Here are 100 books that Count Scar fans have personally recommended if you like
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I love British history. I am fascinated by ancient roots; legends and myths arising from around the Roman invasion. Stories of Boudicca, Casswallen, Celtic legends, and Arthurian tales hold me in a world of imaginings and anticipation. These exciting stories have been told and retold, but Cartimandua, Warrior Queen of Brigantia is new to me. She, a Yorkshire lass like me – led the largest tribe in Britain. I have become absorbed into the iron-age lives and loves of her Brigantia. The interwoven links between known facts and fantasy intrigue me. My favourite books here encouraged my journey of discovery; the old birthing the new. The legends from Britain grow.
I devoured this book with gusto. I guess we all seek a bit of magic sometimes.
When I read this book some thirty years ago, I had hit a rough patch. I wanted to escape the harsh reality surrounding me. The pages of this Celtic story transported me to a better place. You know the feeling, when fear drives you through heavy fog into the unknown? Once through, the landscape opens to excitement and promise.
Steven Lawhead used wonderful imagery to transport me to a time when warriors and kings held the future; when myths were the reality, and ordinary people became heroes. I want to live in a place where bravery and magic link hands. This is where ‘Song Of Albion’ led me. It’s my past and my future.
Wolves in Oxford; extinct beasts in Scotland: the barriers between our world and the Celtic Otherworld are breaking down. Two men are drawn into Albion, and changed for ever.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve been reading fantasy novels since around 1989, when I was twelve. I actually – stupidly! – thought it would be much easier to write a fantasy novel than a historical fiction one. Well, after writing about eighteen historical novels, I turned my hand to fantasy with Singers of the Sword Song and finally discovered just how hard it is to create a compelling new world completely from scratch. The books in this list are the ones that have inspired me for decades and continue to do so as I work on my second fantasy novel with a newfound appreciation, and love, for this magical genre.
This was my introduction to fantasy, and wow, what a story!
Of course, I eventually realised what everyone else had already known, that Sword of Shannara is basically a simplified retelling of The Lord of the Rings, but, as a first fantasy novel for a teenager to read, well, it made a huge impression on me. The second in the series, The Elfstones of Shannara, built on the strong foundation and moved away from LOTR as the author let their own imagination run free.
I liked the characters, particularly the giant druid, Allanon (yes, I have a thing for giant druids as readers of my own novels will know!), and the titular magical weapon, the Elfstones. Exciting stuff that really made my young mind full of possibilities, and having listened to it again more recently as an audiobook, I found it was still a really fun book.
Ancient, ultimate evil threatened the Elves and the Races of Man. For the Ellcrys, the tree of long-lost Elven magic, was dying, loosing the spell of Forbidding that locked the hordes of Demons away from Earth. Already the fearsome Reaper was free. Only one source had the power to stop it: the Elfstones of Shannara. And the valiant companions must ride again in an impossible quest to find them.
Tolkien and Lewis got their hooks into me when I was a teen and this led me to spend many hours playing RPGs, devouring fantasy novels by the armful. Unfortunately, many books were disdainful of faith (particularly of the medieval European variety) but the respectful ones inspired me. Years later, I decided to write my own novels and add a science-based perspective from 20+ years as an engineer. The result is a series of 5 epic fantasy novels. I have plans for more, branching out into sci-fi, romance, children’s books, and historical fiction. My recommendations showcase a few of the writers who inspired me and still provide a model for my work.
A young college student with confidence issues and a knack for verse is transported to a fantasy world where he finds a beautiful queen under siege by a multitude of malevolent actors, a set of unusual companions, and an environment wherein poetry is literally magical. Stasheff’s treatment of faith and magic is thoughtful, his characters interesting and the plot engrossing. I particularly like rooting for the protagonist as he grows, learns, and overcomes. The magic system based on poetry is pure gold and the series has stood the test of time: it’s still as fun of a read now as it was when it first came out.
The first of a light fantasy series, by the author of the "Warlock" series. Matt Mantrell finds himself suddenly transported to a world where magic is worked by the reciting of rhymes. Thrown into jail for practising sorcery, he conjures up a drunken dragon and falls in with a beautiful princess.
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
Tolkien and Lewis got their hooks into me when I was a teen and this led me to spend many hours playing RPGs, devouring fantasy novels by the armful. Unfortunately, many books were disdainful of faith (particularly of the medieval European variety) but the respectful ones inspired me. Years later, I decided to write my own novels and add a science-based perspective from 20+ years as an engineer. The result is a series of 5 epic fantasy novels. I have plans for more, branching out into sci-fi, romance, children’s books, and historical fiction. My recommendations showcase a few of the writers who inspired me and still provide a model for my work.
