can have on a teenager. When I think back to those years, I sometimes wonder: what if? There were so many terrible outcomes that could have occurred in my life. These novels show their readers a “what if.” I hope that teens who read these books think twice before following a crowd and stand firmly with what they know is right in their heart as well as hope for healing.
With fast-paced social media, teens are constantly feeling pressure to fit in and appear perfect. Ani seems to have it all in her adult life but is hiding behind a hardened shell after several traumatic events and demons from her teenage years. In those years, her desperation to assimilate with the popular group was painfully relatable as most women I know, including myself, were once in this situation.
This book demonstrates perfectly the mental (and social) rollercoaster that adults try to manage after trauma and physical assault. This is so important for both YA and Adult readers because…aren’t we all carrying some sort of trauma on our backs while still trying to "have it all"?
NOW A TOP TEN NEW YORK TIMES BESTSELLER, AND OPTIONED FOR FILM BY REESE WITHERSPOON AND HER PRODUCTION PARTNER BRUNA PAPANDREA - IN CONJUNCTION WITH LIONSGATE FILMS
HER PERFECT LIFE IS A PERFECT LIE. . . Luckiest Girl Alive by Jessica Knoll is an audacious, page-turning debut thriller that will appeal to fans of Gillian Flynn, Paula Hawkins and Jodi Picoult. Ani FaNelli is the woman who has it all: the glamorous job, the designer wardrobe, the handsome and rich fiance. But behind her sharp edges and meticulously crafted facade lies the darkest of pasts . . .
