Here are 100 books that Dark Water fans have personally recommended if you like
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From the age of 11, and an encounter with an illustrated anthology entitled The World of Zen, I have been drawn to and fascinated by the spiritual, philosophical, and folkloric aspects of East Asian Culture. I studied the subject at Cambridge University and subsequently trained in Zen Shiatsu therapy. Most of my books draw from my passion for East Asian culture, and Japan in particular. I have travelled widely in Japan over the last two decades, and for Tsunami Girl spent four years researching, interviewing survivors, and visiting Fukushima. I am now working on a new book on Japanese yōkai and ghosts…
On my very first night in Japan, some twenty years ago, my friend told me a local ghost story as we ascended a deserted, dark back street of Tokyo. It featured no-face ghosts (nopperabo) and, memorably, the chills merged with my jet lag to bring me face-to-almost face with the world of Japanese spirits in my first hours in the country. A couple of days later my friend gifted me a copy of Hearn’s Kwaidan and it remains a treasured book to this day. Hearn’s retellings of classic Japanese ghost stories are as valued to this day in Japan as in the West. He’s a great writer. More importantly, Hearn was a sensitive, thoughtful, and wonderful chronicler of other cultures, particularly supernatural Japan. His life and work continue to be an inspiration to me.
This collection of Japanese supernatural stories is a classic work in the field of Japanese horror.
Known primarily as an early interpreter of Japanese culture and customs, the famous writer Lafcadio Hearn also wrote ghost stories-"delicate, transparent, ghostly sketches"-about his adopted land. Many of the stories found in Kwaidan, "stories and studies of strange things," are based on Japanese tales told long ago to him by his wife; others possibly have a Chinese origin. All have been re-colored and reshaped by Hearn's inimitable hand.
Some critics attribute Hearn's fascination with eerie tales to his partial blindness. Whatever its roots, he…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.
Fans of literary fiction may not even realize that Edith Wharton (1862-1937), author of novels like The Age of Innocence and Ethan Frome, also loved to write ghost stories, which often revolve around themes of class and gender. This collection includes such gems as the truly unnerving "The Lady Maid's Bell," the eerie yet poignant "Afterward," and "All Souls," one of the most unusual Halloween tales ever penned.
Traumatised by ghost stories in her youth, Pulitzer Prize winning author Edith Wharton (1862 -1937) channelled her fear and obsession into creating a series of spine-tingling tales filled with spirits beyond the grave and other supernatural phenomena. While claiming not to believe in ghosts, paradoxically she did confess that she was frightened of them. Wharton imbues this potent irrational and imaginative fear into her ghostly fiction to great effect.
In this unique collection of finely wrought tales Wharton demonstrates her mastery of the ghost story genre. Amongst the many supernatural treats within these…
All the best books have a cat sidekick. Over and over, when people talk to me about my book, they pause in the middle of whatever they were about to say and go, “Oh my gosh, Biscuits,” and then launch into a list of things Biscuits the cat does, and how they are similar to things their cats have done, presumably up to and including throwing hands (paws?) with horrifying monsters that want to eat your heart. Biscuits is the latest in a long and proud tradition of literary feline companions, an essential element of many of my favorite and formative texts growing up.
Mr. Cat is a ride-or-die. Mr. Cat walks the line that all cats do in the real world, in that he doesn’t actually have magic powers and he can’t actually talk, he is at the end of the day a little animal that lives in Jenny’s house, but also he would bite a ghost without hesitation. It’s Peter S. Beagle’s complete mastery of voice and tone that enable Jenny and Mr. Cat to walk that line so effortlessly. Because the fantastical is grounded so deeply in the real world, the stakes feel so high that I first read this book in one breathless sitting, afraid to look away.
Arriving in the English countryside to live with her mother and new stepfather, Jenny has no interest in her surroundings until she meets Tamsin. Since her death over 300 years ago, Tamsin has haunted the lonely estate without rest, trapped by a hidden trauma she can't remember, and a powerful evil even the spirits of night cannot name. To help her, Jenny must delve deeper into the dark world than any human has in hundreds of years, and face danger that will change her life forever.
Trapped in our world, the fae are dying from drugs, contaminants, and hopelessness. Kicked out of the dark fae court for tainting his body and magic, Riasg only wants one thing: to die a bit faster. It’s already the end of his world, after all.
I grew up listening to my family’s "true" ghost stories, each creepy tale ending with a declaration that "there are no such things as ghosts." As a teenager, I devoured books of folklore, with all their tales of ghosts, witches, and long-legetty beasties: and also many books about paranormal research. As an adult, I’m a complete unbeliever but still very fond of both reading and writing ghost stories!
I like a writer of ghost stories to personally believe in ghosts, as Benson did.
