7 Books Like Decoding the Codex Borgia

I was most interested in Richardson's tracing of the mid-20th century origins, attacks on, and eventual fracturing of the "liberal consensus" in mainstream American politics.

Grisham writes fiction that is consistent with reality. I have zero interest in fantasy, so his Camino series appeals to me. If I saw a news story that told a story like this one, I would not find it implausible. The main characters are believable. The test of that for me has always been whether or not my mind conjures up an image of a in important character. Grisham's main characters always do.

If I were talking about this book over coffee with a friend, I would say this: you cannot understand the ancient Maya without reading it. The Popol Vuh is the written version of an oral, indigenous creation myth more than two thousand years old. There are many English and Spanish translations of the Popol Vuh; but this one is my favorite because it is approachable and precise at the same time. For example, you can choose to ignore the footnotes and their implications. However, if you decide you want to go down the rabbit hole (as I always do), you will not be disappointed. I learn something new every time I pick up this book—it is that good.

When I think about ancient Maya religion, the first thing that comes to mind is pageantry; I imagine kings performing in front of a crowd, or perhaps nobles bloodletting for a small audience inside a palace. Magic and witchcraft are an afterthought. They are front and center in this book—as they were in ancient Mesoamerica. This collection of essays forced me to abandon the habitual boundaries between magic, religion, and witchcraft in the Maya area (and I am better for it). If you are looking for a book where rulers summon monsters and witchcraft is a way of life, this is the place to start.

The ancient Maya viewed many things that we would consider inert as animate: objects had agency, even personality. As a result, I often tell my students that the artifacts they hold were once alive. Unfortunately, I rarely have time to tell them just how they came to live—or how they died (sometimes violently). This fascinating book explores not only animism but also the ways in which artisans literally brought objects to life. Read this book and then go to an exhibit on the ancient Maya; then try to decide which things in the exhibit are still (technically) alive. The exercise may be disconcerting—but it will offer a completely different take on the museum experience.  

I was a (typically) skeptical graduate student when this book came out: how could one work condense all the scholarship on Mesoamerican astronomy and make it accessible to the casual reader? Star Gods of the Maya did that and more, exploring the close relationship between Maya religion and astronomy over time from the Precolumbian era to the present day. Though I have never met her, Milbrath taught me to think bigger and to believe that large, topical books on the Maya could (and would) still work. So much of what archaeologists read and write today is regional, or even local to one city—but not this book.  

No list of books on the Maya religion would be complete without The Blood of Kings. This was the first book on the topic I ever saw—and from the moment I did, I was hooked. Like most people at the time of its publication, I had never seen so many gorgeous photographs, line drawings, and religious concepts in one place. Even though many of the hieroglyphic translations are dated (particularly the royal names), the book remains a treasure trove of general information. Visually, this is the book by which all exhibit catalogues on the Maya are judged—and essential to anyone wanting an introduction to Maya religion.