Here are 96 books that Darling Girls fans have personally recommended if you like
Darling Girls.
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As an author, I love reading books that feature writers and explore their daily ups and downs as well as their larger successes and failures. Working on a novel or an article is already a harrowing task, but throw in other complications like writer’s block, dangerous fans, and sources who won’t give you the information you need, and life gets a lot more challenging. These twisty tomes explore what happens when these writers find their own stories taking some perilous turns.
This list wouldn’t be complete without a story about a journalist in peril.
Reporter Camille Preaker returns to her hometown to cover the murder of teen girls after she’s been through a tough time herself. As she covers the story and meets some interesting characters, she begins piecing things together, never realizing how close she is to the true danger.
Camille has had a rough past, which colors her worldview and her judgment. The book explores how grief and trauma aren’t easily overcome and can’t be shelved simply because time has passed and other people have told you to move on.
I love the notion that sometimes danger is much closer than you think. As readers, we care and worry about Camille as she attempts to not just report on this story but also crack the case.
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FROM THE #1 NEW YORK TIMES BESTSELLING AUTHOR OF GONE GIRL
Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: she must return to her tiny hometown to cover the murders of two preteen girls. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds…
Sloane Cheney has no intention of returning to the South Carolina island town where she grew up. She enjoys her life in the big city and teaching at the college there. The thought of revisiting the place where her mother deserted her family is too painful.
I love reality television, shamelessly. I find it fascinating what people are willing to share about themselves in front of a national audience: their disgusting habits, their motivations, vices, secrets, and most importantly, their vulnerabilities. I think the reason I’m drawn to this medium is because I enjoy examining and thinking about why people make the choices they do. When it comes to my writing, I seek to portray the same multidimensional view of my characters that I see on these shows. I want their selfish choices and most humanizing insecurities to shine equally.
I finished this novel almost as quickly as I started it.
Though, aside from its fantastic hook, I loved Little Fires Everywhere because it’s one of the most empathetic character-driven novels that I’ve read. It’s clear that no character is entirely “in the right” throughout the novel, yet I understood their perspectives equally.
I think Ng’s writing is unflinchingly sincere, even toward characters who keep secrets, act on jealousy, lie, and cause damage.
"Witty, wise, and tender. It's a marvel." -Paula Hawkins, author of The Girl on the Train and A Slow Fire Burning
"To say I love this book is an understatement. It's a deep psychological mystery about the power of motherhood, the intensity of teenage love, and the danger of perfection. It moved me to tears." -Reese Witherspoon
From the bestselling author of Everything I Never Told You and Our Missing Hearts comes a riveting novel that traces the intertwined fates of the picture-perfect Richardson family and the enigmatic mother and daughter who upend their…
I'm a mother, and at one time, I was a single mother going through a very bitter divorce. I know what it's like to panic that your child will be in an accident, or that the other parent will kidnap the child (even if observers would say I'm overreacting). Looking back, my experience as a mother has permeated both my fiction and nonfiction writing in unplanned ways. Why does my second novel start with a mother kidnapping her own daughter? Why does the subtitle of my fourth nonfiction book cite "Parenting and Other Daily Dilemmas in an Age of Political Activism"?
For me, this novel combines the best of three sharply different types of books: It's a dystopian novel that paints an enthralling (and terrifying) portrait of an invented world. It's a page-turner.
And it's a story that hit some deep emotions in me. The basic narrative is that Frida, the harried and divorced mom of toddler Harriet, leaves Harriet alone while she dashes off to get herself a latte. Okay, that's stupid and risky, though Harriet is unharmed.
But in this book's world, that's enough to land Frida in a "reform school" from which it's almost impossible to prove yourself "perfect" enough to be released. As the story spiraled worse and worse, I couldn't believe this was happening.
I couldn't read another word; no, I couldn't put it down.
THE INSTANT NEW YORK TIMES BESTSELLER AN OBAMA'S 2022 SUMMER READING PICK
'A taut and propulsive take on the cult of motherhood and the notion of what makes a good mother. Destined to be feminist classic - it kept me up at night' PANDORA SYKES 'A haunting tale of identity and motherhood - as devastating as it is imaginative' AFUA HIRSCH 'Incredibly clever, funny and pertinent to the world we're living in at the moment' DAISY JOHNSON
'We have your daughter'
Frida Liu is a struggling mother. She remembers taking Harriet from her cot and changing her nappy. She remembers…
A plucky, recently widowed mathematician takes a job with a new NASA-funded research center, but when a fellow employee turns up dead, things add up to murder…
Dallas, 1961. There’s a new president in the White House, a new birth control pill, and a new Russian satellite called Sputnik flying…
I write psychological thrillers, and I find stories where the main character thinks they’re going crazy, particularly gripping, especially when it’s caused by (supposed) loved ones. I suspect it’s because these stories share an element of "this could happen to me." I’ve only written three books, but I’d say all of them have an element of gaslighting, probably because I sit down and think things like, What would it feel like if your best friend came back after many years, and you’re the only one who can tell it’s not her? It’s a deliciously creepy way to pass the time.
