Here are 100 books that Dead Drop fans have personally recommended if you like
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I’m a political philosopher who lives in Seattle. I teach and write about political ethics, and the ways in which moral concepts change when they get applied to the relationships between states—and to the complicated borders that define where states end. I tend to write about what puzzles me, and many of these puzzles come from my personal life; I’m a migrant myself, and the experience of migrating to the United States led me to write about what sorts of values a country can rightly pursue through migration policy—and what sorts of things, more generally, it can and can’t do to migrants themselves.
Neiwert’s book focuses on the horrifying case of Shawna Forde, an anti-migration activist who ended up murdering a child on the Arizona border in an attempt to steal money to fund her activism. It’s sometimes easier to understand the politics of the borderlands by focusing on particular people who inhabit and cross the borders; Neiwert let me see the complex politics of the Arizona border, and the ways in which those politics can curdle into a murderous rage.
It began with a frantic 911 call from a woman in a dusty Arizona border town. A gang claiming to be affiliated with the Border Patrol had shot her husband and daughter. It was initially assumed that the murders were products of border drug wars ravaging the Southwest until the leader of one of the more prominent offshoots of the Minutemen movement was arrested for plotting the home invasion as part of a scheme to finance a violent antigovernment border militia. And Hell Followed With Her: Crossing to the Dark Side of the American Border is award-winning journalist David Neiwert's…
The first female police detective in Acapulco, Emilia Cruz, dives into an ocean of secrets and lies when she is forced to lead the investigation into her own lieutenant's murder.
Caught between the powerful head of the police union and resentful colleagues, Emilia becomes a pawn in a game of…
As a second-generation immigrant, I knew very little of my family’s migration story. My grandparents never really learned English despite living in the US sixty or more years. In my twenties when the country was undergoing turmoil about immigration reform once again, I began looking at the immigrants all around me (and in literature) and identifying what we had in common—how our lives intertwined and were mutually dependent on one another. In 2007 I traveled 8,500 miles around the perimeter of the US by bicycle on a research trip to collect stories from immigrants and those whose lives they impacted. I wrote two books based on that experience.
The Devil’s Highway is the 2001 story of the tragedy that befell 26 men and boys from Veracruz who cross the Mexico/Arizona border led by human smugglers who get lost on a stretch of desert known as the Devil's Highway.
Urrea is known for his direct and clear reportage style of writing. As he depicts what happened to these men seeking a chance at the American Dream, Urrea does not lose sight of the broken system of immigration, the border patrol, the smugglers or the criminal enterprise of which they are part.
The actual walk and the deadly mistakes made by their “guide” are not shared until Part Three of the book. Through the recollections of walkers and creative non-fiction he recreates dialogue that captures the motives and dreams of these ill-fated men.
A widely-praised piece of investigative reporting examining the journey of 26 men who in May 2001 attempted to cross the Mexican border into the desert of Southern Arizona through the region known as the Devil's Highway. So harsh and desolate that even the Border Patrol is afraid to travel through it, the Highway has claimed the lives of countless men and women - in May 2001 it claimed 14 more. History of high acclaim from the author of The Hummingbird's Daughter.
I first came face to face with the expansive and unchecked authority of the Border Patrol about a decade ago when I was stopped five times in less than an hour while driving on a Texas country road. Could the Border Patrol really stop any vehicle they want without any reason whatsoever deep inside the United States? That day set me off on a journey through the borderlands and into the history of the Supreme Court in order to tell the untold story of how the Border Patrol became the most dangerous police force in the United States.
While writing my own book, this is the book that I had to keep going back to for all the historical detail on the early Border Patrol. It’s an academic book, but it does a great job of explaining the story of the early Border Patrol from the perspective of the people in the borderlands.
For much of the twentieth century, Immigration and Naturalization Service (INS) officials recognized that the US-Mexico border region was different. Here, they confronted a set of political, social, and environmental obstacles that prevented them from replicating their achievements on Angel Island and Ellis Island, the most restrictive immigration stations in the nation. In response to these challenges, local INS officials resorted to the law, nullifying, modifying, and creating the nation's immigration laws and policies for the borderlands.
