Here are 100 books that Censoring Racial Ridicule fans have personally recommended if you like
Censoring Racial Ridicule.
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I am a former network television executive who is fascinated by the history of mass media and have authored or co-authored nine books and many articles on the subject. These include The Complete Directory to Primetime Network and Cable TV Shows, 1946-Present and Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919. I’m particularly drawn to subjects that are underexplored, or which seem to be greatly misunderstood today. I quickly learned that you are not likely to earn a living from writing, so I decided to write about subjects I cared about, and hopefully add something to our knowledge of cultural history. I became more aware of what the professional minstrel show was really like while researching Lost Sounds, based on original accounts, recordings, and films.
Published almost half a century ago (1974), but still the best introduction to the minstrel show as it emerged in America in the 1840s. Describes the various elements of a minstrel show, how it was originally received, and how it materially evolved in the late 1800s, but stops at the end of the century. A good, readable overview of this highly popular form of entertainment as it was originally performed on stage.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a former network television executive who is fascinated by the history of mass media and have authored or co-authored nine books and many articles on the subject. These include The Complete Directory to Primetime Network and Cable TV Shows, 1946-Present and Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919. I’m particularly drawn to subjects that are underexplored, or which seem to be greatly misunderstood today. I quickly learned that you are not likely to earn a living from writing, so I decided to write about subjects I cared about, and hopefully add something to our knowledge of cultural history. I became more aware of what the professional minstrel show was really like while researching Lost Sounds, based on original accounts, recordings, and films.
Americans and Brits alike will be amazed to learn how pervasive the minstrel show was in Britain in both the nineteenth and twentieth centuries. Originally experienced as an import, Britain developed its own minstrel troupes and stars and continued to embrace the format long after it was deemed unacceptable in the U.S.A. BBC television’s highly popular Black and White Minstrel Show lasted—are you ready for this?—until 1978. The troupe even performed for the royal family at the annual Royal Variety Charity Performances, although modern editors have tried to scrub that fact from the historical record.
Blackface minstrelsy is associated particularly with popular culture in the United States and Britain, yet despite the continual two-way flow of performers, troupes and companies across the Atlantic, there is little in Britain to match the scholarship of blackface studies in the States. This book concentrates on the distinctively British trajectory of minstrelsy. The historical study and cultural analysis of minstrelsy is important because of the significant role it played in Britain as a form of song, music and theatrical entertainment. Minstrelsy had a marked impact on popular music, dance and other aspects of popular culture, both in Britain and…
I am a former network television executive who is fascinated by the history of mass media and have authored or co-authored nine books and many articles on the subject. These include The Complete Directory to Primetime Network and Cable TV Shows, 1946-Present and Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919. I’m particularly drawn to subjects that are underexplored, or which seem to be greatly misunderstood today. I quickly learned that you are not likely to earn a living from writing, so I decided to write about subjects I cared about, and hopefully add something to our knowledge of cultural history. I became more aware of what the professional minstrel show was really like while researching Lost Sounds, based on original accounts, recordings, and films.
A highly opinionated, and thus sometimes frustrating, analysis of the pre-Civil War minstrel show, and how it impacted both oppressed African-Americans and the working-class whites who made the shows so popular. This was the first major book to advance the idea that the minstrel show was not only an exploitation of black culture (the “theft”), but also appreciated that culture and began its integration into the American musical mainstream (the “love”), which would prove to have profound implications in decades to come. An influential book that has been frequently cited in subsequent works.
For over two centuries, America has celebrated the very black culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show sometimes usefully intensified them. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a "blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am a former network television executive who is fascinated by the history of mass media and have authored or co-authored nine books and many articles on the subject. These include The Complete Directory to Primetime Network and Cable TV Shows, 1946-Present and Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919. I’m particularly drawn to subjects that are underexplored, or which seem to be greatly misunderstood today. I quickly learned that you are not likely to earn a living from writing, so I decided to write about subjects I cared about, and hopefully add something to our knowledge of cultural history. I became more aware of what the professional minstrel show was really like while researching Lost Sounds, based on original accounts, recordings, and films.
A collection of essays by leading scholars in the field exploring various aspects of the minstrel show in the 1800s, including its portrayal of women, social commentary, its music, and the prominent participation of African-Americans who staged their own minstrel shows. Good, concise treatment of many elements of the genre.
