Here are 100 books that Death in a Tenured Position fans have personally recommended if you like
Death in a Tenured Position.
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I’m a medieval historian, and I’ve written academic books and articles about the history of the medieval world, but I have also written two historical novels. I became interested in history in general and the Middle Ages in particular from reading historical fiction as a child (Jean Plaidy!). The past is another country, and visiting it through fiction is an excellent way to get a feel for it, for its values, norms, and cultures, for how it is different from and similar to our own age. I’ve chosen novels that I love that do this especially well, and bring to light less well-known aspects of the Middle Ages.
It is difficult to imagine a list of great novels about the Middle Ages that does not include this book.
I read it first when I was in graduate school, and it brought so much of what I was studying to life – the monastic world of its setting with all its contradictions and spectacular architecture; fights over religion and the true nature of spirituality; the non-linear nature of medieval literature.
I love how it can be read on one level as a page-turny murder mystery and on another as a post-modern novel that explores the nature of signs and meaning. Its mystificatory preface reveals the distance between the medieval world and what we can say about it.
The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective.
William collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the cover of night. A spectacular popular and critical success, The Name of the Rose is not only a narrative of a murder investigation but an astonishing chronicle of the Middle Ages.
A big-city journalist joins the staff of a small-town paper in cottage country and finds a community full of secrets … and murder.
Cat Conway has recently returned to Port Ellis to work as a reporter at the Quill & Packet. She’s fled the tattered remains of her high-profile career…
My whole family shared a love for classic British mysteries, especially light-hearted, witty ones. With the enduring popularity of Agatha Christie and Dorothy L. Sayers, people sometimes forget there were lots of other great writers from the “golden age” of mysteries. I first found most of these books on my parents’ bookshelves when I was a bored teenager growing up in snowy central Maine. Several of the paperbacks were so well-worn the cellophane was peeling off their covers. For me, reading classic mysteries is like listening to Mozart—they are endlessly stirring and fascinating, and in the end, order is restored, and all is right with the world.
This book is one of my favorite mysteries of all time. It addresses one of the great unsolved mysteries in English history: Did Richard III kill the princes in the tower? Tey’s sleuth, Alan Grant, is a dogged investigator, and, in the hospital with a broken leg, he treats this historical mystery like a contemporary murder. His step-by-step investigation pulled me in and convinced me that Richard Plantagenet has been mistreated by history.
Miss Tey is so convincing that she inspired me to write the (very innocent) ghost of Richard III into one of my own mystery novels after the monarch’s body was found under a Midlands car park in 2012.
_________________________ Josephine Tey's classic novel about Richard III, the hunchback king whose skeleton was famously discovered in a council car park, investigates his role in the death of his nephews, the princes in the Tower, and his own death at the Battle of Bosworth.
Richard III reigned for only two years, and for centuries he was villified as the hunch-backed wicked uncle, murderer of the princes in the Tower. Josephine Tey's novel The Daughter of Time is an investigation into the real facts behind the last Plantagenet king's reign, and an attempt to right what many believe to be the…
I’ve always thought that the most clear-eyed, unforgiving observers in literature are teenagers, not because adolescence is simple (it’s the opposite), but because young people haven’t yet learned to shrug and look away. The novels I've chosen here all have central characters who see the adult world's failures, hypocrisies, and prejudices with a directness that most of us gradually lose; and they all use coming of age as a way to confront a world that is already, in some fundamental way, broken – by grief, violence, or the gap between what adults promise and what they deliver. Those are exactly the themes I love to write about.
I’ve always been fascinated by strange social enclaves and secretive, sealed-off, private worlds, and this book has both.
But in fact, the thing I admire most here is the sense of place and atmosphere. Tartt writes with a lush, immersive style which I found is increasingly compelling as the book went on.
Using a murder as the gateway drug to what’s really a literary fiction character study is both sneaky and brilliant: I was hooked by the story in the first chapter, but once I’d finished the book, it was Richard’s voice, those eerie characters, their strange insular co-dependency, and the biting Vermont winter landscape that really stayed with me.
'Everything, somehow, fit together; some sly and benevolent Providence was revealing itself by degrees and I felt myself trembling on the brink of a fabulous discovery, as though any morning it was all going to come together---my future, my past, the whole of my life---and I was going to sit up in bed like a thunderbolt and say oh! oh! oh!'
Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries.…
A big-city journalist joins the staff of a small-town paper in cottage country and finds a community full of secrets … and murder.
Cat Conway has recently returned to Port Ellis to work as a reporter at the Quill & Packet. She’s fled the tattered remains of her high-profile career…
I am a literary critic and novelist, now serving as a Dean at Drexel University. I’ve written several modernized spin-offs of Jane Austen’s novels and several, including a YA novel, dealing with Shakespeare. What Alice Knew is my only thriller/mystery—and it was a painstaking labor of love to write. (I also wrote a nonfiction book on Hitchcock.) I am a great fan of Rex Stout’s Nero Wolfe novels, and the idea for What Alice Knew grew out of my wanting to put the bedridden Alice James (a life-long invalid) in the position of Wolfe, with her brothers Henry and William serving as two versions of the legman, Archie Goodwin.
