100 Books Like Damnation Island

This is another novel written expressly for teenagers, and all the better for it.

Inflected by the author’s own autobiographical experiences—like Craig, the novel’s narrator, Vizzini spent a week in a psychiatric hospital as a teenager—It’s Kind of a Funny Story was the first work of fiction I’d read that articulated the adolescent experience through the language of mental health. It was here that I learned “depression” isn’t an abstracted emotion but the very real neurochemical imbalance that impels Craig to call the suicide hotline after abandoning his SSRIs.

There’s an uncanny familiarity to the circumstances of Craig’s breakdown—namely in how he struggles to remain above water at a famously rigorous college preparatory high school—and a fundamental earnestness to his story’s confessions that gilds even its grimmest moments with a fifteen-year-old's sense of impressionable wonder.

Nellie Bly was one of the great muckraking reporters in American history. She pretends to be insane and is admitted to the “mad house.” Along the way, she exposes the horrible treatment of those suffering from mental illness, but of her treatment in a boarding home, where spoiled beef was served.

Many at the Women’s Lunatic Asylum on Roosevelt Island suffered no mental illness; they simply didn’t know how to speak English, she wrote. “I left the insane ward with pleasure and regret—pleasure that I was once more able to enjoy the free breath of heaven; regret that I could not have brought with me some of the unfortunate women who lived and suffered with me, and who, I am convinced, are just as sane as I was and am now myself.”

Her reporting led to a grand jury investigation and reforms inside the asylum.

This is the 75th anniversary edition of a book first published in 1946, a best-seller at the time, and the impetus for changes in the treatment of psychiatric patients. The narrator, novelist Victoria Cunningham, finds herself incarcerated in a corrupt and badly-run hospital with little memory of how she got there; I was disturbed by the way she had to navigate through an obscure, nonsensical bureaucracy that seems more insane than any of the hospital’s patients. Virginia is supported by her loving and loyal husband, but at times she loses track of her memories and forgets who he is. The book is frightening—especially given that it’s based on the author’s own experiences at Bellevue Hospital in New York—but also intimate and moving.

Welcome to the sweet romance of Isa, a dancer, and Alex, a baseball player, teenagers in New York with very different upbringings. Isa is a blonde, half-Cuban/half white, private school girl from a well-off family that’s falling apart behind the scenes. Alex is Dominican, attends public school, and divides his time between his divorced parents. He’s also a secret poet and leaves his poems for Isa to find on the subway train where they first met. Both have professional sports potential, but the reality is more complicated. The couple navigates challenges with their families and neighborhoods, including mental health and gangs, and you’ll be rooting for them the entire time. The author has a beautiful poem in the Rhyme and Rhythm anthology that I mentioned above.

I attended an author event at the coolest bookstore in Tampa in The Exchange building, and Lisa Unger was being interviewed by Colette Bancroft, the book editor for the Tampa Times.

Well, the book sounded wonderful, and it really is. The heroine in this story is smart, clever, and managed to keep one step ahead of the unusual, troubled boy she is hired to babysit. I loved this story and now have a signed copy on my keeper shelf.

If you need inspiration to write strange stories, then read the Brazilian Machado de Assis. In his photos he looks like a prim and proper gentleman, giving no hint he wrote some of the whackiest fiction you’ll ever encounter—for example, one story is told from the perspective of a needle. The Alienist is a favorite. Bacamarte, a man devoted to science, opens an insane asylum in the town of Itaguaí, taking in the mentally ill. But his scientific mind leads him to the inevitable conclusion that he must also include healthy people who, according to his diagnosis, are about to go crazy. Soon, his asylum, Casa Verdi, accommodates the entire town. Then, in the ending of the story… Well, you’ll have to read it yourself to find out. 

I once worked on a film shoot at the infamous Friern Barnet Asylum in London, an imposing building that boasts the longest corridor in Europe at over a third of a mile long. It was my job to lock up after filming was over each night, and to do so, I had to walk the long corridor with just a flashlight for company… and the ghosts rumoured to haunt the building! I have never forgotten the feeling of dread and despair in that place, and my heart went out to the patients who were isolated in the creepy basement wards. Barbara Taylor gives an inside perspective on this fearsome institution in her book, which is both an achingly honest account of mental illness and addiction, and a critique of community care.

Long before the Victorian asylums, there was Bethlem – London’s ancient hospital for lunatics. Like Broadmoor, Bethlem also looked after high-profile criminals, but within a private and charitable institution that was mostly for the capital’s waifs and strays. Bedlam gives you a sense of how mental health developed as a concept from the medieval period to the present day.

A man called “Pepper,” who may or may not suffer from mental illness, ends up in a locked mental ward in Queens, New York, where the entire novel takes place.

A beast, who the patients believe is the devil, comes out at night, assaulting and sometimes killing patients. Patient deaths are chalked up to suicide. The engaging, quirky characters—drugged to the gills while warehoused and essentially untreated in a public hospital—share the defining feature of being low-income and unprotected from both the supernatural and human forces that would destroy them. They must take matters into their own hands to protect themselves.

I appreciated the theme of how marginalization and isolation presented as much terror here as the supernatural. Yet, the hope and humor of the characters also kept me engaged and frequently smiling.

This classic account by a renowned sociologist is critical reading for those interested in the anti-psychiatry movement, a crusade that viewed psychiatry as more coercive than therapeutic and, in some cases, questioned the reality of mental illness itself. For one year, Goffman embedded himself in St. Elizabeth’s mental hospital in Washington, DC, where he ultimately concluded that the defining features of the asylum – similar to those of prisons and other “total institutions” – did more to shape the patient’s behavior than the supposed illness for which the patient had been admitted in the first place. Goffman’s observations left a significant impact on popular ideas about asylum care and helped contribute to widespread deinstitutionalization several decades later.