I also appreciate that he brings to even his scariest and most horrible tales the same sharp social observation and wit that he brought to his Mapp and Lucia stories.
Note, however, that the great M. R. James thought Benson’s stories "went over the line of legitimate horridness." Well, I love James, but disagree with him here. I dislike gross horror myself, but think a touch of Benson-style horridness now and again is enlivening (if that’s the right term for a ghost story).
'His body was pressed against the wall at the head of the bed, and the face was a mask of agonised horror and fruitless entreaty. But the eyes were already glazed in death, and before Francis could reach the bed the body had toppled over and lay inert and lifeless. Even as he looked, he heard a limping step go down the passage outside.'
E. F. Benson was a master of the ghost story and now all his rich, imaginative, spine-tingling and beautifully written tales are presented together in this bumper collection. The range and variety of these spooky narratives…
I’ve been a fan of horror stories since I was a kid. As an introverted and shy kid, I used to joke with my best friend about how I felt like a ghost and wished I had the power to be invisible. After I became a children’s book author/illustrator, I became fascinated with ghost picture books and started collecting them. Ghost picture books not only fulfilled my spooky necessities but also gave me warmth and heartfelt emotions.
A delightful, funny story of friendship, ghost chores, a spooky house and a professional haunter.
Meet Sir Simon, Super Scarer. He's a professional ghost who has been transferred to his first house. And just in time! He was getting tired of haunting bus stops and forests and potatoes. And to top it off, this house is occupied by an old lady -- they're the easiest to haunt!
But things don't go as planned when it turns out a KID comes with this old lady. Chester spots Simon immediately and peppers him with questions. Simon is exasperated. . . until he…
During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
These days, “folk horror” is a popular term for movies like Midsommer and The Witch.
In the early twentieth century, M. R. James is said to have invented this genre and revitalized the ghost story as a form. His memorably unsettling work often involves academics, scholars, and researchers confronting an uncanny, bucolic world.
The most renowned stories in this collection include “Casting the Runes” (a reviewer of an occult book learns an earlier critic died mysteriously), “The Mezzotint” (an upsetting engraving changes each time a curator looks at it), and “Oh Whistle, and I’ll Come to You, My Lad” (a professor dubious of the existence of ghosts fatefully finds an ancient whistle on vacation).
When we think of ghost stories, we tend to think of cub scouts cringing by a fire, s'mores at the ready, as some aging camp counselor tries to scare them witless with yet another tale from the crypt. But as Michael Chabon's marvelous introduction reminds us, the ghost story was once integral to the genre of the short story. Indeed, as he points out, it can be argued that the ghost story was the genre. Dickens's "A Christmas Carol," Henry James's "The Turn of the Screw"-most of the early short story writers wrote ghost stories as a matter of course.…
Everyday Medical Miracles
by
Joseph S. Sanfilippo (editor),
Frontiers of Women from the healthcare perspective. A compilation of 60 true short stories written by an extensive array of healthcare providers, physicians, and advanced practice providers.
All designed to give you, the reader, a glimpse into the day-to-day activities of all of us who provide your health care. Come…
Ever since I can remember, I wanted to be a ghostbuster. I was the kid with the stack of ghost books and horror film obsession, sparked full of adrenaline and excitement. I knew about ouija boards and poltergeists before I knew my times tables and even now - older, more cynical, less drawn to graveyards - I still feel that same thrill when I am holding a horror novel in my hands. I write about discomfort, about fear. I’m well-acquainted with it. I like the feeling of being unnerved and want to evoke that in the stories I tell and the ones I read, like the books below. Hope you enjoy!
So good! A ghost story rich in texture, set in Britain during the seventies. Twins Tim and Abi live in an insular world, obsessed with the paranormal. After they prank a school friend with a fake ghost photograph events start to spiral out of control. Nostalgic without being syrupy, this book felt like stepping back into my own ghost-obsessed childhood. It’s that familiarity, as well as the slow burn of the strange and unnerving events, that kept me absolutely hooked.
'A delight for both the expert and the uninitiated, this creepy tale is a carapace of cosy nostalgia wrapped round a solid thread of dread ... A page turner that keeps you in dreaded suspense of what you are about to be shown ... A claustrophobic and entertaining read that left me breathless ... Horror for the connoisseur.' ALICE LOWE
'Hallucinatory brilliance ... The Apparition Phase may be the perfect novel for our phantom present.' GUARDIAN ___________________________________ Tim and Abi have always been different from their peers. Precociously bright, they spend their evenings in…
I write adventure and mystery stories for children aged 9 - 13, involving battles with mythical creatures, dangerous pacts with demons, and other supernatural chills. My first book, Ante’s Inferno, won the People’s Book Prize and a Silver Wishing Shelf Award. For The Fall of a Sparrow, I drew on my love of ghost stories, not just for their scariness but also for their emotional complexity: ghosts don’t haunt just for the sake of it. They need something only the main character can give. Friendship, perhaps, a companion in their loneliness… or something much darker. Here’s my choice of classic stories in which ghosts pursue a wide – and sometimes terrifying – variety of agendas.