This is Eliot’s last novel about an ostensible British aristocrat’s journey to uncovering his real identity. Often referred to as Eliot’s “Jewish novel,” it reflects her unerring ability to empathize with the Other. It is very long but also un-put-downable, with two interwoven plots that complement each other masterfully. It’s at once a conventional 19th-century novel and an entirely original and surprising take on the genre. As a Jew with a love of nineteenth-century British novels, this one spoke to me most powerfully.
As Daniel Deronda opens, Gwendolen Harleth is poised at the roulette-table, prepared to throw away her family fortune. She is observed by Daniel Deronda, a young man groomed in the finest tradition of the English upper-classes. And while Gwendolen loses everything and becomes trapped in an oppressive marriage, Deronda's fortunes take a different turn. After a dramatic encounter with the young Jewish woman Mirah, he becomes involved in a search for her lost family and finds himself drawn into ever-deeper sympathies with Jewish aspirations and identity. 'I meant everything in the book to be related to everything else', wrote George…
Living on Devon's gorgeous coast, I'm melding my lifelong love of reading Cozy Sleuths with my love of writing and years of living in foreign climes to write Travel Cozies. I also have a Vella Heist serial Found Money starting on Vella soon, and a Cozy Spy series They Call Him Gimletcoming out in the Autumn.
InEscape from Sunset Grove, Minna Lindgren gives us a delightful contemporary cozy murder mystery whose protagonists, the nonagenarian amateur sleuths of the Lavender Ladies Detective Agency, live in a Finnish Retirement Apartments complex. When their quiet lives are quite literally broken to bits by unskilful plumbers, Siiri and Irma innocently go in search of a quieter place to drink a cup of coffee—and find a murderer.
The humour in Lindgren’s delightful cozy series, excellently translated by Kristian London, is quieter than Caudwell’s sparkling masterpieces but just as enjoyable. Called with some justice “The Finnish Miss Marple” the Lavender Ladies appeal to all age groups.
It's not easy sharing a flat. Especially when you're 95 years old . . .
Escape from Sunset Grove is the second hilarious and heartwarming crime caper in Minna Lindgren's Lavender Ladies Detective Agency trilogy. Perfect for fans of Richard Osman's The Thursday Murder Club and M.C. Beaton
Change is afoot at Sunset Grove retirement home, and its residents aren't impressed.
Under threat from falling masonry, best friends Irma and Siiri are forced out of their home to negotiate twenty-first-century living in the centre of Helsinki. Their new surroundings throw up an endless number of daily challenges, from caring for…
I’ve been fascinated by crime since I was young, at first reading historical true crime and then reading widely in the crime fiction genre. What intrigues me about crime is the sense of the world being broken, and although the perpetrator might be caught and punished, their actions forever change the world. I was a member of a crime book group that focused on crime novels, and I’ve reviewed a number of true crime books. I’ve also attended and spoken at the Bristol Crime Fest–an annual festival of crime writing. I regularly give talks on crime writing and how, as a crime writer, I go about picking the perfect poison.
I love the character of Kinsey Millhone because she’s so human and relatable. Her life is messy; she gets herself caught up in situations where she knows she ought to let things drop but just can’t let them go, and she has a kind heart. She also has the endearing quality of being self-deprecating and not taking herself too seriously.
This book is set in the 1980s, and I enjoy seeing Kinsey’s legwork to solve her case without the benefit of mobile phones or the internet. I also love her relationship with her elderly neighbor and how protective she is of him when she feels that new people in the neighborhood are taking advantage of him.
X is the New York Times number 1 bestseller and thrilling, twenty-fourth book in the Kinsey Millhone Alphabet series from Sue Grafton.
In hindsight, I marvel at how clueless I was . . . What I ask myself even now is whether I should have picked up the truth any faster than I did, which is to say not fast enough . . .
When a glamorous red head wishes to locate the son she put up for adoption thirty-two years ago, it seems like an easy two hundred bucks for private investigator Kinsey Millhone. But when a cop tells…
I’m the author of over thirty novels, including two mystery series. One is a cozy, small-town series, the Roger and Bess mysteries, the other a series that features a smart, resilient, courageous, sometimes bumbling women sleuth, Ricky Steele. I hope that she is loveable to readers. They often write to tell me she feels like their best friend. I tend to read the kinds of books I’ve recommended. Devour them actually. I also write in the genre. Sue Grafton, Sara Paretsky, Janet Evanovich, and Marcia Mueller have inspired and entertained me throughout both my reading and writing life.