In this, the final novel of Kurtz’s epic series about the magic-wielding Deryni race, the half-blood King Kelson navigates dynastic marriage, alliances with far-flung kingdoms, assassination plots, and family betrayals. Kelson is a favorite character of mine: decent, brave, practical, and devout, and I felt great satisfaction when he finally met his soulmate in the spirited and courageous Princess Araxie. All doesn’t go smoothly for the pair, however, and they have to overcome many obstacles before they can be united. Kurtz is a master at atmospheric world-building, and I fell into her world as readily as I fell into Narnia and Middle Earth. I really liked how Kurtz expanded her scope to include regions similar to Byzantium, medieval Hungary, and the Islamic world. It was fascinating, thrilling, and uplifting; another of my all-time favorites.
“Kurtz’s strengths lie in her patient accumulation of telling detail, well-articulated plots, and believable magics. Should bring the fans flocking, and attract newcomers too.”—Kirkus Reviews
Speculation runs rampant throughout the kingdom of Gwynedd as to when, and to whom, King Kelson will finally be wed. As a rival monarch takes his rightful place on the throne of a nearby land, it becomes more imperative than ever that Kelson produce a long-awaited heir.
With the mystical Deryni blood flowing through his veins, Kelson can only hope for a woman whose power and conviction are equal to his own. Love is set…
I consider myself both a student of satire and also a master practitioner with an innate and instinctive aptitude for it—like those born with perfect pitch or hand-eye coordination, kind of like an idiot savant, only without the idiot part, hopefully. Satire is the perfect literary platform because it allows both the writer and the reader to explore the landscape of the human experience—the absurdity, the grandeur, the mystery, the dismay—not with a sermon or a polemic or a sigh, but with a laugh and a nodding smile of recognition.
I loved this book because it’s such a great concept.
It’s a delightfully intoxicating cocktail of Cervantes, Ian Fleming, with a twist of Beckett—shaken, not stirred. Fantastically fun and propelled by an extraordinary character who is obviously totally crazy, or maybe that’s just his cover story. An absolutely ingenious concept for a character and a book that is surprising, funny, ludicrously action-packed, yet strangely plausible, weirdly believable, and ultimately, completely enjoyable!
The characters, the locations, the menus, the yachts, the clothes, the witty repartee—I felt a little classier and more sophisticated just from having read it.
"A brilliant homage to everyone's favorite super-spy, and a hilarious, action-packed, made-for-the-movies thriller about a man suavely dancing along both sides of the thin line between heroism and madness." –Matt Forbeck, New York Times bestselling author of Halo: New Blood
James Flynn is an expert shot, a black belt in karate, fluent in four languages and irresistible to women. He's also a heavily medicated patient in a Los Angeles psychiatric hospital. Flynn believes his locked ward is the headquarters of Her Majesty's Secret Service and that he is a secret agent with a license to kill.
I’m fascinated by these themes – love, France, mystery, women’s lives, war, and peace. My parents took me to France when I was 12 and I’ve spent years there in between and go back whenever I can. I started reading in French when sent to be an au pair in Switzerland when I was 17. My own novel, The Lost Love Letters Of Henri Fournier was absorbing to write as it contains all of the above. I found an unpublished novel of Fournier’s in a village in rural France a few years ago and decided I had to write about him and his lover, Pauline, who was a famous French actress.
Another story that's impossible to forget – actually this is a novella in a collection of stories with this name. Again, about a lost house in a forest in France, an artist, a young man in love, and the two young women who bewitch him in turns. John Fowles is an English writer from the 1960s, whose work I loved when young and still do. He was much influenced by Alain-Fournier.
The Ebony Tower, comprising a novella, three stories, and a translation of a medieval French tale, echoes themes from John Fowles's internationally celebrated novels as it probes the fitful relations between love and hate, pleasure and pain, fantasy and reality.
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
My first recollection of a fascination with medieval history occurred while watching Errol Flynn in The Adventures of Robin Hood. I soon exhausted our school library’s limited selection of tales of kings and castles. Much later, a history degree and decades spent in Germany and England allowed me to delve deeply into historical research, gaining a specialized knowledge into the areas in which I was most interested. I am particularly fascinated with the lives of women, most of whom medieval chroniclers relegate to a brief mention as wives and mothers. There are clearly stories here yet to be told and I am always excited to learn of new scholarship.
