Books like Deep Time — picked by fans

I am an astronomer and educator (Ph.D. Astrophysics, University of Colorado), and I’ve now been teaching about global warming for more than 40 years (in courses on astronomy, astrobiology, and mathematics). While it’s frustrating to see how little progress we’ve made in combatting the ongoing warming during this time, my background as an astronomer gives me a “cosmic perspective” that reminds me that decades are not really so long, and that we still have time to act and to build a “post-global warming future.” I hope my work can help inspire all of us to act while we still can for the benefit of all.

I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.

I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.

I’m a science journalist in Colorado, living in the foothills of the Rocky Mountains that were raised by millions of years of mountain-building. I studied geology in college and now write about the earth and space sciences, primarily for the journal Nature. On reporting trips I’ve camped on floating Arctic sea ice and visited earthquake-ravaged mountains in Sichuan, China. But my favorite journey into deep time — the planet’s unfathomably long geologic history, as preserved in rocks — will always be a raft trip with scientists along a section of the Colorado River in Arizona.  

For me, writing space opera was obvious because it's what I like to read. There's so much scope for human and non-human societies out there, complete with the history of how they were created, and the inevitable cut-and-thrust of politics. If the book also has a love story– where do I pay my money? I do like the science in my science fiction to be convincing, though. My background as a computer programmer helps with that and I'm often grateful for my history degree when coming up with convincing empires and events. 

I have been fascinated by rocks, fossils, and minerals since a childhood holiday in the Peak District of Derbyshire, England. It was then that I decided to become a geologist, following my passion across the world and its oceans. Wherever I travel, I learn so much about our planet from the rocks and from students and colleagues in the field. About just what geology has to offer in terms of resource and environmental management. In seeking to share some of my geo-enthusiasm through popular science writing and public lectures, I love to read what other authors write about Planet Earth. I hope you enjoy these books as much as I did.

I’m Tasmanian. I’ve loved books set in other worlds since I encountered Robert Heinlein’s juveniles in my teens. I often find books set in the mundane world of here-and-now implausible or dull, because the adventures seem contrived or else result from characters doing something stupid or bad. If characters venture to other worlds, or other planets though—that’s a different ballgame! I read a great deal of fantasy and sci-fi, and when I was fourteen, I started writing my own. I enjoy a wide variety of genres, but my favourite stories are those where I can follow relatable characters through wild adventures and believe every line.  

I am the author of more than sixty published novels, most of which are military science fiction, or near-future alternative history fiction, so I have an abiding interest in the subgenre, and the authors who helped to shape it.

As a child, I spent summers looking for adders on the Common and winters walking through snowstorms pretending to be a Hobbit in Tolkien's Middle Earth. My travels and studies taught me the importance of respecting different cultures and our planet. Glasgow Libraries gave me my first storytelling work in 1992, and I have a Master's degree in Scottish Folklore. I live in Scotland, sharing stories through writing and storytelling. Having collected hundreds of traditional folktales about our ancestors' wisdom and folly, I co-authored my first book, Dancing With Trees, Eco-Tales from the British Isles, to reflect our need to understand nature's wisdom and help us live sustainably on Earth.

I have been engaged as a teacher of religion and ecology since the first Earth Day 50 years ago. That has entailed writing some prize-winning books, Earth Community, Earth Ethics (1996) and Earth-honoring Faith: Religious Ethics in a New Key (2013). Now I want to pass along distilled learnings to my grandchildren as they face a planet in tumult. The form—love letters—and the audience—future generations as represented by my grandkids—moves me to focus on effective communication of a highly personal sort to young people on matters vital to their lives. It’s a nice bookend near the end of my own life.