As the blackface minstrel show evolved from its beginnings in the American Revolution to its peak during the late 1800s, its frenetic dances, low-brow humor, and lively music provided more than mere entertainment. Indeed, these imitations and parodies shaped society's perceptions of African Americans-and of women-as well as made their mark on national identity, policymaking decisions, and other entertainment forms such as vaudeville, burlesque, the revue, and, eventually, film, radio, and television. Gathered here are rare primary materials-including firsthand accounts of minstrel shows, minstrelsy guides, jokes, sketches, and sheet music-and the best of contemporary scholarship on minstrelsy.
I have loved story since I was little, and I’ve curated a life where it has always taken center stage in some or another. I was a high school English teacher for ten years, and have been a college professor for eight. But what really inspires me to write the books I do is my PhD in mythological studies. As a mythologist, I’m lucky enough to be able to see why stories resonate with us for so long and use those same themes and metaphors to write my own.
Ugh, this book! When Max’s mom dies of cancer, he imagines the tumor has taken up residence in his own brain as his way of dealing with his grief and anger.
As his anger grows, he is sent to this alternative school where he meets the colorful and off-beat Fish, a girl with pink hair and a past, and The Monk, a boy with a strange collection and secrets of his own. The thing I love most about this book is how Pixley brings in Kafka’s Metamorphosis and Shakespeare’s Hamlet to help Max process how he feels about his mother’s death.
'Rewarding and touching' Publishers Weekly (starred review)
Following the death of his mother, Max Friedman comes to believe that he is sharing his brain with a tumour. As Max becomes focused on controlling the malignant tenant, he starts to lose touch with his friends and family, and with reality itself - so Max's father sends him off to the artsy Baldwin School to regain his footing.
Soon, Max has joined a group of theatre misfits in a steam-punk production of Hamlet. He befriends Fish, a gril with pink…
I am a school and public librarian as well as a writer. I also serve as a member of the Children’s Book Committee of the Bank Street College of Education. We review hundreds of books each year for consideration of a place on our list –The Best Children’s Books of the Year. I've chosen to recommend some lighthearted picture books with Jewish characters or themes because a number of my own books fit into this category. Mitzi’s Mitzvah, Little Red Ruthie, and Dance the Hora, Isadora! are three of my Jewish themed books. Each of these titles has been selected by PJ Library, an organization that sends a book each month to children.
This book reflects the author’s own experience as a child during the heyday of Yiddish theater. It’s an exciting story that will engage kids with a slice of history as they imagine themselves taking to the stage and enjoying the thrill of the limelight. So many Jewish-themed books focus on the holidays, so it’s refreshing to have others that just reflect Jewish life in the past or the present.
Rifka's parents are actors in the Yiddish Theater in New York, but one day Rifka finds herself center stage in a special role! A slice of immigrant life on New York's Second Avenue, this is a unique book about a vanished time and a place – the Yiddish theater in the early 20th century―made real through the telling of the true life story of the 96-year-old author as a little girl.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I am not a rock star but I do play a mean (computer) keyboard. My debut picture book, How to Be a Rock Star, was inspired by my musical children and our endless hours jamming as a family band. I was always on the lookout for books to inspire my little rock star, and because they were hard to come by, I wrote one! These books will inspire your budding musician, or just help you embrace a spirit of creative play in any way they want to rock.
If your rock star is a little shy about sharing her talents, she might relate to Bear. When it’s time to put on a show, Bear’s friends focus on making shiny tickets, sequined curtains, and very tall hats while Bear takes notes. As the title suggests, it’s up to Bear to actually figure out the show. As someone much more comfortable taking notes (and finding just the right pen and notebook first), I find Bear highly relatable.
In this hilarious story of theatrical hijinks, plans go awry when four woodland friends stage a show--unless Bear can step up and save the day!
Bear and his woodland friends are putting on a show, and there are lots of plans to be made. Their curtains need sequins! Their hats must be very, very tall! And their tickets have to be shiny! (No one will come if the tickets are dull.)