More of a supernatural mystery than a ghost story perhaps, but since the sinister magic that besets 13-year-old Aveline arises from a witch long buried in the cold, dark side of the churchyard, this fast-paced, imaginative tale qualifies as both. Particularly striking is that you can read it as a simple, scary ghost story – or as an unnerving portrait of someone with a narcissistic personality, alternating charm, menaces, and pathos to unsettle Aveline and bring her under her spell. Brrrr.
Aveline is thrilled when she discovers that the holiday cottage her mum has rented for the summer is beside a stone circle. Thousands of years old, the local villagers refer to the ancient structure as the Witch Stones, and Aveline cannot wait to learn more about them.
Then Aveline meets Hazel. Impossibly cool, mysterious yet friendly, Aveline soon falls under Hazel's spell. In fact, Hazel is quite unlike anyone Aveline has ever met before, but she can't work out why. Will Aveline discover the truth about Hazel, before it's too late?
I used to be the caretaker for the last home of Edgar Allan Poe, and during my four-year tenure, I tried to read everything Poe ever wrote, as well as literature inspired by his work. The key word there is “tried.” It’s an impossible task. Poe’s influence is vast and evergreen. The traditional ghost story was not his specialty, but nevertheless, I associate him with spirits and phantoms since one of his primary obsessions was the potential oblivion of the afterlife. I share these obsessions, and I doubt I would have taken the job if I wasn’t already drawn to stories that imagine what lies beyond the veil.
I love it when a story taps into my dream life when the author imagines a landscape that tickles my subconscious. Since the experience is so deeply personal, it obviously cannot be planned or market-tested, which makes it all the more thrilling when it happens.
That was my experience reading this book. As a boy, I often dreamed about my small town turning into a neighborhood full of ghosts overnight (Don’t ask me why. I was a strange child). This happens to be the exact premise of Velkwood. In Kiste’s narrative, a living woman must enter this literal ghost town at her own peril to uncover the secret behind a family tragedy, and the results are both philosophical and beautiful.
From Bram Stoker Award -winning author Gwendolyn Kiste comes a chilling novel about three childhood friends who miraculously survive the night everyone in their suburban hometown turned into ghosts-perfect for fans of Yellowjackets.
The Velkwood Vicinity was the topic of occult theorists, tabloid one-hour documentaries, and even some pseudo-scientific investigations as the block of homes disappeared behind a near-impenetrable veil that only three survivors could enter-and only one has in the past twenty years, until now.
Talitha Velkwood has avoided anything to do with the tragedy that took her mother and eight-year-old sister, drifting from one job to another, never…
Karl's War is a coming-of-age-meets-thriller set in Germany on the eve of Hitler coming to power. Karl – a reluctant poster boy for the Nazis – meets Jewish Ben and his world is up-turned.
Ben and his family flee to France. Karl joins the German army but deserts and finds…
I grew up in South Wales, where ghost stories are cherished. As a child, I spent many a winter evening telling spooky tales with my mum and my sisters, sitting before the fire. We would record them on tape (I am that old) complete with homemade sound effects, then play them back to listen to. I loved the combined fear and excitement these stories instilled in me. My father also loved to read horror and scary fiction, which had some influence on what I chose to read as I grew older. For someone who always loved to write, I think publishing in this genre is simply a natural extension of all that.
First of all, the title. Intriguing, original, enigmatic. That is what first drew me to this book. I had to find out more about it.
This book is much more in the style of traditional ghost stories, which I love. A spooky, desolate setting in an old house with a long history. I love the build-up of suspense, the remote location adding to the sense of isolation and helplessness, everything cold, chilly.
The ghostly happenings, whilst perhaps not original, are very well done, which is just fine with me. Traditional ghost stories are meant to have certain elements that are standard, just as fantasy stories must have certain magical aspects. As far as ghost stories are concerned, as long as they make the hair on the back of my neck stand on end, I’m happy. This book does that extremely well, I thought. Absolutely dripping with spooky atmosphere.
An eerie and compelling ghost story set on the dark wilds of the Yorkshire moors. For fans of The Witchfinder's Sister and The Silent Companions, this gothic tale will weave its way into your imagination and chill you to the bone.
'Spine-tingling... the scariest ghost story I have read in a long time' Barbara Erskine
'A wonderful, macabre evocation of a lost way of life' The Times
'Like something from Emily Bronte's nightmares' Andrew Taylor, author of The Ashes of London
Maybe you've heard tales about Scarcross Hall, the house on the old coffin…