Everybody's probably read this one, but I'll mention it anyway.This book could be titled Everyone is Lying All the Time. It's one of my favourites by McFadden.
Newlyweds Tricia and Ethan find themselves stuck in a house until the snowstorm passes. Everything about the house—the noises, things moving or appearing, secret doors—makes Tricia nervous, but Ethan has an explanation for everything.
The characters of Dr. Hale and her nemesis, EJ, are particularly compelling, and it’s saying something considering they are mostly "written" through the audiotapes that Tricia listens to, so there’s no description of their actions. Just pure dialog on the page, as if you were listening along to the tape.
It’s only at the end that you realise this novel is a series of magic tricks designed to make you look over here while the action was really happening over there.
Newlyweds Tricia and Ethan are searching for the house of their dreams. But when they visit the remote manor that once belonged to Dr. Adrienne Hale, a renowned psychiatrist who vanished without a trace four years earlier, a violent winter storm traps them at the estate… with no chance of escape until the blizzard comes to an end.
In search of a book to keep her entertained until the snow abates, Tricia happens upon a secret room. One that contains audio transcripts from every single patient Dr. Hale has ever interviewed. As Tricia listens to the cassette tapes, she learns…
I have been a writer for almost as long as I have been a reader, and I have always been attracted to the darker side of ordinary life. I write psychological suspense thrillers, always featuring a family in crisis. I am fascinated by what happens behind closed doors and what the headlines do not tell you about a situation. Most people love a good secret exposed, and I am no different. I look at those around me and wonder, ‘What are you hiding?’ because everyone is hiding something. And I want to know what it is.
A true crime story based on a house of horrors where six children were kept captive by violent and hideously abusive parents.
I think saying I loved it is a stretch, but I definitely couldn’t stop reading it, even as I grew more and more uneasy with each flashback, and the truth about their experiences was slowly revealed.
“Pitch-perfect... Dean tells this story with such nuance and humanity, you’re desperate to step into its pages." —The New York Times
“Heart-stopping psychological drama… A modern-day classic." —Jeffery Deaver, New York Times bestselling author
“A gripping story about family dynamics and the nature of human psychology.” —Good Housekeeping
She thought she had escaped her past. But there are some things you can’t outrun.
Lex Gracie doesn't want to think about her family. She doesn't want to think about growing up in her parents' House of Horrors. And she doesn't want to think about…
I write psychological thrillers, and I find stories where the main character thinks they’re going crazy, particularly gripping, especially when it’s caused by (supposed) loved ones. I suspect it’s because these stories share an element of "this could happen to me." I’ve only written three books, but I’d say all of them have an element of gaslighting, probably because I sit down and think things like, What would it feel like if your best friend came back after many years, and you’re the only one who can tell it’s not her? It’s a deliciously creepy way to pass the time.
Lucy's best friend Savannah was murdered, and Lucy is suspected of having killed her. But Lucy can't remember anything about that night. Convenient? Plenty of people think so, including those closest to her. Is Lucy doing the gaslighting?
This plot is masterfully constructed, and I can’t say much more without spoilers. I loved it, and the gaslighting is out of this world.
**RICHARD & JUDY BOOK CLUB PICK** **INSTANT NEW YORK TIMES BESTSELLER** **THE SUNDAY TIMES 'PICK OF THE MONTH'** **PRIMA 'BOOK OF THE YEAR'** **WOMAN & HOME 'BOOK OF THE YEAR'** **WOMAN & HOME 'BOOK OF THE MONTH'** **TOP TEN KINDLE BESTSELLER**
'Edgy, thrilling, twisty - I loved it!' - LIANE MORIARTY 'A world-class whodunit' - STEPHEN KING 'Dark comedy and darker thrills' - ALEX MICHAELIDES 'Smart, surprising and very funny - wickedly entertaining' - SHARI LAPENA
Am I a murderer? You tell me . . .
Lucy Chase can't remember anything about the night her best friend was murdered. Lucky…
I write psychological thrillers, and I find stories where the main character thinks they’re going crazy, particularly gripping, especially when it’s caused by (supposed) loved ones. I suspect it’s because these stories share an element of "this could happen to me." I’ve only written three books, but I’d say all of them have an element of gaslighting, probably because I sit down and think things like, What would it feel like if your best friend came back after many years, and you’re the only one who can tell it’s not her? It’s a deliciously creepy way to pass the time.
Also one of my favourite books ever, and I honestly wish Jessica Treadway would write more.
A mother who has suffered a horrific attack and who is left with a hazy memory of the events is desperate to believe her daughter had nothing to do with it, even when everyone else thinks otherwise. You never know who is telling the truth, who is lying, who remembers the facts correctly.
