Here are 100 books that Dark Room Etiquette fans have personally recommended if you like
Dark Room Etiquette.
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I’m a teacher who has mainly taught the eighth grade. When I read short stories and books aloud to my students, I pay attention to when I feel their interest waning and when they’re completely enthralled. Books are so much more action-driven than they used to be and there is often not a lot of description of setting and appearances. I can tell that my students lose interest in scenes that describe a room, for example, in careful detail. They want to hear about what the characters are saying and doing. They also like to feel like they’re being let in on secrets.
This book is an awesome locked-room thriller about six teens who are invited to a dinner and find themselves trapped in a room with a bomb, a syringe filled with poison, and a note with instructions that they have to decide who among them to kill within the next hour or they’ll all be murdered.
There’s something about close-proximity thrillers that gets me every single time. As a person who is definitely not a big fan of enclosed spaces in real life, these types of books have me breathless.
A thrilling debut, reminiscent of new fan favorites like One of Us Is Lying and the beloved classics by Agatha Christie, that will leave readers guessing until the explosive ending.
"Welcome to dinner, and again, congratulations on being selected. Now you must do the selecting."
What do the queen bee, star athlete, valedictorian, stoner, loner, and music geek all have in common? They were all invited to a scholarship dinner, only to discover it's a trap. Someone has locked them into a room with a bomb, a syringe filled with poison, and a note saying they have an hour to…
Seventeen-year-old Blue Lannigan believes one thing: his two younger brothers deserve more. When he comes home to find one brother bruised and bleeding (again), the other cowering in terror (again), and their mother drunk, blaming all of them for her tanked singing career (again), Blue decides waiting until he’s 18…
I grew up in the 1970s, still in contention for America’s most paranoid decade (thanks, Watergate). Practically everything I watched, listened to or read (right down to my beloved superhero comics) was asking, what’s hiding behind the world around you? I don’t think of myself as a paranoid guy – I don’t, for instance, believe in a real life Deep State – but these are the sorts of stories that resonate for me. Taken less literally, they do ask worthwhile and still disturbingly relevant questions: what is beneath the world you know and see every day? What is right in front of you, both good and bad, that you aren’t seeing?
It’s about the simplest idea you can hang a story on: three people discover a house in the wilderness and explore it. But this short, black and white, silent graphic novel just sucked me deeper and deeper into the terror of a place that seems to grow impossibly larger, even as your pathway through it becomes narrower and narrower until...well, it’s pretty dark stuff. Simmons’s art is also inky black, but visualizes the concepts at play with beautiful power. There is a terrible force behind the scenes here, but you can never know what it is and you can never defeat it.
This adventurous, silent graphic novel demonstrates the solid strength of this young cartoonist's storytelling ability. Whether plunging into the watery depths of a sinkhole that has obviously swallowed part of a town or entering the uncertain hidden corridors of the house, every turn is captured with intensity by Simmons' scratchy pen. Page composition and panel arrangements are masterfully coordinated to reflect the characters' increasingly claustrophobic panic as the story reaches its crescendo, and to cause a similar and palpable reaction in the reader. House is Josh Simmons' first full-length graphic novel after years of honing his craft on the humorous,…
I’ve been a fan of horror—specifically, supernatural horror—for as long as I can remember. Though the topic of life after death is perhaps one of the most long-standing debates in existence, almost every family has a story or two about things that can’t be explained. I’ve turned my lifelong interest in death, the occult, and how the two can coexist, into slow-burn horror stories for people who like a little weird with their fear. Stories that explore the beautiful complexity of queer people. Stories for the strange at heart.
This book is fast and punchy. It’s filled with twists and a high level of unnerving emotions. Set during autumn harvest, this is an absolutely perfect Halloween read. It is rather short, which means a fast reader or someone with some time could devour it in a day or two. There’s also an upcoming film adaptation.
It is Halloween, 1963. They call him the October Boy, or Ol' Hacksaw Face, or Sawtooth Jack. Whatever the name, everybody in this small Midwestern town knows who he is. How he rises from the cornfields every Halloween, a butcher knife in his hand, and makes his way toward town, where gangs of teenage boys eagerly await their chance to confront the legendary nightmare. Both the hunter and the hunted, the October Boy is the prize in an annual rite of life and death. Pete McCormick knows that killing the October Boy is his one chance to escape a dead-end…
Seventeen-year-old Blue Lannigan believes one thing: his two younger brothers deserve more. When he comes home to find one brother bruised and bleeding (again), the other cowering in terror (again), and their mother drunk, blaming all of them for her tanked singing career (again), Blue decides waiting until he’s 18…
Growing up in a Spanish-speaking household, there was a saying: “Dime con quién andas y te diré quién eres.” That is, the company you keep says a lot about you. The sense of belonging that comes from being a part of a group is something we have chased since we were kids. I remember the close-knit friends’ group I joined in the eighth grade, and the core four of us are still best friends to this day (just about 25 years later!). I’m fascinated by what those strong bonds can make you do–including leading you to bend or break your moral compass.
