Books like Disappearing Acts

This was the first book I read when researching Argentina’s military dictatorship over twenty years ago. It was gifted to me by the head of the graduate program in international affairs at The New School. It explores the use of language in the context of the human rights atrocities that occurred during this dark period of Argentina’s history.

Marguerite Feitlowitz's marrying of investigative narrative with human storytelling makes the work accessible and richly informative.

In this book, Laura Alcoba recounts memories of her childhood from the tender perspective of a 7-year-old girl whose parents are being targeted by Argentina’s dictatorship. Laura and her family hide out in a small house on the outskirts of Buenos Aires, where a resistance movement is operating a secret printing press behind the façade of a rabbit farm.

Through snippets of conversations that she isn’t meant to understand (but does) and strict rules of secrecy intended to protect her, wonder and curiosity prevail. I loved seeing this hidden world through Laura’s eyes.

Alicia Partnoy was one of the estimated thirty thousand people captured during Argentina’s dictatorship. An Argentine poet, author, human rights activist, translator, and professor, she was torn from her home—and away from her baby daughter, who was left behind with relatives—in 1977.

This is a literary account of the subsequent months she spent in a clandestine prison in Bahia Blanca called La Escuelita, where she and other prisoners were subject to torture and abuse at the hands of the junta. Translated from Spanish, this is a survivor’s memoir. I loved the poetic and near-spiritual explorations of these harrowing experiences. Alicia has since been reunited with her daughter, providing invaluable inspiration and insight for my book.

This is one of my favorite books about the work of the Grandmothers of the Plaza de Mayo. In it, Arditti quickly summarizes the historical backdrop of the dictatorship (within fifty pages), then provides a touching, thorough, and informative account of the grandmothers’ work, often using their own words.

She showcases obstacles and milestones—from ‘The Catholic Church’ to ‘The Grandmother's Gift to Science’—in easily digestible sections, capturing decades of tenacious search efforts and the emotional result when found grandchildren are reunited with their biological families.

As a teacher of History and Musicals at NYU, I’ve seen how theatre students are most interested in the shows they know, which typically means those produced in their lifetime. So I try to meet them where they are and then journey backwards into the past. While Singular Sensation moves forward in time from the 1990s, it shows how the Broadway we know today came to be. And who could resist reading about Patti LuPone throwing a floor lamp out her dressing room window when Andrew Lloyd Webber fired her from Sunset Boulevard? So I hope you’ll come back for more and read Riedel’s equally dishy yet informative Razzle Dazzle, which is about Broadway in the 1970s, when someone could mug you at knifepoint in broad daylight on 42nd Street (and, in my case, did).

It’s really hard to find trans girls represented in contemporary YA literature, but when I read Between Perfect and Real, I realized that the plot matters more than the gender.

The closeted trans-masc protagonist, Dean, looks like a lesbian on the surface, and he was a mirror for me, appearing as the closeted trans-femme straight opposite. I couldn’t help but see and love the high school nerds I met in my own high school.

While the first two links are a good introduction to classical drama and theatre for the uninitiated, this third choice is different, a vast and unparalleled compendium covering productions of the whole corpus of direct and marginal translations of Greek tragedy on the English stage over some 250 years.

It is a work of reference rather than a ‘good read’, but it is a book into which I hope everyone would find reason to dip who believes in research as an essential feature of creative preparation for the new production of a ‘classic’.

The book is written by two of the most prominent and inspirational contemporary classical scholars whose prolific output in kindred areas of the classics and of theatre history has little rival.

Issues such as stage censorship, social and political change and translation bias show how the classical repertoire from Aeschylus through to Seneca has made it possible,… show more.

Ugh, this book! When Max’s mom dies of cancer, he imagines the tumor has taken up residence in his own brain as his way of dealing with his grief and anger.

As his anger grows, he is sent to this alternative school where he meets the colorful and off-beat Fish, a girl with pink hair and a past, and The Monk, a boy with a strange collection and secrets of his own. The thing I love most about this book is how Pixley brings in Kafka’s Metamorphosis and Shakespeare’s Hamlet to help Max process how he feels about his mother’s death.

Ahh, I’m crying again just thinking about it!

A literary biography, Will in the World connects the plots of Shakespeare’s plays and the sentiments of his poems to the writer’s life and career. No one living knows more about Shakespeare than Stephen Greenblatt. His research is solid and impressive. In this book, Greenblatt verges a bit into speculative possibilities. Where, exactly, was Shakespeare living—what was he doing?—during “The Lost Years”? Was the “Shakeshafte” mentioned in a Lancashire document our man, perhaps tutoring as a schoolmaster in a Catholic home? 

Greenblatt carefully points out that he is discussing possibilities, not certainties. But a possibility mentioned too many times by a scholar of Greenblatt’s authority often becomes accepted as fact. Yet, I appreciate this book because it provides a huge amount of information about Shakespeare’s milieu, and it forces readers to examine critically every claim. In our current milieu, we need exercises in critical thinking and analysis.

Forget Shakespeare. Nicholas Bracewell and Lord Westfield’s Men are a far more intriguing introduction to Elizabethan theatre. I was there, watching the rehearsals, hearing the applause, and enjoying the play as murder was committed, literally, behind the scenes.

With a bit of alchemy, madness, and passion thrown into the mix, if you love the Elizabethan period this is a not-to-be-missed historical mystery as Nicholas pits his wits against the devil himself.