The characters are so well drawn, the writing is so good, it’s one of those books where you just have to know who is telling the truth. Gripping from the first sentence. A true psychological thriller.
What if you began to suspect your child of an unspeakable crime?
One night changed everything. A father murdered in his bed. A mother beaten almost to death. A daughter who claims she knew nothing about her boyfriend's murderous plans. But is she telling the truth?
Hanna can't remember the details of what happened that traumatic night, she barely survived the brutal assault that left her a widow. However, if she is to keep her husband's killer in jail, she knows she has to try. But Hanna hadn't realised that those memories may cause her to question everything she thought…
I write psychological thrillers, and I find stories where the main character thinks they’re going crazy, particularly gripping, especially when it’s caused by (supposed) loved ones. I suspect it’s because these stories share an element of "this could happen to me." I’ve only written three books, but I’d say all of them have an element of gaslighting, probably because I sit down and think things like, What would it feel like if your best friend came back after many years, and you’re the only one who can tell it’s not her? It’s a deliciously creepy way to pass the time.
I'm including a memoir here, because this great book fits the theme perfectly.
Described as A startling true story of love in a world of liars, cheats, narcissists, fantasists, and phonies, it's the kind of book that makes you feel like you can't look away.
Stephanie Wood embarks on a relationship with a man who seems wonderful, then spends the next year slowly going crazy as she tries to keep up with his lies and deception. We are dumbstruck along with her every step of the way.
When Stephanie Wood meets a former architect turned farmer she embarks on an exhilarating romance with him. He seems compassionate, loving, truthful. They talk about the future. She falls in love. She also becomes increasingly beset by anxiety at his frequent cancellations, no-shows and bizarre excuses. She starts to wonder, who is this man? When she ends the relationship Stephanie reboots her journalism skills and embarks on a romantic investigation. She discovers a story of mind-boggling duplicity and manipulation. She learns that the man she thought she was in love with doesn't exist. She also finds she is not alone;…
I’ve enjoyed dark fiction ever since I picked up Dracula for school. But I mostly avoided crime and thriller fiction. I couldn’t relate to a rogue detective with an alcohol problem or an FBI agent on the heels of the next Hannibal Lector. Police procedural books just aren’t my thing. But then Gone Girl came out and changed the genre. The domestic suspense subgenre has exploded over the last decade, and now there’s an abundance of books centered around the dangers within our family and friendship circle. And isn’t that the scariest part of life? Serial killers are rare, but domestic violence is, unfortunately, not rare. Where is more dangerous than in our own homes?
This book is difficult to describe. One part crime, the other part literary fiction and narrated by a child, Dead Girls is unlike any other thriller I’ve read. I couldn’t put it down. When Thera’s best friend goes missing, despite being eleven years old, she decides the grown-ups are doing a bad job at finding Billie and begins investigating on her own. This is a super dark tearjerker about violence towards girls and women. But do check trigger warnings because this one is disturbing.
When her best friend Billie is found murdered, eleven-year-old Thera - fearless and forthright - considers it her duty to find the killer.
Aided by a Ouija board, Billie's ghost, and the spirits of four other dead girls, she's determined to succeed. The trouble with Thera, though, is that she doesn't always know when to stop - and sometimes there's a fine line between doing the right thing and doing something very, very bad indeed.
Tense, visceral and thought-provoking, Dead Girls is the new novel from Abigail Tarttelin, the critically acclaimed author of Golden Boy.
I’m a full-time novelist now, but for twenty-plus years, I was a practicing attorney. I was a business litigator, representing companies that were suing or being sued by other companies. I toiled away in high-rise office buildings, danced around office politics, and got up close and personal views of how people of every stripe navigate their work and lives in the office. I witnessed sexual harassment, bloodless coups, financial scandals, and professional disgrace—but I also enjoyed the support and encouragement and lifelong friendships that can come from collaborative work experiences. I like to think of the office environment as a petri dish to examine the full range of human behavior.
This is a very modern take on the office thriller, because the office in question is a feminist take on work-share facilities like WeWork. It’s an exclusive, women-only coworking space launched by celebrity entrepreneur Eleanor Walsh. Millennial women are dying to be accepted—at least until Eleanor herself is found dead. This is a fun, glitzy book full of beautiful young women making their stilettoed way in the world. It’s Emily in Paris, set in New York, Sex and the City, for millennials, but with enough murder and mayhem to keep the thrills coming.
Why did the founder of a glamorous coworking space for women disappear? Her best friends will risk everything to uncover the truth.
“Perfect for fans of Big Little Lies.”—The Washington Post
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Real Simple • Marie Claire • Good Housekeeping • CrimeReads
As CEO of the Herd, an elite women-only coworking space, Eleanor Walsh seems to have it all: close friends, a sweet husband, and the most glamorous and successful female-empowerment-based company in New York City. Then she vanishes on the night of a glitzy press conference—and the police…