Everyone needs a little camp in their lives. This book is about the “OG” group of friends who get entangled in a hush-hush death and are hunted and haunted (literally!) by the secret. It even inspired an equally campy and fun-filled movie starring young Hollywood stars from the ’90s!
We literary types often forget that books are meant to entertain. I love being transported to an absurd world with high drama, rollercoaster twists and turns, and a central mystery so far out there that you’ll roll your eyes, laugh, and keep turning those pages with abandon.
It was only an accident but it would change their lives forever.
Last summer, four terrified friends made a desperate pact to conceal a shocking secret. But now, someone has learned the truth, and the horror is starting again. There is an unknown avenger out there who is stalking them in a deadly game. Will he stop at terror--or is he out for revenge?
This summer, four friends are going to learn that some secrets just won't stay buried.
Three biographical facts that well equip me to write about both monsters and mental health: I am a psychologist who researches, writes, and teaches about emotions, learning, and quality of life. I am also someone who suffers from panic disorder. I am also someone who enjoys interacting with the world of the dark and spooky, in part to tame my internal fears. I think that many of us use fiction in general and horror in particular as a sandbox of sorts—a safe place where we can expose ourselves to our fears, to test out scenarios, and to explore hidden parts of our psyche.
Lisa Damour is one of the most well-respected names in public-facing psychology right now, and that is for a good reason.
She brings to this book (and her earlier ones, which are equally excellent) a level-headed pragmatism, an empathetic listening stance to the adolescents who are her clients and subjects, and decades of clinical expertise. You will find no click-bait pronouncements about matters that are far too complex for such treatment in her writing, and no generational sneering.
Her work is also deeply valuable for parents—she digs into actionable advice for anyone working with adolescents today to navigate the challenges in their lives. I draw on her work heavily in my own writing, but more importantly in my parenting.
An urgently needed guide to help parents understand their teenagers' intense and often fraught emotional lives - and how to support them through this critical developmental stage - from the New York Times bestselling author of Untangled and Under Pressure
In teenagers, powerful emotions come with the territory. And with so many of today's teens contending with academic pressure, social media stress, worries about the future, and concerns about their own mental health, it's easy for them - and their parents - to feel anxious and overwhelmed. But it doesn't have to be that way.
As a writer I like to explore many genres, and one of my favorites is young adult supernatural. I think I was destined to write in this world because the first book I took out of the library was Where the Wild Things Are. My favorite books as a teenager all dealt with supernatural themes – Summer of Fear, Carrie, and Audrey Rose. Writing about changelings allows me to explore the tenuous connection between what lies inside of us – our psyche, our minds, our souls – and what might exist on the other side of our known world. It’s the search for that missing link that keeps me writing.
I really enjoy C.B. Lee’s books. She writes stories with diverse characters, LGBTQ themes, and possesses a really fun voice. In this book, which is part of the Sidekick Squad series, Bells Broussard is having a hard time because he’s now a wanted villain. Lee flips the whole hero/villain archetypes and makes us question what’s good and what’s bad. Her books are for the middle grade set, but if you like superheroes and a comic book mythology like me, you’ll enjoy them.
Bells Broussard thought he had it made when his superpowers manifested early. Being a shapeshifter is awesome. He can change his hair whenever he wants and, if putting on a binder for the day is too much, hes got it covered. But that was before he became the countrys most wanted villain.After discovering a massive cover-up by the Heroes League of Heroes, Bells and his friends Jess, Emma, and Abby set off on a secret mission to find the Resistance. Meanwhile, power-hungry former hero Captain Orion is on the loose with a dangerous serum that renders meta-humans powerless, and a…
Maybe I’ve just watched too much Buffy the Vampire Slayer, but I love stories about girls facing down terrifying monsters and coming out triumphant. These are often the kinds of books I like writing too, whether those monsters are ghosts, serial killers, or amorphous supernatural entities. As a writer of supernatural thrillers for teens, I know how empowering and cathartic it is to watch a character who has been through tough experiences face down her fears and fight for all she’s worth.
Sawkill Girls is so scary that I couldn’t read it before bed. In fact, I wouldn’t even bring it into my bedroom! But it’s also gorgeously written—eerie and atmospheric, with the most immersive worldbuilding. Its monster is terrifying, but the main characters—all girls—are so, so powerful. This is one of my top YA novels of all time.