Number twenty-five in Grafton’s alphabet series, and sadly her last, was published shortly before her death, Y Is For Yesterdayexplores dark deeds from the past that haunt characters in present day. I personally recommend the entire series, but this title bookends A Is For Alibi as it illustrates the author’s and Kinsey’s growth over 25 titles. I was blown away, as I always am, by Kinsey’s self-deprecating humor, warmth, and intelligence as she fends off a vicious sociopath from her past while investigating a ten-year-old murder.
Y is for Yesterday is the twenty-fifth in the Kinsey Millhone mystery series by Sue Grafton.
The darkest and most disturbing case report from the files of Kinsey Millhone, Y begins in 1979, when four teenage boys from an elite private school sexually assault a fourteen-year-old classmate - and film the attack. Not long after, the tape goes missing and the suspected thief, a fellow classmate, is murdered. In the investigation that follows, one boy turns in evidence for the state and two of his peers are convicted. But the ringleader escapes without a trace.
I’m a private eye. No, I don’t carry a gun. Or trail around after cheating spouses. In fact, the job is way more interesting than that, in a truth-is-stranger-than-fiction way. So it’s a pleasure to recommend these books that tell private eye life as it really is. One is written by a private eye, three others are written about us, and one more is a remarkable investigation itself, but they all ring true about the mystery that is private detective work. On days when even I can’t believe my job, I turn to these books for inspiration, information, and reality checks too. I hope you enjoy them as I do.
This provocative work of investigatory scholarship takes a dim view of private eyes, but that’s fair enough – as a detective (definitely not a saint) who has never carried a gun myself, I share the author’s dismay at the violent anti-heroes of mythic American lore. Ruehlmann’s question in this book is also my own: why are people so interested in private eyes? Answering it, he traces the idea of an omniscient private eye back to the outlaw vigilantes of the Old West, draws a distinction between intellectual English detectives and the musclemen of American noir, and includes an overview of modern masters of detective fiction along with a history of the profession starting in 18th-century France. Who knew? None of it is flattering, which makes it even more fun to read.
Examines the history and works representative of American detective fiction, providing psychological insight into popular opinions on violence, crime, revenge, and justice. Bibliogs
I have been fascinated by James Ellroy’s life and writing since I first discovered it as a lonely teenager on a rainswept family holiday. He went through dark times; the unsolved murder of his mother and his subsequent struggles with addiction. But how he overcame this to become one of America’s greatest writers is an inspiring story and has inspired me to get through my own personal turmoil. Indeed, many Ellroy readers will attest to how his life story and writing helped them overcome their struggles. Now as Ellroy’s biographer, I am continually drawn back to his work. Reading just a few pages allows me to contemplate what Ellroy calls ‘the Wonder’.
This was James Ellroy’s debut novel and has been all but forgotten compared to the masterpieces he later produced. But there is so much in this book that reveals why Ellroy was destined for greatness: strong plotting, vivid characters, electrifying prose. The plot involves a car repo man who takes on a private eye case for an oddball golf caddy. The plot owes a lot to Raymond Chandler, but it still feels original in Ellroy’s hands. Allow yourself to be swept away by it.
Beneath the slick, glittering surface of L.A., an underworld of depravity and wickedness reins. Fritz Brown is a part-time private eye and full-time repo-man who gets his kicks listening to classical music. But the waters get too deep for Brown when he takes a case from a cash-flashing golf caddy named Freddy “Fat Dog” Baker that puts him on the trail of his client’s sister and the older gentleman she’s run off with. But more suspicious than his sister, a classy cellist, is Fat Dog himself, who has a past more sordid than he lets on. Diving into a cesspool…
As a screenwriter I’ve always enjoyed noir stories, whether books or movies. Stories where the characters are not your squeaky-clean “good guys.” I like to see “ordinary” people; people who are flawed (like all of us), or maybe with a shady past, who are swayed or manipulated by dire circumstances into doing something they would not ordinarily do. I enjoy stories with unique, interesting characters that are not your run-of-the-mill private eyes, and whose moral compass might be a bit off. I particularly like stories where characters are forced to become investigators because of a situation they are thrust into, whether by accident or by their own dubious actions.
Okay, so this main character is Private Investigator, but I loved this book. A good flawed, dubious, tough-guy main character, a sexy femme fatale, dangerous mobsters, and lots of keep-you-guessing plot twists and turns. This page-turner, with great, witty, wise-guy banter, fulfills all that this Neo-Noir Crime Novel fan craves for.
PI Pete Fortunato, half-Italian, half-Jewish, who suffers from anger management issues and insomnia, wakes up one morning with a bad taste in his mouth. This is never a good sign. Working out of a friend’s downtown real estate office, Fortunato, who spent a mysteriously short, forgettable stint as a cop in a small upstate New York town, lives from paycheck to paycheck. So, when a beautiful woman wants to hire him to find her husband, he doesn’t hesitate to say yes. Within a day, Fortunato finds the husband in the apartment of his client’s young, stud lover. He’s been shot…
