100 Books Like Covenant with Death

I loved this book for its strong characters, especially the quirky Nicoletta Gavelli and her sharp tongue. I love the hometown atmosphere, which is such a part of cozy mysteries.

Another favorite in the book is Sally Muccio, the amateur sleuth who solves the murder. She has the support of a loving family, especially her husband. 

This is the first novel I read about grieving families who commissioned photographers to search for the place where their loved one died, in order that a photo could be taken for them to have as a keepsake.

I love learning something new when I read a book and I discovered so much about the after-effects of losing someone without having knowledge of their last moments and a place to pay one’s respects. 

This is about Edie, a widow wanting answers about her husband who she believes might still be alive, despite being classed as ‘missing, presumed dead’ in 1917. She commissions her late husband’s brother to search for him and photograph his final resting place, if indeed there is one.

A wonderful, haunting story of enduring love and loss.

My choice here could have been Douglas Newton’s superb Hell-Bent about Australia’s entry into the conflict, or various other fine books by renowned historians, but I can’t go past this one by an expert on Australia in WWI.

Peter Pedersen’s PhD on Monash as a commander became a fine book; his authoritative survey of the AIF during the war entitled The Anzacs: Gallipoli to the Western Front is another work of high quality; and he has also produced several studies of notable AIF battles. But my recommendation is a different publication — his extraordinary Western Front guidebook. Stay with me while I explain why.

Anzacs on the Western Front is lavishly illustrated with maps and photographs, and informed by his comprehensive detailed familiarity with what Australians did. It’s crucial for anyone visiting France and Belgium with the aim of pursuing particular engagements great or small, both to plan your… show more.

Parade’s End has been described by Mary Gordon as “the best fictional treatment of war in the history of the novel.” 

What made me truly connect with the story is its protagonist, Christopher Tietjens, who serves in the British Army during the “Great War.”

A member of a prominent, landowning family, Tietjens is driven by a strong sense of duty and commitment to marriage and country—whatever the cost to himself. Although he is in love with Valentine, he remains married to his promiscuous wife, Sylvia, and accepts as his son a child who may not be his.

But Tietjens’ experiences in the trenches on the Western Front eventually teach him that truth and happiness are more important than societal duties.

Published almost sixty years ago, this compelling study of four senior commanders who served (mostly) on the Western Front remains as fresh as when it was first written. Barnett’s prose is exquisite, bringing us directly into the world of Helmuth von Moltke, John Jellicoe, Philippé Pétain, and Erich Ludendorff, telling us how they coped (or not) with the enormous stresses and strains they encountered as ‘supreme commanders’. It is a stunning portrait of men (and their command systems) at war. 

The most influential spy novelist of them all, John Buchan, had the Germans planning to disable the British army with anthrax germs. While an admittedly small part of all the various plots in the complex novel, Buchan’s Richard Hannay touched all the bases in the five books in which he starred. For another example, in 1924 The Three Hostages, international demigods stirred up trouble with brainwashing and hypnotism. This device was a popular weapon employed by the likes of Fu Manchu.

World War I caused 20 million deaths and left 21 million wounded.

Soldiers who survived the gas attacks and trench warfare often returned to societies eager to forget the atrocities of the conflict and move on. Remarque’s insightfully written novel details the struggles of three German soldiers who return home only to discover that they may have no place in a nation that has learned almost nothing from what they regard as a senseless and immoral war.

In May of 1933, this novel and the rest of Remarque's writing were declared “unpatriotic” by the Nazi dictatorship and all his novels were banned.

The late historian, Thomas Fleming, was a friend. It was an article he wrote for American Heritage magazine in 1968, “Two Argonnes,” about his father, a lieutenant in the 78th Division, that inspired me to write my first World War I book centered on my great uncle as the main character.

Thomas authored 19 books, The Illusion of Victory, is his last book, and he paints a different picture of America’s role in the war, showing how President Wilson and our country were “duped” by Great Britain and France to enter the war, thinking the war was almost won. He not only writes about the Western Front but goes into detail about the home front. After reading his book, you’ll get a different perspective on World War I.

In 2020, to honor one of our most imminent historians, Military History Quarterly magazine inaugurated the annual Thomas Fleming Award for… show more.

Paul Fussell was a soldier in World War II, and he was also a professor of literature. His great book examines the way the experience of war changed a generation. It also changed literature (and art). After the experience of war, poets could no longer write about the world in idealized and romantic ways. They had to find forms to express the experience of being alive in ways that were new and shocking.

I love how Fussell uses his own experience of both war and scholarship to explain why Western art took such a turn in the 20th century. It helped me to understand modernist literature and myself.

Although my novel is set mainly on the home front, it starts in no man’s land and the trenches and returns to the front a few more times to demonstrate how close the links were between the home and war fronts. I wanted these passages to be realistic and needed facts, details, and knowledge from which to write.

I read John Lewis-Stempel’s meticulously researched book because it focuses on the experiences of Subalterns—young men who were made officers while they were often still at school. I found it moving, harrowing, and shocking—a book that stayed with me because it showed the impossibility of performing that role and surviving more than a few weeks. It proved invaluable for the first chapter of the book which is entitled The Subaltern.