Behind the scenes, shy Bear takes notes on every detail until his paws ache. But at least he won't have to go on stage. He could NEVER do that!…
I’m a Licensed Mental Health Counselor and I currently work as a High School Guidance Counselor for the past 25 years. I love kids and I love helping them to understand and love themselves and helping them to love and accept others as well. These books, even though the target audience is young (0-11 years old), older kids and adults can learn something from them as well. Sometimes a simple message is more powerful than a bunch of words.
This book is about a girl in a wheelchair who is cast in the middle school play. I love this book because it helps us understand the challenges of being in a wheelchair as well as all the challenges that go along with being a middle schooler. It addresses all those identity issues that occur during that age with the added challenge of being in a wheelchair.
A heartfelt middle-grade novel about a theater-loving girl who uses a
wheelchair for mobility and her quest to defy expectations-and
gravity-from Tony award-winning actress Ali Stroker and Stacy Davidowitz
Thirteen-year-old Nat Beacon loves a lot of things: her dog Warbucks,
her best friend Chloe, and competing on her wheelchair racing team, the
Zoomers, to name a few. But there's one thing she's absolutely OBSESSED
with: MUSICALS! From Hamilton to Les Mis, there's not a
cast album she hasn't memorized and belted along to. She's never
actually been in a musical though, or even seen an actor who uses a
wheelchair…
I have been fascinated with Queen Elizabeth I and Shakespeare since I was a child and read a kid biography of the queen and saw a Shakespearean comedy. The two topics are completely intertwined—Elizabeth saw Shakespeare’s plays at court and the strong women in Shakespeare’s plays reflect the queen. Elizabeth and Shakespeare have been both my passion and my profession. I have loved teaching and writing about them. One of my favorite things to do is to go see Shakespeare plays and to see portraits of the queen at museums. This passion has so enriched my life. The queen and the playwright have been very good to me.
This book was amazing in helping me think about Shakespeare and the history of divisions in our own history. Like all of James Shapiro’s work, Shakespeare in a Divided Americais filled with fascinating information delivered in lively and engaging prose. This book provides a cultural and historical exploration of how readings and performances of Shakespeare’s plays in the past two centuries have exposed fault lines in our country’s political and social fabric. In the nineteenth century, the assassination of President Lincoln and the deadly Astor Place Riots; in the twentieth-century debates over free speech, gender, immigration, and race; and in our own time controversies over political division and Trump-era extremism: Shapiro shows how all of these have issues played out through the vehicle of Shakespeare’s plays, particularly Julius Caesar, Macbeth, and Othello.
One of the New York Times Ten Best Books of the Year * A National Book Critics Circle Award Finalist * A New York Times Notable Book
A timely exploration of what Shakespeare's plays reveal about our divided land.
"In this sprightly and enthralling book . . . Shapiro amply demonstrates [that] for Americans the politics of Shakespeare are not confined to the public realm, but have enormous relevance in the sphere of private life." -The Guardian (London)
The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes-presidents…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I have been fascinated with Queen Elizabeth I and Shakespeare since I was a child and read a kid biography of the queen and saw a Shakespearean comedy. The two topics are completely intertwined—Elizabeth saw Shakespeare’s plays at court and the strong women in Shakespeare’s plays reflect the queen. Elizabeth and Shakespeare have been both my passion and my profession. I have loved teaching and writing about them. One of my favorite things to do is to go see Shakespeare plays and to see portraits of the queen at museums. This passion has so enriched my life. The queen and the playwright have been very good to me.
Today concerns over madness and disability are very much with us, especially if they connect with issues of power and masculinity. This was also true in the age of Shakespeare. Christina Gutierrez-Dennehy’s collection of essays on the topic of mad kings on the Renaissance stage is very readable and interesting, and tie in with contemporary issues. The book is divided into three sections: distracted kingship, fractured masculinity, and performed madness. The plays under discussion include Shakespeare’s King Lear, Hamlet, Macbeth, Richard III, Henry VI, and All’s Well That Ends Well. Gutierrez-Dennehy brilliantly and explicitly brings the topics raised in the collection into the twenty-first century.
This book provides a fascinating study into the history of kingship, madness and masculinity that was acted out on the early modern stage. Providing students of early modern history, theatre and performance studies and disability studies with interesting case studies to inform their upper level seminars and research.
Throughout the volume the authors engage with the field of disability studies to show how disability and mental health were portrayed and what that tells us about the period and the people who lived in it. Showing students, a new dimension of early modern Europe.
