100 Books Like The Tender Bar

Throughout my childhood and young adulthood, I escaped an abusive real life by reading stories that transported me away. They were written by female authors who seemed to speak directly to me. By their example, they told me to be brave and strong. To keep learning. They taught that if I rose to the challenges that presented themselves, I too would end up triumphant like them.

My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard. 

My first memoir, Overlay, has been called “the very best teenage suicide prevention tool ever created” for which I am eternally grateful. I've been told that it's a miracle I survived my childhood at all, but I don't take credit or satisfaction in that statement. Instead, I've aspired to understand what it is that gives some of us the grit that allows us to power through the unfathomable. Voraciously reading similar stories from my fellow authors continues to inform me that we all have the power to push through the pain of a disadvantaged childhood. Whether it's an inner light, luck, fate, a higher power or some combination of some or all of the above, I don't know. I do know that the children like me who grew up to tell their story with the hope of helping others deserve a read. And sometimes, a good cry.

My first memoir, Overlay, has been called “the very best teenage suicide prevention tool ever created” for which I am eternally grateful. I've been told that it's a miracle I survived my childhood at all, but I don't take credit or satisfaction in that statement. Instead, I've aspired to understand what it is that gives some of us the grit that allows us to power through the unfathomable. Voraciously reading similar stories from my fellow authors continues to inform me that we all have the power to push through the pain of a disadvantaged childhood. Whether it's an inner light, luck, fate, a higher power or some combination of some or all of the above, I don't know. I do know that the children like me who grew up to tell their story with the hope of helping others deserve a read. And sometimes, a good cry.

I became interested in bar culture in my 20s when I worked at a neighborhood "local" in Toronto and was struck by how close people could become when sharing drinks and stories across a bar. Since then, I’ve spent most of my life researching the history of cocktails and bars—both as an academic topic and as a columnist for magazines and newspapers, including the Toronto Star. I’ve written a podcast on Prohibition for Wondery Media, as well as four books, Mondo Cocktail, America Walks Into a Bar, Canadian Spirits (with Stephen Beaumont), and the forthcoming Cocktails: A Still Life (Running Press), with James Waller and still-life artist Todd M. Casey.   

As a commercial sociologist who studies drinking cultures by day and a cocktail lover who partakes in those same cultures by night, I have always been fascinated with the rituals and traditions of hospitality. As a child, my parents disliked taking me to restaurants because my attention would always be focused on the other diners rather than whatever was on my plate. Academically, I am fascinated by the social construction of fact and how the documentation of what we understand to be true in science or history can be heavily influenced by such factors as class, gender, and race. It’s putting these two interests together that led me to research and ultimately write a book on how women have been systematically excluded from the historical record of the cocktail.

I'm an award-winning travel and drinks writer and have worked for National Geographic, The Times, BBC Travel, American Express, AAA, Waitrose Drinks, and many more. My love of spirits and travel led to me starting the Travel Distilled website and I'm the author of Cask Strength, which tells the story of the barrel, and of the travel guides Islay Distilled and Cognac Distilled. I've visited numerous distilleries in the UK, Ireland, USA, France, Greece, Iceland, Sweden, Mexico, and elsewhere. I was persuaded to try drinking vodka for breakfast while touring Siberia. It seemed a good idea at the time but it's not a habit I've kept up.

I became interested in bar culture in my 20s when I worked at a neighborhood "local" in Toronto and was struck by how close people could become when sharing drinks and stories across a bar. Since then, I’ve spent most of my life researching the history of cocktails and bars—both as an academic topic and as a columnist for magazines and newspapers, including the Toronto Star. I’ve written a podcast on Prohibition for Wondery Media, as well as four books, Mondo Cocktail, America Walks Into a Bar, Canadian Spirits (with Stephen Beaumont), and the forthcoming Cocktails: A Still Life (Running Press), with James Waller and still-life artist Todd M. Casey.   

I’ve been researching and writing with my co-author husband Jared Brown about spirits and mixed drinks for three decades. After writing more than three dozen books plus hundreds of articles about the history and origins of alcoholic beverages, you could say I am addicted to the topic in a big way. While we’ve travelled and tasted drinks around the world we’ve also amassed a few thousand books on the subject. It’s served as a launch point of our secondary careers as drinks consultants and master distillers for global spirits brands. I'm currently finishing my doctoral thesis on early-modern English brewing at the University of Bristol to put a feather on the cap of my long career.

As someone who lived through the very interesting and tumultuous 1960s and 70s, I am fascinated by details of other’s experiences of the same time frame. I inhabited the early 70s fully, going to so many once-in-a-lifetime cultural events: poetry readings, music performances, avant-garde theater, and ‘be-ins’ or ‘happenings.’ With a Masters degree in Creative Writing, I have been an observer of culture and art for several decades. I am the author of three collections of poetry, a book of short fiction, a novel, and a book for writers.