In The INS on the Line, S. Deborah Kang traces the ways in which the INS on the US-Mexico border made and remade…
With plot elements inspired by presidential elections in both the US and Mexico, Barracuda Bay follows Acapulco’s first female police detective, Emilia Cruz, as she investigates the murder of the mayor’s sister—only to become a fugitive hunted by killers disguised as cops in Washington, DC. The stakes couldn’t be higher…
“Truth may be stranger than fiction, but fiction is truer.” Frederic Raphael. When I was a child, a relative often told stories of a cowboy gear clad cousin who visited our New York family from Texas and claimed he’d once served in Pancho Villa’s army. These tales were the spark that eventually led to Viva, Rose! and my interest in storytelling as well. There’s something about the combination of lived experience and fiction that I find irresistibly engaging and exciting. I’ve worked as a journalist, ghostwriter, and editor, but my happiest happy place is writing and reading stories birthed from a molten core of real life.
This book was inspired by the author’s family stories of the Mexican Revolution. When government armies destroy twelve-year-old Petra’s village and home, she’s forced to lead her grandmother, younger sister, and baby brother through the trackless desert to survive. They encounter kindly monks, ruthless federales, and a band of Villistas who want Petra to join them, but she never veers from her determination to take her family to safety and freedom. This is a powerful read, and I’m thankful and appreciative for the insight it offers into war’s effect on helpless citizens, and the enormous courage, strength, and determination required of every refugee forced to flee their homeland.
I first came face to face with the expansive and unchecked authority of the Border Patrol about a decade ago when I was stopped five times in less than an hour while driving on a Texas country road. Could the Border Patrol really stop any vehicle they want without any reason whatsoever deep inside the United States? That day set me off on a journey through the borderlands and into the history of the Supreme Court in order to tell the untold story of how the Border Patrol became the most dangerous police force in the United States.
Jenn Budd’s account of her life as a Border Patrol agent is powerful because it comes from a place of self-reflection and growth. She faces up to her previous ignorance and accepts the criticism that goes along with it. This book inspired me because she sees the racism and violence that are endemic to the Border Patrol and then dedicates her life to changing it.
Jenn Budd, the only former U.S. Border Patrol agent to continually blow the whistle on this federal agency's rampant corruption, challenges us-as individuals and as a nation-to face the consequences of our actions. Her journey offers a vital perspective on the unfolding moral crisis of our time. She also gives harrowing testimony about rape culture, white privilege, women in law enforcement, LGBTQ issues, mental illness, survival and forgiveness.
"An unflinching look at a Border Patrol riddled with corruption, racism, and misogyny. Raw and truthful, no one escapes judgement, not even Budd, who searches deep within herself to examine her own…
I'm a writer of humorous fiction living in Austin, Texas. I enjoy writing novels about unusual friendships and the healing power that comes when people just shut up and listen to each other. Many of my stories have the odd-couple dynamic on full display and I love to explore what would happen if people with very different backgrounds and opinions are forced to deal with each other. I do have a couple of novels that wouldn’t seem to be humorous on the surface, but there is an element of humor or comedy that runs through all of my work. My next novel, The Codger and the Sparrow, will be published by TCU Press in 2024.
These stories are all surreal, trippy, and many are quite funny. Sort of a mashup of Márquez, Burroughs, and Bukowski, trying to pin down Flores’ actual style is difficult as it is wholly unique: the ultimate compliment for a writer. One story is about a couple who make a sculpture of a baby using their ear wax while the male partner is a writer who also is paid to be a life coach to other writers of lesser talent. Another story is about two men who are neighbors, one of which owns an extraterrestrial shape-shifting cloth, the other is a philosophizing writer prone to drink too much. This collection of short stories is top-notch as well as bizarre and humorous.
No one captures the border-its history and imagination, its danger, contradiction, and redemption-like Fernando A. Flores, whose stories reimagine and reinterpret the region's existence with peerless style. In his immersive, uncanny borderland, things are never what they seem: a world where the sun is both rising and setting, and where conniving possums efficiently take over an entire town and rewrite its history.
The stories in Valleyesque dance between the fantastical and the hyperreal with dexterous, often hilarious flair. A dying Frederic Chopin stumbles through Ciudad Juarez in the aftermath of his mother's death, attempting to recover his beloved piano that…
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, I’m lucky to love what I do—and so I enjoy most of what I read. But these books are special. They drew me in and wouldn’t let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
On the ground in courtrooms and jail cells when the Trump administration began separating migrant families, Efrén Olivares’s memoir is more than just the story of a lawyer fighting for his clients.
Olivares is also a migrant who knows what it’s like to have his family split apart by immigration laws. Read it for the play-by-play account of family separation in 2018 but enjoy it because in Olivares the future of migration breathes, walks, and fights back.
INTERNATIONAL LATINO BOOK AWARD WINNER - The Raul Yzaguirre Best Political/Current Affairs Book
This deeply personal perspective from a human rights lawyer—whose work on the front lines of the fight against family separations in South Texas intertwines with his own story of immigrating to the United States at thirteen—reframes the United States' history as a nation of immigrants but also a nation against immigrants.
