100 Books Like Crash

Published just two days after World War II was declared in Europe in 1939, and two years before the United States would enter the conflict, Dalton Trumbo’s powerfully emotional story centering on horribly wounded American World War I soldier Joe Bonham sparked controversy for its anti-war stance, while also winning the 1939 National Book Award for Most Original Book.

Apparently inspired by an article Trumbo had read about the Prince of Wales paying an emotional visit to Curley Christian, a Canadian soldier who’d survived the loss of all four limbs at the 1917 Battle of Vimy Ridge. Johnny Got His Gun is simply a gut-wrenching read that took me to places no one should really go.

Let’s just say I was a different 14-year-old the day I closed its covers and sat thinking for a very, very long time.

Novelist Peter Viertel, an uncredited screenplay contributor to three John Huston-directed movies, wrote one of the great Hollywood-adjacent novels in this 1953 classic backgrounded by the preproduction of a fictionalized film. Hint: it’s transparently Huston’s The African Queen and the "John Wilson" character is clearly John Huston himself. The book dramatizes the hell screenwriter Peter Verill (Viertel, of course) endures when the bigger-than-life director becomes more obsessed with hunting and killing a majestic elephant than in shooting the film he’s been sent to make. 

Funny, marvelously readable, it's also rich with wry and knowing portraits of characters based upon Katharine Hepburn, Humphrey Bogart, and producer Sam Spiegel, the latter of whom says of Wilson/Huston: “In a well-ordered society, he’d be in a straitjacket now.” Clint Eastwood directed and starred in a 1990 movie version. Skip that, watch The African Queen, then read this instead.

In the mid-‘60s, acclaimed Irish-Canadian novelist Brian Moore unhappily spent time grappling with the script problems plaguing director Alfred Hitchcock’s 1966 spy thriller Torn Curtain. In this frankly autobiographical 1971 novel, a Hitchcock-esque producer comes in for knocks when a Moore-like novelist-screenwriter gets lured to Hollywood to work on the screenplay for a famous moviemaker’s next film. (Moore described his brush with Hitchcock as “awful, like washing floors.”) Waiting to learn whether he’s going to be forced to do another script rewrite, the novelist agonizes over his ongoing divorce and his relationship with his new girlfriend. Mostly, though, he’s confronted by the ghosts of friends and family members past, notably his father’s. So sharply funny, painfully honest a book that one almost wishes Hitchcock had filmed it instead of Torn Curtain.

Much as I enjoyed the film based on this novella by Stephen King (which I now understand is a standalone book—I read it as part of a story collection long ago), I enjoyed the novella more.

Why? Because of its extraordinarily likeable narrative voice, which has caused people worldwide to find themselves rooting for its narrator. How can you not want to know what’ll happen next to someone so candid and down-to-earth—who has experienced homicide and love so intensely? Especially when he wants intimacy yet also feels threatened by it.

In fact, just after I finished reading the Shawshank novella, I vowed to write a novel about someone in NYC who exuded those same attributes: candor, humility, and understated yet solid wisdom about murder and affairs of the heart. And after several years of writing with this goal, I finally tapped into the voice of Matt Connell, the narrator of… show more.

This book includes so many of my favorite things: an inn on the coast of Italy, a young innkeeper with outsized dreams, movie stars, an almost-romance, and a chance for rekindled love.

I clung to every page as the story moved back and forth from the 1960s to the present day, from the set of Cleopatra in Rome to Hollywood backlots. This book is like a vacation full of interesting people you want to know better, the kind of vacation you never want to end.

I read this novel just as I was starting to write in earnest, and before I fully understood how hard it is to pull off a feat of complex storytelling as elegantly as Walter does in this novel. It’s a marvel.

Todd Bowden, a middle-class boy, has everything good going for him until he meets Kurt Dussander, a man who was the pure embodiment of evil during Hitler’s Nazi regime, now living in America under the assumed name, Arthur Denker. Todd figures out who “Arthur Denker” is from crime magazines his father had kept in a trunk in the garage.

Todd’s curiosity for violence rises to the surface. He is increasingly drawn down into darkness, blackmailing Mr. Dussander to tell him what went on in the concentration camps.

A very dark turn in my list, indeed. A hole opens up in their apartment, who knows who or why? It doesn’t matter. They dub it the funhole, and would do what any of us would do, and start sticking things inside of it. Things get dark, fast.

If you want to be up all night, unable to sleep, give this book a whirl.

There isn’t another horror novel written in the past ten years that scratched at my brain as much as this one. Baztericca’s brilliance lies in her writing a story that no one else has thought of before. The subject matter–humans have run out of animals to eat–seems like an obvious one.

What is striking about the book is that it is told in an almost clinical fashion, observing horror with a detachment that is precise and unemotional. The plot follows one man through the routines of his life, but it’s the world in which he exists that haunts you. By the time I finished, it was easy to imagine the world of “Tender Is The Flesh” becoming all too real.

This castaway story, about a man trapped on a concrete island under and between converging freeways on the outskirts of London, still stands the test of time.

I found it especially resonant during the imposed isolation of the global pandemic; all of us each marooned in our living rooms. The protagonist, architect Robert Maitland, has to learn to survive and thrive in reduced and restricted circumstances, and he can’t buy or build his way out of it.

When he finally discovers a way off the island he no longer really wants to leave, reminding us that we are sometimes most effectively imprisoned by our own minds and desires.  

This memoir follows the healing (both physical and ultimately spiritual) journey of a 13-year-old Iowan boy who is seriously injured in a car accident in which his father and sister are killed. Paralyzed from the chest down, Sanford recounts the excruciating challenge of restoring his mind/body connection. Though confined to a wheelchair for the rest of his life he digs deep to locate hope and inner strength and even eventually becomes a yoga teacher. (I attended his inspiring class when he visited near my home so I can attest to the fact that this is a true story!) This is an unforgettable memoir of fortitude, love, and resilience.