Eleanor of Aquitaine is certainly one of the most formidable women of the Middle Ages; not just because she was queen to two kings, but because she had the courage to openly defy them both.
Consequently, I raced to order Coirle Mooney’s first novel in her The Medieval Ladies series, followed quickly by the second, The Cloistered Lady. I absolutely love the author’s ability to craft vivid descriptions of time and place, especially the uncommon setting of the nunnery at Fontrevault. Joanna, Queen Eleanor’s lady-in-waiting, is a delightfully complex character.
Like Christina Kohl in my series, she is wonderfully human; but her fears and shortcomings are balanced out by her sometimes-surprising strength and compassion. I enjoyed all three novels in the series, but this one most of all.
I am an art historian and a horticulturist, specializing in the art, architecture, and gardens of the Middle Ages, and I’ve published a number of books on these subjects. But I’ve always loved mystery stories, and I dreamed of writing one of my own. When I discovered Christine de Pizan, an extraordinary personage who defied all the stereotypes about medieval women, I decided to write a series of mystery novels featuring her as the sleuth.
I love this classic study in which Huizinga vividly portrays the colorful era in which my heroin, Christine de Pizan, lived. Huizinga shows that late medieval society was full of striking contradictions, among them chivalry vs cruelty, courtly love vs vengeance, blissful visions of heaven vs horrific visions of Hell.
“To the world when it was half a thousand years younger,” Huizinga begins, “the outline of all things seemed more clearly marked than to us.” Life seemed to consist in extremes—a fierce religious asceticism and an unrestrained licentiousness, ferocious judicial punishments and great popular waves of pity and mercy, the most horrible crimes and the most extravagant acts of saintliness—and everywhere a sea of tears, for men have never wept so unrestrainedly as in those centuries.
First published in 1924, this brilliant portrait of the life, thought, and art in France and the Netherlands in the 14th and 15th centuries…
I knew nothing about wine and drank it only rarely until I went to Paris as a graduate student in the 1970s. Even then, I couldn’t afford more than basic plonk. It was not until I started doing research in Dijon every summer in the 1980s, making great friends in the process, eating and drinking at their dining tables, and visiting their favorite vignerons with them for dégustations, that I began to appreciate wine, not just as a fantastic beverage, but as a social and cultural creator. And as a historian, Iappreciatethat drinking wine thatcomesfrom vineyards planted in the Middle Ages connects us withour ancestors inthe past.
This is the best general survey of French wine in English, from someone who not only teaches the history of modern France at his local university, but who also reviews and writes about wine for his city’s newspaper. As both an academic historian and a journalist, Phillips has written a riveting account of how wine was first introduced to France under the Romans, how many of the vineyards later came under the control of the Catholic church in the Middle Ages, how the French state attempted to control and regulate the production of wine in the nineteenth-century, and how smaller wineries are now trying to cope with the global commercialization of the wine industry. Just a great primer on French wine.
For centuries, wine has been associated with France more than with any other country. France remains one of the world's leading wine producers by volume and enjoys unrivalled cultural recognition for its wine. If any wine regions are global household names, they are French regions such as Champagne, Bordeaux, and Burgundy. Within the wine world, products from French regions are still benchmarks for many wines. French Wine is the first synthetic history of wine in France: from Etruscan, Greek, and Roman imports and the adoption of wine by beer-drinking Gauls to its present status within the global marketplace. Rod Phillips…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
I’m a historian of medieval Europe who specializes in twelfth-century England and France. I’ve been fascinated with history since childhood and distinctly remember being obsessed with a book on English monarchs in my mom’s bookcase when I was young. In college, I took a class on Medieval England with a professor whose enthusiasm for the subject, along with the sheer strangeness of the medieval world, hooked me. I’ve been exploring medieval Europe ever since, and deepening my understanding of how our own world came into being in the process.
Chibnall was a fantastic writer, and she was the authority on Orderic Vitalis, one of the most important historians of the early twelfth century.
I love this book because Chibnall uses Orderic’s history to explore the world he wrote in, a world in which monks mingled with knights and kings, and she examines the rapid social changes taking place in the early twelfth century. This book is at once an examination of Orderic’s work, a biography of a famous chronicler, and an exploration of Anglo-Norman society in the early twelfth century.
It’s a fantastic place to start if you’ve never read anything on Anglo-Norman England, and it’s a great way to deepen your knowledge if you’re already familiar with this corner of the past.