In the summer of 2018, Efrén C. Olivares found himself representing hundreds of immigrant families when Zero Tolerance separated thousands of children from their parents at the U.S.-Mexico border. Twenty-five years earlier, he had been separated…
I have always been a seeker, fascinated by all cultures, philosophies, and spiritual perspectives. Although the concept is often different—for some, it’s a place of refuge, feeling safe or sheltered from pursuit, danger, or trouble; for others, it’s a state of being, an inner peace, I’ve found that the search for sanctuary—safe-haven—elsewhere—has ancient roots and contemporary reverberations. My novel, Guesthouse for Ganesha, further heightened my interest in this subject, for my protagonist, Esther Grünspan, both deeply wounded and unsafe, was compelled to seek sanctuary. As a first-time novelist with an 18-year journey to publication, I fully immersed myself in this topic’s study and comprehension.
In Debra Thomas’s compassionately rendered Luz, her protagonist’s (Alma) border crossing from Mexico into the United States is relayed in painful, harrowing, and often shocking detail. It is a powerful and, at times, difficult read. Yet an important one. I often forgot that this is a work of fiction, as the story Thomas so deftly portrays is all too common and all too real, especially for a resident of Southern California, which I am. However, it is one filled with hope and determination and the unwavering spirit of a young, passionate girl in search of answers.
Alma Cruz wishes her willful teenage daughter, Luz, could know the truth about her past, but there are things Luz can never know about the journey Alma took to the US to find her missing father. In 2000-three years after the disappearance of her father, who left Oaxaca to work on farms in California-Alma sets out on a perilous trek north with her sister, Rosa. What happens once she reaches the US is a journey from despair to hope. Timeless in its depiction of the depths of family devotion and the blaze of first love, Luz conveys, with compassion and…
I’m a scholar of gender and state violence, and I live and work at the US-Mexico border. For the past several years, I’ve worked collaboratively with large teams of Latinx-identified students to study the impacts of US immigration policies on migrants from Mexico and Central America. We realized that even though about half of immigrants are women, around 95% of deportees are men. So, we started to think about how US policies criminalize immigrant men. I became especially interested in how immigration enforcement (at the border and beyond) intersects with mass incarceration. In the list, I pick up books that trace the multinational reach of the carceral apparatus that comes to treat migrants as criminals.
Muehlmann’s beautiful, gripping book reveals how cartels and drug violence are not separate from everyday life, but instead interwoven with almost all facets of life on the Mexican side of the US-Mexico border.
In a narrative style, she traces how everyday people unwittingly get into supporting the drug trade, or find themselves wrapped up in supporting traffickers without their knowledge. She also illustrates how the figure of the “narco” (drug trafficker) gets idealized in the borderlands. An incredible read for anyone interested in the complexity of the US-Mexico border.
When I Wear My Alligator Boots examines how the lives of dispossessed men and women are affected by the rise of narcotrafficking along the U.S.-Mexico border. In particular, the book explores a crucial tension at the heart of the "war on drugs": despite the violence and suffering brought on by drug cartels, for the rural poor in Mexico's north, narcotrafficking offers one of the few paths to upward mobility and is a powerful source of cultural meanings and local prestige. In the borderlands, traces of the drug trade are everywhere: from gang violence in cities to drug addiction in rural…
I became passionate about the Mexico/US border question after meeting someone who is now a close friend, a Mexican academic who introduced me to some of the issues. She helped me write Saint Death as a way to explore the politics of ultra-capitalism, in the form of multinational business, and the action of drug cartels.
I wanted to include a book here on ‘Holy Death’ herself, Santa Muerte, but there simply isn’t a good one. There’s a terrible one published by a once respectable academic publisher, but I can’t recommend it. Instead, there are some passages on Santa Muerte in this huge and significant piece of work: Lomnitz’s encyclopedic book digs into Mexico’s deep roots to explore the long relationship the country has with Death, of which the still growing ‘cult’ of Santa Muerte is but one emanation.
Death and the Idea of Mexico is the first social, cultural, and political history of death in a nation that has made death its tutelary sign. Examining the history of death and of the death sign from the sixteenth-century holocaust to contemporary Mexican American identity politics, anthropologist Claudio Lomnitz’s innovative study marks a turning point in understanding Mexico’s rich and unique use of death imagery. Unlike contemporary Europeans and Americans, whose denial of death permeates their cultures, the Mexican people display and cultivate a jovial familiarity with death. This intimacy with death has become the cornerstone of Mexico’s national identity.