"Reader, hang on for dear life. Sawkill Girls is a wild, gorgeous, and rich coming-of-age story about complicity, female camaraderie, and power." -Sarah Gailey, author of River of Teeth
"An eerie, atmospheric assertion of female strength." -Mindy McGinnis, author of The Female of the Species
FIVE STARRED REVIEWS
NAMED ONE OF YALSA'S 2019 BEST FICTION FOR YOUNG ADULTS
A BRAM STOKER AWARD NOMINEE
A LAMBDA LITERARY AWARD NOMINEE
From the New York Times bestselling author of Furyborn comes a breathtaking and spine-tingling novel about three teenage girls who face off against an insidious monster that preys upon young women. Perfect…
I have been drawn toward tales and stories of the bizarre since childhood. As a reader, I look for works that will surprise me. The real world in general, I find very unsurprising (lord yes, I do!). When I read, when I enter the fictional world (my favorite!) I want to be inspired to read on. I have put down many a book through boredom. I am not a plough. If I am uninterested, I stop. These books have inspired me in my own craft. Currently writing my sixth novel of the unpredictable, I feel I have experienced enough to forward on some irregular reads of the pure and the awesome.
How can one not love a book about moving Traction Cities? In a magnificently imagined world where these Traction Cities fight for what is left of a destroyed future earth (left behind by us humans – from a stupid massive war to end all wars – go figure eh!).
Tom Natsworthy is aboard the traction city of London. London needs to feed and hunt for smaller cities to feed into its mighty jaws. Tom soon learns that London’s sinister hierarchy of scientists are building their own bomb – MEDUSA. Tom is thrown from London when he befriends a physically and emotionally scarred stow-away slave girl, Hester.
The journey back to the ever-moving London to try and stop – MEDUSA is an amazing one – I must say. So well written, brilliant actually.
"A breathtaking work of imagination, Hester Shaw is a heroine for the ages. The moment we finished reading this book we knew we wanted to make it into a movie." -- Producer Peter Jackson
* "Reeve's [Mortal Engines] remains a landmark of visionary imagination." -- School Library Journal, starred review
窶銀�窶起ow a major motion picture produced by Peter Jackson!
London is hunting again. Emerging from its hiding place in the hills, the great Traction City is chasing a terrified little town across the wastelands. Soon London will feed.
In the attack, Tom Natsworthy is flung from the speeding city with…
I’ve always been a fan of dark stories and unsolved mysteries. As I grew older, this led me to read true crime, historical mysteries, horror stories, and mystery detective fiction. I also have a preference for classic stories from decades gone by, as I have a strong interest in how genre-defining stories that appear at a certain time can have great influence over a generation of writers. So, it’s fitting to say that all my recommendations tend to be great stories from long ago. Much like the Sherlock Holmes stories by Arthur Conan Doyle, people still read these stories today and probably will in the future since great stories are timeless.
This 90s manga series is one of the first proper murder mystery manga. While it’s aged a bit and not a honkaku that readers can solve, it borrows a bit from some famous Japanese honkaku novels and might be a good introduction to Japanese murder mystery fiction. Despite the homages, this is distinctively its own story.
As is commonly done in Japanese mysteries, most involve a seemingly impossible murder in a remote location with a long list of shady suspects. While teenage detective Kindaichi Hajime tries to solve the case, more murders happen. The stories are creative, and the solutions are, too—this series often has more macabre moments but is often sympathetic to the killers.
When Miyuki invites her friend, underachiever Hajime Kindaichi, to join her at the Drama Club's weekend rehearsal of "Phantom of the Opera," she does not expect the weekend to end in murder, nor for Kindaichi to investigate.
I’m an Australian writer. I came to creative writing late in life but have been an avid reader since my early school years. My fascination with mystery thrillers started with Enid Blyton and included Raymond Chandler books—not usually recommended for an 11-year-old. I have always had an inquisitive mind, asking difficult questions and seeking understanding. My first degree was a Bachelor of Science, majoring in Chemistry. My diverse working life spanned a variety of roles, building a rich tapestry of experience. I relish layered, complex, and thought-provoking stories both as a writer and a reader. I hope you enjoy my recommended books as much as I have.
Provocative questions about redemption and second chances are at the heart of this story, and they made me dive deeper into my own ideas about these issues. The book shows that truth is never straightforward, and the burden of guilt and shame can complicate the lives of everyone involved.
I loved Macmillan’s story-telling style. Despite the novel unfolding gently—it’s a slow burn—I read it in 3 days. That’s a record for me. It’s a testament to how attached I became to the character’s plight and the suspense and tension created by the writer. It’s a profound and engrossing story.
It’s both plot and character-focused, and I was hooked from the beginning. It starts with a simple premise, then turns it on its head and introduces doubt and mystery. The author kept me guessing; just when I thought I knew what was happening, the ground shifted under my feet. There was…
The New York Times bestselling author of What She Knew returns with an electrifying new novel about how the past will always find us...
"Literary suspense at its finest.”—Mary Kubica, New York Times bestselling author of Pretty Baby
“A wonderfully addictive book with virtuoso plotting and characters - for anyone who loved Girl on the Train, it’s a must read.” — Rosamund Lupton
Zoe Maisey is a seventeen-year-old musical prodigy with a genius IQ. Three years ago, she was involved in a tragic incident that left three classmates dead. She served her time, and now her mother, Maria, is resolved…
